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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #495945 it is the complementary color #B6A6BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #495945. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #495945 shade: #4E5940, #5F6B53, #707D66, #818F79 and #92A18C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #495945. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #495945 shade: #495945, #384732, #27351F, #16230C and #051100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #495945 shade: #495945, #4E5945, #545945, #595945 and #595445

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #495945 shade: #495945, #455946, #45594C, #455951 and #455957

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #495945 shade matches the following richer shades: #495945, #416638, #3A732B, #32801E and #2A8C12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #495945 shade: #495945, #514D52, #58405E, #60336B and #682678

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #495945 shade: #545945, #4E5945, #495945, #455946 and #45594C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #495945 shade: #232B21, #364233, #495945, #5C7157 and #6F8869

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #495945 shade: #495945, #455959 and #594551

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #495945 shade: #495945, #454959 and #594549

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #495945 shade: #495945, #455959, #554559 and #594545

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #495945 shade: #495945, #455359, #554559 and #594B45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 22 / 65

HEX #495945

RGB 73 89 69

HSL 108, 0.13%, 0.31%

LAB 35.97, -10.55, 9.57

 

Complementary color

CMYK 2 / 11 / 0 / 27

HEX #B6A6BA

RGB 182 166 186

HSL 288, 0.13%, 0.69%

LAB 70.01, 9.47, -8.16

 

CMYK 12 / 0 / 28 / 65

HEX #4E5940

RGB 78 89 64

HSL 86.4, 0.16%, 0.3%

LAB 36.24, -9.4, 13.08

 

CMYK 11 / 0 / 22 / 58

HEX #5F6B53

RGB 95 107 83

HSL 90, 0.13%, 0.37%

LAB 43.61, -9.38, 11.96

 

CMYK 10 / 0 / 18 / 51

HEX #707D66

RGB 112 125 102

HSL 93.91, 0.1%, 0.45%

LAB 50.77, -9.37, 10.95

 

CMYK 10 / 0 / 15 / 44

HEX #818F79

RGB 129 143 121

HSL 98.18, 0.09%, 0.52%

LAB 57.74, -9.35, 10.01

 

CMYK 9 / 0 / 13 / 37

HEX #92A18C

RGB 146 161 140

HSL 102.86, 0.1%, 0.59%

LAB 64.56, -9.35, 9.14

 

CMYK 18 / 0 / 22 / 65

HEX #495945

RGB 73 89 69

HSL 108, 0.13%, 0.31%

LAB 35.97, -10.55, 9.57

 

CMYK 21 / 0 / 30 / 72

HEX #384732

RGB 56 71 50

HSL 102.86, 0.17%, 0.24%

LAB 28.32, -10.69, 10.72

 

CMYK 26 / 0 / 42 / 79

HEX #27351F

RGB 39 53 31

HSL 98.18, 0.26%, 0.16%

LAB 20.35, -10.86, 12.04

 

CMYK 37 / 0 / 66 / 86

HEX #16230C

RGB 22 35 12

HSL 93.91, 0.49%, 0.09%

LAB 11.95, -10.99, 12.52

 

CMYK 71 / 0 / 100 / 93

HEX #051100

RGB 5 17 0

HSL 102.35, 1%, 0.03%

LAB 3.91, -6.09, 5.75

 

CMYK 18 / 0 / 22 / 65

HEX #495945

RGB 73 89 69

HSL 108, 0.13%, 0.31%

LAB 35.97, -10.55, 9.57

 

CMYK 12 / 0 / 22 / 65

HEX #4E5945

RGB 78 89 69

HSL 93, 0.13%, 0.31%

LAB 36.36, -8.5, 10.17

 

CMYK 6 / 0 / 22 / 65

HEX #545945

RGB 84 89 69

HSL 75, 0.13%, 0.31%

LAB 36.85, -5.97, 10.94

 

CMYK 0 / 0 / 22 / 65

HEX #595945

RGB 89 89 69

HSL 60, 0.13%, 0.31%

LAB 37.3, -3.81, 11.62

 

CMYK 0 / 6 / 22 / 65

HEX #595445

RGB 89 84 69

HSL 45, 0.13%, 0.31%

LAB 35.78, -0.79, 9.51

 

CMYK 18 / 0 / 22 / 65

HEX #495945

RGB 73 89 69

HSL 108, 0.13%, 0.31%

LAB 35.97, -10.55, 9.57

 

CMYK 22 / 0 / 21 / 65

HEX #455946

RGB 69 89 70

HSL 123, 0.13%, 0.31%

LAB 35.7, -11.94, 8.53

 

CMYK 22 / 0 / 15 / 65

HEX #45594C

RGB 69 89 76

HSL 141, 0.13%, 0.31%

LAB 35.85, -10.67, 5.03

 

CMYK 22 / 0 / 9 / 65

HEX #455951

RGB 69 89 81

HSL 156, 0.13%, 0.31%

LAB 35.99, -9.53, 2.11

 

CMYK 22 / 0 / 2 / 65

HEX #455957

RGB 69 89 87

HSL 174, 0.13%, 0.31%

LAB 36.17, -8.09, -1.37

 

CMYK 18 / 0 / 22 / 65

HEX #495945

RGB 73 89 69

HSL 108, 0.13%, 0.31%

LAB 35.97, -10.55, 9.57

 

CMYK 36 / 0 / 45 / 60

HEX #416638

RGB 65 102 56

HSL 108.26, 0.29%, 0.31%

LAB 39.43, -23.1, 21.89

 

CMYK 50 / 0 / 63 / 55

HEX #3A732B

RGB 58 115 43

HSL 107.5, 0.46%, 0.31%

LAB 43.26, -33.52, 33.44

 

CMYK 61 / 0 / 77 / 50

HEX #32801E

RGB 50 128 30

HSL 107.76, 0.62%, 0.31%

LAB 47.25, -42.48, 43.3

 

CMYK 70 / 0 / 87 / 45

HEX #2A8C12

RGB 42 140 18

HSL 108.2, 0.77%, 0.31%

LAB 51.03, -49.44, 50.52

 

CMYK 18 / 0 / 22 / 65

HEX #495945

RGB 73 89 69

HSL 108, 0.13%, 0.31%

LAB 35.97, -10.55, 9.57

 

CMYK 1 / 6 / 0 / 68

HEX #514D52

RGB 81 77 82

HSL 288, 0.03%, 0.31%

LAB 33.28, 2.72, -2.36

 

CMYK 6 / 32 / 0 / 63

HEX #58405E

RGB 88 64 94

HSL 288, 0.19%, 0.31%

LAB 30.76, 16.46, -13.75

 

CMYK 10 / 52 / 0 / 58

HEX #60336B

RGB 96 51 107

HSL 288.21, 0.35%, 0.31%

LAB 29.2, 30.18, -24.43

 

CMYK 13 / 68 / 0 / 53

HEX #682678

RGB 104 38 120

HSL 288.29, 0.52%, 0.31%

LAB 28.6, 42.14, -33.57

 

CMYK 6 / 0 / 22 / 65

HEX #545945

RGB 84 89 69

HSL 75, 0.13%, 0.31%

LAB 36.85, -5.97, 10.94

 

CMYK 12 / 0 / 22 / 65

HEX #4E5945

RGB 78 89 69

HSL 93, 0.13%, 0.31%

LAB 36.36, -8.5, 10.17

 

CMYK 18 / 0 / 22 / 65

HEX #495945

RGB 73 89 69

HSL 108, 0.13%, 0.31%

LAB 35.97, -10.55, 9.57

 

CMYK 22 / 0 / 21 / 65

HEX #455946

RGB 69 89 70

HSL 123, 0.13%, 0.31%

LAB 35.7, -11.94, 8.53

 

CMYK 22 / 0 / 15 / 65

HEX #45594C

RGB 69 89 76

HSL 141, 0.13%, 0.31%

LAB 35.85, -10.67, 5.03

 

CMYK 19 / 0 / 23 / 83

HEX #232B21

RGB 35 43 33

HSL 108, 0.13%, 0.15%

LAB 16.48, -5.94, 5.37

 

CMYK 18 / 0 / 23 / 74

HEX #364233

RGB 54 66 51

HSL 108, 0.13%, 0.23%

LAB 26.5, -8.33, 7.54

 

CMYK 18 / 0 / 22 / 65

HEX #495945

RGB 73 89 69

HSL 108, 0.13%, 0.31%

LAB 35.97, -10.55, 9.57

 

CMYK 19 / 0 / 23 / 56

HEX #5C7157

RGB 92 113 87

HSL 108.46, 0.13%, 0.39%

LAB 45.32, -13.22, 11.92

 

CMYK 18 / 0 / 23 / 47

HEX #6F8869

RGB 111 136 105

HSL 108.39, 0.13%, 0.47%

LAB 54.04, -15.23, 13.76

 

CMYK 18 / 0 / 22 / 65

HEX #495945

RGB 73 89 69

HSL 108, 0.13%, 0.31%

LAB 35.97, -10.55, 9.57

 

CMYK 22 / 0 / 0 / 65

HEX #455959

RGB 69 89 89

HSL 180, 0.13%, 0.31%

LAB 36.24, -7.6, -2.52

 

CMYK 0 / 22 / 9 / 65

HEX #594551

RGB 89 69 81

HSL 324, 0.13%, 0.31%

LAB 31.75, 10.85, -3.89

 

CMYK 18 / 0 / 22 / 65

HEX #495945

RGB 73 89 69

HSL 108, 0.13%, 0.31%

LAB 35.97, -10.55, 9.57

 

CMYK 22 / 18 / 0 / 65

HEX #454959

RGB 69 73 89

HSL 228, 0.13%, 0.31%

LAB 31.23, 2.33, -10

 

CMYK 0 / 22 / 18 / 65

HEX #594549

RGB 89 69 73

HSL 348, 0.13%, 0.31%

LAB 31.49, 9.29, 0.87

 

CMYK 18 / 0 / 22 / 65

HEX #495945

RGB 73 89 69

HSL 108, 0.13%, 0.31%

LAB 35.97, -10.55, 9.57

 

CMYK 22 / 0 / 0 / 65

HEX #455959

RGB 69 89 89

HSL 180, 0.13%, 0.31%

LAB 36.24, -7.6, -2.52

 

CMYK 4 / 22 / 0 / 65

HEX #554559

RGB 85 69 89

HSL 288, 0.13%, 0.31%

LAB 31.6, 10.97, -9.3

 

CMYK 0 / 22 / 22 / 65

HEX #594545

RGB 89 69 69

HSL 0, 0.13%, 0.31%

LAB 31.37, 8.57, 3.27

 

CMYK 18 / 0 / 22 / 65

HEX #495945

RGB 73 89 69

HSL 108, 0.13%, 0.31%

LAB 35.97, -10.55, 9.57

 

CMYK 22 / 7 / 0 / 65

HEX #455359

RGB 69 83 89

HSL 198, 0.13%, 0.31%

LAB 34.34, -3.96, -5.33

 

CMYK 4 / 22 / 0 / 65

HEX #554559

RGB 85 69 89

HSL 288, 0.13%, 0.31%

LAB 31.6, 10.97, -9.3

 

CMYK 0 / 16 / 22 / 65

HEX #594B45

RGB 89 75 69

HSL 18, 0.13%, 0.31%

LAB 33.1, 4.78, 5.75

 

Description

Color code: HEX #495945 | qconv.com Color code: HEX #495945 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 89 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 89 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 22 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 22% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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