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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48DA08 it is the complementary color #B725F7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48DA08. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48DA08 shade: #4DDA03, #5EEC16, #6FFE29, #80FF3C and #91FF4F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48DA08. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48DA08 shade: #48DA08, #37C800, #26B600, #15A400 and #049200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48DA08 shade: #47D908, #80D908, #B8D908, #D9C108 and #D98908

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48DA08 shade: #47D908, #0FD908, #08D939, #08D971 and #08D9A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48DA08 shade matches the following richer shades: #47D908

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48DA08 shade: #47D908, #4FC61A, #56B42C, #5DA23E and #649050

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48DA08 shade: #B9D908, #82D908, #4AD908, #12D908 and #08D935

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48DA08 shade: #2D8905, #3AB106, #47D908, #58F613 and #75F83B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48DA08 shade: #48DA08, #08D9C0 and #D9089D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48DA08 shade: #48DA08, #084AD9 and #D9084A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48DA08 shade: #48DA08, #08D9C0, #9608D9 and #D90820

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48DA08 shade: #48DA08, #08B2D9, #9608D9 and #D92E08

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 96 / 15

HEX #48DA08

RGB 72 218 8

HSL 101.71, 0.93%, 0.44%

LAB 77, -69.03, 74.17

 

Complementary color

CMYK 26 / 85 / 0 / 3

HEX #B725F7

RGB 183 37 247

HSL 281.71, 0.93%, 0.56%

LAB 49.62, 82.15, -74.23

 

CMYK 65 / 0 / 99 / 15

HEX #4DDA03

RGB 77 218 3

HSL 99.35, 0.97%, 0.43%

LAB 77.12, -68.09, 74.78

 

CMYK 60 / 0 / 91 / 7

HEX #5EEC16

RGB 94 236 22

HSL 99.81, 0.85%, 0.51%

LAB 83.14, -69.78, 77.85

 

CMYK 56 / 0 / 84 / 0

HEX #6FFE29

RGB 111 254 41

HSL 100.28, 0.99%, 0.58%

LAB 89.12, -71.08, 79.75

 

CMYK 50 / 0 / 76 / 0

HEX #80FF3C

RGB 128 255 60

HSL 99.08, 1%, 0.62%

LAB 90.06, -66.09, 75.95

 

CMYK 43 / 0 / 69 / 0

HEX #91FF4F

RGB 145 255 79

HSL 97.5, 1%, 0.65%

LAB 90.83, -59.96, 70.69

 

CMYK 67 / 0 / 96 / 15

HEX #48DA08

RGB 72 218 8

HSL 101.71, 0.93%, 0.44%

LAB 77, -69.03, 74.17

 

CMYK 73 / 0 / 100 / 22

HEX #37C800

RGB 55 200 0

HSL 103.5, 1%, 0.39%

LAB 70.95, -66.74, 69.96

 

CMYK 79 / 0 / 100 / 29

HEX #26B600

RGB 38 182 0

HSL 107.47, 1%, 0.36%

LAB 64.86, -63.93, 64.97

 

CMYK 87 / 0 / 100 / 36

HEX #15A400

RGB 21 164 0

HSL 112.32, 1%, 0.32%

LAB 58.71, -60.58, 59.96

 

CMYK 97 / 0 / 100 / 43

HEX #049200

RGB 4 146 0

HSL 118.36, 1%, 0.29%

LAB 52.49, -56.62, 54.93

 

CMYK 67 / 0 / 96 / 15

HEX #47D908

RGB 71 217 8

HSL 101.91, 0.93%, 0.44%

LAB 76.67, -68.91, 73.88

 

CMYK 41 / 0 / 96 / 15

HEX #80D908

RGB 128 217 8

HSL 85.55, 0.93%, 0.44%

LAB 78.6, -53.65, 76.24

 

CMYK 15 / 0 / 96 / 15

HEX #B8D908

RGB 184 217 8

HSL 69.47, 0.93%, 0.44%

LAB 81.75, -32.72, 80.05

 

CMYK 0 / 11 / 96 / 15

HEX #D9C108

RGB 217 193 8

HSL 53.11, 0.93%, 0.44%

LAB 77.82, -6.98, 78.25

 

CMYK 0 / 37 / 96 / 15

HEX #D98908

RGB 217 137 8

HSL 37.03, 0.93%, 0.44%

LAB 63.89, 22.73, 68.32

 

CMYK 67 / 0 / 96 / 15

HEX #47D908

RGB 71 217 8

HSL 101.91, 0.93%, 0.44%

LAB 76.67, -68.91, 73.88

 

CMYK 93 / 0 / 96 / 15

HEX #0FD908

RGB 15 217 8

HSL 117.99, 0.93%, 0.44%

LAB 75.91, -75.59, 72.96

 

CMYK 96 / 0 / 74 / 15

HEX #08D939

RGB 8 217 57

HSL 134.07, 0.93%, 0.44%

LAB 76.05, -73.66, 62.39

 

CMYK 96 / 0 / 48 / 15

HEX #08D971

RGB 8 217 113

HSL 150.14, 0.93%, 0.44%

LAB 76.6, -66.87, 38.89

 

CMYK 96 / 0 / 22 / 15

HEX #08D9A9

RGB 8 217 169

HSL 166.22, 0.93%, 0.44%

LAB 77.6, -55.36, 11.33

 

CMYK 67 / 0 / 96 / 15

HEX #47D908

RGB 71 217 8

HSL 101.91, 0.93%, 0.44%

LAB 76.67, -68.91, 73.88

 

CMYK 67 / 0 / 96 / 15

HEX #47D908

RGB 71 217 8

HSL 101.91, 0.93%, 0.44%

LAB 76.67, -68.91, 73.88

 

CMYK 60 / 0 / 87 / 22

HEX #4FC61A

RGB 79 198 26

HSL 101.51, 0.77%, 0.44%

LAB 70.96, -60.53, 66.64

 

CMYK 52 / 0 / 76 / 29

HEX #56B42C

RGB 86 180 44

HSL 101.47, 0.61%, 0.44%

LAB 65.59, -51.3, 56.86

 

CMYK 43 / 0 / 62 / 36

HEX #5DA23E

RGB 93 162 62

HSL 101.4, 0.45%, 0.44%

LAB 60.35, -40.36, 44.21

 

CMYK 31 / 0 / 44 / 44

HEX #649050

RGB 100 144 80

HSL 101.25, 0.29%, 0.44%

LAB 55.31, -27.47, 29.26

 

CMYK 15 / 0 / 96 / 15

HEX #B9D908

RGB 185 217 8

HSL 69.19, 0.93%, 0.44%

LAB 81.82, -32.31, 80.13

 

CMYK 40 / 0 / 96 / 15

HEX #82D908

RGB 130 217 8

HSL 84.98, 0.93%, 0.44%

LAB 78.69, -52.98, 76.35

 

CMYK 66 / 0 / 96 / 15

HEX #4AD908

RGB 74 217 8

HSL 101.05, 0.93%, 0.44%

LAB 76.74, -68.31, 73.97

 

CMYK 92 / 0 / 96 / 15

HEX #12D908

RGB 18 217 8

HSL 117.13, 0.93%, 0.44%

LAB 75.93, -75.43, 72.98

 

CMYK 96 / 0 / 76 / 15

HEX #08D935

RGB 8 217 53

HSL 132.92, 0.93%, 0.44%

LAB 76.03, -73.96, 63.7

 

CMYK 67 / 0 / 96 / 46

HEX #2D8905

RGB 45 137 5

HSL 101.82, 0.93%, 0.28%

LAB 50.05, -48.22, 52.31

 

CMYK 67 / 0 / 97 / 31

HEX #3AB106

RGB 58 177 6

HSL 101.75, 0.93%, 0.36%

LAB 63.64, -58.81, 63.39

 

CMYK 67 / 0 / 96 / 15

HEX #47D908

RGB 71 217 8

HSL 101.91, 0.93%, 0.44%

LAB 76.67, -68.91, 73.88

 

CMYK 64 / 0 / 92 / 4

HEX #58F613

RGB 88 246 19

HSL 101.76, 0.93%, 0.52%

LAB 86.02, -74.35, 80.57

 

CMYK 53 / 0 / 76 / 3

HEX #75F83B

RGB 117 248 59

HSL 101.59, 0.93%, 0.6%

LAB 87.6, -66.63, 73.76

 

CMYK 67 / 0 / 96 / 15

HEX #48DA08

RGB 72 218 8

HSL 101.71, 0.93%, 0.44%

LAB 77, -69.03, 74.17

 

CMYK 96 / 0 / 12 / 15

HEX #08D9C0

RGB 8 217 192

HSL 172.82, 0.93%, 0.44%

LAB 78.16, -49.44, -0.13

 

CMYK 0 / 96 / 28 / 15

HEX #D9089D

RGB 217 8 157

HSL 317.22, 0.93%, 0.44%

LAB 48.71, 78.73, -23.34

 

CMYK 67 / 0 / 96 / 15

HEX #48DA08

RGB 72 218 8

HSL 101.71, 0.93%, 0.44%

LAB 77, -69.03, 74.17

 

CMYK 96 / 66 / 0 / 15

HEX #084AD9

RGB 8 74 217

HSL 221.05, 0.93%, 0.44%

LAB 37.77, 38.88, -77.22

 

CMYK 0 / 96 / 66 / 15

HEX #D9084A

RGB 217 8 74

HSL 341.05, 0.93%, 0.44%

LAB 46.2, 72.08, 23.91

 

CMYK 67 / 0 / 96 / 15

HEX #48DA08

RGB 72 218 8

HSL 101.71, 0.93%, 0.44%

LAB 77, -69.03, 74.17

 

CMYK 96 / 0 / 12 / 15

HEX #08D9C0

RGB 8 217 192

HSL 172.82, 0.93%, 0.44%

LAB 78.16, -49.44, -0.13

 

CMYK 31 / 96 / 0 / 15

HEX #9608D9

RGB 150 8 217

HSL 280.77, 0.93%, 0.44%

LAB 40.68, 76.84, -72.02

 

CMYK 0 / 96 / 85 / 15

HEX #D90820

RGB 217 8 32

HSL 353.11, 0.93%, 0.44%

LAB 45.67, 70.62, 47.72

 

CMYK 67 / 0 / 96 / 15

HEX #48DA08

RGB 72 218 8

HSL 101.71, 0.93%, 0.44%

LAB 77, -69.03, 74.17

 

CMYK 96 / 18 / 0 / 15

HEX #08B2D9

RGB 8 178 217

HSL 191.2, 0.93%, 0.44%

LAB 67.2, -23.8, -30.19

 

CMYK 31 / 96 / 0 / 15

HEX #9608D9

RGB 150 8 217

HSL 280.77, 0.93%, 0.44%

LAB 40.68, 76.84, -72.02

 

CMYK 0 / 79 / 96 / 15

HEX #D92E08

RGB 217 46 8

HSL 10.91, 0.93%, 0.44%

LAB 47.91, 63.58, 58.35

 

Description

Color code: HEX #48DA08 | qconv.com Color code: HEX #48DA08 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 218 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 218 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 96 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 96% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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