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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #497DA3 it is the complementary color #B6825C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #497DA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #497DA3 shade: #4E7D9E, #5F8FB1, #70A1C4, #81B3D7 and #92C5EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #497DA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #497DA3 shade: #497DA3, #386B90, #27597D, #16476A and #053557

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #497DA3 shade: #497CA2, #4964A2, #494CA2, #5D49A2 and #7549A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #497DA3 shade: #497CA2, #4964A2, #494CA2 and #4949A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #497DA3 shade matches the following richer shades: #497CA2, #367FB5, #2382C8 and #1085DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #497DA3 shade: #497CA2, #5C798F, #6F767C, #827369 and #957056

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #497DA3 shade: #49A297, #4995A2, #497DA2, #4965A2 and #494DA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #497DA3 shade: #2F5169, #3C6685, #497CA2, #5D91B6 and #7AA4C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #497DA3 shade: #497DA3, #8049A2 and #A0A249

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #497DA3 shade: #497DA3, #A2497D and #7DA249

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #497DA3 shade: #497DA3, #8049A2, #A26E49 and #6BA249

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #497DA3 shade: #497DA3, #9A49A2, #A26E49 and #50A249

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 23 / 0 / 36

HEX #497DA3

RGB 73 125 163

HSL 205.33, 0.38%, 0.46%

LAB 50.37, -6.06, -25.62

 

Complementary color

CMYK 0 / 29 / 49 / 29

HEX #B6825C

RGB 182 130 92

HSL 25.33, 0.38%, 0.54%

LAB 58.68, 15.51, 28.45

 

CMYK 51 / 21 / 0 / 38

HEX #4E7D9E

RGB 78 125 158

HSL 204.75, 0.34%, 0.46%

LAB 50.4, -6.46, -22.64

 

CMYK 46 / 19 / 0 / 31

HEX #5F8FB1

RGB 95 143 177

HSL 204.88, 0.34%, 0.53%

LAB 57.32, -6.83, -22.87

 

CMYK 43 / 18 / 0 / 23

HEX #70A1C4

RGB 112 161 196

HSL 205, 0.42%, 0.6%

LAB 64.1, -7.13, -23.12

 

CMYK 40 / 17 / 0 / 16

HEX #81B3D7

RGB 129 179 215

HSL 205.12, 0.52%, 0.67%

LAB 70.74, -7.37, -23.38

 

CMYK 38 / 16 / 0 / 8

HEX #92C5EA

RGB 146 197 234

HSL 205.23, 0.68%, 0.75%

LAB 77.27, -7.57, -23.64

 

CMYK 55 / 23 / 0 / 36

HEX #497DA3

RGB 73 125 163

HSL 205.33, 0.38%, 0.46%

LAB 50.37, -6.06, -25.62

 

CMYK 61 / 26 / 0 / 44

HEX #386B90

RGB 56 107 144

HSL 205.23, 0.44%, 0.39%

LAB 43.32, -5.38, -25.42

 

CMYK 69 / 29 / 0 / 51

HEX #27597D

RGB 39 89 125

HSL 205.12, 0.52%, 0.32%

LAB 36.09, -4.41, -25.23

 

CMYK 79 / 33 / 0 / 58

HEX #16476A

RGB 22 71 106

HSL 205, 0.66%, 0.25%

LAB 28.69, -2.99, -25

 

CMYK 94 / 39 / 0 / 66

HEX #053557

RGB 5 53 87

HSL 204.88, 0.89%, 0.18%

LAB 21.08, -0.84, -24.73

 

CMYK 55 / 23 / 0 / 36

HEX #497CA2

RGB 73 124 162

HSL 205.62, 0.38%, 0.46%

LAB 50.03, -5.8, -25.57

 

CMYK 55 / 38 / 0 / 36

HEX #4964A2

RGB 73 100 162

HSL 221.8, 0.38%, 0.46%

LAB 42.97, 8.77, -36.61

 

CMYK 55 / 53 / 0 / 36

HEX #494CA2

RGB 73 76 162

HSL 237.98, 0.38%, 0.46%

LAB 36.36, 24.14, -47.17

 

CMYK 43 / 55 / 0 / 36

HEX #5D49A2

RGB 93 73 162

HSL 253.48, 0.38%, 0.46%

LAB 37.3, 30.61, -45.56

 

CMYK 28 / 55 / 0 / 36

HEX #7549A2

RGB 117 73 162

HSL 269.66, 0.38%, 0.46%

LAB 39.84, 36.76, -41.35

 

CMYK 55 / 23 / 0 / 36

HEX #497CA2

RGB 73 124 162

HSL 205.62, 0.38%, 0.46%

LAB 50.03, -5.8, -25.57

 

CMYK 55 / 38 / 0 / 36

HEX #4964A2

RGB 73 100 162

HSL 221.8, 0.38%, 0.46%

LAB 42.97, 8.77, -36.61

 

CMYK 55 / 53 / 0 / 36

HEX #494CA2

RGB 73 76 162

HSL 237.98, 0.38%, 0.46%

LAB 36.36, 24.14, -47.17

 

CMYK 55 / 55 / 0 / 36

HEX #4949A2

RGB 73 73 162

HSL 240, 0.38%, 0.46%

LAB 35.58, 26.07, -48.42

 

CMYK 55 / 23 / 0 / 36

HEX #497CA2

RGB 73 124 162

HSL 205.62, 0.38%, 0.46%

LAB 50.03, -5.8, -25.57

 

CMYK 70 / 30 / 0 / 29

HEX #367FB5

RGB 54 127 181

HSL 205.51, 0.54%, 0.46%

LAB 51.04, -4.76, -35.06

 

CMYK 83 / 35 / 0 / 22

HEX #2382C8

RGB 35 130 200

HSL 205.45, 0.7%, 0.46%

LAB 52.39, -1.91, -43.83

 

CMYK 93 / 39 / 0 / 14

HEX #1085DB

RGB 16 133 219

HSL 205.42, 0.86%, 0.46%

LAB 54.03, 2.28, -51.99

 

CMYK 55 / 23 / 0 / 36

HEX #497CA2

RGB 73 124 162

HSL 205.62, 0.38%, 0.46%

LAB 50.03, -5.8, -25.57

 

CMYK 36 / 15 / 0 / 44

HEX #5C798F

RGB 92 121 143

HSL 205.88, 0.22%, 0.46%

LAB 49.42, -4.69, -15.29

 

CMYK 10 / 5 / 0 / 51

HEX #6F767C

RGB 111 118 124

HSL 207.69, 0.06%, 0.46%

LAB 49.24, -1.33, -4.2

 

CMYK 0 / 12 / 19 / 49

HEX #827369

RGB 130 115 105

HSL 24, 0.11%, 0.46%

LAB 49.53, 4.07, 7.66

 

CMYK 0 / 25 / 42 / 42

HEX #957056

RGB 149 112 86

HSL 24.76, 0.27%, 0.46%

LAB 50.27, 11.07, 20.12

 

CMYK 55 / 0 / 7 / 36

HEX #49A297

RGB 73 162 151

HSL 172.58, 0.38%, 0.46%

LAB 61.21, -29.33, -2.36

 

CMYK 55 / 8 / 0 / 36

HEX #4995A2

RGB 73 149 162

HSL 188.76, 0.38%, 0.46%

LAB 57.58, -19.67, -14.02

 

CMYK 55 / 23 / 0 / 36

HEX #497DA2

RGB 73 125 162

HSL 204.94, 0.38%, 0.46%

LAB 50.33, -6.38, -25.1

 

CMYK 55 / 38 / 0 / 36

HEX #4965A2

RGB 73 101 162

HSL 221.12, 0.38%, 0.46%

LAB 43.26, 8.14, -36.15

 

CMYK 55 / 52 / 0 / 36

HEX #494DA2

RGB 73 77 162

HSL 237.3, 0.38%, 0.46%

LAB 36.62, 23.5, -46.75

 

CMYK 55 / 23 / 0 / 59

HEX #2F5169

RGB 47 81 105

HSL 204.83, 0.38%, 0.3%

LAB 32.94, -4.76, -17.67

 

CMYK 55 / 23 / 0 / 48

HEX #3C6685

RGB 60 102 133

HSL 205.48, 0.38%, 0.38%

LAB 41.46, -5.15, -21.68

 

CMYK 55 / 23 / 0 / 36

HEX #497CA2

RGB 73 124 162

HSL 205.62, 0.38%, 0.46%

LAB 50.03, -5.8, -25.57

 

CMYK 49 / 20 / 0 / 29

HEX #5D91B6

RGB 93 145 182

HSL 204.94, 0.38%, 0.54%

LAB 57.99, -6.99, -24.69

 

CMYK 37 / 16 / 0 / 24

HEX #7AA4C3

RGB 122 164 195

HSL 205.48, 0.38%, 0.62%

LAB 65.46, -6.38, -20.43

 

CMYK 55 / 23 / 0 / 36

HEX #497DA3

RGB 73 125 163

HSL 205.33, 0.38%, 0.46%

LAB 50.37, -6.06, -25.62

 

CMYK 21 / 55 / 0 / 36

HEX #8049A2

RGB 128 73 162

HSL 277.08, 0.38%, 0.46%

LAB 41.16, 39.73, -39.17

 

CMYK 1 / 0 / 55 / 36

HEX #A0A249

RGB 160 162 73

HSL 61.35, 0.38%, 0.46%

LAB 64.8, -13.14, 45.27

 

CMYK 55 / 23 / 0 / 36

HEX #497DA3

RGB 73 125 163

HSL 205.33, 0.38%, 0.46%

LAB 50.37, -6.06, -25.62

 

CMYK 0 / 55 / 23 / 36

HEX #A2497D

RGB 162 73 125

HSL 324.94, 0.38%, 0.46%

LAB 44.13, 43.02, -11.86

 

CMYK 23 / 0 / 55 / 36

HEX #7DA249

RGB 125 162 73

HSL 84.94, 0.38%, 0.46%

LAB 62.24, -27.56, 41.65

 

CMYK 55 / 23 / 0 / 36

HEX #497DA3

RGB 73 125 163

HSL 205.33, 0.38%, 0.46%

LAB 50.37, -6.06, -25.62

 

CMYK 21 / 55 / 0 / 36

HEX #8049A2

RGB 128 73 162

HSL 277.08, 0.38%, 0.46%

LAB 41.16, 39.73, -39.17

 

CMYK 0 / 32 / 55 / 36

HEX #A26E49

RGB 162 110 73

HSL 24.94, 0.38%, 0.46%

LAB 51.05, 16.47, 28.85

 

CMYK 34 / 0 / 55 / 36

HEX #6BA249

RGB 107 162 73

HSL 97.08, 0.38%, 0.46%

LAB 61.17, -34.33, 40.13

 

CMYK 55 / 23 / 0 / 36

HEX #497DA3

RGB 73 125 163

HSL 205.33, 0.38%, 0.46%

LAB 50.37, -6.06, -25.62

 

CMYK 5 / 55 / 0 / 36

HEX #9A49A2

RGB 154 73 162

HSL 294.61, 0.38%, 0.46%

LAB 44.58, 46.94, -33.54

 

CMYK 0 / 32 / 55 / 36

HEX #A26E49

RGB 162 110 73

HSL 24.94, 0.38%, 0.46%

LAB 51.05, 16.47, 28.85

 

CMYK 51 / 0 / 55 / 36

HEX #50A249

RGB 80 162 73

HSL 115.28, 0.38%, 0.46%

LAB 59.91, -43.14, 38.32

 

Description

Color code: HEX #497DA3 | qconv.com Color code: HEX #497DA3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 125 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 125 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 23 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 23% 0% 36% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

50% - AdminTotal | Bienven...
Link: http://www.admintotal.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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