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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #499D39 it is the complementary color #B662C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #499D39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #499D39 shade: #4E9D34, #5FAF47, #70C15A, #81D36D and #92E580

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #499D39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #499D39 shade: #499D39, #388B26, #277913, #166700 and #055500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #499D39 shade: #499D39, #649D39, #7F9D39, #9A9D39 and #9D8539

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #499D39 shade: #499D39, #399D44, #399D5F, #399D7A and #399D95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #499D39 shade matches the following richer shades: #499D39, #3DAF27, #31C016 and #26D105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #499D39 shade: #499D39, #558C4A, #607B5B, #6C696D and #78587E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #499D39 shade: #7F9D39, #649D39, #4A9D39, #399D43 and #399D5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #499D39 shade: #2D6123, #3B7F2E, #499D39, #57BC44 and #72C662

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #499D39 shade: #499D39, #399A9D and #9D3972

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #499D39 shade: #499D39, #394A9D and #9D394A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #499D39 shade: #499D39, #399A9D, #8D399D and #9D3C39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #499D39 shade: #499D39, #397C9D, #8D399D and #9D5A39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 64 / 38

HEX #499D39

RGB 73 157 57

HSL 110.4, 0.47%, 0.42%

LAB 57.87, -44.99, 43.47

 

Complementary color

CMYK 8 / 51 / 0 / 22

HEX #B662C6

RGB 182 98 198

HSL 290.4, 0.47%, 0.58%

LAB 54.82, 49.15, -38.17

 

CMYK 50 / 0 / 67 / 38

HEX #4E9D34

RGB 78 157 52

HSL 105.14, 0.5%, 0.41%

LAB 58.02, -44.02, 45.89

 

CMYK 46 / 0 / 59 / 31

HEX #5FAF47

RGB 95 175 71

HSL 106.15, 0.42%, 0.48%

LAB 64.6, -44.26, 44.93

 

CMYK 42 / 0 / 53 / 24

HEX #70C15A

RGB 112 193 90

HSL 107.18, 0.45%, 0.55%

LAB 71.09, -44.31, 43.78

 

CMYK 39 / 0 / 48 / 17

HEX #81D36D

RGB 129 211 109

HSL 108.24, 0.54%, 0.63%

LAB 77.5, -44.25, 42.57

 

CMYK 36 / 0 / 44 / 10

HEX #92E580

RGB 146 229 128

HSL 109.31, 0.66%, 0.7%

LAB 83.81, -44.12, 41.36

 

CMYK 54 / 0 / 64 / 38

HEX #499D39

RGB 73 157 57

HSL 110.4, 0.47%, 0.42%

LAB 57.87, -44.99, 43.47

 

CMYK 60 / 0 / 73 / 45

HEX #388B26

RGB 56 139 38

HSL 109.31, 0.57%, 0.35%

LAB 51.2, -44.45, 44.27

 

CMYK 68 / 0 / 84 / 53

HEX #277913

RGB 39 121 19

HSL 108.24, 0.73%, 0.27%

LAB 44.45, -43.36, 44.24

 

CMYK 79 / 0 / 100 / 60

HEX #166700

RGB 22 103 0

HSL 107.18, 1%, 0.2%

LAB 37.61, -41.5, 43.12

 

CMYK 94 / 0 / 100 / 67

HEX #055500

RGB 5 85 0

HSL 116.47, 1%, 0.17%

LAB 30.71, -38.04, 37.49

 

CMYK 54 / 0 / 64 / 38

HEX #499D39

RGB 73 157 57

HSL 110.4, 0.47%, 0.42%

LAB 57.87, -44.99, 43.47

 

CMYK 36 / 0 / 64 / 38

HEX #649D39

RGB 100 157 57

HSL 94.2, 0.47%, 0.42%

LAB 59.08, -36.24, 45.15

 

CMYK 19 / 0 / 64 / 38

HEX #7F9D39

RGB 127 157 57

HSL 78, 0.47%, 0.42%

LAB 60.71, -25.78, 47.4

 

CMYK 2 / 0 / 64 / 38

HEX #9A9D39

RGB 154 157 57

HSL 61.8, 0.47%, 0.42%

LAB 62.74, -14.33, 50.18

 

CMYK 0 / 15 / 64 / 38

HEX #9D8539

RGB 157 133 57

HSL 45.6, 0.47%, 0.42%

LAB 56.33, -0.03, 43.32

 

CMYK 54 / 0 / 64 / 38

HEX #499D39

RGB 73 157 57

HSL 110.4, 0.47%, 0.42%

LAB 57.87, -44.99, 43.47

 

CMYK 64 / 0 / 57 / 38

HEX #399D44

RGB 57 157 68

HSL 126.6, 0.47%, 0.42%

LAB 57.46, -47.74, 37.67

 

CMYK 64 / 0 / 39 / 38

HEX #399D5F

RGB 57 157 95

HSL 142.8, 0.47%, 0.42%

LAB 57.86, -43.37, 24.1

 

CMYK 64 / 0 / 22 / 38

HEX #399D7A

RGB 57 157 122

HSL 159, 0.47%, 0.42%

LAB 58.4, -37.58, 9.87

 

CMYK 64 / 0 / 5 / 38

HEX #399D95

RGB 57 157 149

HSL 175.2, 0.47%, 0.42%

LAB 59.12, -30.56, -4.38

 

CMYK 54 / 0 / 64 / 38

HEX #499D39

RGB 73 157 57

HSL 110.4, 0.47%, 0.42%

LAB 57.87, -44.99, 43.47

 

CMYK 65 / 0 / 78 / 31

HEX #3DAF27

RGB 61 175 39

HSL 110.29, 0.64%, 0.42%

LAB 63.18, -56.18, 55.9

 

CMYK 74 / 0 / 89 / 25

HEX #31C016

RGB 49 192 22

HSL 110.47, 0.79%, 0.42%

LAB 68.32, -64.77, 64.86

 

CMYK 82 / 0 / 98 / 18

HEX #26D105

RGB 38 209 5

HSL 110.29, 0.95%, 0.42%

LAB 73.56, -71.65, 71.42

 

CMYK 54 / 0 / 64 / 38

HEX #499D39

RGB 73 157 57

HSL 110.4, 0.47%, 0.42%

LAB 57.87, -44.99, 43.47

 

CMYK 39 / 0 / 47 / 45

HEX #558C4A

RGB 85 140 74

HSL 110, 0.31%, 0.42%

LAB 53.15, -31.75, 29.56

 

CMYK 22 / 0 / 26 / 52

HEX #607B5B

RGB 96 123 91

HSL 110.63, 0.15%, 0.42%

LAB 48.77, -16.42, 14.39

 

CMYK 1 / 4 / 0 / 57

HEX #6C696D

RGB 108 105 109

HSL 285, 0.02%, 0.42%

LAB 44.79, 1.99, -1.83

 

CMYK 5 / 30 / 0 / 51

HEX #78587E

RGB 120 88 126

HSL 290.53, 0.18%, 0.42%

LAB 41.97, 20.35, -16.26

 

CMYK 19 / 0 / 64 / 38

HEX #7F9D39

RGB 127 157 57

HSL 78, 0.47%, 0.42%

LAB 60.71, -25.78, 47.4

 

CMYK 36 / 0 / 64 / 38

HEX #649D39

RGB 100 157 57

HSL 94.2, 0.47%, 0.42%

LAB 59.08, -36.24, 45.15

 

CMYK 53 / 0 / 64 / 38

HEX #4A9D39

RGB 74 157 57

HSL 109.8, 0.47%, 0.42%

LAB 57.91, -44.7, 43.52

 

CMYK 64 / 0 / 57 / 38

HEX #399D43

RGB 57 157 67

HSL 126, 0.47%, 0.42%

LAB 57.45, -47.87, 38.15

 

CMYK 64 / 0 / 40 / 38

HEX #399D5E

RGB 57 157 94

HSL 142.2, 0.47%, 0.42%

LAB 57.84, -43.55, 24.62

 

CMYK 54 / 0 / 64 / 62

HEX #2D6123

RGB 45 97 35

HSL 110.32, 0.47%, 0.26%

LAB 36.42, -30.7, 29.49

 

CMYK 54 / 0 / 64 / 50

HEX #3B7F2E

RGB 59 127 46

HSL 110.37, 0.47%, 0.34%

LAB 47.37, -38.02, 36.65

 

CMYK 54 / 0 / 64 / 38

HEX #499D39

RGB 73 157 57

HSL 110.4, 0.47%, 0.42%

LAB 57.87, -44.99, 43.47

 

CMYK 54 / 0 / 64 / 26

HEX #57BC44

RGB 87 188 68

HSL 110.5, 0.47%, 0.5%

LAB 68.32, -52.07, 50.37

 

CMYK 42 / 0 / 51 / 22

HEX #72C662

RGB 114 198 98

HSL 110.4, 0.47%, 0.58%

LAB 72.79, -44.81, 41.99

 

CMYK 54 / 0 / 64 / 38

HEX #499D39

RGB 73 157 57

HSL 110.4, 0.47%, 0.42%

LAB 57.87, -44.99, 43.47

 

CMYK 64 / 2 / 0 / 38

HEX #399A9D

RGB 57 154 157

HSL 181.8, 0.47%, 0.42%

LAB 58.43, -26.79, -9.94

 

CMYK 0 / 64 / 27 / 38

HEX #9D3972

RGB 157 57 114

HSL 325.8, 0.47%, 0.42%

LAB 40.1, 47.47, -11.26

 

CMYK 54 / 0 / 64 / 38

HEX #499D39

RGB 73 157 57

HSL 110.4, 0.47%, 0.42%

LAB 57.87, -44.99, 43.47

 

CMYK 64 / 53 / 0 / 38

HEX #394A9D

RGB 57 74 157

HSL 229.8, 0.47%, 0.42%

LAB 34.4, 20.54, -47.37

 

CMYK 0 / 64 / 53 / 38

HEX #9D394A

RGB 157 57 74

HSL 349.8, 0.47%, 0.42%

LAB 38.88, 42.96, 12.1

 

CMYK 54 / 0 / 64 / 38

HEX #499D39

RGB 73 157 57

HSL 110.4, 0.47%, 0.42%

LAB 57.87, -44.99, 43.47

 

CMYK 64 / 2 / 0 / 38

HEX #399A9D

RGB 57 154 157

HSL 181.8, 0.47%, 0.42%

LAB 58.43, -26.79, -9.94

 

CMYK 10 / 64 / 0 / 38

HEX #8D399D

RGB 141 57 157

HSL 290.4, 0.47%, 0.42%

LAB 39.62, 50.2, -38.51

 

CMYK 0 / 62 / 64 / 38

HEX #9D3C39

RGB 157 60 57

HSL 1.8, 0.47%, 0.42%

LAB 39.06, 40.22, 22.94

 

CMYK 54 / 0 / 64 / 38

HEX #499D39

RGB 73 157 57

HSL 110.4, 0.47%, 0.42%

LAB 57.87, -44.99, 43.47

 

CMYK 64 / 21 / 0 / 38

HEX #397C9D

RGB 57 124 157

HSL 199.8, 0.47%, 0.42%

LAB 49.15, -10.75, -24.05

 

CMYK 10 / 64 / 0 / 38

HEX #8D399D

RGB 141 57 157

HSL 290.4, 0.47%, 0.42%

LAB 39.62, 50.2, -38.51

 

CMYK 0 / 43 / 64 / 38

HEX #9D5A39

RGB 157 90 57

HSL 19.8, 0.47%, 0.42%

LAB 45.33, 24.38, 30.66

 

Description

Color code: HEX #499D39 | qconv.com Color code: HEX #499D39 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 157 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 157 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 64 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 64% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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