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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48EFDA it is the complementary color #B71025. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48EFDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48EFDA shade: #4DEFD5, #5EFFE8, #6FFFFB, #80FFFF and #91FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48EFDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48EFDA shade: #48EFDA, #37DDC7, #26CBB4, #15B9A1 and #04A78E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48EFDA shade: #48EFDA, #48EFAD, #48EF80, #48EF53 and #6AEF48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48EFDA shade: #48EFDA, #48D7EF, #48AAEF, #487DEF and #4850EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48EFDA shade matches the following richer shades: #48EFDA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48EFDA shade: #48EFDA, #58DFCE, #68CFC2, #78BFB6 and #88AFAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48EFDA shade: #48EF80, #48EFAC, #48EFD9, #48D9EF and #48ACEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48EFDA shade: #12D2BA, #22ECD2, #48EFDA, #6EF2E2 and #94F6E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48EFDA shade: #48EFDA, #5348EF and #EF9648

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48EFDA shade: #48EFDA, #D948EF and #EFD948

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48EFDA shade: #48EFDA, #5348EF, #EF485E and #E4EF48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48EFDA shade: #48EFDA, #8548EF, #EF485E and #B2EF48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 9 / 6

HEX #48EFDA

RGB 72 239 218

HSL 172.46, 0.84%, 0.61%

LAB 86.09, -46.94, -2.21

 

Complementary color

CMYK 0 / 91 / 80 / 28

HEX #B71025

RGB 183 16 37

HSL 352.46, 0.84%, 0.39%

LAB 38.85, 61.21, 36

 

CMYK 68 / 0 / 11 / 6

HEX #4DEFD5

RGB 77 239 213

HSL 170.37, 0.84%, 0.62%

LAB 86.06, -47.55, 0.39

 

CMYK 63 / 0 / 9 / 0

HEX #5EFFE8

RGB 94 255 232

HSL 171.43, 1%, 0.68%

LAB 91.56, -47.12, -1.43

 

CMYK 56 / 0 / 2 / 0

HEX #6FFFFB

RGB 111 255 251

HSL 178.33, 1%, 0.72%

LAB 92.52, -39.47, -9.82

 

CMYK 50 / 0 / 0 / 0

HEX #80FFFF

RGB 128 255 255

HSL 180, 1%, 0.75%

LAB 93.16, -35.22, -10.88

 

CMYK 43 / 0 / 0 / 0

HEX #91FFFF

RGB 145 255 255

HSL 180, 1%, 0.78%

LAB 93.78, -31.57, -9.88

 

CMYK 70 / 0 / 9 / 6

HEX #48EFDA

RGB 72 239 218

HSL 172.46, 0.84%, 0.61%

LAB 86.09, -46.94, -2.21

 

CMYK 75 / 0 / 10 / 13

HEX #37DDC7

RGB 55 221 199

HSL 172.05, 0.71%, 0.54%

LAB 79.98, -46.21, -1.15

 

CMYK 81 / 0 / 11 / 20

HEX #26CBB4

RGB 38 203 180

HSL 171.64, 0.68%, 0.47%

LAB 73.82, -45.23, 0

 

CMYK 89 / 0 / 13 / 27

HEX #15B9A1

RGB 21 185 161

HSL 171.22, 0.8%, 0.4%

LAB 67.6, -43.91, 1.29

 

CMYK 98 / 0 / 15 / 35

HEX #04A78E

RGB 4 167 142

HSL 170.8, 0.95%, 0.34%

LAB 61.32, -42.21, 2.71

 

CMYK 70 / 0 / 9 / 6

HEX #48EFDA

RGB 72 239 218

HSL 172.46, 0.84%, 0.61%

LAB 86.09, -46.94, -2.21

 

CMYK 70 / 0 / 28 / 6

HEX #48EFAD

RGB 72 239 173

HSL 156.29, 0.84%, 0.61%

LAB 85.06, -57.57, 19.81

 

CMYK 70 / 0 / 46 / 6

HEX #48EF80

RGB 72 239 128

HSL 140.12, 0.84%, 0.61%

LAB 84.31, -65.88, 41.48

 

CMYK 70 / 0 / 65 / 6

HEX #48EF53

RGB 72 239 83

HSL 123.95, 0.84%, 0.61%

LAB 83.83, -71.57, 61.07

 

CMYK 56 / 0 / 70 / 6

HEX #6AEF48

RGB 106 239 72

HSL 107.78, 0.84%, 0.61%

LAB 84.62, -65.43, 66.37

 

CMYK 70 / 0 / 9 / 6

HEX #48EFDA

RGB 72 239 218

HSL 172.46, 0.84%, 0.61%

LAB 86.09, -46.94, -2.21

 

CMYK 70 / 10 / 0 / 6

HEX #48D7EF

RGB 72 215 239

HSL 188.62, 0.84%, 0.61%

LAB 79.73, -30.14, -22.83

 

CMYK 70 / 29 / 0 / 6

HEX #48AAEF

RGB 72 170 239

HSL 204.79, 0.84%, 0.61%

LAB 66.79, -6.77, -42.81

 

CMYK 70 / 48 / 0 / 6

HEX #487DEF

RGB 72 125 239

HSL 220.96, 0.84%, 0.61%

LAB 54.32, 19.74, -62.63

 

CMYK 70 / 67 / 0 / 6

HEX #4850EF

RGB 72 80 239

HSL 237.13, 0.84%, 0.61%

LAB 43.28, 47.33, -80.58

 

CMYK 70 / 0 / 9 / 6

HEX #48EFDA

RGB 72 239 218

HSL 172.46, 0.84%, 0.61%

LAB 86.09, -46.94, -2.21

 

CMYK 70 / 0 / 9 / 6

HEX #48EFDA

RGB 72 239 218

HSL 172.46, 0.84%, 0.61%

LAB 86.09, -46.94, -2.21

 

CMYK 61 / 0 / 8 / 13

HEX #58DFCE

RGB 88 223 206

HSL 172.44, 0.68%, 0.61%

LAB 81.46, -40.6, -2.63

 

CMYK 50 / 0 / 6 / 19

HEX #68CFC2

RGB 104 207 194

HSL 172.43, 0.52%, 0.61%

LAB 76.96, -33.12, -2.76

 

CMYK 37 / 0 / 5 / 25

HEX #78BFB6

RGB 120 191 182

HSL 172.39, 0.36%, 0.61%

LAB 72.65, -24.34, -2.52

 

CMYK 22 / 0 / 3 / 31

HEX #88AFAA

RGB 136 175 170

HSL 172.31, 0.2%, 0.61%

LAB 68.6, -14.18, -1.76

 

CMYK 70 / 0 / 46 / 6

HEX #48EF80

RGB 72 239 128

HSL 140.12, 0.84%, 0.61%

LAB 84.31, -65.88, 41.48

 

CMYK 70 / 0 / 28 / 6

HEX #48EFAC

RGB 72 239 172

HSL 155.93, 0.84%, 0.61%

LAB 85.04, -57.78, 20.3

 

CMYK 70 / 0 / 9 / 6

HEX #48EFD9

RGB 72 239 217

HSL 172.1, 0.84%, 0.61%

LAB 86.07, -47.2, -1.72

 

CMYK 70 / 9 / 0 / 6

HEX #48D9EF

RGB 72 217 239

HSL 187.9, 0.84%, 0.61%

LAB 80.31, -31.11, -21.95

 

CMYK 70 / 28 / 0 / 6

HEX #48ACEF

RGB 72 172 239

HSL 204.07, 0.84%, 0.61%

LAB 67.36, -7.88, -41.92

 

CMYK 91 / 0 / 11 / 18

HEX #12D2BA

RGB 18 210 186

HSL 172.5, 0.84%, 0.45%

LAB 75.93, -47.82, -0.17

 

CMYK 86 / 0 / 11 / 7

HEX #22ECD2

RGB 34 236 210

HSL 172.28, 0.84%, 0.53%

LAB 84.48, -51.38, -0.43

 

CMYK 70 / 0 / 9 / 6

HEX #48EFDA

RGB 72 239 218

HSL 172.46, 0.84%, 0.61%

LAB 86.09, -46.94, -2.21

 

CMYK 55 / 0 / 7 / 5

HEX #6EF2E2

RGB 110 242 226

HSL 172.73, 0.84%, 0.69%

LAB 88.12, -40.08, -3.31

 

CMYK 40 / 0 / 5 / 4

HEX #94F6E9

RGB 148 246 233

HSL 172.04, 0.84%, 0.77%

LAB 90.82, -31.81, -2.83

 

CMYK 70 / 0 / 9 / 6

HEX #48EFDA

RGB 72 239 218

HSL 172.46, 0.84%, 0.61%

LAB 86.09, -46.94, -2.21

 

CMYK 65 / 70 / 0 / 6

HEX #5348EF

RGB 83 72 239

HSL 243.95, 0.84%, 0.61%

LAB 42.32, 53.12, -82.14

 

CMYK 0 / 37 / 70 / 6

HEX #EF9648

RGB 239 150 72

HSL 28.02, 0.84%, 0.61%

LAB 69.92, 26.93, 53.7

 

CMYK 70 / 0 / 9 / 6

HEX #48EFDA

RGB 72 239 218

HSL 172.46, 0.84%, 0.61%

LAB 86.09, -46.94, -2.21

 

CMYK 9 / 70 / 0 / 6

HEX #D948EF

RGB 217 72 239

HSL 292.1, 0.84%, 0.61%

LAB 57.67, 76.46, -56.52

 

CMYK 0 / 9 / 70 / 6

HEX #EFD948

RGB 239 217 72

HSL 52.1, 0.84%, 0.61%

LAB 86.23, -7.99, 70.5

 

CMYK 70 / 0 / 9 / 6

HEX #48EFDA

RGB 72 239 218

HSL 172.46, 0.84%, 0.61%

LAB 86.09, -46.94, -2.21

 

CMYK 65 / 70 / 0 / 6

HEX #5348EF

RGB 83 72 239

HSL 243.95, 0.84%, 0.61%

LAB 42.32, 53.12, -82.14

 

CMYK 0 / 70 / 61 / 6

HEX #EF485E

RGB 239 72 94

HSL 352.1, 0.84%, 0.61%

LAB 55.88, 64.66, 25.25

 

CMYK 5 / 0 / 70 / 6

HEX #E4EF48

RGB 228 239 72

HSL 63.95, 0.84%, 0.61%

LAB 91.1, -23.3, 74.99

 

CMYK 70 / 0 / 9 / 6

HEX #48EFDA

RGB 72 239 218

HSL 172.46, 0.84%, 0.61%

LAB 86.09, -46.94, -2.21

 

CMYK 44 / 70 / 0 / 6

HEX #8548EF

RGB 133 72 239

HSL 261.92, 0.84%, 0.61%

LAB 46.78, 60.37, -74.65

 

CMYK 0 / 70 / 61 / 6

HEX #EF485E

RGB 239 72 94

HSL 352.1, 0.84%, 0.61%

LAB 55.88, 64.66, 25.25

 

CMYK 26 / 0 / 70 / 6

HEX #B2EF48

RGB 178 239 72

HSL 81.92, 0.84%, 0.61%

LAB 87.81, -42.76, 70.64

 

Description

Color code: HEX #48EFDA | qconv.com Color code: HEX #48EFDA | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 239 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 239 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 9 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 9% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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