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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48E330 it is the complementary color #B71CCF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48E330. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48E330 shade: #4DE32B, #5EF53E, #6FFF51, #80FF64 and #91FF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48E330. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48E330 shade: #48E330, #37D11D, #26BF0A, #15AD00 and #049B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48E330 shade: #48E331, #79E331, #A9E331, #D9E331 and #E3BD31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48E330 shade: #48E331, #31E349, #31E379, #31E3A9 and #31E3D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48E330 shade matches the following richer shades: #48E331 and #3BF61E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48E330 shade: #48E331, #56D044, #64BD57, #72AA69 and #80977C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48E330 shade: #AAE331, #7BE331, #4BE331, #31E345 and #31E375

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48E330 shade: #2BAA17, #34CE1C, #48E331, #69E855 and #89ED79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48E330 shade: #48E330, #31DAE3 and #E33193

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48E330 shade: #48E330, #314BE3 and #E3314B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48E330 shade: #48E330, #31DAE3, #C831E3 and #E33931

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48E330 shade: #48E330, #31A4E3, #C831E3 and #E36F31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 79 / 11

HEX #48E330

RGB 72 227 48

HSL 111.96, 0.76%, 0.54%

LAB 79.91, -70.46, 69.24

 

Complementary color

CMYK 12 / 86 / 0 / 19

HEX #B71CCF

RGB 183 28 207

HSL 291.96, 0.76%, 0.46%

LAB 46.18, 76.91, -57.09

 

CMYK 66 / 0 / 81 / 11

HEX #4DE32B

RGB 77 227 43

HSL 108.91, 0.77%, 0.53%

LAB 80.01, -69.77, 70.73

 

CMYK 62 / 0 / 75 / 4

HEX #5EF53E

RGB 94 245 62

HSL 109.51, 0.9%, 0.6%

LAB 86.02, -70.96, 71.07

 

CMYK 56 / 0 / 68 / 0

HEX #6FFF51

RGB 111 255 81

HSL 109.66, 1%, 0.66%

LAB 89.62, -69.07, 68.33

 

CMYK 50 / 0 / 61 / 0

HEX #80FF64

RGB 128 255 100

HSL 109.16, 1%, 0.7%

LAB 90.34, -63.06, 61.77

 

CMYK 43 / 0 / 53 / 0

HEX #91FF77

RGB 145 255 119

HSL 108.53, 1%, 0.73%

LAB 91.18, -56.29, 54.64

 

CMYK 68 / 0 / 79 / 11

HEX #48E330

RGB 72 227 48

HSL 111.96, 0.76%, 0.54%

LAB 79.91, -70.46, 69.24

 

CMYK 74 / 0 / 86 / 18

HEX #37D11D

RGB 55 209 29

HSL 111.33, 0.76%, 0.47%

LAB 73.87, -68.74, 68.34

 

CMYK 80 / 0 / 95 / 25

HEX #26BF0A

RGB 38 191 10

HSL 110.72, 0.9%, 0.39%

LAB 67.8, -66.37, 66.17

 

CMYK 88 / 0 / 100 / 32

HEX #15AD00

RGB 21 173 0

HSL 112.72, 1%, 0.34%

LAB 61.69, -63.18, 62.36

 

CMYK 97 / 0 / 100 / 39

HEX #049B00

RGB 4 155 0

HSL 118.45, 1%, 0.3%

LAB 55.55, -59.18, 57.38

 

CMYK 68 / 0 / 78 / 11

HEX #48E331

RGB 72 227 49

HSL 112.25, 0.76%, 0.54%

LAB 79.92, -70.4, 68.96

 

CMYK 47 / 0 / 78 / 11

HEX #79E331

RGB 121 227 49

HSL 95.73, 0.76%, 0.54%

LAB 81.42, -58.44, 70.9

 

CMYK 26 / 0 / 78 / 11

HEX #A9E331

RGB 169 227 49

HSL 79.55, 0.76%, 0.54%

LAB 83.75, -42.06, 73.91

 

CMYK 4 / 0 / 78 / 11

HEX #D9E331

RGB 217 227 49

HSL 63.37, 0.76%, 0.54%

LAB 86.95, -23.01, 77.99

 

CMYK 0 / 17 / 78 / 11

HEX #E3BD31

RGB 227 189 49

HSL 47.19, 0.76%, 0.54%

LAB 77.84, 0.28, 70.18

 

CMYK 68 / 0 / 78 / 11

HEX #48E331

RGB 72 227 49

HSL 112.25, 0.76%, 0.54%

LAB 79.92, -70.4, 68.96

 

CMYK 78 / 0 / 68 / 11

HEX #31E349

RGB 49 227 73

HSL 128.09, 0.76%, 0.54%

LAB 79.65, -72.11, 60.38

 

CMYK 78 / 0 / 47 / 11

HEX #31E379

RGB 49 227 121

HSL 144.27, 0.76%, 0.54%

LAB 80.16, -65.99, 39.55

 

CMYK 78 / 0 / 26 / 11

HEX #31E3A9

RGB 49 227 169

HSL 160.45, 0.76%, 0.54%

LAB 80.99, -56.65, 16.15

 

CMYK 78 / 0 / 4 / 11

HEX #31E3D9

RGB 49 227 217

HSL 176.63, 0.76%, 0.54%

LAB 82.16, -44.53, -7.51

 

CMYK 68 / 0 / 78 / 11

HEX #48E331

RGB 72 227 49

HSL 112.25, 0.76%, 0.54%

LAB 79.92, -70.4, 68.96

 

CMYK 76 / 0 / 88 / 4

HEX #3BF61E

RGB 59 246 30

HSL 111.94, 0.92%, 0.54%

LAB 85.47, -79.01, 78.26

 

CMYK 68 / 0 / 78 / 11

HEX #48E331

RGB 72 227 49

HSL 112.25, 0.76%, 0.54%

LAB 79.92, -70.4, 68.96

 

CMYK 59 / 0 / 67 / 18

HEX #56D044

RGB 86 208 68

HSL 112.29, 0.6%, 0.54%

LAB 74.51, -59.7, 57.09

 

CMYK 47 / 0 / 54 / 26

HEX #64BD57

RGB 100 189 87

HSL 112.35, 0.44%, 0.54%

LAB 69.32, -46.67, 42.97

 

CMYK 33 / 0 / 38 / 33

HEX #72AA69

RGB 114 170 105

HSL 111.69, 0.28%, 0.54%

LAB 64.44, -31.3, 27.83

 

CMYK 15 / 0 / 18 / 41

HEX #80977C

RGB 128 151 124

HSL 111.11, 0.11%, 0.54%

LAB 60.05, -13.5, 11.55

 

CMYK 25 / 0 / 78 / 11

HEX #AAE331

RGB 170 227 49

HSL 79.21, 0.76%, 0.54%

LAB 83.81, -41.68, 73.98

 

CMYK 46 / 0 / 78 / 11

HEX #7BE331

RGB 123 227 49

HSL 95.06, 0.76%, 0.54%

LAB 81.5, -57.83, 71

 

CMYK 67 / 0 / 78 / 11

HEX #4BE331

RGB 75 227 49

HSL 111.24, 0.76%, 0.54%

LAB 79.99, -69.83, 69.04

 

CMYK 78 / 0 / 70 / 11

HEX #31E345

RGB 49 227 69

HSL 126.74, 0.76%, 0.54%

LAB 79.63, -72.47, 61.87

 

CMYK 78 / 0 / 48 / 11

HEX #31E375

RGB 49 227 117

HSL 142.92, 0.76%, 0.54%

LAB 80.11, -66.62, 41.43

 

CMYK 75 / 0 / 86 / 33

HEX #2BAA17

RGB 43 170 23

HSL 111.84, 0.76%, 0.38%

LAB 61.07, -58.87, 58.27

 

CMYK 75 / 0 / 86 / 19

HEX #34CE1C

RGB 52 206 28

HSL 111.91, 0.76%, 0.46%

LAB 72.86, -68.34, 67.64

 

CMYK 68 / 0 / 78 / 11

HEX #48E331

RGB 72 227 49

HSL 112.25, 0.76%, 0.54%

LAB 79.92, -70.4, 68.96

 

CMYK 55 / 0 / 63 / 9

HEX #69E855

RGB 105 232 85

HSL 111.84, 0.76%, 0.62%

LAB 82.58, -62.07, 59.14

 

CMYK 42 / 0 / 49 / 7

HEX #89ED79

RGB 137 237 121

HSL 111.72, 0.76%, 0.7%

LAB 85.64, -51.16, 46.93

 

CMYK 68 / 0 / 79 / 11

HEX #48E330

RGB 72 227 48

HSL 111.96, 0.76%, 0.54%

LAB 79.91, -70.46, 69.24

 

CMYK 78 / 4 / 0 / 11

HEX #31DAE3

RGB 49 218 227

HSL 183.03, 0.76%, 0.54%

LAB 79.81, -37.64, -16.35

 

CMYK 0 / 78 / 35 / 11

HEX #E33193

RGB 227 49 147

HSL 326.97, 0.76%, 0.54%

LAB 52.55, 73.02, -11.35

 

CMYK 68 / 0 / 79 / 11

HEX #48E330

RGB 72 227 48

HSL 111.96, 0.76%, 0.54%

LAB 79.91, -70.46, 69.24

 

CMYK 78 / 67 / 0 / 11

HEX #314BE3

RGB 49 75 227

HSL 231.24, 0.76%, 0.54%

LAB 39.97, 44.01, -79.28

 

CMYK 0 / 78 / 67 / 11

HEX #E3314B

RGB 227 49 75

HSL 351.24, 0.76%, 0.54%

LAB 50.73, 67.48, 29.45

 

CMYK 68 / 0 / 79 / 11

HEX #48E330

RGB 72 227 48

HSL 111.96, 0.76%, 0.54%

LAB 79.91, -70.46, 69.24

 

CMYK 78 / 4 / 0 / 11

HEX #31DAE3

RGB 49 218 227

HSL 183.03, 0.76%, 0.54%

LAB 79.81, -37.64, -16.35

 

CMYK 12 / 78 / 0 / 11

HEX #C831E3

RGB 200 49 227

HSL 290.9, 0.76%, 0.54%

LAB 51.86, 78.35, -59.23

 

CMYK 0 / 75 / 78 / 11

HEX #E33931

RGB 227 57 49

HSL 2.7, 0.76%, 0.54%

LAB 51.24, 64.04, 44.85

 

CMYK 68 / 0 / 79 / 11

HEX #48E330

RGB 72 227 48

HSL 111.96, 0.76%, 0.54%

LAB 79.91, -70.46, 69.24

 

CMYK 78 / 28 / 0 / 11

HEX #31A4E3

RGB 49 164 227

HSL 201.24, 0.76%, 0.54%

LAB 63.96, -10.35, -40.71

 

CMYK 12 / 78 / 0 / 11

HEX #C831E3

RGB 200 49 227

HSL 290.9, 0.76%, 0.54%

LAB 51.86, 78.35, -59.23

 

CMYK 0 / 51 / 78 / 11

HEX #E36F31

RGB 227 111 49

HSL 20.9, 0.76%, 0.54%

LAB 59.82, 41.27, 53.38

 

Description

Color code: HEX #48E330 | qconv.com Color code: HEX #48E330 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 227 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 227 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 79 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 79% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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