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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #494187 it is the complementary color #B6BE78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #494187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #494187 shade: #4E4182, #5F5395, #7065A8, #8177BB and #9289CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #494187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #494187 shade: #494187, #382F74, #271D61, #160B4E and #05003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #494187 shade: #494186, #5B4186, #6E4186, #814186 and #864179

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #494187 shade: #494186 and #414186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #494187 shade matches the following richer shades: #494186, #3C3196, #3020A6, #2310B7 and #1700C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #494187 shade: #494186, #555176, #616166, #6E7156 and #7A8146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #494187 shade: #415F86, #414C86, #484186, #5A4186 and #6D4186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #494187 shade: #2A264F, #3A336A, #494186, #584EA2 and #6E65B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #494187 shade: #494187, #864171 and #568641

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #494187 shade: #494187, #864841 and #418648

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #494187 shade: #494187, #864171, #7F8641 and #418656

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #494187 shade: #494187, #86415C, #7F8641 and #41866A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 52 / 0 / 47

HEX #494187

RGB 73 65 135

HSL 246.86, 0.35%, 0.39%

LAB 31.68, 22.45, -38.24

 

Complementary color

CMYK 4 / 0 / 37 / 25

HEX #B6BE78

RGB 182 190 120

HSL 66.86, 0.35%, 0.61%

LAB 74.91, -13.75, 34.44

 

CMYK 40 / 50 / 0 / 49

HEX #4E4182

RGB 78 65 130

HSL 252, 0.33%, 0.38%

LAB 31.83, 22.23, -34.88

 

CMYK 36 / 44 / 0 / 42

HEX #5F5395

RGB 95 83 149

HSL 250.91, 0.28%, 0.45%

LAB 39.22, 21.14, -34.67

 

CMYK 33 / 40 / 0 / 34

HEX #7065A8

RGB 112 101 168

HSL 249.85, 0.28%, 0.53%

LAB 46.42, 20.22, -34.52

 

CMYK 31 / 36 / 0 / 27

HEX #8177BB

RGB 129 119 187

HSL 248.82, 0.33%, 0.6%

LAB 53.44, 19.43, -34.43

 

CMYK 29 / 33 / 0 / 19

HEX #9289CE

RGB 146 137 206

HSL 247.83, 0.41%, 0.67%

LAB 60.3, 18.74, -34.4

 

CMYK 46 / 52 / 0 / 47

HEX #494187

RGB 73 65 135

HSL 246.86, 0.35%, 0.39%

LAB 31.68, 22.45, -38.24

 

CMYK 52 / 59 / 0 / 55

HEX #382F74

RGB 56 47 116

HSL 247.83, 0.42%, 0.32%

LAB 24.11, 23.95, -38.57

 

CMYK 60 / 70 / 0 / 62

HEX #271D61

RGB 39 29 97

HSL 248.82, 0.54%, 0.25%

LAB 16.37, 25.76, -38.86

 

CMYK 72 / 86 / 0 / 69

HEX #160B4E

RGB 22 11 78

HSL 249.85, 0.75%, 0.17%

LAB 8.65, 27.64, -38.73

 

CMYK 92 / 100 / 0 / 77

HEX #05003B

RGB 5 0 59

HSL 245.08, 1%, 0.12%

LAB 3.14, 21.35, -34.35

 

CMYK 46 / 51 / 0 / 47

HEX #494186

RGB 73 65 134

HSL 246.96, 0.35%, 0.39%

LAB 31.62, 22.14, -37.73

 

CMYK 32 / 51 / 0 / 47

HEX #5B4186

RGB 91 65 134

HSL 262.61, 0.35%, 0.39%

LAB 33.41, 27.02, -34.77

 

CMYK 18 / 51 / 0 / 47

HEX #6E4186

RGB 110 65 134

HSL 279.13, 0.35%, 0.39%

LAB 35.63, 32.57, -31.11

 

CMYK 4 / 51 / 0 / 47

HEX #814186

RGB 129 65 134

HSL 295.65, 0.35%, 0.39%

LAB 38.14, 38.3, -26.98

 

CMYK 0 / 51 / 10 / 47

HEX #864179

RGB 134 65 121

HSL 311.3, 0.35%, 0.39%

LAB 38.25, 37.4, -18.74

 

CMYK 46 / 51 / 0 / 47

HEX #494186

RGB 73 65 134

HSL 246.96, 0.35%, 0.39%

LAB 31.62, 22.14, -37.73

 

CMYK 51 / 51 / 0 / 47

HEX #414186

RGB 65 65 134

HSL 240, 0.35%, 0.39%

LAB 30.94, 20.16, -38.85

 

CMYK 46 / 51 / 0 / 47

HEX #494186

RGB 73 65 134

HSL 246.96, 0.35%, 0.39%

LAB 31.62, 22.14, -37.73

 

CMYK 60 / 67 / 0 / 41

HEX #3C3196

RGB 60 49 150

HSL 246.53, 0.51%, 0.39%

LAB 27.73, 34.79, -53.93

 

CMYK 71 / 81 / 0 / 35

HEX #3020A6

RGB 48 32 166

HSL 247.16, 0.68%, 0.39%

LAB 25, 47.92, -68.22

 

CMYK 81 / 91 / 0 / 28

HEX #2310B7

RGB 35 16 183

HSL 246.83, 0.84%, 0.39%

LAB 24.15, 58.37, -79.86

 

CMYK 88 / 100 / 0 / 22

HEX #1700C7

RGB 23 0 199

HSL 246.93, 1%, 0.39%

LAB 24.66, 65.89, -88.51

 

CMYK 46 / 51 / 0 / 47

HEX #494186

RGB 73 65 134

HSL 246.96, 0.35%, 0.39%

LAB 31.62, 22.14, -37.73

 

CMYK 28 / 31 / 0 / 54

HEX #555176

RGB 85 81 118

HSL 246.49, 0.19%, 0.39%

LAB 36.22, 10.62, -20.49

 

CMYK 5 / 5 / 0 / 60

HEX #616166

RGB 97 97 102

HSL 240, 0.03%, 0.39%

LAB 41.3, 1.07, -2.84

 

CMYK 3 / 0 / 24 / 56

HEX #6E7156

RGB 110 113 86

HSL 66.67, 0.14%, 0.39%

LAB 46.71, -6.14, 14.65

 

CMYK 5 / 0 / 46 / 49

HEX #7A8146

RGB 122 129 70

HSL 67.12, 0.3%, 0.39%

LAB 52.15, -12.15, 30.99

 

CMYK 51 / 29 / 0 / 47

HEX #415F86

RGB 65 95 134

HSL 213.91, 0.35%, 0.39%

LAB 39.63, 0.7, -25.11

 

CMYK 51 / 43 / 0 / 47

HEX #414C86

RGB 65 76 134

HSL 230.43, 0.35%, 0.39%

LAB 34.01, 12.9, -33.95

 

CMYK 46 / 51 / 0 / 47

HEX #484186

RGB 72 65 134

HSL 246.09, 0.35%, 0.39%

LAB 31.53, 21.88, -37.87

 

CMYK 33 / 51 / 0 / 47

HEX #5A4186

RGB 90 65 134

HSL 261.74, 0.35%, 0.39%

LAB 33.3, 26.73, -34.95

 

CMYK 19 / 51 / 0 / 47

HEX #6D4186

RGB 109 65 134

HSL 278.26, 0.35%, 0.39%

LAB 35.5, 32.27, -31.31

 

CMYK 47 / 52 / 0 / 69

HEX #2A264F

RGB 42 38 79

HSL 245.85, 0.35%, 0.23%

LAB 17.66, 13.97, -24.7

 

CMYK 45 / 52 / 0 / 58

HEX #3A336A

RGB 58 51 106

HSL 247.64, 0.35%, 0.31%

LAB 24.66, 18.47, -31.26

 

CMYK 46 / 51 / 0 / 47

HEX #494186

RGB 73 65 134

HSL 246.96, 0.35%, 0.39%

LAB 31.62, 22.14, -37.73

 

CMYK 46 / 52 / 0 / 36

HEX #584EA2

RGB 88 78 162

HSL 247.14, 0.35%, 0.47%

LAB 38.08, 26.29, -44.34

 

CMYK 39 / 44 / 0 / 29

HEX #6E65B5

RGB 110 101 181

HSL 246.75, 0.35%, 0.55%

LAB 46.92, 23.31, -41.34

 

CMYK 46 / 52 / 0 / 47

HEX #494187

RGB 73 65 135

HSL 246.86, 0.35%, 0.39%

LAB 31.68, 22.45, -38.24

 

CMYK 0 / 51 / 16 / 47

HEX #864171

RGB 134 65 113

HSL 318.26, 0.35%, 0.39%

LAB 37.92, 36.01, -14.28

 

CMYK 36 / 0 / 51 / 47

HEX #568641

RGB 86 134 65

HSL 101.74, 0.35%, 0.39%

LAB 51.16, -29.81, 31.87

 

CMYK 46 / 52 / 0 / 47

HEX #494187

RGB 73 65 135

HSL 246.86, 0.35%, 0.39%

LAB 31.68, 22.45, -38.24

 

CMYK 0 / 46 / 51 / 47

HEX #864841

RGB 134 72 65

HSL 6.09, 0.35%, 0.39%

LAB 37.99, 25.56, 15.91

 

CMYK 51 / 0 / 46 / 47

HEX #418648

RGB 65 134 72

HSL 126.09, 0.35%, 0.39%

LAB 50.27, -35.67, 26.8

 

CMYK 46 / 52 / 0 / 47

HEX #494187

RGB 73 65 135

HSL 246.86, 0.35%, 0.39%

LAB 31.68, 22.45, -38.24

 

CMYK 0 / 51 / 16 / 47

HEX #864171

RGB 134 65 113

HSL 318.26, 0.35%, 0.39%

LAB 37.92, 36.01, -14.28

 

CMYK 5 / 0 / 51 / 47

HEX #7F8641

RGB 127 134 65

HSL 66.09, 0.35%, 0.39%

LAB 53.97, -13.23, 35.91

 

CMYK 51 / 0 / 36 / 47

HEX #418656

RGB 65 134 86

HSL 138.26, 0.35%, 0.39%

LAB 50.51, -33.18, 19.34

 

CMYK 46 / 52 / 0 / 47

HEX #494187

RGB 73 65 135

HSL 246.86, 0.35%, 0.39%

LAB 31.68, 22.45, -38.24

 

CMYK 0 / 51 / 31 / 47

HEX #86415C

RGB 134 65 92

HSL 336.52, 0.35%, 0.39%

LAB 37.15, 32.75, -2.24

 

CMYK 5 / 0 / 51 / 47

HEX #7F8641

RGB 127 134 65

HSL 66.09, 0.35%, 0.39%

LAB 53.97, -13.23, 35.91

 

CMYK 51 / 0 / 21 / 47

HEX #41866A

RGB 65 134 106

HSL 155.65, 0.35%, 0.39%

LAB 50.94, -28.9, 8.47

 

Description

Color code: HEX #494187 | qconv.com Color code: HEX #494187 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 65 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 65 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 52 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 52% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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