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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #490355CE it is the complementary color #B6FCAACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #490355CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #490355CE shade: #4E0350CE, #5F1563CE, #702776CE, #813989CE and #924B9CCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #490355CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #490355CE shade: #490355CE, #380042CE, #27002FCE, #16001CCE and #050009CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #490355CE shade: #480354, #54034A, #540334, #54031E and #540308

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #490355CE shade: #480354, #320354, #1C0354, #070354 and #030354

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #490355CE shade matches the following richer shades: #480354

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #490355CE shade: #480354, #430A4D, #3E1146, #39183F and #341F38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #490355CE shade: #1D0354, #320354, #480354, #54034A and #540335

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #490355CE shade: #030004, #26022C, #480354, #6A047B and #8C06A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #490355CE shade: #490355, #540703 and #035427

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #490355CE shade: #490355, #544803 and #035448

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #490355CE shade: #490355, #540703, #0F5403 and #035054

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #490355CE shade: #490355, #541F03, #0F5403 and #033754

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 78 / 0 / 54

HEX #490355CE

RGBA 73 3 85 0.81

HSLA 291.22, 0.93%, 0.17%, 0.81

LABA 16.19, 41.04, -30.88, 0.81

 

Complementary color

CMYK 23 / 0 / 26 / 1

HEX #B6FCAACE

RGBA 182 252 170 0.81

HSLA 111.22, 0.93%, 0.83%, 0.81

LABA 92.78, -36.76, 32.52, 0.81

 

CMYK 2 / 78 / 0 / 56

HEX #4E0350CE

RGBA 78 3 80 0.81

HSLA 298.44, 0.93%, 0.16%, 0.81

LABA 16.82, 41.06, -26.42, 0.81

 

CMYK 3 / 64 / 0 / 50

HEX #5F1563CE

RGBA 95 21 99 0.81

HSLA 296.92, 0.65%, 0.24%, 0.81

LABA 23.24, 42.82, -28.69, 0.81

 

CMYK 4 / 54 / 0 / 44

HEX #702776CE

RGBA 112 39 118 0.81

HSLA 295.44, 0.5%, 0.31%, 0.81

LABA 29.92, 43.32, -30.13, 0.81

 

CMYK 5 / 47 / 0 / 37

HEX #813989CE

RGBA 129 57 137 0.81

HSLA 294, 0.41%, 0.38%, 0.81

LABA 36.74, 43.05, -31.02, 0.81

 

CMYK 5 / 42 / 0 / 31

HEX #924B9CCE

RGBA 146 75 156 0.81

HSLA 292.59, 0.35%, 0.45%, 0.81

LABA 43.57, 42.45, -31.62, 0.81

 

CMYK 11 / 78 / 0 / 54

HEX #490355CE

RGBA 73 3 85 0.81

HSLA 291.22, 0.93%, 0.17%, 0.81

LABA 16.19, 41.04, -30.88, 0.81

 

CMYK 12 / 81 / 0 / 60

HEX #380042CE

RGBA 56 0 66 0.81

HSLA 290.91, 1%, 0.13%, 0.81

LABA 10.81, 35.38, -26.6, 0.81

 

CMYK 14 / 81 / 0 / 66

HEX #27002FCE

RGBA 39 0 47 0.81

HSLA 289.79, 1%, 0.09%, 0.81

LABA 5.75, 27.33, -21.12, 0.81

 

CMYK 17 / 81 / 0 / 72

HEX #16001CCE

RGBA 22 0 28 0.81

HSLA 287.14, 1%, 0.05%, 0.81

LABA 2.3, 12.23, -11.94, 0.81

 

CMYK 36 / 81 / 0 / 78

HEX #050009CE

RGBA 5 0 9 0.81

HSLA 273.33, 1%, 0.02%, 0.81

LABA 0.47, 2.56, -2.95, 0.81

 

CMYK 14 / 96 / 0 / 67

HEX #480354

RGB 72 3 84

HSL 291.11, 0.93%, 0.17%

LAB 15.92, 40.66, -30.66

 

CMYK 0 / 96 / 12 / 67

HEX #54034A

RGB 84 3 74

HSL 307.41, 0.93%, 0.17%

LAB 17.67, 41.29, -20.88

 

CMYK 0 / 96 / 38 / 67

HEX #540334

RGB 84 3 52

HSL 323.7, 0.93%, 0.17%

LAB 16.49, 38.22, -7.24

 

CMYK 0 / 96 / 64 / 67

HEX #54031E

RGB 84 3 30

HSL 340, 0.93%, 0.17%

LAB 15.71, 36.09, 7.65

 

CMYK 0 / 96 / 90 / 67

HEX #540308

RGB 84 3 8

HSL 356.3, 0.93%, 0.17%

LAB 15.32, 34.97, 20.5

 

CMYK 14 / 96 / 0 / 67

HEX #480354

RGB 72 3 84

HSL 291.11, 0.93%, 0.17%

LAB 15.92, 40.66, -30.66

 

CMYK 40 / 96 / 0 / 67

HEX #320354

RGB 50 3 84

HSL 274.81, 0.93%, 0.17%

LAB 11.85, 37.07, -37.46

 

CMYK 67 / 96 / 0 / 67

HEX #1C0354

RGB 28 3 84

HSL 258.52, 0.93%, 0.17%

LAB 8.59, 34.59, -42.95

 

CMYK 92 / 96 / 0 / 67

HEX #070354

RGB 7 3 84

HSL 242.96, 0.93%, 0.17%

LAB 6.78, 33.1, -46.01

 

CMYK 96 / 96 / 0 / 67

HEX #030354

RGB 3 3 84

HSL 240, 0.93%, 0.17%

LAB 6.55, 32.82, -46.4

 

CMYK 14 / 96 / 0 / 67

HEX #480354

RGB 72 3 84

HSL 291.11, 0.93%, 0.17%

LAB 15.92, 40.66, -30.66

 

CMYK 14 / 96 / 0 / 67

HEX #480354

RGB 72 3 84

HSL 291.11, 0.93%, 0.17%

LAB 15.92, 40.66, -30.66

 

CMYK 13 / 87 / 0 / 70

HEX #430A4D

RGB 67 10 77

HSL 291.04, 0.77%, 0.17%

LAB 15.2, 35.92, -27.07

 

CMYK 11 / 76 / 0 / 73

HEX #3E1146

RGB 62 17 70

HSL 290.94, 0.61%, 0.17%

LAB 14.77, 30.34, -22.97

 

CMYK 10 / 62 / 0 / 75

HEX #39183F

RGB 57 24 63

HSL 290.77, 0.45%, 0.17%

LAB 14.86, 23.44, -18

 

CMYK 7 / 45 / 0 / 78

HEX #341F38

RGB 52 31 56

HSL 290.4, 0.29%, 0.17%

LAB 15.46, 15.42, -12.17

 

CMYK 65 / 96 / 0 / 67

HEX #1D0354

RGB 29 3 84

HSL 259.26, 0.93%, 0.17%

LAB 8.71, 34.67, -42.75

 

CMYK 40 / 96 / 0 / 67

HEX #320354

RGB 50 3 84

HSL 274.81, 0.93%, 0.17%

LAB 11.85, 37.07, -37.46

 

CMYK 14 / 96 / 0 / 67

HEX #480354

RGB 72 3 84

HSL 291.11, 0.93%, 0.17%

LAB 15.92, 40.66, -30.66

 

CMYK 0 / 96 / 12 / 67

HEX #54034A

RGB 84 3 74

HSL 307.41, 0.93%, 0.17%

LAB 17.67, 41.29, -20.88

 

CMYK 0 / 96 / 37 / 67

HEX #540335

RGB 84 3 53

HSL 322.96, 0.93%, 0.17%

LAB 16.54, 38.34, -7.89

 

CMYK 25 / 100 / 0 / 98

HEX #030004

RGB 3 0 4

HSL 285, 1%, 0.01%

LAB 0.25, 1.34, -1.24

 

CMYK 14 / 95 / 0 / 83

HEX #26022C

RGB 38 2 44

HSL 291.43, 0.91%, 0.09%

LAB 5.76, 25.04, -18.86

 

CMYK 14 / 96 / 0 / 67

HEX #480354

RGB 72 3 84

HSL 291.11, 0.93%, 0.17%

LAB 15.92, 40.66, -30.66

 

CMYK 14 / 97 / 0 / 52

HEX #6A047B

RGB 106 4 123

HSL 291.43, 0.94%, 0.25%

LAB 25.51, 53.64, -40.43

 

CMYK 14 / 96 / 0 / 36

HEX #8C06A3

RGB 140 6 163

HSL 291.21, 0.93%, 0.33%

LAB 34.7, 65.86, -50.03

 

CMYK 14 / 96 / 0 / 67

HEX #490355

RGB 73 3 85

HSL 291.22, 0.93%, 0.17%

LAB 16.19, 41.04, -30.88

 

CMYK 0 / 92 / 96 / 67

HEX #540703

RGB 84 7 3

HSL 2.96, 0.93%, 0.17%

LAB 15.71, 33.5, 23.04

 

CMYK 96 / 0 / 54 / 67

HEX #035427

RGB 3 84 39

HSL 146.67, 0.93%, 0.17%

LAB 30.66, -33.59, 20.12

 

CMYK 14 / 96 / 0 / 67

HEX #490355

RGB 73 3 85

HSL 291.22, 0.93%, 0.17%

LAB 16.19, 41.04, -30.88

 

CMYK 0 / 14 / 96 / 67

HEX #544803

RGB 84 72 3

HSL 51.11, 0.93%, 0.17%

LAB 30.7, -2.33, 38.22

 

CMYK 96 / 0 / 14 / 67

HEX #035448

RGB 3 84 72

HSL 171.11, 0.93%, 0.17%

LAB 31.41, -25.14, 0.8

 

CMYK 14 / 96 / 0 / 67

HEX #490355

RGB 73 3 85

HSL 291.22, 0.93%, 0.17%

LAB 16.19, 41.04, -30.88

 

CMYK 0 / 92 / 96 / 67

HEX #540703

RGB 84 7 3

HSL 2.96, 0.93%, 0.17%

LAB 15.71, 33.5, 23.04

 

CMYK 82 / 0 / 96 / 67

HEX #0F5403

RGB 15 84 3

HSL 111.11, 0.93%, 0.17%

LAB 30.52, -36.02, 36.29

 

CMYK 96 / 5 / 0 / 67

HEX #035054

RGB 3 80 84

HSL 182.96, 0.93%, 0.17%

LAB 30.39, -19, -8.36

 

CMYK 14 / 96 / 0 / 67

HEX #490355

RGB 73 3 85

HSL 291.22, 0.93%, 0.17%

LAB 16.19, 41.04, -30.88

 

CMYK 0 / 63 / 96 / 67

HEX #541F03

RGB 84 31 3

HSL 20.74, 0.93%, 0.17%

LAB 19.52, 23.13, 27.64

 

CMYK 82 / 0 / 96 / 67

HEX #0F5403

RGB 15 84 3

HSL 111.11, 0.93%, 0.17%

LAB 30.52, -36.02, 36.29

 

CMYK 96 / 35 / 0 / 67

HEX #033754

RGB 3 55 84

HSL 201.48, 0.93%, 0.17%

LAB 21.55, -3.77, -22

 

Description

Color code: HEX #490355CE | qconv.com Color code: HEX #490355CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 3 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 3 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 78 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 78% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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