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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4926DD it is the complementary color #B6D922. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4926DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4926DD shade: #4E26D8, #5F38EB, #704AFE, #815CFF and #926EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4926DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4926DD shade: #4926DD, #3814CA, #2702B7, #1600A4 and #050091

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4926DD shade: #4A27DD, #7B27DD, #AC27DD, #DD27DD and #DD27AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4926DD shade: #4A27DD and #2727DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4926DD shade matches the following richer shades: #4A27DD and #3D13F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4926DD shade: #4A27DD, #563BC9, #634FB5, #6F63A1 and #7C788C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4926DD shade: #2767DD, #2736DD, #4827DD, #7927DD and #AA27DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4926DD shade: #31189A, #3C1EBD, #4A27DD, #684BE3 and #866EE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4926DD shade: #4926DD, #DD2797 and #4EDD27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4926DD shade: #4926DD, #DD4827 and #27DD48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4926DD shade: #4926DD, #DD2797, #BCDD27 and #27DD6D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4926DD shade: #4926DD, #DD2761, #BCDD27 and #27DDA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 83 / 0 / 13

HEX #4926DD

RGB 73 38 221

HSL 251.48, 0.73%, 0.51%

LAB 34.03, 63.23, -85.6

 

Complementary color

CMYK 16 / 0 / 84 / 15

HEX #B6D922

RGB 182 217 34

HSL 71.48, 0.73%, 0.49%

LAB 81.67, -33.04, 76.12

 

CMYK 64 / 82 / 0 / 15

HEX #4E26D8

RGB 78 38 216

HSL 253.48, 0.7%, 0.5%

LAB 33.91, 62.27, -82.91

 

CMYK 60 / 76 / 0 / 8

HEX #5F38EB

RGB 95 56 235

HSL 253.07, 0.82%, 0.57%

LAB 40.01, 61.45, -83.64

 

CMYK 56 / 71 / 0 / 0

HEX #704AFE

RGB 112 74 254

HSL 252.67, 0.99%, 0.64%

LAB 46.31, 60.19, -83.9

 

CMYK 49 / 64 / 0 / 0

HEX #815CFF

RGB 129 92 255

HSL 253.62, 1%, 0.68%

LAB 51.31, 53.77, -76.22

 

CMYK 43 / 57 / 0 / 0

HEX #926EFF

RGB 146 110 255

HSL 254.9, 1%, 0.72%

LAB 56.57, 47.22, -67.63

 

CMYK 67 / 83 / 0 / 13

HEX #4926DD

RGB 73 38 221

HSL 251.48, 0.73%, 0.51%

LAB 34.03, 63.23, -85.6

 

CMYK 72 / 90 / 0 / 21

HEX #3814CA

RGB 56 20 202

HSL 251.87, 0.82%, 0.44%

LAB 28.39, 63.2, -83.98

 

CMYK 79 / 99 / 0 / 28

HEX #2702B7

RGB 39 2 183

HSL 252.27, 0.98%, 0.36%

LAB 23.32, 61.8, -81.25

 

CMYK 87 / 100 / 0 / 36

HEX #1600A4

RGB 22 0 164

HSL 248.05, 1%, 0.32%

LAB 19.44, 57.16, -76.3

 

CMYK 97 / 100 / 0 / 43

HEX #050091

RGB 5 0 145

HSL 242.07, 1%, 0.28%

LAB 15.88, 52.06, -70.55

 

CMYK 67 / 82 / 0 / 13

HEX #4A27DD

RGB 74 39 221

HSL 251.54, 0.73%, 0.51%

LAB 34.25, 62.91, -85.24

 

CMYK 44 / 82 / 0 / 13

HEX #7B27DD

RGB 123 39 221

HSL 267.69, 0.73%, 0.51%

LAB 39.38, 68.02, -76.59

 

CMYK 22 / 82 / 0 / 13

HEX #AC27DD

RGB 172 39 221

HSL 283.85, 0.73%, 0.51%

LAB 46.23, 75.14, -65.12

 

CMYK 0 / 82 / 0 / 13

HEX #DD27DD

RGB 221 39 221

HSL 300, 0.73%, 0.51%

LAB 54.07, 83.56, -52.1

 

CMYK 0 / 82 / 22 / 13

HEX #DD27AC

RGB 221 39 172

HSL 316.15, 0.73%, 0.51%

LAB 51.61, 76.88, -27.67

 

CMYK 67 / 82 / 0 / 13

HEX #4A27DD

RGB 74 39 221

HSL 251.54, 0.73%, 0.51%

LAB 34.25, 62.91, -85.24

 

CMYK 82 / 82 / 0 / 13

HEX #2727DD

RGB 39 39 221

HSL 240, 0.73%, 0.51%

LAB 32.04, 60.79, -88.97

 

CMYK 67 / 82 / 0 / 13

HEX #4A27DD

RGB 74 39 221

HSL 251.54, 0.73%, 0.51%

LAB 34.25, 62.91, -85.24

 

CMYK 75 / 92 / 0 / 5

HEX #3D13F1

RGB 61 19 241

HSL 251.35, 0.89%, 0.51%

LAB 33.58, 73.6, -97.78

 

CMYK 67 / 82 / 0 / 13

HEX #4A27DD

RGB 74 39 221

HSL 251.54, 0.73%, 0.51%

LAB 34.25, 62.91, -85.24

 

CMYK 57 / 71 / 0 / 21

HEX #563BC9

RGB 86 59 201

HSL 251.41, 0.57%, 0.51%

LAB 36.6, 49.03, -69.76

 

CMYK 45 / 56 / 0 / 29

HEX #634FB5

RGB 99 79 181

HSL 251.76, 0.41%, 0.51%

LAB 40.54, 33.97, -51.59

 

CMYK 31 / 39 / 0 / 37

HEX #6F63A1

RGB 111 99 161

HSL 251.61, 0.25%, 0.51%

LAB 45.46, 19.25, -31.9

 

CMYK 11 / 14 / 0 / 45

HEX #7C788C

RGB 124 120 140

HSL 252, 0.08%, 0.51%

LAB 51.4, 5.72, -10.31

 

CMYK 82 / 53 / 0 / 13

HEX #2767DD

RGB 39 103 221

HSL 218.9, 0.73%, 0.51%

LAB 46.11, 23.28, -65.84

 

CMYK 82 / 76 / 0 / 13

HEX #2736DD

RGB 39 54 221

HSL 235.05, 0.73%, 0.51%

LAB 34.58, 53.42, -84.75

 

CMYK 67 / 82 / 0 / 13

HEX #4827DD

RGB 72 39 221

HSL 250.88, 0.73%, 0.51%

LAB 34.09, 62.75, -85.51

 

CMYK 45 / 82 / 0 / 13

HEX #7927DD

RGB 121 39 221

HSL 267.03, 0.73%, 0.51%

LAB 39.13, 67.77, -77.01

 

CMYK 23 / 82 / 0 / 13

HEX #AA27DD

RGB 170 39 221

HSL 283.19, 0.73%, 0.51%

LAB 45.93, 74.82, -65.63

 

CMYK 68 / 84 / 0 / 40

HEX #31189A

RGB 49 24 154

HSL 251.54, 0.73%, 0.35%

LAB 22.44, 48.06, -65.13

 

CMYK 68 / 84 / 0 / 26

HEX #3C1EBD

RGB 60 30 189

HSL 251.32, 0.73%, 0.43%

LAB 28.28, 56.52, -76.51

 

CMYK 67 / 82 / 0 / 13

HEX #4A27DD

RGB 74 39 221

HSL 251.54, 0.73%, 0.51%

LAB 34.25, 62.91, -85.24

 

CMYK 54 / 67 / 0 / 11

HEX #684BE3

RGB 104 75 227

HSL 251.45, 0.73%, 0.59%

LAB 43.54, 50.78, -73.28

 

CMYK 42 / 53 / 0 / 9

HEX #866EE8

RGB 134 110 232

HSL 251.8, 0.73%, 0.67%

LAB 54.08, 38.28, -58.91

 

CMYK 67 / 83 / 0 / 13

HEX #4926DD

RGB 73 38 221

HSL 251.48, 0.73%, 0.51%

LAB 34.03, 63.23, -85.6

 

CMYK 0 / 82 / 32 / 13

HEX #DD2797

RGB 221 39 151

HSL 323.08, 0.73%, 0.51%

LAB 50.75, 74.46, -16.55

 

CMYK 65 / 0 / 82 / 13

HEX #4EDD27

RGB 78 221 39

HSL 107.14, 0.73%, 0.51%

LAB 78.16, -67.84, 70.06

 

CMYK 67 / 83 / 0 / 13

HEX #4926DD

RGB 73 38 221

HSL 251.48, 0.73%, 0.51%

LAB 34.03, 63.23, -85.6

 

CMYK 0 / 67 / 82 / 13

HEX #DD4827

RGB 221 72 39

HSL 10.88, 0.73%, 0.51%

LAB 52.01, 56.5, 50.24

 

CMYK 82 / 0 / 67 / 13

HEX #27DD48

RGB 39 221 72

HSL 130.88, 0.73%, 0.51%

LAB 77.65, -71.5, 58.58

 

CMYK 67 / 83 / 0 / 13

HEX #4926DD

RGB 73 38 221

HSL 251.48, 0.73%, 0.51%

LAB 34.03, 63.23, -85.6

 

CMYK 0 / 82 / 32 / 13

HEX #DD2797

RGB 221 39 151

HSL 323.08, 0.73%, 0.51%

LAB 50.75, 74.46, -16.55

 

CMYK 15 / 0 / 82 / 13

HEX #BCDD27

RGB 188 221 39

HSL 70.88, 0.73%, 0.51%

LAB 83.21, -32.33, 76.46

 

CMYK 82 / 0 / 51 / 13

HEX #27DD6D

RGB 39 221 109

HSL 143.08, 0.73%, 0.51%

LAB 78.02, -66.91, 42.66

 

CMYK 67 / 83 / 0 / 13

HEX #4926DD

RGB 73 38 221

HSL 251.48, 0.73%, 0.51%

LAB 34.03, 63.23, -85.6

 

CMYK 0 / 82 / 56 / 13

HEX #DD2761

RGB 221 39 97

HSL 340.88, 0.73%, 0.51%

LAB 49.11, 69.7, 13.78

 

CMYK 15 / 0 / 82 / 13

HEX #BCDD27

RGB 188 221 39

HSL 70.88, 0.73%, 0.51%

LAB 83.21, -32.33, 76.46

 

CMYK 82 / 0 / 26 / 13

HEX #27DDA3

RGB 39 221 163

HSL 160.88, 0.73%, 0.51%

LAB 78.92, -56.64, 16.39

 

Description

Color code: HEX #4926DD | qconv.com Color code: HEX #4926DD | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 38 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 38 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 83 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 83% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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