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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4924BACE it is the complementary color #B6DB45CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4924BACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4924BACE shade: #4E24B5CE, #5F36C8CE, #7048DBCE, #815AEECE and #926CFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4924BACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4924BACE shade: #4924BACE, #3812A7CE, #270094CE, #160081CE and #05006ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4924BACE shade: #4A24BC, #7324BC, #9C24BC, #BC24B4 and #BC248B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4924BACE shade: #4A24BC and #2424BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4924BACE shade matches the following richer shades: #4A24BC and #4012CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4924BACE shade: #4A24BC, #5336AA, #5C4898, #655A86 and #6E6D74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4924BACE shade: #2452BC, #2429BC, #4824BC, #7024BC and #9924BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4924BACE shade: #2E1777, #3C1D9A, #4A24BC, #5B32D8 and #7654DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4924BACE shade: #4924BA, #BC247A and #3DBC24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4924BACE shade: #4924BA, #BC4824 and #24BC48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4924BACE shade: #4924BA, #BC247A, #99BC24 and #24BC66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4924BACE shade: #4924BA, #BC244D, #99BC24 and #24BC94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 65 / 0 / 22

HEX #4924BACE

RGBA 73 36 186 0.81

HSLA 254.8, 0.68%, 0.44%, 0.81

LABA 29.97, 54.36, -71.9, 0.81

 

Complementary color

CMYK 14 / 0 / 55 / 11

HEX #B6DB45CE

RGBA 182 219 69 0.81

HSLA 74.8, 0.68%, 0.56%, 0.81

LABA 82.4, -32.43, 66.35, 0.81

 

CMYK 46 / 65 / 0 / 24

HEX #4E24B5CE

RGBA 78 36 181 0.81

HSLA 257.38, 0.67%, 0.43%, 0.81

LABA 29.96, 53.54, -68.94, 0.81

 

CMYK 43 / 59 / 0 / 17

HEX #5F36C8CE

RGBA 95 54 200 0.81

HSLA 256.85, 0.57%, 0.5%, 0.81

LABA 36.44, 52.66, -69.4, 0.81

 

CMYK 40 / 54 / 0 / 11

HEX #7048DBCE

RGBA 112 72 219 0.81

HSLA 256.33, 0.67%, 0.57%, 0.81

LABA 43.05, 51.45, -69.48, 0.81

 

CMYK 37 / 50 / 0 / 5

HEX #815AEECE

RGBA 129 90 238 0.81

HSLA 255.81, 0.81%, 0.64%, 0.81

LABA 49.68, 50.15, -69.39, 0.81

 

CMYK 35 / 47 / 0 / 0

HEX #926CFFCE

RGBA 146 108 255 0.81

HSLA 255.51, 1%, 0.71%, 0.81

LABA 56.14, 48.32, -68.32, 0.81

 

CMYK 49 / 65 / 0 / 22

HEX #4924BACE

RGBA 73 36 186 0.81

HSLA 254.8, 0.68%, 0.44%, 0.81

LABA 29.97, 54.36, -71.9, 0.81

 

CMYK 54 / 72 / 0 / 28

HEX #3812A7CE

RGBA 56 18 167 0.81

HSLA 255.3, 0.81%, 0.36%, 0.81

LABA 23.88, 54.49, -70.65, 0.81

 

CMYK 60 / 81 / 0 / 34

HEX #270094CE

RGBA 39 0 148 0.81

HSLA 255.81, 1%, 0.29%, 0.81

LABA 18.23, 53.54, -68.45, 0.81

 

CMYK 67 / 81 / 0 / 40

HEX #160081CE

RGBA 22 0 129 0.81

HSLA 250.23, 1%, 0.25%, 0.81

LABA 14.15, 48.12, -63.36, 0.81

 

CMYK 77 / 81 / 0 / 46

HEX #05006ECE

RGBA 5 0 110 0.81

HSLA 242.73, 1%, 0.22%, 0.81

LABA 10.24, 42.7, -57.64, 0.81

 

CMYK 61 / 81 / 0 / 26

HEX #4A24BC

RGB 74 36 188

HSL 255, 0.68%, 0.44%

LAB 30.28, 55.02, -72.58

 

CMYK 39 / 81 / 0 / 26

HEX #7324BC

RGB 115 36 188

HSL 271.18, 0.68%, 0.44%

LAB 35.08, 60.32, -64.51

 

CMYK 17 / 81 / 0 / 26

HEX #9C24BC

RGB 156 36 188

HSL 287.37, 0.68%, 0.44%

LAB 41.15, 67.1, -54.36

 

CMYK 0 / 81 / 4 / 26

HEX #BC24B4

RGB 188 36 180

HSL 303.16, 0.68%, 0.44%

LAB 45.97, 71.82, -41.64

 

CMYK 0 / 81 / 26 / 26

HEX #BC248B

RGB 188 36 139

HSL 319.34, 0.68%, 0.44%

LAB 43.97, 66.21, -20.24

 

CMYK 61 / 81 / 0 / 26

HEX #4A24BC

RGB 74 36 188

HSL 255, 0.68%, 0.44%

LAB 30.28, 55.02, -72.58

 

CMYK 81 / 81 / 0 / 26

HEX #2424BC

RGB 36 36 188

HSL 240, 0.68%, 0.44%

LAB 27.48, 51.99, -77.29

 

CMYK 61 / 81 / 0 / 26

HEX #4A24BC

RGB 74 36 188

HSL 255, 0.68%, 0.44%

LAB 30.28, 55.02, -72.58

 

CMYK 69 / 91 / 0 / 19

HEX #4012CF

RGB 64 18 207

HSL 254.6, 0.84%, 0.44%

LAB 29.48, 65.43, -85.07

 

CMYK 61 / 81 / 0 / 26

HEX #4A24BC

RGB 74 36 188

HSL 255, 0.68%, 0.44%

LAB 30.28, 55.02, -72.58

 

CMYK 51 / 68 / 0 / 33

HEX #5336AA

RGB 83 54 170

HSL 255, 0.52%, 0.44%

LAB 32.66, 42.1, -57.92

 

CMYK 39 / 53 / 0 / 40

HEX #5C4898

RGB 92 72 152

HSL 255, 0.36%, 0.44%

LAB 36.32, 28.05, -41.11

 

CMYK 25 / 33 / 0 / 47

HEX #655A86

RGB 101 90 134

HSL 255, 0.2%, 0.44%

LAB 40.9, 14.51, -22.93

 

CMYK 5 / 6 / 0 / 55

HEX #6E6D74

RGB 110 109 116

HSL 248.57, 0.03%, 0.44%

LAB 46.33, 1.85, -3.75

 

CMYK 81 / 56 / 0 / 26

HEX #2452BC

RGB 36 82 188

HSL 221.84, 0.68%, 0.44%

LAB 37.92, 24.04, -60.14

 

CMYK 81 / 78 / 0 / 26

HEX #2429BC

RGB 36 41 188

HSL 238.03, 0.68%, 0.44%

LAB 28.36, 49.45, -75.84

 

CMYK 62 / 81 / 0 / 26

HEX #4824BC

RGB 72 36 188

HSL 254.21, 0.68%, 0.44%

LAB 30.08, 54.82, -72.9

 

CMYK 40 / 81 / 0 / 26

HEX #7024BC

RGB 112 36 188

HSL 270, 0.68%, 0.44%

LAB 34.68, 59.87, -65.18

 

CMYK 19 / 81 / 0 / 26

HEX #9924BC

RGB 153 36 188

HSL 286.18, 0.68%, 0.44%

LAB 40.68, 66.57, -55.15

 

CMYK 61 / 81 / 0 / 53

HEX #2E1777

RGB 46 23 119

HSL 254.38, 0.68%, 0.28%

LAB 18.03, 37.64, -50.45

 

CMYK 61 / 81 / 0 / 40

HEX #3C1D9A

RGB 60 29 154

HSL 254.88, 0.68%, 0.36%

LAB 24.23, 46.93, -62.13

 

CMYK 61 / 81 / 0 / 26

HEX #4A24BC

RGB 74 36 188

HSL 255, 0.68%, 0.44%

LAB 30.28, 55.02, -72.58

 

CMYK 58 / 77 / 0 / 15

HEX #5B32D8

RGB 91 50 216

HSL 254.82, 0.68%, 0.52%

LAB 36.86, 58.48, -77.99

 

CMYK 47 / 62 / 0 / 13

HEX #7654DF

RGB 118 84 223

HSL 254.68, 0.68%, 0.6%

LAB 46.34, 47.16, -66.39

 

CMYK 61 / 81 / 0 / 27

HEX #4924BA

RGB 73 36 186

HSL 254.8, 0.68%, 0.44%

LAB 29.97, 54.36, -71.9

 

CMYK 0 / 81 / 35 / 26

HEX #BC247A

RGB 188 36 122

HSL 326.05, 0.68%, 0.44%

LAB 43.3, 64.26, -10.84

 

CMYK 68 / 0 / 81 / 26

HEX #3DBC24

RGB 61 188 36

HSL 110.13, 0.68%, 0.44%

LAB 67.34, -60.72, 60.77

 

CMYK 61 / 81 / 0 / 27

HEX #4924BA

RGB 73 36 186

HSL 254.8, 0.68%, 0.44%

LAB 29.97, 54.36, -71.9

 

CMYK 0 / 62 / 81 / 26

HEX #BC4824

RGB 188 72 36

HSL 14.21, 0.68%, 0.44%

LAB 46.25, 44.95, 44.22

 

CMYK 81 / 0 / 62 / 26

HEX #24BC48

RGB 36 188 72

HSL 134.21, 0.68%, 0.44%

LAB 67.13, -61.53, 46.95

 

CMYK 61 / 81 / 0 / 27

HEX #4924BA

RGB 73 36 186

HSL 254.8, 0.68%, 0.44%

LAB 29.97, 54.36, -71.9

 

CMYK 0 / 81 / 35 / 26

HEX #BC247A

RGB 188 36 122

HSL 326.05, 0.68%, 0.44%

LAB 43.3, 64.26, -10.84

 

CMYK 19 / 0 / 81 / 26

HEX #99BC24

RGB 153 188 36

HSL 73.82, 0.68%, 0.44%

LAB 71.46, -31.21, 66.05

 

CMYK 81 / 0 / 46 / 26

HEX #24BC66

RGB 36 188 102

HSL 146.05, 0.68%, 0.44%

LAB 67.5, -57.13, 32.88

 

CMYK 61 / 81 / 0 / 27

HEX #4924BA

RGB 73 36 186

HSL 254.8, 0.68%, 0.44%

LAB 29.97, 54.36, -71.9

 

CMYK 0 / 81 / 59 / 26

HEX #BC244D

RGB 188 36 77

HSL 343.82, 0.68%, 0.44%

LAB 41.98, 60.33, 15.39

 

CMYK 19 / 0 / 81 / 26

HEX #99BC24

RGB 153 188 36

HSL 73.82, 0.68%, 0.44%

LAB 71.46, -31.21, 66.05

 

CMYK 81 / 0 / 21 / 26

HEX #24BC94

RGB 36 188 148

HSL 164.21, 0.68%, 0.44%

LAB 68.37, -47.4, 9.55

 

Description

Color code: HEX #4924BACE | qconv.com Color code: HEX #4924BACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 36 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 36 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 65 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 65% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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