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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49A045 it is the complementary color #B65FBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49A045. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49A045 shade: #4EA040, #5FB253, #70C466, #81D679 and #92E88C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49A045. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49A045 shade: #49A045, #388E32, #277C1F, #166A0C and #055800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49A045 shade: #49A145, #62A145, #7AA145, #93A145 and #A19545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49A045 shade: #49A145, #45A15A, #45A172, #45A18B and #459DA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49A045 shade matches the following richer shades: #49A145, #38B332, #27C620 and #16D80D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49A045 shade: #49A145, #5A8E57, #6B7C6A, #7C697D and #8D568F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49A045 shade: #7AA145, #62A145, #49A145, #45A159 and #45A171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49A045 shade: #2F672C, #3C8438, #49A145, #5CB758 and #78C474

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49A045 shade: #49A045, #4593A1 and #A1456E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49A045 shade: #49A045, #4549A1 and #A14549

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49A045 shade: #49A045, #4593A1, #9C45A1 and #A15345

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49A045 shade: #49A045, #4577A1, #9C45A1 and #A16E45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 57 / 37

HEX #49A045

RGB 73 160 69

HSL 117.36, 0.4%, 0.45%

LAB 58.96, -44.8, 39.09

 

Complementary color

CMYK 2 / 49 / 0 / 27

HEX #B65FBA

RGB 182 95 186

HSL 297.36, 0.4%, 0.55%

LAB 53.68, 48.38, -33.06

 

CMYK 51 / 0 / 60 / 37

HEX #4EA040

RGB 78 160 64

HSL 111.25, 0.43%, 0.44%

LAB 59.1, -43.99, 41.68

 

CMYK 47 / 0 / 53 / 30

HEX #5FB253

RGB 95 178 83

HSL 112.42, 0.38%, 0.51%

LAB 65.67, -44.1, 40.47

 

CMYK 43 / 0 / 48 / 23

HEX #70C466

RGB 112 196 102

HSL 113.62, 0.44%, 0.58%

LAB 72.15, -44.05, 39.21

 

CMYK 40 / 0 / 43 / 16

HEX #81D679

RGB 129 214 121

HSL 114.84, 0.53%, 0.66%

LAB 78.54, -43.92, 37.96

 

CMYK 37 / 0 / 40 / 9

HEX #92E88C

RGB 146 232 140

HSL 116.09, 0.67%, 0.73%

LAB 84.85, -43.73, 36.75

 

CMYK 54 / 0 / 57 / 37

HEX #49A045

RGB 73 160 69

HSL 117.36, 0.4%, 0.45%

LAB 58.96, -44.8, 39.09

 

CMYK 61 / 0 / 65 / 44

HEX #388E32

RGB 56 142 50

HSL 116.09, 0.48%, 0.38%

LAB 52.31, -44.43, 40.28

 

CMYK 69 / 0 / 75 / 51

HEX #277C1F

RGB 39 124 31

HSL 114.84, 0.6%, 0.3%

LAB 45.56, -43.59, 41.1

 

CMYK 79 / 0 / 89 / 58

HEX #166A0C

RGB 22 106 12

HSL 113.62, 0.8%, 0.23%

LAB 38.73, -41.93, 40.88

 

CMYK 94 / 0 / 100 / 65

HEX #055800

RGB 5 88 0

HSL 116.59, 1%, 0.17%

LAB 31.83, -39.01, 38.39

 

CMYK 55 / 0 / 57 / 37

HEX #49A145

RGB 73 161 69

HSL 117.39, 0.4%, 0.45%

LAB 59.28, -45.2, 39.46

 

CMYK 39 / 0 / 57 / 37

HEX #62A145

RGB 98 161 69

HSL 101.09, 0.4%, 0.45%

LAB 60.35, -37.49, 40.99

 

CMYK 24 / 0 / 57 / 37

HEX #7AA145

RGB 122 161 69

HSL 85.43, 0.4%, 0.45%

LAB 61.7, -28.66, 42.9

 

CMYK 9 / 0 / 57 / 37

HEX #93A145

RGB 147 161 69

HSL 69.13, 0.4%, 0.45%

LAB 63.44, -18.47, 45.35

 

CMYK 0 / 7 / 57 / 37

HEX #A19545

RGB 161 149 69

HSL 52.17, 0.4%, 0.45%

LAB 61.22, -6.13, 43.13

 

CMYK 55 / 0 / 57 / 37

HEX #49A145

RGB 73 161 69

HSL 117.39, 0.4%, 0.45%

LAB 59.28, -45.2, 39.46

 

CMYK 57 / 0 / 44 / 37

HEX #45A15A

RGB 69 161 90

HSL 133.7, 0.4%, 0.45%

LAB 59.43, -43.16, 28.91

 

CMYK 57 / 0 / 29 / 37

HEX #45A172

RGB 69 161 114

HSL 149.35, 0.4%, 0.45%

LAB 59.86, -38.61, 16.43

 

CMYK 57 / 0 / 14 / 37

HEX #45A18B

RGB 69 161 139

HSL 165.65, 0.4%, 0.45%

LAB 60.44, -32.8, 3.26

 

CMYK 57 / 2 / 0 / 37

HEX #459DA1

RGB 69 157 161

HSL 182.61, 0.4%, 0.45%

LAB 59.85, -24.92, -10.05

 

CMYK 55 / 0 / 57 / 37

HEX #49A145

RGB 73 161 69

HSL 117.39, 0.4%, 0.45%

LAB 59.28, -45.2, 39.46

 

CMYK 69 / 0 / 72 / 30

HEX #38B332

RGB 56 179 50

HSL 117.21, 0.56%, 0.45%

LAB 64.41, -57.75, 53.23

 

CMYK 80 / 0 / 84 / 22

HEX #27C620

RGB 39 198 32

HSL 117.47, 0.72%, 0.45%

LAB 70.12, -67.55, 64.22

 

CMYK 90 / 0 / 94 / 15

HEX #16D80D

RGB 22 216 13

HSL 117.34, 0.89%, 0.45%

LAB 75.64, -74.83, 72.25

 

CMYK 55 / 0 / 57 / 37

HEX #49A145

RGB 73 161 69

HSL 117.39, 0.4%, 0.45%

LAB 59.28, -45.2, 39.46

 

CMYK 37 / 0 / 39 / 44

HEX #5A8E57

RGB 90 142 87

HSL 116.73, 0.24%, 0.45%

LAB 54.25, -28.97, 23.96

 

CMYK 14 / 0 / 15 / 51

HEX #6B7C6A

RGB 107 124 106

HSL 116.67, 0.08%, 0.45%

LAB 50.19, -9.98, 7.75

 

CMYK 1 / 16 / 0 / 51

HEX #7C697D

RGB 124 105 125

HSL 297, 0.09%, 0.45%

LAB 46.8, 11.38, -8.3

 

CMYK 1 / 40 / 0 / 44

HEX #8D568F

RGB 141 86 143

HSL 297.89, 0.25%, 0.45%

LAB 44.66, 32.26, -22.19

 

CMYK 24 / 0 / 57 / 37

HEX #7AA145

RGB 122 161 69

HSL 85.43, 0.4%, 0.45%

LAB 61.7, -28.66, 42.9

 

CMYK 39 / 0 / 57 / 37

HEX #62A145

RGB 98 161 69

HSL 101.09, 0.4%, 0.45%

LAB 60.35, -37.49, 40.99

 

CMYK 55 / 0 / 57 / 37

HEX #49A145

RGB 73 161 69

HSL 117.39, 0.4%, 0.45%

LAB 59.28, -45.2, 39.46

 

CMYK 57 / 0 / 45 / 37

HEX #45A159

RGB 69 161 89

HSL 133.04, 0.4%, 0.45%

LAB 59.41, -43.33, 29.42

 

CMYK 57 / 0 / 30 / 37

HEX #45A171

RGB 69 161 113

HSL 148.7, 0.4%, 0.45%

LAB 59.84, -38.82, 16.96

 

CMYK 54 / 0 / 57 / 60

HEX #2F672C

RGB 47 103 44

HSL 116.95, 0.4%, 0.29%

LAB 38.7, -31.56, 27.47

 

CMYK 55 / 0 / 58 / 48

HEX #3C8438

RGB 60 132 56

HSL 116.84, 0.4%, 0.37%

LAB 49.19, -38.6, 33.85

 

CMYK 55 / 0 / 57 / 37

HEX #49A145

RGB 73 161 69

HSL 117.39, 0.4%, 0.45%

LAB 59.28, -45.2, 39.46

 

CMYK 50 / 0 / 52 / 28

HEX #5CB758

RGB 92 183 88

HSL 117.47, 0.4%, 0.53%

LAB 67.16, -46.39, 39.8

 

CMYK 39 / 0 / 41 / 23

HEX #78C474

RGB 120 196 116

HSL 117, 0.4%, 0.61%

LAB 72.72, -39.57, 32.92

 

CMYK 54 / 0 / 57 / 37

HEX #49A045

RGB 73 160 69

HSL 117.36, 0.4%, 0.45%

LAB 58.96, -44.8, 39.09

 

CMYK 57 / 9 / 0 / 37

HEX #4593A1

RGB 69 147 161

HSL 189.13, 0.4%, 0.45%

LAB 56.79, -19.75, -14.66

 

CMYK 0 / 57 / 32 / 37

HEX #A1456E

RGB 161 69 110

HSL 333.26, 0.4%, 0.45%

LAB 42.7, 42.58, -4.81

 

CMYK 54 / 0 / 57 / 37

HEX #49A045

RGB 73 160 69

HSL 117.36, 0.4%, 0.45%

LAB 58.96, -44.8, 39.09

 

CMYK 57 / 55 / 0 / 37

HEX #4549A1

RGB 69 73 161

HSL 237.39, 0.4%, 0.45%

LAB 35.21, 24.91, -48.43

 

CMYK 0 / 57 / 55 / 37

HEX #A14549

RGB 161 69 73

HSL 357.39, 0.4%, 0.45%

LAB 41.71, 38.53, 16.69

 

CMYK 54 / 0 / 57 / 37

HEX #49A045

RGB 73 160 69

HSL 117.36, 0.4%, 0.45%

LAB 58.96, -44.8, 39.09

 

CMYK 57 / 9 / 0 / 37

HEX #4593A1

RGB 69 147 161

HSL 189.13, 0.4%, 0.45%

LAB 56.79, -19.75, -14.66

 

CMYK 3 / 57 / 0 / 37

HEX #9C45A1

RGB 156 69 161

HSL 296.74, 0.4%, 0.45%

LAB 44.09, 49.26, -33.7

 

CMYK 0 / 48 / 57 / 37

HEX #A15345

RGB 161 83 69

HSL 9.13, 0.4%, 0.45%

LAB 44.51, 30.85, 22.8

 

CMYK 54 / 0 / 57 / 37

HEX #49A045

RGB 73 160 69

HSL 117.36, 0.4%, 0.45%

LAB 58.96, -44.8, 39.09

 

CMYK 57 / 26 / 0 / 37

HEX #4577A1

RGB 69 119 161

HSL 207.39, 0.4%, 0.45%

LAB 48.3, -4.08, -27.68

 

CMYK 3 / 57 / 0 / 37

HEX #9C45A1

RGB 156 69 161

HSL 296.74, 0.4%, 0.45%

LAB 44.09, 49.26, -33.7

 

CMYK 0 / 32 / 57 / 37

HEX #A16E45

RGB 161 110 69

HSL 26.74, 0.4%, 0.45%

LAB 50.87, 15.69, 30.83

 

Description

Color code: HEX #49A045 | qconv.com Color code: HEX #49A045 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 160 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 160 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 57 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 57% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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