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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48E6B2 it is the complementary color #B7194D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48E6B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48E6B2 shade: #4DE6AD, #5EF8C0, #6FFFD3, #80FFE6 and #91FFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48E6B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48E6B2 shade: #48E6B2, #37D49F, #26C28C, #15B079 and #049E66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48E6B2 shade: #47E6B2, #47E687, #47E65C, #5DE647 and #88E647

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48E6B2 shade: #47E6B2, #47E6DC, #47C5E6, #479AE6 and #476FE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48E6B2 shade matches the following richer shades: #47E6B2 and #36F7B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48E6B2 shade: #47E6B2, #58D5AC, #69C4A6, #7AB3A0 and #8BA29A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48E6B2 shade: #47E65C, #47E687, #47E6B1, #47E6DB and #47C6E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48E6B2 shade: #1AC08A, #23E1A2, #47E6B2, #6BEBC1 and #90F0D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48E6B2 shade: #48E6B2, #475CE6 and #E67147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48E6B2 shade: #48E6B2, #B147E6 and #E6B147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48E6B2 shade: #48E6B2, #475CE6, #E6477C and #E6D147

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48E6B2 shade: #48E6B2, #6147E6, #E6477C and #CBE647

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 23 / 10

HEX #48E6B2

RGB 72 230 178

HSL 160.25, 0.76%, 0.59%

LAB 82.48, -52.91, 13.59

 

Complementary color

CMYK 0 / 86 / 58 / 28

HEX #B7194D

RGB 183 25 77

HSL 340.25, 0.76%, 0.41%

LAB 40.08, 61.58, 12.63

 

CMYK 67 / 0 / 25 / 10

HEX #4DE6AD

RGB 77 230 173

HSL 157.65, 0.75%, 0.6%

LAB 82.48, -53.25, 16.22

 

CMYK 62 / 0 / 23 / 3

HEX #5EF8C0

RGB 94 248 192

HSL 158.18, 0.92%, 0.67%

LAB 88.6, -53.53, 15.01

 

CMYK 56 / 0 / 17 / 0

HEX #6FFFD3

RGB 111 255 211

HSL 161.67, 1%, 0.72%

LAB 91.51, -49.09, 9.4

 

CMYK 50 / 0 / 10 / 0

HEX #80FFE6

RGB 128 255 230

HSL 168.19, 1%, 0.75%

LAB 92.5, -41.27, 1.08

 

CMYK 43 / 0 / 2 / 0

HEX #91FFF9

RGB 145 255 249

HSL 176.73, 1%, 0.78%

LAB 93.61, -33.01, -7.03

 

CMYK 69 / 0 / 23 / 10

HEX #48E6B2

RGB 72 230 178

HSL 160.25, 0.76%, 0.59%

LAB 82.48, -52.91, 13.59

 

CMYK 74 / 0 / 25 / 17

HEX #37D49F

RGB 55 212 159

HSL 159.75, 0.65%, 0.52%

LAB 76.32, -52.35, 14.89

 

CMYK 80 / 0 / 28 / 24

HEX #26C28C

RGB 38 194 140

HSL 159.23, 0.67%, 0.45%

LAB 70.1, -51.5, 16.32

 

CMYK 88 / 0 / 31 / 31

HEX #15B079

RGB 21 176 121

HSL 158.71, 0.79%, 0.39%

LAB 63.83, -50.27, 17.9

 

CMYK 97 / 0 / 35 / 38

HEX #049E66

RGB 4 158 102

HSL 158.18, 0.95%, 0.32%

LAB 57.5, -48.58, 19.65

 

CMYK 69 / 0 / 23 / 10

HEX #47E6B2

RGB 71 230 178

HSL 160.38, 0.76%, 0.59%

LAB 82.46, -53.06, 13.55

 

CMYK 69 / 0 / 41 / 10

HEX #47E687

RGB 71 230 135

HSL 144.15, 0.76%, 0.59%

LAB 81.67, -61.67, 34.61

 

CMYK 69 / 0 / 60 / 10

HEX #47E65C

RGB 71 230 92

HSL 127.92, 0.76%, 0.59%

LAB 81.13, -67.86, 54.3

 

CMYK 60 / 0 / 69 / 10

HEX #5DE647

RGB 93 230 71

HSL 111.7, 0.76%, 0.59%

LAB 81.5, -65.49, 63.37

 

CMYK 41 / 0 / 69 / 10

HEX #88E647

RGB 136 230 71

HSL 95.47, 0.76%, 0.59%

LAB 83.06, -53.6, 65.49

 

CMYK 69 / 0 / 23 / 10

HEX #47E6B2

RGB 71 230 178

HSL 160.38, 0.76%, 0.59%

LAB 82.46, -53.06, 13.55

 

CMYK 69 / 0 / 4 / 10

HEX #47E6DC

RGB 71 230 220

HSL 176.23, 0.76%, 0.59%

LAB 83.5, -42.62, -7.09

 

CMYK 69 / 14 / 0 / 10

HEX #47C5E6

RGB 71 197 230

HSL 192.45, 0.76%, 0.59%

LAB 74.18, -24.13, -26.47

 

CMYK 69 / 33 / 0 / 10

HEX #479AE6

RGB 71 154 230

HSL 208.68, 0.76%, 0.59%

LAB 61.8, -0.91, -45.73

 

CMYK 69 / 52 / 0 / 10

HEX #476FE6

RGB 71 111 230

HSL 224.91, 0.76%, 0.59%

LAB 50, 25.11, -64.56

 

CMYK 69 / 0 / 23 / 10

HEX #47E6B2

RGB 71 230 178

HSL 160.38, 0.76%, 0.59%

LAB 82.46, -53.06, 13.55

 

CMYK 78 / 0 / 26 / 3

HEX #36F7B7

RGB 54 247 183

HSL 160.1, 0.92%, 0.59%

LAB 87.35, -60.66, 17.79

 

CMYK 69 / 0 / 23 / 10

HEX #47E6B2

RGB 71 230 178

HSL 160.38, 0.76%, 0.59%

LAB 82.46, -53.06, 13.55

 

CMYK 59 / 0 / 19 / 16

HEX #58D5AC

RGB 88 213 172

HSL 160.32, 0.6%, 0.59%

LAB 77.66, -44.43, 9.98

 

CMYK 46 / 0 / 15 / 23

HEX #69C4A6

RGB 105 196 166

HSL 160.22, 0.44%, 0.59%

LAB 73.05, -34.37, 6.68

 

CMYK 32 / 0 / 11 / 30

HEX #7AB3A0

RGB 122 179 160

HSL 160, 0.27%, 0.59%

LAB 68.69, -22.76, 3.79

 

CMYK 14 / 0 / 5 / 36

HEX #8BA29A

RGB 139 162 154

HSL 159.13, 0.11%, 0.59%

LAB 64.69, -9.67, 1.45

 

CMYK 69 / 0 / 60 / 10

HEX #47E65C

RGB 71 230 92

HSL 127.92, 0.76%, 0.59%

LAB 81.13, -67.86, 54.3

 

CMYK 69 / 0 / 41 / 10

HEX #47E687

RGB 71 230 135

HSL 144.15, 0.76%, 0.59%

LAB 81.67, -61.67, 34.61

 

CMYK 69 / 0 / 23 / 10

HEX #47E6B1

RGB 71 230 177

HSL 160, 0.76%, 0.59%

LAB 82.44, -53.29, 14.05

 

CMYK 69 / 0 / 5 / 10

HEX #47E6DB

RGB 71 230 219

HSL 175.85, 0.76%, 0.59%

LAB 83.47, -42.88, -6.6

 

CMYK 69 / 14 / 0 / 10

HEX #47C6E6

RGB 71 198 230

HSL 192.08, 0.76%, 0.59%

LAB 74.47, -24.63, -26.03

 

CMYK 86 / 0 / 28 / 25

HEX #1AC08A

RGB 26 192 138

HSL 160.48, 0.76%, 0.43%

LAB 69.29, -52.22, 16.25

 

CMYK 84 / 0 / 28 / 12

HEX #23E1A2

RGB 35 225 162

HSL 160.11, 0.76%, 0.51%

LAB 80.08, -58.7, 18.52

 

CMYK 69 / 0 / 23 / 10

HEX #47E6B2

RGB 71 230 178

HSL 160.38, 0.76%, 0.59%

LAB 82.46, -53.06, 13.55

 

CMYK 54 / 0 / 18 / 8

HEX #6BEBC1

RGB 107 235 193

HSL 160.31, 0.76%, 0.67%

LAB 85.2, -45.35, 9.72

 

CMYK 40 / 0 / 13 / 6

HEX #90F0D0

RGB 144 240 208

HSL 160, 0.76%, 0.75%

LAB 88.35, -35.57, 6.59

 

CMYK 69 / 0 / 23 / 10

HEX #48E6B2

RGB 72 230 178

HSL 160.25, 0.76%, 0.59%

LAB 82.48, -52.91, 13.59

 

CMYK 69 / 60 / 0 / 10

HEX #475CE6

RGB 71 92 230

HSL 232.08, 0.76%, 0.59%

LAB 45.23, 36.94, -72.32

 

CMYK 0 / 51 / 69 / 10

HEX #E67147

RGB 230 113 71

HSL 15.85, 0.76%, 0.59%

LAB 60.86, 42.39, 43.86

 

CMYK 69 / 0 / 23 / 10

HEX #48E6B2

RGB 72 230 178

HSL 160.25, 0.76%, 0.59%

LAB 82.48, -52.91, 13.59

 

CMYK 23 / 69 / 0 / 10

HEX #B147E6

RGB 177 71 230

HSL 280, 0.76%, 0.59%

LAB 51.34, 66.97, -61.93

 

CMYK 0 / 23 / 69 / 10

HEX #E6B147

RGB 230 177 71

HSL 40, 0.76%, 0.59%

LAB 75.28, 8.82, 59.51

 

CMYK 69 / 0 / 23 / 10

HEX #48E6B2

RGB 72 230 178

HSL 160.25, 0.76%, 0.59%

LAB 82.48, -52.91, 13.59

 

CMYK 69 / 60 / 0 / 10

HEX #475CE6

RGB 71 92 230

HSL 232.08, 0.76%, 0.59%

LAB 45.23, 36.94, -72.32

 

CMYK 0 / 69 / 46 / 10

HEX #E6477C

RGB 230 71 124

HSL 340, 0.76%, 0.59%

LAB 54.85, 64.64, 5.81

 

CMYK 0 / 9 / 69 / 10

HEX #E6D147

RGB 230 209 71

HSL 52.08, 0.76%, 0.59%

LAB 83.38, -7.77, 67.78

 

CMYK 69 / 0 / 23 / 10

HEX #48E6B2

RGB 72 230 178

HSL 160.25, 0.76%, 0.59%

LAB 82.48, -52.91, 13.59

 

CMYK 58 / 69 / 0 / 10

HEX #6147E6

RGB 97 71 230

HSL 249.81, 0.76%, 0.59%

LAB 42.4, 52.76, -76.87

 

CMYK 0 / 69 / 46 / 10

HEX #E6477C

RGB 230 71 124

HSL 340, 0.76%, 0.59%

LAB 54.85, 64.64, 5.81

 

CMYK 12 / 0 / 69 / 10

HEX #CBE647

RGB 203 230 71

HSL 70.19, 0.76%, 0.59%

LAB 86.87, -29.14, 70.58

 

Description

Color code: HEX #48E6B2 | qconv.com Color code: HEX #48E6B2 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 230 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 230 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 23 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 23% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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