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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #495AC73F it is the complementary color #B6A5383F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #495AC73F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #495AC73F shade: #4E5AC23F, #5F6CD53F, #707EE83F, #8190FB3F and #92A2FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #495AC73F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #495AC73F shade: #495AC73F, #3848B43F, #2736A13F, #16248E3F and #05127B3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #495AC73F shade: #4859C7, #5948C7, #7B48C7, #9D48C7 and #C048C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #495AC73F shade: #4859C7 and #4848C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #495AC73F shade matches the following richer shades: #4859C7, #344BDA and #213CED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #495AC73F shade: #4859C7, #5B67B3, #6E75A0, #82838C and #959179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #495AC73F shade: #489EC7, #487DC7, #485BC7, #5648C7 and #7848C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #495AC73F shade: #2C3A90, #3646AF, #4859C7, #6775D0 and #8792DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #495AC73F shade: #495AC7, #C748C0 and #8EC748

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #495AC73F shade: #495AC7, #C7485B and #5BC748

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #495AC73F shade: #495AC7, #C748C0, #C7B448 and #48C74E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #495AC73F shade: #495AC7, #C7489A, #C7B448 and #48C774

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 14 / 0 / 5

HEX #495AC73F

RGBA 73 90 199 0.25

HSLA 231.9, 0.53%, 0.53%, 0.25

LABA 42.54, 27.79, -58.96, 0.25

 

Complementary color

CMYK 0 / 2 / 17 / 7

HEX #B6A5383F

RGBA 182 165 56 0.25

HSLA 51.9, 0.53%, 0.47%, 0.25

LABA 67.38, -6.36, 56.17, 0.25

 

CMYK 15 / 13 / 0 / 6

HEX #4E5AC23F

RGBA 78 90 194 0.25

HSLA 233.79, 0.49%, 0.53%, 0.25

LABA 42.5, 26.96, -56.11, 0.25

 

CMYK 14 / 12 / 0 / 4

HEX #5F6CD53F

RGBA 95 108 213 0.25

HSLA 233.39, 0.58%, 0.6%, 0.25

LABA 49.45, 25.31, -55.78, 0.25

 

CMYK 13 / 11 / 0 / 2

HEX #707EE83F

RGBA 112 126 232 0.25

HSLA 233, 0.72%, 0.67%, 0.25

LABA 56.28, 23.92, -55.47, 0.25

 

CMYK 12 / 11 / 0 / 0

HEX #8190FB3F

RGBA 129 144 251 0.25

HSLA 232.62, 0.94%, 0.75%, 0.25

LABA 62.99, 22.74, -55.21, 0.25

 

CMYK 11 / 9 / 0 / 0

HEX #92A2FF3F

RGBA 146 162 255 0.25

HSLA 231.19, 1%, 0.79%, 0.25

LABA 68.88, 17.47, -48.01, 0.25

 

CMYK 16 / 14 / 0 / 5

HEX #495AC73F

RGBA 73 90 199 0.25

HSLA 231.9, 0.53%, 0.53%, 0.25

LABA 42.54, 27.79, -58.96, 0.25

 

CMYK 17 / 15 / 0 / 7

HEX #3848B43F

RGBA 56 72 180 0.25

HSLA 232.26, 0.53%, 0.46%, 0.25

LABA 35.54, 29.97, -59.26, 0.25

 

CMYK 19 / 17 / 0 / 9

HEX #2736A13F

RGBA 39 54 161 0.25

HSLA 232.62, 0.61%, 0.39%, 0.25

LABA 28.49, 32.59, -59.44, 0.25

 

CMYK 21 / 19 / 0 / 11

HEX #16248E3F

RGBA 22 36 142 0.25

HSLA 233, 0.73%, 0.32%, 0.25

LABA 21.53, 35.6, -59.28, 0.25

 

CMYK 24 / 21 / 0 / 13

HEX #05127B3F

RGBA 5 18 123 0.25

HSLA 233.39, 0.92%, 0.25%, 0.25

LABA 14.93, 38.47, -58.25, 0.25

 

CMYK 64 / 55 / 0 / 22

HEX #4859C7

RGB 72 89 199

HSL 231.97, 0.53%, 0.53%

LAB 42.22, 28.26, -59.47

 

CMYK 55 / 64 / 0 / 22

HEX #5948C7

RGB 89 72 199

HSL 248.03, 0.53%, 0.53%

LAB 39.38, 41.59, -64.04

 

CMYK 38 / 64 / 0 / 22

HEX #7B48C7

RGB 123 72 199

HSL 264.09, 0.53%, 0.53%

LAB 42.72, 48.19, -58.47

 

CMYK 21 / 64 / 0 / 22

HEX #9D48C7

RGB 157 72 199

HSL 280.16, 0.53%, 0.53%

LAB 46.88, 55.74, -51.55

 

CMYK 4 / 64 / 0 / 22

HEX #C048C7

RGB 192 72 199

HSL 296.69, 0.53%, 0.53%

LAB 51.8, 63.97, -43.42

 

CMYK 64 / 55 / 0 / 22

HEX #4859C7

RGB 72 89 199

HSL 231.97, 0.53%, 0.53%

LAB 42.22, 28.26, -59.47

 

CMYK 64 / 64 / 0 / 22

HEX #4848C7

RGB 72 72 199

HSL 240, 0.53%, 0.53%

LAB 38.09, 38.86, -66.21

 

CMYK 64 / 55 / 0 / 22

HEX #4859C7

RGB 72 89 199

HSL 231.97, 0.53%, 0.53%

LAB 42.22, 28.26, -59.47

 

CMYK 76 / 66 / 0 / 15

HEX #344BDA

RGB 52 75 218

HSL 231.69, 0.69%, 0.53%

LAB 39.28, 41.13, -75.26

 

CMYK 86 / 75 / 0 / 7

HEX #213CED

RGB 33 60 237

HSL 232.06, 0.85%, 0.53%

LAB 37.24, 55.11, -89.47

 

CMYK 64 / 55 / 0 / 22

HEX #4859C7

RGB 72 89 199

HSL 231.97, 0.53%, 0.53%

LAB 42.22, 28.26, -59.47

 

CMYK 49 / 42 / 0 / 30

HEX #5B67B3

RGB 91 103 179

HSL 231.82, 0.37%, 0.53%

LAB 45.88, 16.65, -41.92

 

CMYK 31 / 27 / 0 / 37

HEX #6E75A0

RGB 110 117 160

HSL 231.6, 0.21%, 0.53%

LAB 50.19, 7.77, -23.97

 

CMYK 7 / 6 / 0 / 45

HEX #82838C

RGB 130 131 140

HSL 234, 0.04%, 0.53%

LAB 54.94, 1.48, -4.97

 

CMYK 0 / 3 / 19 / 42

HEX #959179

RGB 149 145 121

HSL 51.43, 0.12%, 0.53%

LAB 59.91, -2.73, 13.29

 

CMYK 64 / 21 / 0 / 22

HEX #489EC7

RGB 72 158 199

HSL 199.37, 0.53%, 0.53%

LAB 61.62, -13.3, -28.76

 

CMYK 64 / 37 / 0 / 22

HEX #487DC7

RGB 72 125 199

HSL 214.96, 0.53%, 0.53%

LAB 52.03, 5.73, -43.76

 

CMYK 64 / 54 / 0 / 22

HEX #485BC7

RGB 72 91 199

HSL 231.02, 0.53%, 0.53%

LAB 42.74, 26.99, -58.64

 

CMYK 57 / 64 / 0 / 22

HEX #5648C7

RGB 86 72 199

HSL 246.61, 0.53%, 0.53%

LAB 39.13, 41.08, -64.45

 

CMYK 40 / 64 / 0 / 22

HEX #7848C7

RGB 120 72 199

HSL 262.68, 0.53%, 0.53%

LAB 42.39, 47.56, -59.02

 

CMYK 69 / 60 / 0 / 44

HEX #2C3A90

RGB 44 58 144

HSL 231.6, 0.53%, 0.37%

LAB 28.31, 24.26, -49.34

 

CMYK 69 / 60 / 0 / 31

HEX #3646AF

RGB 54 70 175

HSL 232.07, 0.53%, 0.45%

LAB 34.52, 29.19, -57.96

 

CMYK 64 / 55 / 0 / 22

HEX #4859C7

RGB 72 89 199

HSL 231.97, 0.53%, 0.53%

LAB 42.22, 28.26, -59.47

 

CMYK 50 / 44 / 0 / 18

HEX #6775D0

RGB 103 117 208

HSL 232, 0.53%, 0.61%

LAB 52.02, 19.93, -48.8

 

CMYK 38 / 33 / 0 / 15

HEX #8792DA

RGB 135 146 218

HSL 232.05, 0.53%, 0.69%

LAB 62.31, 13.6, -38.03

 

CMYK 63 / 55 / 0 / 22

HEX #495AC7

RGB 73 90 199

HSL 231.9, 0.53%, 0.53%

LAB 42.54, 27.79, -58.96

 

CMYK 0 / 64 / 4 / 22

HEX #C748C0

RGB 199 72 192

HSL 303.31, 0.53%, 0.53%

LAB 52.49, 64.48, -38.22

 

CMYK 29 / 0 / 64 / 22

HEX #8EC748

RGB 142 199 72

HSL 86.93, 0.53%, 0.53%

LAB 74.23, -38.4, 55.87

 

CMYK 63 / 55 / 0 / 22

HEX #495AC7

RGB 73 90 199

HSL 231.9, 0.53%, 0.53%

LAB 42.54, 27.79, -58.96

 

CMYK 0 / 64 / 54 / 22

HEX #C7485B

RGB 199 72 91

HSL 351.02, 0.53%, 0.53%

LAB 48.92, 51.89, 16.53

 

CMYK 54 / 0 / 64 / 22

HEX #5BC748

RGB 91 199 72

HSL 111.02, 0.53%, 0.53%

LAB 71.92, -54.77, 52.68

 

CMYK 63 / 55 / 0 / 22

HEX #495AC7

RGB 73 90 199

HSL 231.9, 0.53%, 0.53%

LAB 42.54, 27.79, -58.96

 

CMYK 0 / 64 / 4 / 22

HEX #C748C0

RGB 199 72 192

HSL 303.31, 0.53%, 0.53%

LAB 52.49, 64.48, -38.22

 

CMYK 0 / 10 / 64 / 22

HEX #C7B448

RGB 199 180 72

HSL 51.02, 0.53%, 0.53%

LAB 73.06, -5.94, 55.82

 

CMYK 64 / 0 / 61 / 22

HEX #48C74E

RGB 72 199 78

HSL 122.83, 0.53%, 0.53%

LAB 71.4, -58.65, 49.33

 

CMYK 63 / 55 / 0 / 22

HEX #495AC7

RGB 73 90 199

HSL 231.9, 0.53%, 0.53%

LAB 42.54, 27.79, -58.96

 

CMYK 0 / 64 / 23 / 22

HEX #C7489A

RGB 199 72 154

HSL 321.26, 0.53%, 0.53%

LAB 50.82, 58.76, -18.58

 

CMYK 0 / 10 / 64 / 22

HEX #C7B448

RGB 199 180 72

HSL 51.02, 0.53%, 0.53%

LAB 73.06, -5.94, 55.82

 

CMYK 64 / 0 / 42 / 22

HEX #48C774

RGB 72 199 116

HSL 140.79, 0.53%, 0.53%

LAB 71.88, -53.2, 31.5

 

Description

Color code: HEX #495AC73F | qconv.com Color code: HEX #495AC73F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 90 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 90 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 14 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 14% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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