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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48ECAD it is the complementary color #B71352. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48ECAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48ECAD shade: #4DECA8, #5EFEBB, #6FFFCE, #80FFE1 and #91FFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48ECAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48ECAD shade: #48ECAD, #37DA9A, #26C887, #15B674 and #04A461

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48ECAD shade: #46ECAC, #46EC80, #46EC53, #66EC46 and #93EC46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48ECAD shade: #46ECAC, #46ECD9, #46D2EC, #46A5EC and #4679EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48ECAD shade matches the following richer shades: #46ECAC and #36FCB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48ECAD shade: #46ECAC, #57DBA8, #67CBA4, #78BAA1 and #88AA9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48ECAD shade: #46EC51, #46EC7D, #46ECAA, #46ECD6 and #46D6EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48ECAD shade: #15CA85, #21E89B, #46ECAC, #6CF0BD and #91F3CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48ECAD shade: #48ECAD, #4667EC and #EC6746

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48ECAD shade: #48ECAD, #AA46EC and #ECAA46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48ECAD shade: #48ECAD, #4667EC, #EC4688 and #ECCB46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48ECAD shade: #48ECAD, #5746EC, #EC4688 and #DBEC46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 27 / 7

HEX #48ECAD

RGB 72 236 173

HSL 156.95, 0.81%, 0.6%

LAB 84.17, -56.4, 18.56

 

Complementary color

CMYK 0 / 90 / 55 / 28

HEX #B71352

RGB 183 19 82

HSL 336.95, 0.81%, 0.4%

LAB 39.82, 63.03, 9.08

 

CMYK 67 / 0 / 29 / 7

HEX #4DECA8

RGB 77 236 168

HSL 154.34, 0.81%, 0.61%

LAB 84.17, -56.69, 21.17

 

CMYK 63 / 0 / 26 / 0

HEX #5EFEBB

RGB 94 254 187

HSL 154.88, 0.99%, 0.68%

LAB 90.25, -56.99, 19.9

 

CMYK 56 / 0 / 19 / 0

HEX #6FFFCE

RGB 111 255 206

HSL 159.58, 1%, 0.72%

LAB 91.4, -50.19, 11.82

 

CMYK 50 / 0 / 12 / 0

HEX #80FFE1

RGB 128 255 225

HSL 165.83, 1%, 0.75%

LAB 92.37, -42.42, 3.49

 

CMYK 43 / 0 / 4 / 0

HEX #91FFF4

RGB 145 255 244

HSL 174, 1%, 0.78%

LAB 93.48, -34.19, -4.64

 

CMYK 69 / 0 / 27 / 7

HEX #48ECAD

RGB 72 236 173

HSL 156.95, 0.81%, 0.6%

LAB 84.17, -56.4, 18.56

 

CMYK 75 / 0 / 29 / 15

HEX #37DA9A

RGB 55 218 154

HSL 156.44, 0.69%, 0.54%

LAB 78.04, -55.8, 19.93

 

CMYK 81 / 0 / 33 / 22

HEX #26C887

RGB 38 200 135

HSL 155.93, 0.68%, 0.47%

LAB 71.87, -54.91, 21.43

 

CMYK 88 / 0 / 36 / 29

HEX #15B674

RGB 21 182 116

HSL 155.4, 0.79%, 0.4%

LAB 65.65, -53.62, 23.08

 

CMYK 98 / 0 / 41 / 36

HEX #04A461

RGB 4 164 97

HSL 154.88, 0.95%, 0.33%

LAB 59.38, -51.84, 24.89

 

CMYK 70 / 0 / 27 / 7

HEX #46ECAC

RGB 70 236 172

HSL 156.87, 0.81%, 0.6%

LAB 84.11, -56.9, 18.99

 

CMYK 70 / 0 / 46 / 7

HEX #46EC80

RGB 70 236 128

HSL 140.96, 0.81%, 0.6%

LAB 83.36, -65.14, 40.26

 

CMYK 70 / 0 / 65 / 7

HEX #46EC53

RGB 70 236 83

HSL 124.7, 0.81%, 0.6%

LAB 82.87, -70.94, 60.01

 

CMYK 57 / 0 / 70 / 7

HEX #66EC46

RGB 102 236 70

HSL 108.43, 0.81%, 0.6%

LAB 83.58, -65.52, 65.98

 

CMYK 38 / 0 / 70 / 7

HEX #93EC46

RGB 147 236 70

HSL 92.17, 0.81%, 0.6%

LAB 85.32, -52.49, 68.31

 

CMYK 70 / 0 / 27 / 7

HEX #46ECAC

RGB 70 236 172

HSL 156.87, 0.81%, 0.6%

LAB 84.11, -56.9, 18.99

 

CMYK 70 / 0 / 8 / 7

HEX #46ECD9

RGB 70 236 217

HSL 173.13, 0.81%, 0.6%

LAB 85.15, -46.16, -3.07

 

CMYK 70 / 11 / 0 / 7

HEX #46D2EC

RGB 70 210 236

HSL 189.4, 0.81%, 0.6%

LAB 78.14, -28.87, -23.65

 

CMYK 70 / 30 / 0 / 7

HEX #46A5EC

RGB 70 165 236

HSL 205.66, 0.81%, 0.6%

LAB 65.18, -5.27, -43.71

 

CMYK 70 / 49 / 0 / 7

HEX #4679EC

RGB 70 121 236

HSL 221.57, 0.81%, 0.6%

LAB 52.99, 20.87, -63.11

 

CMYK 70 / 0 / 27 / 7

HEX #46ECAC

RGB 70 236 172

HSL 156.87, 0.81%, 0.6%

LAB 84.11, -56.9, 18.99

 

CMYK 79 / 0 / 30 / 1

HEX #36FCB0

RGB 54 252 176

HSL 156.97, 0.97%, 0.6%

LAB 88.7, -64.03, 23.26

 

CMYK 70 / 0 / 27 / 7

HEX #46ECAC

RGB 70 236 172

HSL 156.87, 0.81%, 0.6%

LAB 84.11, -56.9, 18.99

 

CMYK 60 / 0 / 23 / 14

HEX #57DBA8

RGB 87 219 168

HSL 156.82, 0.65%, 0.6%

LAB 79.34, -48.07, 14.47

 

CMYK 49 / 0 / 19 / 20

HEX #67CBA4

RGB 103 203 164

HSL 156.6, 0.49%, 0.6%

LAB 75, -38.52, 10.54

 

CMYK 35 / 0 / 13 / 27

HEX #78BAA1

RGB 120 186 161

HSL 157.27, 0.32%, 0.6%

LAB 70.65, -26.62, 6.05

 

CMYK 20 / 0 / 8 / 33

HEX #88AA9D

RGB 136 170 157

HSL 157.06, 0.17%, 0.6%

LAB 66.84, -14.32, 2.87

 

CMYK 70 / 0 / 66 / 7

HEX #46EC51

RGB 70 236 81

HSL 123.98, 0.81%, 0.6%

LAB 82.85, -71.13, 60.8

 

CMYK 70 / 0 / 47 / 7

HEX #46EC7D

RGB 70 236 125

HSL 139.88, 0.81%, 0.6%

LAB 83.32, -65.61, 41.67

 

CMYK 70 / 0 / 28 / 7

HEX #46ECAA

RGB 70 236 170

HSL 156.14, 0.81%, 0.6%

LAB 84.07, -57.33, 19.97

 

CMYK 70 / 0 / 9 / 7

HEX #46ECD6

RGB 70 236 214

HSL 172.05, 0.81%, 0.6%

LAB 85.07, -46.94, -1.6

 

CMYK 70 / 9 / 0 / 7

HEX #46D6EC

RGB 70 214 236

HSL 187.95, 0.81%, 0.6%

LAB 79.3, -30.81, -21.89

 

CMYK 90 / 0 / 34 / 21

HEX #15CA85

RGB 21 202 133

HSL 157.13, 0.81%, 0.44%

LAB 72.29, -57.4, 23.03

 

CMYK 86 / 0 / 33 / 9

HEX #21E89B

RGB 33 232 155

HSL 156.78, 0.81%, 0.52%

LAB 82.06, -62.92, 24.87

 

CMYK 70 / 0 / 27 / 7

HEX #46ECAC

RGB 70 236 172

HSL 156.87, 0.81%, 0.6%

LAB 84.11, -56.9, 18.99

 

CMYK 55 / 0 / 21 / 6

HEX #6CF0BD

RGB 108 240 189

HSL 156.82, 0.81%, 0.68%

LAB 86.59, -48.15, 13.79

 

CMYK 40 / 0 / 15 / 5

HEX #91F3CE

RGB 145 243 206

HSL 157.35, 0.8%, 0.76%

LAB 89.19, -37.1, 8.84

 

CMYK 69 / 0 / 27 / 7

HEX #48ECAD

RGB 72 236 173

HSL 156.95, 0.81%, 0.6%

LAB 84.17, -56.4, 18.56

 

CMYK 70 / 56 / 0 / 7

HEX #4667EC

RGB 70 103 236

HSL 228.07, 0.81%, 0.6%

LAB 48.33, 32.08, -70.64

 

CMYK 0 / 56 / 70 / 7

HEX #EC6746

RGB 236 103 70

HSL 11.93, 0.81%, 0.6%

LAB 59.87, 49.39, 43.5

 

CMYK 69 / 0 / 27 / 7

HEX #48ECAD

RGB 72 236 173

HSL 156.95, 0.81%, 0.6%

LAB 84.17, -56.4, 18.56

 

CMYK 28 / 70 / 0 / 7

HEX #AA46EC

RGB 170 70 236

HSL 276.14, 0.81%, 0.6%

LAB 50.67, 67.26, -66.45

 

CMYK 0 / 28 / 70 / 7

HEX #ECAA46

RGB 236 170 70

HSL 36.14, 0.81%, 0.6%

LAB 74.21, 15.01, 59.02

 

CMYK 69 / 0 / 27 / 7

HEX #48ECAD

RGB 72 236 173

HSL 156.95, 0.81%, 0.6%

LAB 84.17, -56.4, 18.56

 

CMYK 70 / 56 / 0 / 7

HEX #4667EC

RGB 70 103 236

HSL 228.07, 0.81%, 0.6%

LAB 48.33, 32.08, -70.64

 

CMYK 0 / 70 / 42 / 7

HEX #EC4688

RGB 236 70 136

HSL 336.14, 0.81%, 0.6%

LAB 56.08, 67.8, 0.59

 

CMYK 0 / 14 / 70 / 7

HEX #ECCB46

RGB 236 203 70

HSL 48.07, 0.81%, 0.6%

LAB 82.37, -2.24, 67.34

 

CMYK 69 / 0 / 27 / 7

HEX #48ECAD

RGB 72 236 173

HSL 156.95, 0.81%, 0.6%

LAB 84.17, -56.4, 18.56

 

CMYK 63 / 70 / 0 / 7

HEX #5746EC

RGB 87 70 236

HSL 246.14, 0.81%, 0.6%

LAB 41.94, 53.77, -81.05

 

CMYK 0 / 70 / 42 / 7

HEX #EC4688

RGB 236 70 136

HSL 336.14, 0.81%, 0.6%

LAB 56.08, 67.8, 0.59

 

CMYK 7 / 0 / 70 / 7

HEX #DBEC46

RGB 219 236 70

HSL 66.14, 0.81%, 0.6%

LAB 89.62, -25.61, 74.02

 

Description

Color code: HEX #48ECAD | qconv.com Color code: HEX #48ECAD | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 236 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 236 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 27 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 27% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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