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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #490E61 it is the complementary color #B6F19E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #490E61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #490E61 shade: #4E0E5C, #5F206F, #703282, #814495 and #9256A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #490E61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #490E61 shade: #490E61, #38004E, #27003B, #160028 and #050015

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #490E61 shade: #4A0E62, #610E62, #620E4D, #620E36 and #620E20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #490E61 shade: #4A0E62, #330E62, #1C0E62 and #0E0E62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #490E61 shade matches the following richer shades: #4A0E62 and #4E056B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #490E61 shade: #4A0E62, #461759, #422050, #3E2947 and #3B323E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #490E61 shade: #1C0E62, #320E62, #490E62, #5F0E62 and #620E4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #490E61 shade: #14041A, #2F093E, #4A0E62, #651386 and #8018AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #490E61 shade: #490E61, #620E16 and #0E6227

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #490E61 shade: #490E61, #62490E and #0E6249

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #490E61 shade: #490E61, #620E16, #27620E and #0E625A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #490E61 shade: #490E61, #621F0E, #27620E and #0E5162

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 86 / 0 / 62

HEX #490E61

RGB 73 14 97

HSL 282.65, 0.75%, 0.22%

LAB 18.34, 40.12, -35.46

 

Complementary color

CMYK 24 / 0 / 34 / 5

HEX #B6F19E

RGB 182 241 158

HSL 102.65, 0.75%, 0.78%

LAB 89.54, -33.49, 34.24

 

CMYK 15 / 85 / 0 / 64

HEX #4E0E5C

RGB 78 14 92

HSL 289.23, 0.74%, 0.21%

LAB 18.83, 40.07, -31.29

 

CMYK 14 / 71 / 0 / 56

HEX #5F206F

RGB 95 32 111

HSL 287.85, 0.55%, 0.28%

LAB 25.6, 40.75, -32.7

 

CMYK 14 / 62 / 0 / 49

HEX #703282

RGB 112 50 130

HSL 286.5, 0.44%, 0.35%

LAB 32.56, 40.47, -33.47

 

CMYK 13 / 54 / 0 / 42

HEX #814495

RGB 129 68 149

HSL 285.19, 0.37%, 0.43%

LAB 39.53, 39.82, -33.93

 

CMYK 13 / 49 / 0 / 34

HEX #9256A8

RGB 146 86 168

HSL 283.9, 0.32%, 0.5%

LAB 46.44, 39.03, -34.24

 

CMYK 25 / 86 / 0 / 62

HEX #490E61

RGB 73 14 97

HSL 282.65, 0.75%, 0.22%

LAB 18.34, 40.12, -35.46

 

CMYK 28 / 100 / 0 / 69

HEX #38004E

RGB 56 0 78

HSL 283.08, 1%, 0.15%

LAB 11.9, 37.88, -33.22

 

CMYK 34 / 100 / 0 / 77

HEX #27003B

RGB 39 0 59

HSL 279.66, 1%, 0.12%

LAB 6.75, 30.78, -28.33

 

CMYK 45 / 100 / 0 / 84

HEX #160028

RGB 22 0 40

HSL 273, 1%, 0.08%

LAB 2.92, 16.64, -20.42

 

CMYK 76 / 100 / 0 / 92

HEX #050015

RGB 5 0 21

HSL 254.29, 1%, 0.04%

LAB 0.78, 4.74, -8.89

 

CMYK 24 / 86 / 0 / 62

HEX #4A0E62

RGB 74 14 98

HSL 282.86, 0.75%, 0.22%

LAB 18.59, 40.54, -35.7

 

CMYK 1 / 86 / 0 / 62

HEX #610E62

RGB 97 14 98

HSL 299.29, 0.75%, 0.22%

LAB 22.78, 45.28, -28.73

 

CMYK 0 / 86 / 21 / 62

HEX #620E4D

RGB 98 14 77

HSL 315, 0.75%, 0.22%

LAB 21.75, 42.1, -16.32

 

CMYK 0 / 86 / 45 / 62

HEX #620E36

RGB 98 14 54

HSL 331.43, 0.75%, 0.22%

LAB 20.74, 39.16, -1.98

 

CMYK 0 / 86 / 67 / 62

HEX #620E20

RGB 98 14 32

HSL 347.14, 0.75%, 0.22%

LAB 20.1, 37.24, 12.65

 

CMYK 24 / 86 / 0 / 62

HEX #4A0E62

RGB 74 14 98

HSL 282.86, 0.75%, 0.22%

LAB 18.59, 40.54, -35.7

 

CMYK 48 / 86 / 0 / 62

HEX #330E62

RGB 51 14 98

HSL 266.43, 0.75%, 0.22%

LAB 14.95, 36.45, -41.79

 

CMYK 71 / 86 / 0 / 62

HEX #1C0E62

RGB 28 14 98

HSL 250, 0.75%, 0.22%

LAB 12.24, 33.44, -46.35

 

CMYK 86 / 86 / 0 / 62

HEX #0E0E62

RGB 14 14 98

HSL 240, 0.75%, 0.22%

LAB 11.2, 32.3, -48.11

 

CMYK 24 / 86 / 0 / 62

HEX #4A0E62

RGB 74 14 98

HSL 282.86, 0.75%, 0.22%

LAB 18.59, 40.54, -35.7

 

CMYK 27 / 95 / 0 / 58

HEX #4E056B

RGB 78 5 107

HSL 282.94, 0.91%, 0.22%

LAB 19.18, 45.77, -40.62

 

CMYK 24 / 86 / 0 / 62

HEX #4A0E62

RGB 74 14 98

HSL 282.86, 0.75%, 0.22%

LAB 18.59, 40.54, -35.7

 

CMYK 21 / 74 / 0 / 65

HEX #461759

RGB 70 23 89

HSL 282.73, 0.59%, 0.22%

LAB 18.52, 33.87, -29.85

 

CMYK 18 / 60 / 0 / 69

HEX #422050

RGB 66 32 80

HSL 282.5, 0.43%, 0.22%

LAB 19.1, 25.63, -22.91

 

CMYK 13 / 42 / 0 / 72

HEX #3E2947

RGB 62 41 71

HSL 282, 0.27%, 0.22%

LAB 20.3, 16.23, -14.95

 

CMYK 5 / 19 / 0 / 76

HEX #3B323E

RGB 59 50 62

HSL 285, 0.11%, 0.22%

LAB 22.16, 6.71, -6.04

 

CMYK 71 / 86 / 0 / 62

HEX #1C0E62

RGB 28 14 98

HSL 250, 0.75%, 0.22%

LAB 12.24, 33.44, -46.35

 

CMYK 49 / 86 / 0 / 62

HEX #320E62

RGB 50 14 98

HSL 265.71, 0.75%, 0.22%

LAB 14.81, 36.3, -42.02

 

CMYK 26 / 86 / 0 / 62

HEX #490E62

RGB 73 14 98

HSL 282.14, 0.75%, 0.22%

LAB 18.42, 40.34, -35.98

 

CMYK 3 / 86 / 0 / 62

HEX #5F0E62

RGB 95 14 98

HSL 297.86, 0.75%, 0.22%

LAB 22.4, 44.85, -29.36

 

CMYK 0 / 86 / 19 / 62

HEX #620E4F

RGB 98 14 79

HSL 313.57, 0.75%, 0.22%

LAB 21.85, 42.4, -17.51

 

CMYK 23 / 85 / 0 / 90

HEX #14041A

RGB 20 4 26

HSL 283.64, 0.73%, 0.06%

LAB 2.8, 9.16, -9.6

 

CMYK 24 / 85 / 0 / 76

HEX #2F093E

RGB 47 9 62

HSL 283.02, 0.75%, 0.14%

LAB 10.16, 28.4, -24.88

 

CMYK 24 / 86 / 0 / 62

HEX #4A0E62

RGB 74 14 98

HSL 282.86, 0.75%, 0.22%

LAB 18.59, 40.54, -35.7

 

CMYK 25 / 86 / 0 / 47

HEX #651386

RGB 101 19 134

HSL 282.78, 0.75%, 0.3%

LAB 26.6, 51.64, -45.64

 

CMYK 25 / 86 / 0 / 33

HEX #8018AA

RGB 128 24 170

HSL 282.74, 0.75%, 0.38%

LAB 34.28, 62.1, -55.02

 

CMYK 25 / 86 / 0 / 62

HEX #490E61

RGB 73 14 97

HSL 282.65, 0.75%, 0.22%

LAB 18.34, 40.12, -35.46

 

CMYK 0 / 86 / 78 / 62

HEX #620E16

RGB 98 14 22

HSL 354.29, 0.75%, 0.22%

LAB 19.92, 36.67, 19.35

 

CMYK 86 / 0 / 60 / 62

HEX #0E6227

RGB 14 98 39

HSL 137.86, 0.75%, 0.22%

LAB 35.94, -37.58, 26.61

 

CMYK 25 / 86 / 0 / 62

HEX #490E61

RGB 73 14 97

HSL 282.65, 0.75%, 0.22%

LAB 18.34, 40.12, -35.46

 

CMYK 0 / 26 / 86 / 62

HEX #62490E

RGB 98 73 14

HSL 42.14, 0.75%, 0.22%

LAB 32.69, 4.59, 36.57

 

CMYK 86 / 0 / 26 / 62

HEX #0E6249

RGB 14 98 73

HSL 162.14, 0.75%, 0.22%

LAB 36.57, -30.31, 7.59

 

CMYK 25 / 86 / 0 / 62

HEX #490E61

RGB 73 14 97

HSL 282.65, 0.75%, 0.22%

LAB 18.34, 40.12, -35.46

 

CMYK 0 / 86 / 78 / 62

HEX #620E16

RGB 98 14 22

HSL 354.29, 0.75%, 0.22%

LAB 19.92, 36.67, 19.35

 

CMYK 60 / 0 / 86 / 62

HEX #27620E

RGB 39 98 14

HSL 102.14, 0.75%, 0.22%

LAB 36.36, -34.88, 38.29

 

CMYK 86 / 0 / 8 / 62

HEX #0E625A

RGB 14 98 90

HSL 174.29, 0.75%, 0.22%

LAB 37.05, -25.33, -2.19

 

CMYK 25 / 86 / 0 / 62

HEX #490E61

RGB 73 14 97

HSL 282.65, 0.75%, 0.22%

LAB 18.34, 40.12, -35.46

 

CMYK 0 / 68 / 86 / 62

HEX #621F0E

RGB 98 31 14

HSL 12.14, 0.75%, 0.22%

LAB 22.33, 29.41, 26.83

 

CMYK 60 / 0 / 86 / 62

HEX #27620E

RGB 39 98 14

HSL 102.14, 0.75%, 0.22%

LAB 36.36, -34.88, 38.29

 

CMYK 86 / 17 / 0 / 62

HEX #0E5162

RGB 14 81 98

HSL 192.14, 0.75%, 0.22%

LAB 31.49, -13.32, -15.59

 

Description

Color code: HEX #490E61 | qconv.com Color code: HEX #490E61 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 14 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 14 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 86 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 86% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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