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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4989D1 it is the complementary color #B6762E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4989D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4989D1 shade: #4E89CC, #5F9BDF, #70ADF2, #81BFFF and #92D1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4989D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4989D1 shade: #4989D1, #3877BE, #2765AB, #165398 and #054185

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4989D1 shade: #4788D1, #4763D1, #5147D1, #7647D1 and #9B47D1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4989D1 shade: #4788D1, #4763D1 and #4747D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4989D1 shade matches the following richer shades: #4788D1, #3587E4 and #2286F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4989D1 shade: #4788D1, #5A89BF, #6D8AAC, #7F8B99 and #928D87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4989D1 shade: #47D1CF, #47AFD1, #478AD1, #4765D1 and #4E47D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4989D1 shade: #28609E, #3073BF, #4788D1, #689ED9 and #89B3E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4989D1 shade: #4989D1, #AA47D1 and #C1D147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4989D1 shade: #4989D1, #D1478A and #8AD147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4989D1 shade: #4989D1, #AA47D1, #D18F47 and #6ED147

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4989D1 shade: #4989D1, #D147CF, #D18F47 and #47D14A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 34 / 0 / 18

HEX #4989D1

RGB 73 137 209

HSL 211.76, 0.6%, 0.55%

LAB 56, 2.15, -43.15

 

Complementary color

CMYK 0 / 35 / 75 / 29

HEX #B6762E

RGB 182 118 46

HSL 31.76, 0.6%, 0.45%

LAB 55.17, 18.88, 48.08

 

CMYK 62 / 33 / 0 / 20

HEX #4E89CC

RGB 78 137 204

HSL 211.9, 0.55%, 0.55%

LAB 55.96, 1.35, -40.38

 

CMYK 57 / 30 / 0 / 13

HEX #5F9BDF

RGB 95 155 223

HSL 211.88, 0.67%, 0.62%

LAB 62.68, 0.39, -40.4

 

CMYK 54 / 29 / 0 / 5

HEX #70ADF2

RGB 112 173 242

HSL 211.85, 0.83%, 0.69%

LAB 69.29, -0.39, -40.44

 

CMYK 49 / 25 / 0 / 0

HEX #81BFFF

RGB 129 191 255

HSL 210.48, 1%, 0.75%

LAB 75.54, -2.78, -37.66

 

CMYK 43 / 18 / 0 / 0

HEX #92D1FF

RGB 146 209 255

HSL 205.32, 1%, 0.79%

LAB 81.25, -8.42, -28.78

 

CMYK 65 / 34 / 0 / 18

HEX #4989D1

RGB 73 137 209

HSL 211.76, 0.6%, 0.55%

LAB 56, 2.15, -43.15

 

CMYK 71 / 37 / 0 / 25

HEX #3877BE

RGB 56 119 190

HSL 211.79, 0.54%, 0.48%

LAB 49.19, 3.56, -43.14

 

CMYK 77 / 41 / 0 / 33

HEX #2765AB

RGB 39 101 171

HSL 211.82, 0.63%, 0.41%

LAB 42.28, 5.37, -43.12

 

CMYK 86 / 45 / 0 / 40

HEX #165398

RGB 22 83 152

HSL 211.85, 0.75%, 0.34%

LAB 35.25, 7.76, -43.06

 

CMYK 96 / 51 / 0 / 48

HEX #054185

RGB 5 65 133

HSL 211.88, 0.93%, 0.27%

LAB 28.13, 10.91, -42.9

 

CMYK 66 / 35 / 0 / 18

HEX #4788D1

RGB 71 136 209

HSL 211.74, 0.6%, 0.55%

LAB 55.64, 2.4, -43.73

 

CMYK 66 / 53 / 0 / 18

HEX #4763D1

RGB 71 99 209

HSL 227.83, 0.6%, 0.55%

LAB 45.45, 25.25, -60.01

 

CMYK 61 / 66 / 0 / 18

HEX #5147D1

RGB 81 71 209

HSL 244.35, 0.6%, 0.55%

LAB 39.34, 44.02, -69.92

 

CMYK 44 / 66 / 0 / 18

HEX #7647D1

RGB 118 71 209

HSL 260.43, 0.6%, 0.55%

LAB 42.71, 50.35, -64.29

 

CMYK 26 / 66 / 0 / 18

HEX #9B47D1

RGB 155 71 209

HSL 276.52, 0.6%, 0.55%

LAB 47.08, 57.93, -57.01

 

CMYK 66 / 35 / 0 / 18

HEX #4788D1

RGB 71 136 209

HSL 211.74, 0.6%, 0.55%

LAB 55.64, 2.4, -43.73

 

CMYK 66 / 53 / 0 / 18

HEX #4763D1

RGB 71 99 209

HSL 227.83, 0.6%, 0.55%

LAB 45.45, 25.25, -60.01

 

CMYK 66 / 66 / 0 / 18

HEX #4747D1

RGB 71 71 209

HSL 240, 0.6%, 0.55%

LAB 38.64, 42.63, -71.1

 

CMYK 66 / 35 / 0 / 18

HEX #4788D1

RGB 71 136 209

HSL 211.74, 0.6%, 0.55%

LAB 55.64, 2.4, -43.73

 

CMYK 77 / 41 / 0 / 11

HEX #3587E4

RGB 53 135 228

HSL 211.89, 0.76%, 0.55%

LAB 55.77, 7.26, -54.21

 

CMYK 86 / 46 / 0 / 4

HEX #2286F6

RGB 34 134 246

HSL 211.7, 0.92%, 0.55%

LAB 56.13, 12.91, -63.66

 

CMYK 66 / 35 / 0 / 18

HEX #4788D1

RGB 71 136 209

HSL 211.74, 0.6%, 0.55%

LAB 55.64, 2.4, -43.73

 

CMYK 53 / 28 / 0 / 25

HEX #5A89BF

RGB 90 137 191

HSL 212.08, 0.44%, 0.55%

LAB 55.91, -0.37, -33.04

 

CMYK 37 / 20 / 0 / 33

HEX #6D8AAC

RGB 109 138 172

HSL 212.38, 0.28%, 0.55%

LAB 56.49, -1.61, -21.22

 

CMYK 17 / 9 / 0 / 40

HEX #7F8B99

RGB 127 139 153

HSL 212.31, 0.11%, 0.55%

LAB 57.34, -1.28, -8.92

 

CMYK 0 / 3 / 8 / 43

HEX #928D87

RGB 146 141 135

HSL 32.73, 0.05%, 0.55%

LAB 58.89, 0.73, 3.85

 

CMYK 66 / 0 / 1 / 18

HEX #47D1CF

RGB 71 209 207

HSL 179.13, 0.6%, 0.55%

LAB 76.95, -36.67, -9.88

 

CMYK 66 / 16 / 0 / 18

HEX #47AFD1

RGB 71 175 209

HSL 194.78, 0.6%, 0.55%

LAB 66.98, -19.37, -26.05

 

CMYK 66 / 34 / 0 / 18

HEX #478AD1

RGB 71 138 209

HSL 210.87, 0.6%, 0.55%

LAB 56.21, 1.22, -42.82

 

CMYK 66 / 52 / 0 / 18

HEX #4765D1

RGB 71 101 209

HSL 226.96, 0.6%, 0.55%

LAB 45.98, 23.99, -59.16

 

CMYK 63 / 66 / 0 / 18

HEX #4E47D1

RGB 78 71 209

HSL 243.04, 0.6%, 0.55%

LAB 39.12, 43.59, -70.29

 

CMYK 75 / 39 / 0 / 38

HEX #28609E

RGB 40 96 158

HSL 211.53, 0.6%, 0.39%

LAB 40.06, 3.72, -38.95

 

CMYK 75 / 40 / 0 / 25

HEX #3073BF

RGB 48 115 191

HSL 211.89, 0.6%, 0.47%

LAB 47.82, 5.27, -45.92

 

CMYK 66 / 35 / 0 / 18

HEX #4788D1

RGB 71 136 209

HSL 211.74, 0.6%, 0.55%

LAB 55.64, 2.4, -43.73

 

CMYK 52 / 27 / 0 / 15

HEX #689ED9

RGB 104 158 217

HSL 211.33, 0.6%, 0.63%

LAB 63.68, -1.27, -35.48

 

CMYK 39 / 21 / 0 / 11

HEX #89B3E2

RGB 137 179 226

HSL 211.69, 0.61%, 0.71%

LAB 71.59, -2.33, -28.05

 

CMYK 65 / 34 / 0 / 18

HEX #4989D1

RGB 73 137 209

HSL 211.76, 0.6%, 0.55%

LAB 56, 2.15, -43.15

 

CMYK 19 / 66 / 0 / 18

HEX #AA47D1

RGB 170 71 209

HSL 283.04, 0.6%, 0.55%

LAB 49.08, 61.21, -53.69

 

CMYK 8 / 0 / 66 / 18

HEX #C1D147

RGB 193 209 71

HSL 66.96, 0.6%, 0.55%

LAB 80.4, -23.15, 63.8

 

CMYK 65 / 34 / 0 / 18

HEX #4989D1

RGB 73 137 209

HSL 211.76, 0.6%, 0.55%

LAB 56, 2.15, -43.15

 

CMYK 0 / 66 / 34 / 18

HEX #D1478A

RGB 209 71 138

HSL 330.87, 0.6%, 0.55%

LAB 51.72, 60, -7.54

 

CMYK 34 / 0 / 66 / 18

HEX #8AD147

RGB 138 209 71

HSL 90.87, 0.6%, 0.55%

LAB 76.96, -44.29, 59.13

 

CMYK 65 / 34 / 0 / 18

HEX #4989D1

RGB 73 137 209

HSL 211.76, 0.6%, 0.55%

LAB 56, 2.15, -43.15

 

CMYK 19 / 66 / 0 / 18

HEX #AA47D1

RGB 170 71 209

HSL 283.04, 0.6%, 0.55%

LAB 49.08, 61.21, -53.69

 

CMYK 0 / 32 / 66 / 18

HEX #D18F47

RGB 209 143 71

HSL 31.3, 0.6%, 0.55%

LAB 64.69, 18.12, 47.42

 

CMYK 47 / 0 / 66 / 18

HEX #6ED147

RGB 110 209 71

HSL 103.04, 0.6%, 0.55%

LAB 75.68, -53.36, 57.39

 

CMYK 65 / 34 / 0 / 18

HEX #4989D1

RGB 73 137 209

HSL 211.76, 0.6%, 0.55%

LAB 56, 2.15, -43.15

 

CMYK 0 / 66 / 1 / 18

HEX #D147CF

RGB 209 71 207

HSL 300.87, 0.6%, 0.55%

LAB 54.62, 69.69, -43.37

 

CMYK 0 / 32 / 66 / 18

HEX #D18F47

RGB 209 143 71

HSL 31.3, 0.6%, 0.55%

LAB 64.69, 18.12, 47.42

 

CMYK 66 / 0 / 65 / 18

HEX #47D14A

RGB 71 209 74

HSL 121.3, 0.6%, 0.55%

LAB 74.47, -62.75, 54.48

 

Description

Color code: HEX #4989D1 | qconv.com Color code: HEX #4989D1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 137 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 137 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 34 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 34% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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