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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4981C0 it is the complementary color #B67E3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4981C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4981C0 shade: #4E81BB, #5F93CE, #70A5E1, #81B7F4 and #92C9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4981C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4981C0 shade: #4981C0, #386FAD, #275D9A, #164B87 and #053974

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4981C0 shade: #4981C1, #4961C1, #5149C1, #7149C1 and #9249C1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4981C0 shade: #4981C1, #4961C1 and #4949C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4981C0 shade matches the following richer shades: #4981C1, #3580D4, #217FE8 and #0D7EFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4981C0 shade: #4981C1, #5C82AD, #708399, #848585 and #988671

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4981C0 shade: #49C1BF, #49A3C1, #4983C1, #4963C1 and #4F49C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4981C0 shade: #2F5988, #396DA7, #4981C1, #6796CB and #86ACD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4981C0 shade: #4981C0, #9F49C1 and #B3C149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4981C0 shade: #4981C0, #C14983 and #83C149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4981C0 shade: #4981C0, #9F49C1, #C18749 and #6BC149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4981C0 shade: #4981C0, #C149BF, #C18749 and #49C14B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 33 / 0 / 25

HEX #4981C0

RGB 73 129 192

HSL 211.76, 0.49%, 0.52%

LAB 52.86, 1.12, -38.44

 

Complementary color

CMYK 0 / 31 / 65 / 29

HEX #B67E3F

RGB 182 126 63

HSL 31.76, 0.49%, 0.48%

LAB 57.29, 15.37, 42.21

 

CMYK 58 / 31 / 0 / 27

HEX #4E81BB

RGB 78 129 187

HSL 211.93, 0.44%, 0.52%

LAB 52.85, 0.44, -35.59

 

CMYK 54 / 29 / 0 / 19

HEX #5F93CE

RGB 95 147 206

HSL 211.89, 0.53%, 0.59%

LAB 59.67, -0.36, -35.63

 

CMYK 50 / 27 / 0 / 12

HEX #70A5E1

RGB 112 165 225

HSL 211.86, 0.65%, 0.66%

LAB 66.36, -1.01, -35.69

 

CMYK 47 / 25 / 0 / 4

HEX #81B7F4

RGB 129 183 244

HSL 211.83, 0.84%, 0.73%

LAB 72.94, -1.55, -35.78

 

CMYK 43 / 21 / 0 / 0

HEX #92C9FF

RGB 146 201 255

HSL 209.72, 1%, 0.79%

LAB 79.1, -4.18, -32.09

 

CMYK 62 / 33 / 0 / 25

HEX #4981C0

RGB 73 129 192

HSL 211.76, 0.49%, 0.52%

LAB 52.86, 1.12, -38.44

 

CMYK 68 / 36 / 0 / 32

HEX #386FAD

RGB 56 111 173

HSL 211.79, 0.51%, 0.45%

LAB 45.94, 2.35, -38.43

 

CMYK 75 / 40 / 0 / 40

HEX #275D9A

RGB 39 93 154

HSL 211.83, 0.6%, 0.38%

LAB 38.89, 3.97, -38.42

 

CMYK 84 / 44 / 0 / 47

HEX #164B87

RGB 22 75 135

HSL 211.86, 0.72%, 0.31%

LAB 31.7, 6.17, -38.38

 

CMYK 96 / 51 / 0 / 55

HEX #053974

RGB 5 57 116

HSL 211.89, 0.92%, 0.24%

LAB 24.38, 9.17, -38.26

 

CMYK 62 / 33 / 0 / 24

HEX #4981C1

RGB 73 129 193

HSL 212, 0.49%, 0.52%

LAB 52.91, 1.46, -38.94

 

CMYK 62 / 50 / 0 / 24

HEX #4961C1

RGB 73 97 193

HSL 228, 0.49%, 0.52%

LAB 43.97, 21.27, -53.18

 

CMYK 58 / 62 / 0 / 24

HEX #5149C1

RGB 81 73 193

HSL 244, 0.49%, 0.52%

LAB 38.49, 37.72, -62.02

 

CMYK 41 / 62 / 0 / 24

HEX #7149C1

RGB 113 73 193

HSL 260, 0.49%, 0.52%

LAB 41.42, 43.94, -57.14

 

CMYK 24 / 62 / 0 / 24

HEX #9249C1

RGB 146 73 193

HSL 276.5, 0.49%, 0.52%

LAB 45.26, 51.38, -50.75

 

CMYK 62 / 33 / 0 / 24

HEX #4981C1

RGB 73 129 193

HSL 212, 0.49%, 0.52%

LAB 52.91, 1.46, -38.94

 

CMYK 62 / 50 / 0 / 24

HEX #4961C1

RGB 73 97 193

HSL 228, 0.49%, 0.52%

LAB 43.97, 21.27, -53.18

 

CMYK 62 / 62 / 0 / 24

HEX #4949C1

RGB 73 73 193

HSL 240, 0.49%, 0.52%

LAB 37.9, 36.4, -63.01

 

CMYK 62 / 33 / 0 / 24

HEX #4981C1

RGB 73 129 193

HSL 212, 0.49%, 0.52%

LAB 52.91, 1.46, -38.94

 

CMYK 75 / 40 / 0 / 17

HEX #3580D4

RGB 53 128 212

HSL 211.7, 0.65%, 0.52%

LAB 52.89, 5.66, -49.81

 

CMYK 86 / 45 / 0 / 9

HEX #217FE8

RGB 33 127 232

HSL 211.66, 0.81%, 0.52%

LAB 53.31, 11.85, -60.42

 

CMYK 95 / 50 / 0 / 1

HEX #0D7EFC

RGB 13 126 252

HSL 211.63, 0.98%, 0.52%

LAB 54.06, 19.2, -70.32

 

CMYK 62 / 33 / 0 / 24

HEX #4981C1

RGB 73 129 193

HSL 212, 0.49%, 0.52%

LAB 52.91, 1.46, -38.94

 

CMYK 47 / 25 / 0 / 32

HEX #5C82AD

RGB 92 130 173

HSL 211.85, 0.33%, 0.52%

LAB 53.23, -1.31, -26.9

 

CMYK 27 / 14 / 0 / 40

HEX #708399

RGB 112 131 153

HSL 212.2, 0.17%, 0.52%

LAB 54, -1.65, -14.05

 

CMYK 1 / 0 / 0 / 48

HEX #848585

RGB 132 133 133

HSL 180, 0%, 0.52%

LAB 55.46, -0.37, -0.14

 

CMYK 0 / 12 / 26 / 40

HEX #988671

RGB 152 134 113

HSL 32.31, 0.16%, 0.52%

LAB 57, 3.38, 13.81

 

CMYK 62 / 0 / 1 / 24

HEX #49C1BF

RGB 73 193 191

HSL 179, 0.49%, 0.52%

LAB 71.77, -33.33, -8.92

 

CMYK 62 / 16 / 0 / 24

HEX #49A3C1

RGB 73 163 193

HSL 195, 0.49%, 0.52%

LAB 62.89, -17.71, -23.43

 

CMYK 62 / 32 / 0 / 24

HEX #4983C1

RGB 73 131 193

HSL 211, 0.49%, 0.52%

LAB 53.49, 0.27, -38.03

 

CMYK 62 / 49 / 0 / 24

HEX #4963C1

RGB 73 99 193

HSL 227, 0.49%, 0.52%

LAB 44.5, 20, -52.32

 

CMYK 59 / 62 / 0 / 24

HEX #4F49C1

RGB 79 73 193

HSL 243, 0.49%, 0.52%

LAB 38.34, 37.38, -62.28

 

CMYK 65 / 35 / 0 / 47

HEX #2F5988

RGB 47 89 136

HSL 211.69, 0.49%, 0.36%

LAB 36.98, 1.12, -30.55

 

CMYK 66 / 35 / 0 / 35

HEX #396DA7

RGB 57 109 167

HSL 211.64, 0.49%, 0.44%

LAB 45.08, 1.61, -36.28

 

CMYK 62 / 33 / 0 / 24

HEX #4981C1

RGB 73 129 193

HSL 212, 0.49%, 0.52%

LAB 52.91, 1.46, -38.94

 

CMYK 49 / 26 / 0 / 20

HEX #6796CB

RGB 103 150 203

HSL 211.8, 0.49%, 0.6%

LAB 60.79, -1.17, -32.17

 

CMYK 37 / 20 / 0 / 16

HEX #86ACD6

RGB 134 172 214

HSL 211.5, 0.49%, 0.68%

LAB 69.06, -2.48, -25.38

 

CMYK 62 / 33 / 0 / 25

HEX #4981C0

RGB 73 129 192

HSL 211.76, 0.49%, 0.52%

LAB 52.86, 1.12, -38.44

 

CMYK 18 / 62 / 0 / 24

HEX #9F49C1

RGB 159 73 193

HSL 283, 0.49%, 0.52%

LAB 46.96, 54.48, -47.94

 

CMYK 7 / 0 / 62 / 24

HEX #B3C149

RGB 179 193 73

HSL 67, 0.49%, 0.52%

LAB 74.95, -20.93, 56.94

 

CMYK 62 / 33 / 0 / 25

HEX #4981C0

RGB 73 129 192

HSL 211.76, 0.49%, 0.52%

LAB 52.86, 1.12, -38.44

 

CMYK 0 / 62 / 32 / 24

HEX #C14983

RGB 193 73 131

HSL 331, 0.49%, 0.52%

LAB 49.18, 53.6, -7.41

 

CMYK 32 / 0 / 62 / 24

HEX #83C149

RGB 131 193 73

HSL 91, 0.49%, 0.52%

LAB 71.86, -39.66, 52.67

 

CMYK 62 / 33 / 0 / 25

HEX #4981C0

RGB 73 129 192

HSL 211.76, 0.49%, 0.52%

LAB 52.86, 1.12, -38.44

 

CMYK 18 / 62 / 0 / 24

HEX #9F49C1

RGB 159 73 193

HSL 283, 0.49%, 0.52%

LAB 46.96, 54.48, -47.94

 

CMYK 0 / 30 / 62 / 24

HEX #C18749

RGB 193 135 73

HSL 31, 0.49%, 0.52%

LAB 60.91, 15.81, 41.62

 

CMYK 45 / 0 / 62 / 24

HEX #6BC149

RGB 107 193 73

HSL 103, 0.49%, 0.52%

LAB 70.7, -47.72, 51.06

 

CMYK 62 / 33 / 0 / 25

HEX #4981C0

RGB 73 129 192

HSL 211.76, 0.49%, 0.52%

LAB 52.86, 1.12, -38.44

 

CMYK 0 / 62 / 1 / 24

HEX #C149BF

RGB 193 73 191

HSL 301, 0.49%, 0.52%

LAB 51.68, 62.43, -38.98

 

CMYK 0 / 30 / 62 / 24

HEX #C18749

RGB 193 135 73

HSL 31, 0.49%, 0.52%

LAB 60.91, 15.81, 41.62

 

CMYK 62 / 0 / 61 / 24

HEX #49C14B

RGB 73 193 75

HSL 121, 0.49%, 0.52%

LAB 69.52, -56.63, 48.52

 

Description

Color code: HEX #4981C0 | qconv.com Color code: HEX #4981C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 129 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 129 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 33 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 33% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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