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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49610C it is the complementary color #B69EF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49610C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49610C shade: #4E6107, #5F731A, #70852D, #819740 and #92A953

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49610C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49610C shade: #49610C, #384F00, #273D00, #162B00 and #051900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49610C shade: #485F0C, #5E5F0C, #5F4A0C, #5F330C and #5F1D0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49610C shade: #485F0C, #315F0C, #1B5F0C, #0C5F13 and #0C5F2A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49610C shade matches the following richer shades: #485F0C and #4C6803

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49610C shade: #485F0C, #445714, #404E1D, #3C4526 and #393D2E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49610C shade: #5F490C, #5F5F0C, #495F0C, #335F0C and #1C5F0C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49610C shade: #101603, #2C3B07, #485F0C, #638410 and #7FA915

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49610C shade: #49610C, #0C5F33 and #540C5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49610C shade: #49610C, #0C495F and #5F0C49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49610C shade: #49610C, #0C5F33, #220C5F and #5F0C38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49610C shade: #49610C, #0C5F4C, #220C5F and #5F0C1F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 88 / 62

HEX #49610C

RGB 73 97 12

HSL 76.94, 0.78%, 0.21%

LAB 37.83, -21.56, 40.91

 

Complementary color

CMYK 25 / 35 / 0 / 5

HEX #B69EF3

RGB 182 158 243

HSL 256.94, 0.78%, 0.79%

LAB 70.08, 26.28, -39.39

 

CMYK 20 / 0 / 93 / 62

HEX #4E6107

RGB 78 97 7

HSL 72.67, 0.87%, 0.2%

LAB 38.17, -19.47, 42.7

 

CMYK 17 / 0 / 77 / 55

HEX #5F731A

RGB 95 115 26

HSL 73.48, 0.63%, 0.28%

LAB 45.32, -20.36, 43.7

 

CMYK 16 / 0 / 66 / 48

HEX #70852D

RGB 112 133 45

HSL 74.32, 0.49%, 0.35%

LAB 52.3, -20.96, 43.36

 

CMYK 15 / 0 / 58 / 41

HEX #819740

RGB 129 151 64

HSL 75.17, 0.4%, 0.42%

LAB 59.13, -21.36, 42.46

 

CMYK 14 / 0 / 51 / 34

HEX #92A953

RGB 146 169 83

HSL 76.05, 0.34%, 0.49%

LAB 65.84, -21.62, 41.35

 

CMYK 25 / 0 / 88 / 62

HEX #49610C

RGB 73 97 12

HSL 76.94, 0.78%, 0.21%

LAB 37.83, -21.56, 40.91

 

CMYK 29 / 0 / 100 / 69

HEX #384F00

RGB 56 79 0

HSL 77.47, 1%, 0.15%

LAB 30.48, -20.44, 38.14

 

CMYK 36 / 0 / 100 / 76

HEX #273D00

RGB 39 61 0

HSL 81.64, 1%, 0.12%

LAB 22.89, -18.83, 30.95

 

CMYK 49 / 0 / 100 / 83

HEX #162B00

RGB 22 43 0

HSL 89.3, 1%, 0.08%

LAB 14.94, -17.12, 21.43

 

CMYK 80 / 0 / 100 / 90

HEX #051900

RGB 5 25 0

HSL 108, 1%, 0.05%

LAB 6.57, -11.52, 9.63

 

CMYK 24 / 0 / 87 / 63

HEX #485F0C

RGB 72 95 12

HSL 76.63, 0.78%, 0.21%

LAB 37.09, -20.97, 40.23

 

CMYK 1 / 0 / 87 / 63

HEX #5E5F0C

RGB 94 95 12

HSL 60.72, 0.78%, 0.21%

LAB 38.88, -10.58, 42.48

 

CMYK 0 / 22 / 87 / 63

HEX #5F4A0C

RGB 95 74 12

HSL 44.82, 0.78%, 0.21%

LAB 32.61, 2.39, 37.1

 

CMYK 0 / 46 / 87 / 63

HEX #5F330C

RGB 95 51 12

HSL 28.19, 0.78%, 0.21%

LAB 26.24, 16.69, 31.43

 

CMYK 0 / 69 / 87 / 63

HEX #5F1D0C

RGB 95 29 12

HSL 12.29, 0.78%, 0.21%

LAB 21.35, 29.12, 26.56

 

CMYK 24 / 0 / 87 / 63

HEX #485F0C

RGB 72 95 12

HSL 76.63, 0.78%, 0.21%

LAB 37.09, -20.97, 40.23

 

CMYK 48 / 0 / 87 / 63

HEX #315F0C

RGB 49 95 12

HSL 93.25, 0.78%, 0.21%

LAB 35.72, -30.42, 38.48

 

CMYK 72 / 0 / 87 / 63

HEX #1B5F0C

RGB 27 95 12

HSL 109.16, 0.78%, 0.21%

LAB 34.89, -37.01, 37.42

 

CMYK 87 / 0 / 80 / 63

HEX #0C5F13

RGB 12 95 19

HSL 125.06, 0.78%, 0.21%

LAB 34.62, -39.18, 34.59

 

CMYK 87 / 0 / 56 / 63

HEX #0C5F2A

RGB 12 95 42

HSL 141.69, 0.78%, 0.21%

LAB 34.86, -36.21, 23.67

 

CMYK 24 / 0 / 87 / 63

HEX #485F0C

RGB 72 95 12

HSL 76.63, 0.78%, 0.21%

LAB 37.09, -20.97, 40.23

 

CMYK 27 / 0 / 97 / 59

HEX #4C6803

RGB 76 104 3

HSL 76.63, 0.94%, 0.21%

LAB 40.32, -24.11, 45.44

 

CMYK 24 / 0 / 87 / 63

HEX #485F0C

RGB 72 95 12

HSL 76.63, 0.78%, 0.21%

LAB 37.09, -20.97, 40.23

 

CMYK 22 / 0 / 77 / 66

HEX #445714

RGB 68 87 20

HSL 77.01, 0.63%, 0.21%

LAB 34.18, -18.12, 34.53

 

CMYK 18 / 0 / 63 / 69

HEX #404E1D

RGB 64 78 29

HSL 77.14, 0.46%, 0.21%

LAB 30.94, -14.24, 26.67

 

CMYK 13 / 0 / 45 / 73

HEX #3C4526

RGB 60 69 38

HSL 77.42, 0.29%, 0.21%

LAB 27.73, -9.75, 17.51

 

CMYK 7 / 0 / 25 / 76

HEX #393D2E

RGB 57 61 46

HSL 76, 0.14%, 0.21%

LAB 24.97, -4.87, 8.71

 

CMYK 0 / 23 / 87 / 63

HEX #5F490C

RGB 95 73 12

HSL 44.1, 0.78%, 0.21%

LAB 32.31, 3, 36.84

 

CMYK 0 / 0 / 87 / 63

HEX #5F5F0C

RGB 95 95 12

HSL 60, 0.78%, 0.21%

LAB 38.97, -10.1, 42.6

 

CMYK 23 / 0 / 87 / 63

HEX #495F0C

RGB 73 95 12

HSL 75.9, 0.78%, 0.21%

LAB 37.17, -20.52, 40.32

 

CMYK 46 / 0 / 87 / 63

HEX #335F0C

RGB 51 95 12

HSL 91.81, 0.78%, 0.21%

LAB 35.82, -29.69, 38.61

 

CMYK 71 / 0 / 87 / 63

HEX #1C5F0C

RGB 28 95 12

HSL 108.43, 0.78%, 0.21%

LAB 34.92, -36.77, 37.45

 

CMYK 27 / 0 / 86 / 91

HEX #101603

RGB 16 22 3

HSL 78.95, 0.76%, 0.05%

LAB 6.24, -5.71, 8.01

 

CMYK 25 / 0 / 88 / 77

HEX #2C3B07

RGB 44 59 7

HSL 77.31, 0.79%, 0.13%

LAB 22.58, -14.85, 27.89

 

CMYK 24 / 0 / 87 / 63

HEX #485F0C

RGB 72 95 12

HSL 76.63, 0.78%, 0.21%

LAB 37.09, -20.97, 40.23

 

CMYK 25 / 0 / 88 / 48

HEX #638410

RGB 99 132 16

HSL 77.07, 0.78%, 0.29%

LAB 50.91, -27.6, 51.87

 

CMYK 25 / 0 / 88 / 34

HEX #7FA915

RGB 127 169 21

HSL 77.03, 0.78%, 0.37%

LAB 64.11, -33.4, 62.65

 

CMYK 25 / 0 / 88 / 62

HEX #49610C

RGB 73 97 12

HSL 76.94, 0.78%, 0.21%

LAB 37.83, -21.56, 40.91

 

CMYK 87 / 0 / 46 / 63

HEX #0C5F33

RGB 12 95 51

HSL 148.19, 0.78%, 0.21%

LAB 35.01, -34.51, 18.7

 

CMYK 12 / 87 / 0 / 63

HEX #540C5F

RGB 84 12 95

HSL 292.05, 0.78%, 0.21%

LAB 19.94, 42.54, -31.44

 

CMYK 25 / 0 / 88 / 62

HEX #49610C

RGB 73 97 12

HSL 76.94, 0.78%, 0.21%

LAB 37.83, -21.56, 40.91

 

CMYK 87 / 23 / 0 / 63

HEX #0C495F

RGB 12 73 95

HSL 195.9, 0.78%, 0.21%

LAB 28.56, -9.87, -18.19

 

CMYK 0 / 87 / 23 / 63

HEX #5F0C49

RGB 95 12 73

HSL 315.9, 0.78%, 0.21%

LAB 20.74, 41.32, -15.21

 

CMYK 25 / 0 / 88 / 62

HEX #49610C

RGB 73 97 12

HSL 76.94, 0.78%, 0.21%

LAB 37.83, -21.56, 40.91

 

CMYK 87 / 0 / 46 / 63

HEX #0C5F33

RGB 12 95 51

HSL 148.19, 0.78%, 0.21%

LAB 35.01, -34.51, 18.7

 

CMYK 64 / 87 / 0 / 63

HEX #220C5F

RGB 34 12 95

HSL 255.9, 0.78%, 0.21%

LAB 12.15, 34.12, -44.48

 

CMYK 0 / 87 / 41 / 63

HEX #5F0C38

RGB 95 12 56

HSL 328.19, 0.78%, 0.21%

LAB 19.97, 39.11, -4.6

 

CMYK 25 / 0 / 88 / 62

HEX #49610C

RGB 73 97 12

HSL 76.94, 0.78%, 0.21%

LAB 37.83, -21.56, 40.91

 

CMYK 87 / 0 / 20 / 63

HEX #0C5F4C

RGB 12 95 76

HSL 166.27, 0.78%, 0.21%

LAB 35.57, -28.31, 4.31

 

CMYK 64 / 87 / 0 / 63

HEX #220C5F

RGB 34 12 95

HSL 255.9, 0.78%, 0.21%

LAB 12.15, 34.12, -44.48

 

CMYK 0 / 87 / 67 / 63

HEX #5F0C1F

RGB 95 12 31

HSL 346.27, 0.78%, 0.21%

LAB 19.2, 36.83, 12.05

 

Description

Color code: HEX #49610C | qconv.com Color code: HEX #49610C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 97 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 97 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 88 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 88% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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