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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48F49D it is the complementary color #B70B62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48F49D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48F49D shade: #4DF498, #5EFFAB, #6FFFBE, #80FFD1 and #91FFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48F49D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48F49D shade: #48F49D, #37E28A, #26D077, #15BE64 and #04AC51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48F49D shade: #48F49D, #48F46F, #50F448, #7EF448 and #ADF448

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48F49D shade: #48F49D, #48F4CC, #48EFF4, #48C0F4 and #4892F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48F49D shade matches the following richer shades: #48F49D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48F49D shade: #48F49D, #58E59D, #67D59D, #77C59E and #87B69E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48F49D shade: #50F448, #48F46D, #48F49B, #48F4C9 and #48F1F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48F49D shade: #0DDD74, #21F288, #48F49D, #6FF7B2 and #96F9C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48F49D shade: #48F49D, #487EF4 and #F45648

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48F49D shade: #48F49D, #9B48F4 and #F49B48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48F49D shade: #48F49D, #487EF4, #F448A1 and #F4BE48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48F49D shade: #48F49D, #484BF4, #F448A1 and #F4F148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 36 / 4

HEX #48F49D

RGB 72 244 157

HSL 149.65, 0.89%, 0.62%

LAB 86.26, -62.66, 29.63

 

Complementary color

CMYK 0 / 94 / 46 / 28

HEX #B70B62

RGB 183 11 98

HSL 329.65, 0.89%, 0.38%

LAB 39.9, 65.38, -0.99

 

CMYK 68 / 0 / 38 / 4

HEX #4DF498

RGB 77 244 152

HSL 146.95, 0.88%, 0.63%

LAB 86.28, -62.82, 32.19

 

CMYK 63 / 0 / 33 / 0

HEX #5EFFAB

RGB 94 255 171

HSL 148.7, 1%, 0.68%

LAB 90.25, -60.55, 28.02

 

CMYK 56 / 0 / 25 / 0

HEX #6FFFBE

RGB 111 255 190

HSL 152.92, 1%, 0.72%

LAB 91.06, -53.56, 19.56

 

CMYK 50 / 0 / 18 / 0

HEX #80FFD1

RGB 128 255 209

HSL 158.27, 1%, 0.75%

LAB 92, -45.94, 11.22

 

CMYK 43 / 0 / 11 / 0

HEX #91FFE4

RGB 145 255 228

HSL 165.27, 1%, 0.78%

LAB 93.08, -37.83, 3.04

 

CMYK 70 / 0 / 36 / 4

HEX #48F49D

RGB 72 244 157

HSL 149.65, 0.89%, 0.62%

LAB 86.26, -62.66, 29.63

 

CMYK 76 / 0 / 39 / 11

HEX #37E28A

RGB 55 226 138

HSL 149.12, 0.75%, 0.55%

LAB 80.2, -61.97, 31.12

 

CMYK 82 / 0 / 43 / 18

HEX #26D077

RGB 38 208 119

HSL 148.59, 0.69%, 0.48%

LAB 74.1, -60.95, 32.72

 

CMYK 89 / 0 / 47 / 25

HEX #15BE64

RGB 21 190 100

HSL 148.05, 0.8%, 0.41%

LAB 67.95, -59.48, 34.44

 

CMYK 98 / 0 / 53 / 33

HEX #04AC51

RGB 4 172 81

HSL 147.5, 0.95%, 0.35%

LAB 61.76, -57.46, 36.25

 

CMYK 70 / 0 / 36 / 4

HEX #48F49D

RGB 72 244 157

HSL 149.65, 0.89%, 0.62%

LAB 86.26, -62.66, 29.63

 

CMYK 70 / 0 / 55 / 4

HEX #48F46F

RGB 72 244 111

HSL 133.6, 0.89%, 0.62%

LAB 85.62, -70.02, 51.1

 

CMYK 67 / 0 / 70 / 4

HEX #50F448

RGB 80 244 72

HSL 117.21, 0.89%, 0.62%

LAB 85.44, -72.73, 67

 

CMYK 48 / 0 / 70 / 4

HEX #7EF448

RGB 126 244 72

HSL 101.16, 0.89%, 0.62%

LAB 86.8, -61.9, 68.83

 

CMYK 29 / 0 / 70 / 4

HEX #ADF448

RGB 173 244 72

HSL 84.77, 0.89%, 0.62%

LAB 88.95, -46.72, 71.69

 

CMYK 70 / 0 / 36 / 4

HEX #48F49D

RGB 72 244 157

HSL 149.65, 0.89%, 0.62%

LAB 86.26, -62.66, 29.63

 

CMYK 70 / 0 / 16 / 4

HEX #48F4CC

RGB 72 244 204

HSL 166.05, 0.89%, 0.62%

LAB 87.21, -52.54, 6.74

 

CMYK 70 / 2 / 0 / 4

HEX #48EFF4

RGB 72 239 244

HSL 181.74, 0.89%, 0.62%

LAB 86.82, -39.92, -14.77

 

CMYK 70 / 21 / 0 / 4

HEX #48C0F4

RGB 72 192 244

HSL 198.14, 0.89%, 0.62%

LAB 73.29, -17.01, -35.4

 

CMYK 70 / 40 / 0 / 4

HEX #4892F4

RGB 72 146 244

HSL 214.19, 0.89%, 0.62%

LAB 60.31, 8.77, -55.81

 

CMYK 70 / 0 / 36 / 4

HEX #48F49D

RGB 72 244 157

HSL 149.65, 0.89%, 0.62%

LAB 86.26, -62.66, 29.63

 

CMYK 70 / 0 / 36 / 4

HEX #48F49D

RGB 72 244 157

HSL 149.65, 0.89%, 0.62%

LAB 86.26, -62.66, 29.63

 

CMYK 62 / 0 / 31 / 10

HEX #58E59D

RGB 88 229 157

HSL 149.36, 0.73%, 0.62%

LAB 82.13, -54.23, 24.1

 

CMYK 52 / 0 / 26 / 16

HEX #67D59D

RGB 103 213 157

HSL 149.45, 0.57%, 0.62%

LAB 77.82, -44.4, 18.23

 

CMYK 40 / 0 / 20 / 23

HEX #77C59E

RGB 119 197 158

HSL 150, 0.4%, 0.62%

LAB 73.75, -32.83, 12.1

 

CMYK 26 / 0 / 13 / 29

HEX #87B69E

RGB 135 182 158

HSL 149.36, 0.24%, 0.62%

LAB 70.23, -20.64, 7.19

 

CMYK 67 / 0 / 70 / 4

HEX #50F448

RGB 80 244 72

HSL 117.21, 0.89%, 0.62%

LAB 85.44, -72.73, 67

 

CMYK 70 / 0 / 55 / 4

HEX #48F46D

RGB 72 244 109

HSL 132.91, 0.89%, 0.62%

LAB 85.6, -70.27, 51.98

 

CMYK 70 / 0 / 36 / 4

HEX #48F49B

RGB 72 244 155

HSL 148.95, 0.89%, 0.62%

LAB 86.23, -63.04, 30.59

 

CMYK 70 / 0 / 18 / 4

HEX #48F4C9

RGB 72 244 201

HSL 165, 0.89%, 0.62%

LAB 87.14, -53.25, 8.21

 

CMYK 70 / 1 / 0 / 4

HEX #48F1F4

RGB 72 241 244

HSL 181.05, 0.89%, 0.62%

LAB 87.4, -40.83, -13.9

 

CMYK 94 / 0 / 48 / 13

HEX #0DDD74

RGB 13 221 116

HSL 149.71, 0.89%, 0.46%

LAB 77.91, -67.5, 39.08

 

CMYK 86 / 0 / 44 / 5

HEX #21F288

RGB 33 242 136

HSL 149.57, 0.89%, 0.54%

LAB 84.79, -69.96, 38.08

 

CMYK 70 / 0 / 36 / 4

HEX #48F49D

RGB 72 244 157

HSL 149.65, 0.89%, 0.62%

LAB 86.26, -62.66, 29.63

 

CMYK 55 / 0 / 28 / 3

HEX #6FF7B2

RGB 111 247 178

HSL 149.56, 0.89%, 0.7%

LAB 88.5, -52.68, 22.15

 

CMYK 40 / 0 / 20 / 2

HEX #96F9C7

RGB 150 249 199

HSL 149.7, 0.89%, 0.78%

LAB 90.94, -39.9, 14.98

 

CMYK 70 / 0 / 36 / 4

HEX #48F49D

RGB 72 244 157

HSL 149.65, 0.89%, 0.62%

LAB 86.26, -62.66, 29.63

 

CMYK 70 / 48 / 0 / 4

HEX #487EF4

RGB 72 126 244

HSL 221.16, 0.89%, 0.62%

LAB 54.9, 20.89, -64.48

 

CMYK 0 / 65 / 70 / 4

HEX #F45648

RGB 244 86 72

HSL 4.88, 0.89%, 0.62%

LAB 58.37, 59.67, 41.06

 

CMYK 70 / 0 / 36 / 4

HEX #48F49D

RGB 72 244 157

HSL 149.65, 0.89%, 0.62%

LAB 86.26, -62.66, 29.63

 

CMYK 36 / 70 / 0 / 4

HEX #9B48F4

RGB 155 72 244

HSL 268.95, 0.89%, 0.62%

LAB 49.66, 65.41, -72.66

 

CMYK 0 / 36 / 70 / 4

HEX #F49B48

RGB 244 155 72

HSL 28.95, 0.89%, 0.62%

LAB 71.65, 26.35, 55.74

 

CMYK 70 / 0 / 36 / 4

HEX #48F49D

RGB 72 244 157

HSL 149.65, 0.89%, 0.62%

LAB 86.26, -62.66, 29.63

 

CMYK 70 / 48 / 0 / 4

HEX #487EF4

RGB 72 126 244

HSL 221.16, 0.89%, 0.62%

LAB 54.9, 20.89, -64.48

 

CMYK 0 / 70 / 34 / 4

HEX #F448A1

RGB 244 72 161

HSL 328.95, 0.89%, 0.62%

LAB 58.45, 71.81, -10.43

 

CMYK 0 / 22 / 70 / 4

HEX #F4BE48

RGB 244 190 72

HSL 41.16, 0.89%, 0.62%

LAB 79.91, 7.96, 64.32

 

CMYK 70 / 0 / 36 / 4

HEX #48F49D

RGB 72 244 157

HSL 149.65, 0.89%, 0.62%

LAB 86.26, -62.66, 29.63

 

CMYK 70 / 69 / 0 / 4

HEX #484BF4

RGB 72 75 244

HSL 238.95, 0.89%, 0.62%

LAB 42.68, 51.83, -84.39

 

CMYK 0 / 70 / 34 / 4

HEX #F448A1

RGB 244 72 161

HSL 328.95, 0.89%, 0.62%

LAB 58.45, 71.81, -10.43

 

CMYK 0 / 1 / 70 / 4

HEX #F4F148

RGB 244 241 72

HSL 58.95, 0.89%, 0.62%

LAB 92.84, -17.77, 77.11

 

Description

Color code: HEX #48F49D | qconv.com Color code: HEX #48F49D | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 244 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 244 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 36 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 36% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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