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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49912D it is the complementary color #B66ED2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49912D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49912D shade: #4E9128, #5FA33B, #70B54E, #81C761 and #92D974

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49912D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49912D shade: #49912D, #387F1A, #276D07, #165B00 and #054900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49912D shade: #48902C, #63902C, #7E902C, #90872C and #906C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49912D shade: #48902C, #2D902C, #2C9046, #2C9061 and #2C907C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49912D shade matches the following richer shades: #48902C, #42A01D and #3BAF0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49912D shade: #48902C, #4F813C, #56724B, #5C635A and #635369

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49912D shade: #7E902C, #63902C, #49902C, #2E902C and #2C9045

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49912D shade: #295119, #397123, #48902C, #58B036 and #6CC748

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49912D shade: #49912D, #2C9088 and #902C71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49912D shade: #49912D, #2C4990 and #902C49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49912D shade: #49912D, #2C9088, #742C90 and #902C35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49912D shade: #49912D, #2C7B90, #742C90 and #90422C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 69 / 43

HEX #49912D

RGB 73 145 45

HSL 103.2, 0.53%, 0.37%

LAB 53.87, -41.3, 44.37

 

Complementary color

CMYK 13 / 48 / 0 / 18

HEX #B66ED2

RGB 182 110 210

HSL 283.2, 0.53%, 0.63%

LAB 57.8, 45.33, -40.31

 

CMYK 46 / 0 / 72 / 43

HEX #4E9128

RGB 78 145 40

HSL 98.29, 0.57%, 0.36%

LAB 54.05, -40.11, 46.67

 

CMYK 42 / 0 / 64 / 36

HEX #5FA33B

RGB 95 163 59

HSL 99.23, 0.47%, 0.44%

LAB 60.73, -40.42, 46.01

 

CMYK 38 / 0 / 57 / 29

HEX #70B54E

RGB 112 181 78

HSL 100.19, 0.41%, 0.51%

LAB 67.31, -40.53, 45

 

CMYK 35 / 0 / 51 / 22

HEX #81C761

RGB 129 199 97

HSL 101.18, 0.48%, 0.58%

LAB 73.79, -40.52, 43.85

 

CMYK 33 / 0 / 47 / 15

HEX #92D974

RGB 146 217 116

HSL 102.18, 0.57%, 0.65%

LAB 80.18, -40.43, 42.66

 

CMYK 50 / 0 / 69 / 43

HEX #49912D

RGB 73 145 45

HSL 103.2, 0.53%, 0.37%

LAB 53.87, -41.3, 44.37

 

CMYK 56 / 0 / 80 / 50

HEX #387F1A

RGB 56 127 26

HSL 102.18, 0.66%, 0.3%

LAB 47.1, -40.69, 44.67

 

CMYK 64 / 0 / 94 / 57

HEX #276D07

RGB 39 109 7

HSL 101.18, 0.88%, 0.23%

LAB 40.22, -39.51, 43.6

 

CMYK 76 / 0 / 100 / 64

HEX #165B00

RGB 22 91 0

HSL 105.49, 1%, 0.18%

LAB 33.25, -37.33, 39.64

 

CMYK 93 / 0 / 100 / 71

HEX #054900

RGB 5 73 0

HSL 115.89, 1%, 0.14%

LAB 26.15, -34.08, 33.68

 

CMYK 50 / 0 / 69 / 44

HEX #48902C

RGB 72 144 44

HSL 103.2, 0.53%, 0.37%

LAB 53.5, -41.29, 44.39

 

CMYK 31 / 0 / 69 / 44

HEX #63902C

RGB 99 144 44

HSL 87, 0.53%, 0.37%

LAB 54.85, -31.77, 46.21

 

CMYK 13 / 0 / 69 / 44

HEX #7E902C

RGB 126 144 44

HSL 70.8, 0.53%, 0.37%

LAB 56.65, -20.62, 48.64

 

CMYK 0 / 6 / 69 / 44

HEX #90872C

RGB 144 135 44

HSL 54.6, 0.53%, 0.37%

LAB 55.52, -7.85, 47.97

 

CMYK 0 / 25 / 69 / 44

HEX #906C2C

RGB 144 108 44

HSL 38.4, 0.53%, 0.37%

LAB 48.05, 7.37, 40.18

 

CMYK 50 / 0 / 69 / 44

HEX #48902C

RGB 72 144 44

HSL 103.2, 0.53%, 0.37%

LAB 53.5, -41.29, 44.39

 

CMYK 69 / 0 / 69 / 44

HEX #2D902C

RGB 45 144 44

HSL 119.4, 0.53%, 0.37%

LAB 52.6, -48.34, 43.17

 

CMYK 69 / 0 / 51 / 44

HEX #2C9046

RGB 44 144 70

HSL 135.6, 0.53%, 0.37%

LAB 52.87, -45.19, 30.99

 

CMYK 69 / 0 / 33 / 44

HEX #2C9061

RGB 44 144 97

HSL 151.8, 0.53%, 0.37%

LAB 53.33, -40.08, 16.84

 

CMYK 69 / 0 / 14 / 44

HEX #2C907C

RGB 44 144 124

HSL 168, 0.53%, 0.37%

LAB 53.96, -33.47, 2.33

 

CMYK 50 / 0 / 69 / 44

HEX #48902C

RGB 72 144 44

HSL 103.2, 0.53%, 0.37%

LAB 53.5, -41.29, 44.39

 

CMYK 59 / 0 / 82 / 37

HEX #42A01D

RGB 66 160 29

HSL 103.05, 0.69%, 0.37%

LAB 58.4, -50.27, 54.52

 

CMYK 66 / 0 / 92 / 31

HEX #3BAF0E

RGB 59 175 14

HSL 103.23, 0.85%, 0.37%

LAB 63.03, -57.76, 61.83

 

CMYK 50 / 0 / 69 / 44

HEX #48902C

RGB 72 144 44

HSL 103.2, 0.53%, 0.37%

LAB 53.5, -41.29, 44.39

 

CMYK 39 / 0 / 53 / 49

HEX #4F813C

RGB 79 129 60

HSL 103.48, 0.37%, 0.37%

LAB 49.12, -30.61, 31.91

 

CMYK 25 / 0 / 34 / 55

HEX #56724B

RGB 86 114 75

HSL 103.08, 0.21%, 0.37%

LAB 44.97, -18.22, 18.41

 

CMYK 7 / 0 / 9 / 61

HEX #5C635A

RGB 92 99 90

HSL 106.67, 0.05%, 0.37%

LAB 41.12, -4.61, 4.18

 

CMYK 6 / 21 / 0 / 59

HEX #635369

RGB 99 83 105

HSL 283.64, 0.12%, 0.37%

LAB 37.59, 11.11, -10.2

 

CMYK 13 / 0 / 69 / 44

HEX #7E902C

RGB 126 144 44

HSL 70.8, 0.53%, 0.37%

LAB 56.65, -20.62, 48.64

 

CMYK 31 / 0 / 69 / 44

HEX #63902C

RGB 99 144 44

HSL 87, 0.53%, 0.37%

LAB 54.85, -31.77, 46.21

 

CMYK 49 / 0 / 69 / 44

HEX #49902C

RGB 73 144 44

HSL 102.6, 0.53%, 0.37%

LAB 53.54, -40.97, 44.44

 

CMYK 68 / 0 / 69 / 44

HEX #2E902C

RGB 46 144 44

HSL 118.8, 0.53%, 0.37%

LAB 52.63, -48.13, 43.2

 

CMYK 69 / 0 / 52 / 44

HEX #2C9045

RGB 44 144 69

HSL 135, 0.53%, 0.37%

LAB 52.85, -45.35, 31.49

 

CMYK 49 / 0 / 69 / 68

HEX #295119

RGB 41 81 25

HSL 102.86, 0.53%, 0.21%

LAB 30.46, -25.89, 27.81

 

CMYK 50 / 0 / 69 / 56

HEX #397123

RGB 57 113 35

HSL 103.08, 0.53%, 0.29%

LAB 42.46, -33.83, 36.34

 

CMYK 50 / 0 / 69 / 44

HEX #48902C

RGB 72 144 44

HSL 103.2, 0.53%, 0.37%

LAB 53.5, -41.29, 44.39

 

CMYK 50 / 0 / 69 / 31

HEX #58B036

RGB 88 176 54

HSL 103.28, 0.53%, 0.45%

LAB 64.48, -48.42, 52.05

 

CMYK 46 / 0 / 64 / 22

HEX #6CC748

RGB 108 199 72

HSL 102.99, 0.53%, 0.53%

LAB 72.56, -49.93, 53.57

 

CMYK 50 / 0 / 69 / 43

HEX #49912D

RGB 73 145 45

HSL 103.2, 0.53%, 0.37%

LAB 53.87, -41.3, 44.37

 

CMYK 69 / 0 / 6 / 44

HEX #2C9088

RGB 44 144 136

HSL 175.2, 0.53%, 0.37%

LAB 54.3, -30.11, -4.09

 

CMYK 0 / 69 / 22 / 44

HEX #902C71

RGB 144 44 113

HSL 318.6, 0.53%, 0.37%

LAB 35.84, 49.05, -17.33

 

CMYK 50 / 0 / 69 / 43

HEX #49912D

RGB 73 145 45

HSL 103.2, 0.53%, 0.37%

LAB 53.87, -41.3, 44.37

 

CMYK 69 / 49 / 0 / 44

HEX #2C4990

RGB 44 73 144

HSL 222.6, 0.53%, 0.37%

LAB 32.51, 14.1, -42.55

 

CMYK 0 / 69 / 49 / 44

HEX #902C49

RGB 144 44 73

HSL 342.6, 0.53%, 0.37%

LAB 34.42, 44.22, 6.16

 

CMYK 50 / 0 / 69 / 43

HEX #49912D

RGB 73 145 45

HSL 103.2, 0.53%, 0.37%

LAB 53.87, -41.3, 44.37

 

CMYK 69 / 0 / 6 / 44

HEX #2C9088

RGB 44 144 136

HSL 175.2, 0.53%, 0.37%

LAB 54.3, -30.11, -4.09

 

CMYK 19 / 69 / 0 / 44

HEX #742C90

RGB 116 44 144

HSL 283.2, 0.53%, 0.37%

LAB 32.98, 47.4, -41.43

 

CMYK 0 / 69 / 63 / 44

HEX #902C35

RGB 144 44 53

HSL 354.6, 0.53%, 0.37%

LAB 33.96, 42.58, 18.44

 

CMYK 50 / 0 / 69 / 43

HEX #49912D

RGB 73 145 45

HSL 103.2, 0.53%, 0.37%

LAB 53.87, -41.3, 44.37

 

CMYK 69 / 15 / 0 / 44

HEX #2C7B90

RGB 44 123 144

HSL 192.6, 0.53%, 0.37%

LAB 47.9, -16.79, -18.39

 

CMYK 19 / 69 / 0 / 44

HEX #742C90

RGB 116 44 144

HSL 283.2, 0.53%, 0.37%

LAB 32.98, 47.4, -41.43

 

CMYK 0 / 54 / 69 / 44

HEX #90422C

RGB 144 66 44

HSL 13.2, 0.53%, 0.37%

LAB 37.86, 31.32, 28.77

 

Description

Color code: HEX #49912D | qconv.com Color code: HEX #49912D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 145 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 145 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 69 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 69% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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