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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48EBAD it is the complementary color #B71452. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48EBAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48EBAD shade: #4DEBA8, #5EFDBB, #6FFFCE, #80FFE1 and #91FFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48EBAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48EBAD shade: #48EBAD, #37D99A, #26C787, #15B574 and #04A361

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48EBAD shade: #47EBAD, #47EB81, #47EB55, #66EB47 and #92EB47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48EBAD shade: #47EBAD, #47EBD9, #47D1EB, #47A5EB and #4779EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48EBAD shade matches the following richer shades: #47EBAD and #37FBB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48EBAD shade: #47EBAD, #58DAA9, #68CAA5, #79B9A1 and #89A99D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48EBAD shade: #47EB55, #47EB81, #47EBAC, #47EBD8 and #47D2EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48EBAD shade: #16C985, #22E69C, #47EBAD, #6DEFBD and #92F3CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48EBAD shade: #48EBAD, #4765EB and #EB6B47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48EBAD shade: #48EBAD, #AC47EB and #EBAC47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48EBAD shade: #48EBAD, #4765EB, #EB4786 and #EBCD47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48EBAD shade: #48EBAD, #5A47EB, #EB4786 and #D8EB47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 26 / 8

HEX #48EBAD

RGB 72 235 173

HSL 157.18, 0.8%, 0.6%

LAB 83.87, -56.01, 18.14

 

Complementary color

CMYK 0 / 89 / 55 / 28

HEX #B71452

RGB 183 20 82

HSL 337.18, 0.8%, 0.4%

LAB 39.88, 62.86, 9.16

 

CMYK 67 / 0 / 29 / 8

HEX #4DEBA8

RGB 77 235 168

HSL 154.56, 0.8%, 0.61%

LAB 83.87, -56.3, 20.76

 

CMYK 63 / 0 / 26 / 1

HEX #5EFDBB

RGB 94 253 187

HSL 155.09, 0.98%, 0.68%

LAB 89.96, -56.6, 19.49

 

CMYK 56 / 0 / 19 / 0

HEX #6FFFCE

RGB 111 255 206

HSL 159.58, 1%, 0.72%

LAB 91.4, -50.19, 11.82

 

CMYK 50 / 0 / 12 / 0

HEX #80FFE1

RGB 128 255 225

HSL 165.83, 1%, 0.75%

LAB 92.37, -42.42, 3.49

 

CMYK 43 / 0 / 4 / 0

HEX #91FFF4

RGB 145 255 244

HSL 174, 1%, 0.78%

LAB 93.48, -34.19, -4.64

 

CMYK 69 / 0 / 26 / 8

HEX #48EBAD

RGB 72 235 173

HSL 157.18, 0.8%, 0.6%

LAB 83.87, -56.01, 18.14

 

CMYK 75 / 0 / 29 / 15

HEX #37D99A

RGB 55 217 154

HSL 156.67, 0.68%, 0.53%

LAB 77.74, -55.42, 19.51

 

CMYK 81 / 0 / 32 / 22

HEX #26C787

RGB 38 199 135

HSL 156.15, 0.68%, 0.46%

LAB 71.56, -54.53, 21.01

 

CMYK 88 / 0 / 36 / 29

HEX #15B574

RGB 21 181 116

HSL 155.63, 0.79%, 0.4%

LAB 65.33, -53.25, 22.65

 

CMYK 98 / 0 / 40 / 36

HEX #04A361

RGB 4 163 97

HSL 155.09, 0.95%, 0.33%

LAB 59.05, -51.48, 24.46

 

CMYK 70 / 0 / 26 / 8

HEX #47EBAD

RGB 71 235 173

HSL 157.32, 0.8%, 0.6%

LAB 83.85, -56.15, 18.11

 

CMYK 70 / 0 / 45 / 8

HEX #47EB81

RGB 71 235 129

HSL 141.22, 0.8%, 0.6%

LAB 83.09, -64.47, 39.44

 

CMYK 70 / 0 / 64 / 8

HEX #47EB55

RGB 71 235 85

HSL 125.12, 0.8%, 0.6%

LAB 82.6, -70.25, 58.91

 

CMYK 57 / 0 / 70 / 8

HEX #66EB47

RGB 102 235 71

HSL 108.66, 0.8%, 0.6%

LAB 83.28, -65.09, 65.31

 

CMYK 38 / 0 / 70 / 8

HEX #92EB47

RGB 146 235 71

HSL 92.56, 0.8%, 0.6%

LAB 84.99, -52.35, 67.6

 

CMYK 70 / 0 / 26 / 8

HEX #47EBAD

RGB 71 235 173

HSL 157.32, 0.8%, 0.6%

LAB 83.85, -56.15, 18.11

 

CMYK 70 / 0 / 8 / 8

HEX #47EBD9

RGB 71 235 217

HSL 173.41, 0.8%, 0.6%

LAB 84.88, -45.6, -3.47

 

CMYK 70 / 11 / 0 / 8

HEX #47D1EB

RGB 71 209 235

HSL 189.51, 0.8%, 0.6%

LAB 77.84, -28.56, -23.57

 

CMYK 70 / 30 / 0 / 8

HEX #47A5EB

RGB 71 165 235

HSL 205.61, 0.8%, 0.6%

LAB 65.16, -5.47, -43.19

 

CMYK 70 / 49 / 0 / 8

HEX #4779EB

RGB 71 121 235

HSL 221.71, 0.8%, 0.6%

LAB 52.96, 20.66, -62.59

 

CMYK 70 / 0 / 26 / 8

HEX #47EBAD

RGB 71 235 173

HSL 157.32, 0.8%, 0.6%

LAB 83.85, -56.15, 18.11

 

CMYK 78 / 0 / 30 / 2

HEX #37FBB0

RGB 55 251 176

HSL 157.04, 0.96%, 0.6%

LAB 88.42, -63.56, 22.87

 

CMYK 70 / 0 / 26 / 8

HEX #47EBAD

RGB 71 235 173

HSL 157.32, 0.8%, 0.6%

LAB 83.85, -56.15, 18.11

 

CMYK 60 / 0 / 22 / 15

HEX #58DAA9

RGB 88 218 169

HSL 157.38, 0.64%, 0.6%

LAB 79.09, -47.24, 13.6

 

CMYK 49 / 0 / 18 / 21

HEX #68CAA5

RGB 104 202 165

HSL 157.35, 0.48%, 0.6%

LAB 74.76, -37.6, 9.67

 

CMYK 35 / 0 / 13 / 27

HEX #79B9A1

RGB 121 185 161

HSL 157.5, 0.31%, 0.6%

LAB 70.41, -25.83, 5.71

 

CMYK 19 / 0 / 7 / 34

HEX #89A99D

RGB 137 169 157

HSL 157.5, 0.16%, 0.6%

LAB 66.62, -13.46, 2.55

 

CMYK 70 / 0 / 64 / 8

HEX #47EB55

RGB 71 235 85

HSL 125.12, 0.8%, 0.6%

LAB 82.6, -70.25, 58.91

 

CMYK 70 / 0 / 45 / 8

HEX #47EB81

RGB 71 235 129

HSL 141.22, 0.8%, 0.6%

LAB 83.09, -64.47, 39.44

 

CMYK 70 / 0 / 27 / 8

HEX #47EBAC

RGB 71 235 172

HSL 156.95, 0.8%, 0.6%

LAB 83.83, -56.37, 18.61

 

CMYK 70 / 0 / 8 / 8

HEX #47EBD8

RGB 71 235 216

HSL 173.05, 0.8%, 0.6%

LAB 84.85, -45.87, -2.98

 

CMYK 70 / 11 / 0 / 8

HEX #47D2EB

RGB 71 210 235

HSL 189.15, 0.8%, 0.6%

LAB 78.13, -29.04, -23.13

 

CMYK 89 / 0 / 34 / 21

HEX #16C985

RGB 22 201 133

HSL 157.21, 0.8%, 0.44%

LAB 71.99, -56.97, 22.62

 

CMYK 85 / 0 / 32 / 10

HEX #22E69C

RGB 34 230 156

HSL 157.35, 0.8%, 0.52%

LAB 81.47, -61.91, 23.56

 

CMYK 70 / 0 / 26 / 8

HEX #47EBAD

RGB 71 235 173

HSL 157.32, 0.8%, 0.6%

LAB 83.85, -56.15, 18.11

 

CMYK 54 / 0 / 21 / 6

HEX #6DEFBD

RGB 109 239 189

HSL 156.92, 0.8%, 0.68%

LAB 86.33, -47.52, 13.43

 

CMYK 40 / 0 / 15 / 5

HEX #92F3CE

RGB 146 243 206

HSL 157.11, 0.8%, 0.76%

LAB 89.24, -36.84, 8.91

 

CMYK 69 / 0 / 26 / 8

HEX #48EBAD

RGB 72 235 173

HSL 157.18, 0.8%, 0.6%

LAB 83.87, -56.01, 18.14

 

CMYK 70 / 57 / 0 / 8

HEX #4765EB

RGB 71 101 235

HSL 229.02, 0.8%, 0.6%

LAB 47.81, 33.1, -70.93

 

CMYK 0 / 54 / 70 / 8

HEX #EB6B47

RGB 235 107 71

HSL 13.17, 0.8%, 0.6%

LAB 60.46, 47.18, 43.6

 

CMYK 69 / 0 / 26 / 8

HEX #48EBAD

RGB 72 235 173

HSL 157.18, 0.8%, 0.6%

LAB 83.87, -56.01, 18.14

 

CMYK 27 / 70 / 0 / 8

HEX #AC47EB

RGB 172 71 235

HSL 276.95, 0.8%, 0.6%

LAB 51.01, 67.02, -65.32

 

CMYK 0 / 27 / 70 / 8

HEX #EBAC47

RGB 235 172 71

HSL 36.95, 0.8%, 0.6%

LAB 74.59, 13.58, 58.95

 

CMYK 69 / 0 / 26 / 8

HEX #48EBAD

RGB 72 235 173

HSL 157.18, 0.8%, 0.6%

LAB 83.87, -56.01, 18.14

 

CMYK 70 / 57 / 0 / 8

HEX #4765EB

RGB 71 101 235

HSL 229.02, 0.8%, 0.6%

LAB 47.81, 33.1, -70.93

 

CMYK 0 / 70 / 43 / 8

HEX #EB4786

RGB 235 71 134

HSL 336.95, 0.8%, 0.6%

LAB 55.98, 66.98, 1.61

 

CMYK 0 / 13 / 70 / 8

HEX #EBCD47

RGB 235 205 71

HSL 49.02, 0.8%, 0.6%

LAB 82.8, -3.63, 67.34

 

CMYK 69 / 0 / 26 / 8

HEX #48EBAD

RGB 72 235 173

HSL 157.18, 0.8%, 0.6%

LAB 83.87, -56.01, 18.14

 

CMYK 62 / 70 / 0 / 8

HEX #5A47EB

RGB 90 71 235

HSL 246.95, 0.8%, 0.6%

LAB 42.27, 53.3, -79.93

 

CMYK 0 / 70 / 43 / 8

HEX #EB4786

RGB 235 71 134

HSL 336.95, 0.8%, 0.6%

LAB 55.98, 66.98, 1.61

 

CMYK 8 / 0 / 70 / 8

HEX #D8EB47

RGB 216 235 71

HSL 66.95, 0.8%, 0.6%

LAB 89.14, -26.29, 73.13

 

Description

Color code: HEX #48EBAD | qconv.com Color code: HEX #48EBAD | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 235 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 235 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 26 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 26% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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