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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #499623 it is the complementary color #B669DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #499623. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #499623 shade: #4E961E, #5FA831, #70BA44, #81CC57 and #92DE6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #499623. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #499623 shade: #499623, #388410, #277200, #166000 and #054E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #499623 shade: #499523, #679523, #869523, #958523 and #956623

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #499623 shade: #499523, #2A9523, #23953B, #239559 and #239578

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #499623 shade matches the following richer shades: #499523, #43A414 and #3EB205

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #499623 shade: #499523, #4E8632, #537741, #58684F and #5D595E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #499623 shade: #869523, #679523, #499523, #2A9523 and #23953A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #499623 shade: #285213, #38731B, #499523, #59B62B and #6BD139

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #499623 shade: #499623, #239586 and #952376

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #499623 shade: #499623, #234995 and #952349

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #499623 shade: #499623, #239586, #6F2395 and #952332

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #499623 shade: #499623, #238295, #6F2395 and #953623

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 77 / 41

HEX #499623

RGB 73 150 35

HSL 100.17, 0.62%, 0.36%

LAB 55.43, -44.1, 49.85

 

Complementary color

CMYK 17 / 52 / 0 / 14

HEX #B669DC

RGB 182 105 220

HSL 280.17, 0.62%, 0.64%

LAB 57.28, 50.06, -46.76

 

CMYK 48 / 0 / 80 / 41

HEX #4E961E

RGB 78 150 30

HSL 96, 0.67%, 0.35%

LAB 55.61, -42.84, 51.77

 

CMYK 43 / 0 / 71 / 34

HEX #5FA831

RGB 95 168 49

HSL 96.81, 0.55%, 0.43%

LAB 62.22, -43.39, 51.77

 

CMYK 40 / 0 / 63 / 27

HEX #70BA44

RGB 112 186 68

HSL 97.63, 0.46%, 0.5%

LAB 68.74, -43.68, 51.12

 

CMYK 37 / 0 / 57 / 20

HEX #81CC57

RGB 129 204 87

HSL 98.46, 0.53%, 0.57%

LAB 75.16, -43.79, 50.17

 

CMYK 34 / 0 / 52 / 13

HEX #92DE6A

RGB 146 222 106

HSL 99.31, 0.64%, 0.64%

LAB 81.51, -43.81, 49.07

 

CMYK 51 / 0 / 77 / 41

HEX #499623

RGB 73 150 35

HSL 100.17, 0.62%, 0.36%

LAB 55.43, -44.1, 49.85

 

CMYK 58 / 0 / 88 / 48

HEX #388410

RGB 56 132 16

HSL 99.31, 0.78%, 0.29%

LAB 48.74, -43.18, 49.14

 

CMYK 66 / 0 / 100 / 55

HEX #277200

RGB 39 114 0

HSL 99.47, 1%, 0.22%

LAB 41.95, -41.66, 46.75

 

CMYK 77 / 0 / 100 / 62

HEX #166000

RGB 22 96 0

HSL 106.25, 1%, 0.19%

LAB 35.08, -39.09, 41.1

 

CMYK 94 / 0 / 100 / 69

HEX #054E00

RGB 5 78 0

HSL 116.15, 1%, 0.15%

LAB 28.06, -35.75, 35.35

 

CMYK 51 / 0 / 77 / 42

HEX #499523

RGB 73 149 35

HSL 100, 0.62%, 0.36%

LAB 55.11, -43.71, 49.53

 

CMYK 31 / 0 / 77 / 42

HEX #679523

RGB 103 149 35

HSL 84.21, 0.62%, 0.36%

LAB 56.58, -33.13, 51.48

 

CMYK 10 / 0 / 77 / 42

HEX #869523

RGB 134 149 35

HSL 67.89, 0.62%, 0.36%

LAB 58.68, -20.2, 54.21

 

CMYK 0 / 11 / 77 / 42

HEX #958523

RGB 149 133 35

HSL 51.58, 0.62%, 0.36%

LAB 55.37, -4.93, 51.55

 

CMYK 0 / 32 / 77 / 42

HEX #956623

RGB 149 102 35

HSL 35.26, 0.62%, 0.36%

LAB 46.99, 12.65, 43.47

 

CMYK 51 / 0 / 77 / 42

HEX #499523

RGB 73 149 35

HSL 100, 0.62%, 0.36%

LAB 55.11, -43.71, 49.53

 

CMYK 72 / 0 / 77 / 42

HEX #2A9523

RGB 42 149 35

HSL 116.32, 0.62%, 0.36%

LAB 54.14, -51.46, 48.26

 

CMYK 77 / 0 / 60 / 42

HEX #23953B

RGB 35 149 59

HSL 132.63, 0.62%, 0.36%

LAB 54.2, -50.18, 38.08

 

CMYK 77 / 0 / 40 / 42

HEX #239559

RGB 35 149 89

HSL 148.42, 0.62%, 0.36%

LAB 54.63, -45.23, 23.02

 

CMYK 77 / 0 / 19 / 42

HEX #239578

RGB 35 149 120

HSL 164.74, 0.62%, 0.36%

LAB 55.29, -38.09, 6.5

 

CMYK 51 / 0 / 77 / 42

HEX #499523

RGB 73 149 35

HSL 100, 0.62%, 0.36%

LAB 55.11, -43.71, 49.53

 

CMYK 59 / 0 / 88 / 36

HEX #43A414

RGB 67 164 20

HSL 100.42, 0.78%, 0.36%

LAB 59.7, -51.87, 57.97

 

CMYK 65 / 0 / 97 / 30

HEX #3EB205

RGB 62 178 5

HSL 100.23, 0.95%, 0.36%

LAB 64.06, -58.3, 63.91

 

CMYK 51 / 0 / 77 / 42

HEX #499523

RGB 73 149 35

HSL 100, 0.62%, 0.36%

LAB 55.11, -43.71, 49.53

 

CMYK 42 / 0 / 63 / 47

HEX #4E8632

RGB 78 134 50

HSL 100, 0.46%, 0.36%

LAB 50.57, -34.43, 38.58

 

CMYK 30 / 0 / 45 / 53

HEX #537741

RGB 83 119 65

HSL 100, 0.29%, 0.36%

LAB 46.2, -23.56, 25.65

 

CMYK 15 / 0 / 24 / 59

HEX #58684F

RGB 88 104 79

HSL 98.4, 0.14%, 0.36%

LAB 42.06, -11.22, 12.12

 

CMYK 1 / 5 / 0 / 63

HEX #5D595E

RGB 93 89 94

HSL 288, 0.03%, 0.36%

LAB 38.34, 2.66, -2.31

 

CMYK 10 / 0 / 77 / 42

HEX #869523

RGB 134 149 35

HSL 67.89, 0.62%, 0.36%

LAB 58.68, -20.2, 54.21

 

CMYK 31 / 0 / 77 / 42

HEX #679523

RGB 103 149 35

HSL 84.21, 0.62%, 0.36%

LAB 56.58, -33.13, 51.48

 

CMYK 51 / 0 / 77 / 42

HEX #499523

RGB 73 149 35

HSL 100, 0.62%, 0.36%

LAB 55.11, -43.71, 49.53

 

CMYK 72 / 0 / 77 / 42

HEX #2A9523

RGB 42 149 35

HSL 116.32, 0.62%, 0.36%

LAB 54.14, -51.46, 48.26

 

CMYK 77 / 0 / 61 / 42

HEX #23953A

RGB 35 149 58

HSL 132.11, 0.62%, 0.36%

LAB 54.19, -50.31, 38.54

 

CMYK 51 / 0 / 77 / 68

HEX #285213

RGB 40 82 19

HSL 100, 0.62%, 0.2%

LAB 30.72, -27.31, 30.9

 

CMYK 51 / 0 / 77 / 55

HEX #38731B

RGB 56 115 27

HSL 100.23, 0.62%, 0.28%

LAB 43.04, -35.71, 40.31

 

CMYK 51 / 0 / 77 / 42

HEX #499523

RGB 73 149 35

HSL 100, 0.62%, 0.36%

LAB 55.11, -43.71, 49.53

 

CMYK 51 / 0 / 76 / 29

HEX #59B62B

RGB 89 182 43

HSL 100.14, 0.62%, 0.44%

LAB 66.33, -51.25, 57.96

 

CMYK 49 / 0 / 73 / 18

HEX #6BD139

RGB 107 209 57

HSL 100.26, 0.62%, 0.52%

LAB 75.47, -55.32, 62.42

 

CMYK 51 / 0 / 77 / 41

HEX #499623

RGB 73 150 35

HSL 100.17, 0.62%, 0.36%

LAB 55.43, -44.1, 49.85

 

CMYK 77 / 0 / 10 / 42

HEX #239586

RGB 35 149 134

HSL 172.11, 0.62%, 0.36%

LAB 55.66, -34.28, -0.97

 

CMYK 0 / 77 / 21 / 42

HEX #952376

RGB 149 35 118

HSL 316.32, 0.62%, 0.36%

LAB 35.79, 54.36, -20.47

 

CMYK 51 / 0 / 77 / 41

HEX #499623

RGB 73 150 35

HSL 100.17, 0.62%, 0.36%

LAB 55.43, -44.1, 49.85

 

CMYK 77 / 51 / 0 / 42

HEX #234995

RGB 35 73 149

HSL 220, 0.62%, 0.36%

LAB 32.46, 14.71, -45.7

 

CMYK 0 / 77 / 51 / 42

HEX #952349

RGB 149 35 73

HSL 340, 0.62%, 0.36%

LAB 34.13, 49.2, 5.89

 

CMYK 51 / 0 / 77 / 41

HEX #499623

RGB 73 150 35

HSL 100.17, 0.62%, 0.36%

LAB 55.43, -44.1, 49.85

 

CMYK 77 / 0 / 10 / 42

HEX #239586

RGB 35 149 134

HSL 172.11, 0.62%, 0.36%

LAB 55.66, -34.28, -0.97

 

CMYK 26 / 77 / 0 / 42

HEX #6F2395

RGB 111 35 149

HSL 280, 0.62%, 0.36%

LAB 31.23, 51.22, -47.35

 

CMYK 0 / 77 / 66 / 42

HEX #952332

RGB 149 35 50

HSL 352.11, 0.62%, 0.36%

LAB 33.61, 47.5, 20.1

 

CMYK 51 / 0 / 77 / 41

HEX #499623

RGB 73 150 35

HSL 100.17, 0.62%, 0.36%

LAB 55.43, -44.1, 49.85

 

CMYK 77 / 13 / 0 / 42

HEX #238295

RGB 35 130 149

HSL 190, 0.62%, 0.36%

LAB 50.09, -20.17, -17.99

 

CMYK 26 / 77 / 0 / 42

HEX #6F2395

RGB 111 35 149

HSL 280, 0.62%, 0.36%

LAB 31.23, 51.22, -47.35

 

CMYK 0 / 64 / 77 / 42

HEX #953623

RGB 149 54 35

HSL 10, 0.62%, 0.36%

LAB 36.27, 38.86, 32.4

 

Description

Color code: HEX #499623 | qconv.com Color code: HEX #499623 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 150 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 150 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 77 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 77% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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