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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48E92D it is the complementary color #B716D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48E92D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48E92D shade: #4DE928, #5EFB3B, #6FFF4E, #80FF61 and #91FF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48E92D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48E92D shade: #48E92D, #37D71A, #26C507, #15B300 and #04A100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48E92D shade: #4AE92F, #7CE92F, #AEE92F, #E0E92F and #E9C02F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48E92D shade: #4AE92F, #2FE947, #2FE979, #2FE9AB and #2FE9DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48E92D shade matches the following richer shades: #4AE92F and #3DFC1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48E92D shade: #4AE92F, #57D742, #64C454, #72B167 and #7F9F7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48E92D shade: #AEE92F, #7DE92F, #4BE92F, #2FE945 and #2FE977

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48E92D shade: #2AB313, #33D917, #4AE92F, #6BED55 and #8BF17A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48E92D shade: #48E92D, #2FE0E9 and #E92F96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48E92D shade: #48E92D, #2F4BE9 and #E92F4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48E92D shade: #48E92D, #2FE0E9, #CD2FE9 and #E9392F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48E92D shade: #48E92D, #2FA8E9, #CD2FE9 and #E9702F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 81 / 9

HEX #48E92D

RGB 72 233 45

HSL 111.38, 0.81%, 0.55%

LAB 81.75, -72.49, 71.77

 

Complementary color

CMYK 13 / 90 / 0 / 18

HEX #B716D2

RGB 183 22 210

HSL 291.38, 0.81%, 0.45%

LAB 46.03, 78.43, -59.05

 

CMYK 67 / 0 / 83 / 9

HEX #4DE928

RGB 77 233 40

HSL 108.5, 0.81%, 0.54%

LAB 81.84, -71.8, 73.14

 

CMYK 63 / 0 / 76 / 2

HEX #5EFB3B

RGB 94 251 59

HSL 109.06, 0.96%, 0.61%

LAB 87.82, -73.11, 73.74

 

CMYK 56 / 0 / 69 / 0

HEX #6FFF4E

RGB 111 255 78

HSL 108.81, 1%, 0.65%

LAB 89.6, -69.3, 69.4

 

CMYK 50 / 0 / 62 / 0

HEX #80FF61

RGB 128 255 97

HSL 108.23, 1%, 0.69%

LAB 90.31, -63.35, 62.99

 

CMYK 43 / 0 / 55 / 0

HEX #91FF74

RGB 145 255 116

HSL 107.48, 1%, 0.73%

LAB 91.14, -56.62, 55.95

 

CMYK 69 / 0 / 81 / 9

HEX #48E92D

RGB 72 233 45

HSL 111.38, 0.81%, 0.55%

LAB 81.75, -72.49, 71.77

 

CMYK 74 / 0 / 88 / 16

HEX #37D71A

RGB 55 215 26

HSL 110.79, 0.78%, 0.47%

LAB 75.75, -70.66, 70.58

 

CMYK 81 / 0 / 96 / 23

HEX #26C507

RGB 38 197 7

HSL 110.21, 0.93%, 0.4%

LAB 69.73, -68.18, 68.09

 

CMYK 88 / 0 / 100 / 30

HEX #15B300

RGB 21 179 0

HSL 112.96, 1%, 0.35%

LAB 63.67, -64.89, 63.94

 

CMYK 98 / 0 / 100 / 37

HEX #04A100

RGB 4 161 0

HSL 118.51, 1%, 0.32%

LAB 57.57, -60.88, 59.01

 

CMYK 68 / 0 / 80 / 9

HEX #4AE92F

RGB 74 233 47

HSL 111.29, 0.81%, 0.55%

LAB 81.8, -72.02, 71.3

 

CMYK 47 / 0 / 80 / 9

HEX #7CE92F

RGB 124 233 47

HSL 95.16, 0.81%, 0.55%

LAB 83.32, -59.88, 73.26

 

CMYK 25 / 0 / 80 / 9

HEX #AEE92F

RGB 174 233 47

HSL 79.03, 0.81%, 0.55%

LAB 85.75, -42.87, 76.36

 

CMYK 4 / 0 / 80 / 9

HEX #E0E92F

RGB 224 233 47

HSL 62.9, 0.81%, 0.55%

LAB 89.08, -23.07, 80.58

 

CMYK 0 / 18 / 80 / 9

HEX #E9C02F

RGB 233 192 47

HSL 46.77, 0.81%, 0.55%

LAB 79.17, 1.23, 72.21

 

CMYK 68 / 0 / 80 / 9

HEX #4AE92F

RGB 74 233 47

HSL 111.29, 0.81%, 0.55%

LAB 81.8, -72.02, 71.3

 

CMYK 80 / 0 / 70 / 9

HEX #2FE947

RGB 47 233 71

HSL 127.74, 0.81%, 0.55%

LAB 81.48, -74.33, 63.06

 

CMYK 80 / 0 / 48 / 9

HEX #2FE979

RGB 47 233 121

HSL 143.87, 0.81%, 0.55%

LAB 81.98, -68.22, 41.84

 

CMYK 80 / 0 / 27 / 9

HEX #2FE9AB

RGB 47 233 171

HSL 160, 0.81%, 0.55%

LAB 82.82, -58.7, 17.66

 

CMYK 80 / 0 / 5 / 9

HEX #2FE9DD

RGB 47 233 221

HSL 176.13, 0.81%, 0.55%

LAB 84.02, -46.21, -6.88

 

CMYK 68 / 0 / 80 / 9

HEX #4AE92F

RGB 74 233 47

HSL 111.29, 0.81%, 0.55%

LAB 81.8, -72.02, 71.3

 

CMYK 76 / 0 / 88 / 1

HEX #3DFC1D

RGB 61 252 29

HSL 111.39, 0.97%, 0.55%

LAB 87.34, -80.49, 80.04

 

CMYK 68 / 0 / 80 / 9

HEX #4AE92F

RGB 74 233 47

HSL 111.29, 0.81%, 0.55%

LAB 81.8, -72.02, 71.3

 

CMYK 60 / 0 / 69 / 16

HEX #57D742

RGB 87 215 66

HSL 111.54, 0.65%, 0.55%

LAB 76.69, -62.1, 60.18

 

CMYK 49 / 0 / 57 / 23

HEX #64C454

RGB 100 196 84

HSL 111.43, 0.49%, 0.55%

LAB 71.44, -49.86, 46.89

 

CMYK 36 / 0 / 42 / 31

HEX #72B167

RGB 114 177 103

HSL 111.08, 0.32%, 0.55%

LAB 66.52, -34.87, 31.59

 

CMYK 20 / 0 / 23 / 38

HEX #7F9F7A

RGB 127 159 122

HSL 111.89, 0.16%, 0.55%

LAB 62.26, -18.43, 15.76

 

CMYK 25 / 0 / 80 / 9

HEX #AEE92F

RGB 174 233 47

HSL 79.03, 0.81%, 0.55%

LAB 85.75, -42.87, 76.36

 

CMYK 46 / 0 / 80 / 9

HEX #7DE92F

RGB 125 233 47

HSL 94.84, 0.81%, 0.55%

LAB 83.36, -59.58, 73.31

 

CMYK 68 / 0 / 80 / 9

HEX #4BE92F

RGB 75 233 47

HSL 110.97, 0.81%, 0.55%

LAB 81.83, -71.84, 71.33

 

CMYK 80 / 0 / 70 / 9

HEX #2FE945

RGB 47 233 69

HSL 127.1, 0.81%, 0.55%

LAB 81.46, -74.5, 63.78

 

CMYK 80 / 0 / 49 / 9

HEX #2FE977

RGB 47 233 119

HSL 143.23, 0.81%, 0.55%

LAB 81.95, -68.53, 42.77

 

CMYK 77 / 0 / 89 / 30

HEX #2AB313

RGB 42 179 19

HSL 111.38, 0.81%, 0.39%

LAB 63.98, -61.98, 61.64

 

CMYK 76 / 0 / 89 / 15

HEX #33D917

RGB 51 217 23

HSL 111.34, 0.81%, 0.47%

LAB 76.31, -71.93, 71.55

 

CMYK 68 / 0 / 80 / 9

HEX #4AE92F

RGB 74 233 47

HSL 111.29, 0.81%, 0.55%

LAB 81.8, -72.02, 71.3

 

CMYK 55 / 0 / 64 / 7

HEX #6BED55

RGB 107 237 85

HSL 111.32, 0.81%, 0.63%

LAB 84.15, -63.37, 60.88

 

CMYK 42 / 0 / 49 / 5

HEX #8BF17A

RGB 139 241 122

HSL 111.43, 0.81%, 0.71%

LAB 86.9, -52.07, 48.03

 

CMYK 69 / 0 / 81 / 9

HEX #48E92D

RGB 72 233 45

HSL 111.38, 0.81%, 0.55%

LAB 81.75, -72.49, 71.77

 

CMYK 80 / 4 / 0 / 9

HEX #2FE0E9

RGB 47 224 233

HSL 182.9, 0.81%, 0.55%

LAB 81.73, -38.79, -16.66

 

CMYK 0 / 80 / 36 / 9

HEX #E92F96

RGB 233 47 150

HSL 326.77, 0.81%, 0.55%

LAB 53.56, 75.28, -11.51

 

CMYK 69 / 0 / 81 / 9

HEX #48E92D

RGB 72 233 45

HSL 111.38, 0.81%, 0.55%

LAB 81.75, -72.49, 71.77

 

CMYK 80 / 68 / 0 / 9

HEX #2F4BE9

RGB 47 75 233

HSL 230.97, 0.81%, 0.55%

LAB 40.44, 45.94, -81.9

 

CMYK 0 / 80 / 68 / 9

HEX #E92F4B

RGB 233 47 75

HSL 350.97, 0.81%, 0.55%

LAB 51.68, 69.66, 30.89

 

CMYK 69 / 0 / 81 / 9

HEX #48E92D

RGB 72 233 45

HSL 111.38, 0.81%, 0.55%

LAB 81.75, -72.49, 71.77

 

CMYK 80 / 4 / 0 / 9

HEX #2FE0E9

RGB 47 224 233

HSL 182.9, 0.81%, 0.55%

LAB 81.73, -38.79, -16.66

 

CMYK 12 / 80 / 0 / 9

HEX #CD2FE9

RGB 205 47 233

HSL 290.97, 0.81%, 0.55%

LAB 52.83, 80.79, -61.01

 

CMYK 0 / 76 / 80 / 9

HEX #E9392F

RGB 233 57 47

HSL 3.23, 0.81%, 0.55%

LAB 52.35, 65.75, 47.38

 

CMYK 69 / 0 / 81 / 9

HEX #48E92D

RGB 72 233 45

HSL 111.38, 0.81%, 0.55%

LAB 81.75, -72.49, 71.77

 

CMYK 80 / 28 / 0 / 9

HEX #2FA8E9

RGB 47 168 233

HSL 200.97, 0.81%, 0.55%

LAB 65.35, -10.67, -41.83

 

CMYK 12 / 80 / 0 / 9

HEX #CD2FE9

RGB 205 47 233

HSL 290.97, 0.81%, 0.55%

LAB 52.83, 80.79, -61.01

 

CMYK 0 / 52 / 80 / 9

HEX #E9702F

RGB 233 112 47

HSL 20.97, 0.81%, 0.55%

LAB 60.88, 43.02, 55.59

 

Description

Color code: HEX #48E92D | qconv.com Color code: HEX #48E92D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 233 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 233 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 81 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 81% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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