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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #493C24 it is the complementary color #B6C3DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #493C24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #493C24 shade: #4E3C1F, #5F4E32, #706045, #817258 and #92846B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #493C24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #493C24 shade: #493C24, #382A11, #271800, #160600 and #050000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #493C24 shade: #483B23, #483123, #482723 and #482323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #493C24 shade: #483B23, #484523, #414823, #374823 and #2D4823

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #493C24 shade matches the following richer shades: #483B23, #503E1B, #594012, #624309 and #6A4501

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #493C24 shade: #483B23, #3F382C, #363635, #2E333D and #253146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #493C24 shade: #482723, #483123, #483A23, #484423 and #424823

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #493C24 shade: #100E08, #2C2416, #483B23, #635231 and #7F683F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #493C24 shade: #493C24, #294823 and #2C2348

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #493C24 shade: #493C24, #23483A and #3A2348

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #493C24 shade: #493C24, #294823, #233148 and #422348

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #493C24 shade: #493C24, #234828, #233148 and #482343

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 51 / 71

HEX #493C24

RGB 73 60 36

HSL 38.92, 0.34%, 0.21%

LAB 26.09, 1.88, 16.92

 

Complementary color

CMYK 17 / 11 / 0 / 14

HEX #B6C3DB

RGB 182 195 219

HSL 218.92, 0.34%, 0.79%

LAB 78.51, 0.48, -13.47

 

CMYK 0 / 23 / 60 / 69

HEX #4E3C1F

RGB 78 60 31

HSL 37.02, 0.43%, 0.21%

LAB 26.59, 3.82, 20.77

 

CMYK 0 / 18 / 47 / 63

HEX #5F4E32

RGB 95 78 50

HSL 37.33, 0.31%, 0.28%

LAB 34.21, 2.86, 19.21

 

CMYK 0 / 14 / 38 / 56

HEX #706045

RGB 112 96 69

HSL 37.67, 0.24%, 0.35%

LAB 41.6, 2.15, 17.82

 

CMYK 0 / 12 / 32 / 49

HEX #817258

RGB 129 114 88

HSL 38.05, 0.19%, 0.43%

LAB 48.77, 1.61, 16.57

 

CMYK 0 / 10 / 27 / 43

HEX #92846B

RGB 146 132 107

HSL 38.46, 0.15%, 0.5%

LAB 55.76, 1.17, 15.44

 

CMYK 0 / 18 / 51 / 71

HEX #493C24

RGB 73 60 36

HSL 38.92, 0.34%, 0.21%

LAB 26.09, 1.88, 16.92

 

CMYK 0 / 25 / 70 / 78

HEX #382A11

RGB 56 42 17

HSL 38.46, 0.53%, 0.14%

LAB 18.09, 2.96, 18.52

 

CMYK 0 / 38 / 100 / 85

HEX #271800

RGB 39 24 0

HSL 36.92, 1%, 0.08%

LAB 9.68, 4.55, 14.57

 

CMYK 0 / 73 / 100 / 91

HEX #160600

RGB 22 6 0

HSL 16.36, 1%, 0.04%

LAB 2.72, 4.51, 4.15

 

CMYK 0 / 100 / 100 / 98

HEX #050000

RGB 5 0 0

HSL 0, 1%, 0.01%

LAB 0.29, 1.31, 0.46

 

CMYK 0 / 18 / 51 / 72

HEX #483B23

RGB 72 59 35

HSL 38.92, 0.35%, 0.21%

LAB 25.64, 1.91, 16.97

 

CMYK 0 / 32 / 51 / 72

HEX #483123

RGB 72 49 35

HSL 22.7, 0.35%, 0.21%

LAB 22.64, 8.44, 13.08

 

CMYK 0 / 46 / 51 / 72

HEX #482723

RGB 72 39 35

HSL 6.49, 0.35%, 0.21%

LAB 19.84, 14.98, 9.34

 

CMYK 0 / 51 / 51 / 72

HEX #482323

RGB 72 35 35

HSL 0, 0.35%, 0.21%

LAB 18.8, 17.53, 7.92

 

CMYK 0 / 18 / 51 / 72

HEX #483B23

RGB 72 59 35

HSL 38.92, 0.35%, 0.21%

LAB 25.64, 1.91, 16.97

 

CMYK 0 / 4 / 51 / 72

HEX #484523

RGB 72 69 35

HSL 55.14, 0.35%, 0.21%

LAB 28.79, -4.41, 20.89

 

CMYK 10 / 0 / 51 / 72

HEX #414823

RGB 65 72 35

HSL 71.35, 0.35%, 0.21%

LAB 29.11, -9.6, 21.14

 

CMYK 24 / 0 / 51 / 72

HEX #374823

RGB 55 72 35

HSL 87.57, 0.35%, 0.21%

LAB 28.3, -14.21, 19.96

 

CMYK 38 / 0 / 51 / 72

HEX #2D4823

RGB 45 72 35

HSL 103.78, 0.35%, 0.21%

LAB 27.61, -18.48, 18.95

 

CMYK 0 / 18 / 51 / 72

HEX #483B23

RGB 72 59 35

HSL 38.92, 0.35%, 0.21%

LAB 25.64, 1.91, 16.97

 

CMYK 0 / 23 / 66 / 69

HEX #503E1B

RGB 80 62 27

HSL 39.62, 0.5%, 0.21%

LAB 27.38, 3.18, 24.12

 

CMYK 0 / 28 / 80 / 65

HEX #594012

RGB 89 64 18

HSL 38.87, 0.66%, 0.21%

LAB 28.99, 5.85, 30.95

 

CMYK 0 / 32 / 91 / 62

HEX #624309

RGB 98 67 9

HSL 39.1, 0.83%, 0.21%

LAB 30.95, 8.14, 36.89

 

CMYK 0 / 35 / 99 / 58

HEX #6A4501

RGB 106 69 1

HSL 38.86, 0.98%, 0.21%

LAB 32.53, 10.65, 41.56

 

CMYK 0 / 18 / 51 / 72

HEX #483B23

RGB 72 59 35

HSL 38.92, 0.35%, 0.21%

LAB 25.64, 1.91, 16.97

 

CMYK 0 / 11 / 30 / 75

HEX #3F382C

RGB 63 56 44

HSL 37.89, 0.18%, 0.21%

LAB 23.89, 0.78, 8.63

 

CMYK 0 / 0 / 2 / 79

HEX #363635

RGB 54 54 53

HSL 60, 0.01%, 0.21%

LAB 22.58, -0.23, 0.62

 

CMYK 25 / 16 / 0 / 76

HEX #2E333D

RGB 46 51 61

HSL 220, 0.14%, 0.21%

LAB 21.15, 0.51, -7

 

CMYK 47 / 30 / 0 / 73

HEX #253146

RGB 37 49 70

HSL 218.18, 0.31%, 0.21%

LAB 20.17, 1.51, -14.67

 

CMYK 0 / 46 / 51 / 72

HEX #482723

RGB 72 39 35

HSL 6.49, 0.35%, 0.21%

LAB 19.84, 14.98, 9.34

 

CMYK 0 / 32 / 51 / 72

HEX #483123

RGB 72 49 35

HSL 22.7, 0.35%, 0.21%

LAB 22.64, 8.44, 13.08

 

CMYK 0 / 19 / 51 / 72

HEX #483A23

RGB 72 58 35

HSL 37.3, 0.35%, 0.21%

LAB 25.34, 2.56, 16.58

 

CMYK 0 / 6 / 51 / 72

HEX #484423

RGB 72 68 35

HSL 53.51, 0.35%, 0.21%

LAB 28.47, -3.79, 20.5

 

CMYK 8 / 0 / 51 / 72

HEX #424823

RGB 66 72 35

HSL 69.73, 0.35%, 0.21%

LAB 29.2, -9.13, 21.27

 

CMYK 0 / 13 / 50 / 94

HEX #100E08

RGB 16 14 8

HSL 45, 0.33%, 0.05%

LAB 3.99, -0.22, 2.69

 

CMYK 0 / 18 / 50 / 83

HEX #2C2416

RGB 44 36 22

HSL 38.18, 0.33%, 0.13%

LAB 14.71, 1.27, 10.76

 

CMYK 0 / 18 / 51 / 72

HEX #483B23

RGB 72 59 35

HSL 38.92, 0.35%, 0.21%

LAB 25.64, 1.91, 16.97

 

CMYK 0 / 17 / 51 / 61

HEX #635231

RGB 99 82 49

HSL 39.6, 0.34%, 0.29%

LAB 35.81, 2.17, 21.93

 

CMYK 0 / 18 / 50 / 50

HEX #7F683F

RGB 127 104 63

HSL 38.44, 0.34%, 0.37%

LAB 45.32, 3.47, 26.43

 

CMYK 0 / 18 / 51 / 71

HEX #493C24

RGB 73 60 36

HSL 38.92, 0.34%, 0.21%

LAB 26.09, 1.88, 16.92

 

CMYK 43 / 0 / 51 / 72

HEX #294823

RGB 41 72 35

HSL 110.27, 0.35%, 0.21%

LAB 27.37, -20.05, 18.61

 

CMYK 39 / 51 / 0 / 72

HEX #2C2348

RGB 44 35 72

HSL 254.59, 0.35%, 0.21%

LAB 16.53, 14.38, -21.71

 

CMYK 0 / 18 / 51 / 71

HEX #493C24

RGB 73 60 36

HSL 38.92, 0.34%, 0.21%

LAB 26.09, 1.88, 16.92

 

CMYK 51 / 0 / 19 / 72

HEX #23483A

RGB 35 72 58

HSL 157.3, 0.35%, 0.21%

LAB 27.57, -17.2, 4.33

 

CMYK 19 / 51 / 0 / 72

HEX #3A2348

RGB 58 35 72

HSL 277.3, 0.35%, 0.21%

LAB 18.23, 19.05, -18.91

 

CMYK 0 / 18 / 51 / 71

HEX #493C24

RGB 73 60 36

HSL 38.92, 0.34%, 0.21%

LAB 26.09, 1.88, 16.92

 

CMYK 43 / 0 / 51 / 72

HEX #294823

RGB 41 72 35

HSL 110.27, 0.35%, 0.21%

LAB 27.37, -20.05, 18.61

 

CMYK 51 / 32 / 0 / 72

HEX #233148

RGB 35 49 72

HSL 217.3, 0.35%, 0.21%

LAB 20.13, 1.59, -16.1

 

CMYK 8 / 51 / 0 / 72

HEX #422348

RGB 66 35 72

HSL 290.27, 0.35%, 0.21%

LAB 19.34, 21.83, -17.09

 

CMYK 0 / 18 / 51 / 71

HEX #493C24

RGB 73 60 36

HSL 38.92, 0.34%, 0.21%

LAB 26.09, 1.88, 16.92

 

CMYK 51 / 0 / 44 / 72

HEX #234828

RGB 35 72 40

HSL 128.11, 0.35%, 0.21%

LAB 27.14, -21.33, 15.2

 

CMYK 51 / 32 / 0 / 72

HEX #233148

RGB 35 49 72

HSL 217.3, 0.35%, 0.21%

LAB 20.13, 1.59, -16.1

 

CMYK 0 / 51 / 7 / 72

HEX #482343

RGB 72 35 67

HSL 308.11, 0.35%, 0.21%

LAB 19.98, 22.87, -12.6

 

Description

Color code: HEX #493C24 | qconv.com Color code: HEX #493C24 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 60 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 60 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 51 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 51% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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