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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48D91D it is the complementary color #B726E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48D91D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48D91D shade: #4DD918, #5EEB2B, #6FFD3E, #80FF51 and #91FF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48D91D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48D91D shade: #48D91D, #37C70A, #26B500, #15A300 and #049100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48D91D shade: #48D71D, #7AD71D, #ACD71D, #D7D01D and #D79E1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48D91D shade: #48D71D, #1DD725, #1DD757, #1DD789 and #1DD7BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48D91D shade matches the following richer shades: #48D71D and #3DEB0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48D91D shade: #48D71D, #53C431, #5DB045, #689C59 and #73886D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48D91D shade: #ACD71D, #7AD71D, #49D71D, #1DD724 and #1DD755

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48D91D shade: #308F13, #3CB318, #48D71D, #61E43A and #7EE95E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48D91D shade: #48D91D, #1DD7D1 and #D71D93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48D91D shade: #48D91D, #1D49D7 and #D71D49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48D91D shade: #48D91D, #1DD7D1, #AC1DD7 and #D71D24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48D91D shade: #48D91D, #1DA6D7, #AC1DD7 and #D74F1D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 87 / 15

HEX #48D91D

RGB 72 217 29

HSL 106.28, 0.76%, 0.48%

LAB 76.73, -68.19, 70.98

 

Complementary color

CMYK 19 / 83 / 0 / 11

HEX #B726E2

RGB 183 38 226

HSL 286.28, 0.76%, 0.52%

LAB 48.19, 78.08, -64.72

 

CMYK 65 / 0 / 89 / 15

HEX #4DD918

RGB 77 217 24

HSL 103.52, 0.8%, 0.47%

LAB 76.84, -67.34, 72.05

 

CMYK 60 / 0 / 82 / 8

HEX #5EEB2B

RGB 94 235 43

HSL 104.06, 0.83%, 0.55%

LAB 82.9, -68.72, 73.53

 

CMYK 56 / 0 / 75 / 1

HEX #6FFD3E

RGB 111 253 62

HSL 104.61, 0.98%, 0.62%

LAB 88.91, -69.71, 74.05

 

CMYK 50 / 0 / 68 / 0

HEX #80FF51

RGB 128 255 81

HSL 103.79, 1%, 0.66%

LAB 90.18, -64.71, 69.09

 

CMYK 43 / 0 / 61 / 0

HEX #91FF64

RGB 145 255 100

HSL 102.58, 1%, 0.7%

LAB 90.99, -58.24, 62.69

 

CMYK 67 / 0 / 87 / 15

HEX #48D91D

RGB 72 217 29

HSL 106.28, 0.76%, 0.48%

LAB 76.73, -68.19, 70.98

 

CMYK 72 / 0 / 95 / 22

HEX #37C70A

RGB 55 199 10

HSL 105.71, 0.9%, 0.41%

LAB 70.65, -66.25, 68.63

 

CMYK 79 / 0 / 100 / 29

HEX #26B500

RGB 38 181 0

HSL 107.4, 1%, 0.35%

LAB 64.53, -63.63, 64.71

 

CMYK 87 / 0 / 100 / 36

HEX #15A300

RGB 21 163 0

HSL 112.27, 1%, 0.32%

LAB 58.37, -60.29, 59.7

 

CMYK 97 / 0 / 100 / 43

HEX #049100

RGB 4 145 0

HSL 118.34, 1%, 0.28%

LAB 52.15, -56.33, 54.66

 

CMYK 67 / 0 / 87 / 16

HEX #48D71D

RGB 72 215 29

HSL 106.13, 0.76%, 0.48%

LAB 76.11, -67.56, 70.44

 

CMYK 43 / 0 / 87 / 16

HEX #7AD71D

RGB 122 215 29

HSL 90, 0.76%, 0.48%

LAB 77.77, -54.38, 72.53

 

CMYK 20 / 0 / 87 / 16

HEX #ACD71D

RGB 172 215 29

HSL 73.87, 0.76%, 0.48%

LAB 80.44, -36.25, 75.84

 

CMYK 0 / 3 / 87 / 16

HEX #D7D01D

RGB 215 208 29

HSL 57.74, 0.76%, 0.48%

LAB 81.65, -15.12, 78.13

 

CMYK 0 / 27 / 87 / 16

HEX #D79E1D

RGB 215 158 29

HSL 41.61, 0.76%, 0.48%

LAB 68.74, 10.89, 67.72

 

CMYK 67 / 0 / 87 / 16

HEX #48D71D

RGB 72 215 29

HSL 106.13, 0.76%, 0.48%

LAB 76.11, -67.56, 70.44

 

CMYK 87 / 0 / 83 / 16

HEX #1DD725

RGB 29 215 37

HSL 122.58, 0.76%, 0.48%

LAB 75.45, -73.21, 67.79

 

CMYK 87 / 0 / 60 / 16

HEX #1DD757

RGB 29 215 87

HSL 138.71, 0.76%, 0.48%

LAB 75.79, -68.9, 50.18

 

CMYK 87 / 0 / 36 / 16

HEX #1DD789

RGB 29 215 137

HSL 154.84, 0.76%, 0.48%

LAB 76.48, -60.76, 26.61

 

CMYK 87 / 0 / 13 / 16

HEX #1DD7BC

RGB 29 215 188

HSL 171.29, 0.76%, 0.48%

LAB 77.57, -48.81, 1.17

 

CMYK 67 / 0 / 87 / 16

HEX #48D71D

RGB 72 215 29

HSL 106.13, 0.76%, 0.48%

LAB 76.11, -67.56, 70.44

 

CMYK 74 / 0 / 96 / 8

HEX #3DEB0A

RGB 61 235 10

HSL 106.4, 0.92%, 0.48%

LAB 82.07, -76.02, 78.02

 

CMYK 67 / 0 / 87 / 16

HEX #48D71D

RGB 72 215 29

HSL 106.13, 0.76%, 0.48%

LAB 76.11, -67.56, 70.44

 

CMYK 58 / 0 / 75 / 23

HEX #53C431

RGB 83 196 49

HSL 106.12, 0.6%, 0.48%

LAB 70.55, -57.65, 60.01

 

CMYK 47 / 0 / 61 / 31

HEX #5DB045

RGB 93 176 69

HSL 106.54, 0.44%, 0.48%

LAB 64.81, -45.5, 46.06

 

CMYK 33 / 0 / 43 / 39

HEX #689C59

RGB 104 156 89

HSL 106.57, 0.27%, 0.48%

LAB 59.38, -30.52, 29.69

 

CMYK 15 / 0 / 20 / 47

HEX #73886D

RGB 115 136 109

HSL 106.67, 0.11%, 0.48%

LAB 54.4, -13, 12.03

 

CMYK 20 / 0 / 87 / 16

HEX #ACD71D

RGB 172 215 29

HSL 73.87, 0.76%, 0.48%

LAB 80.44, -36.25, 75.84

 

CMYK 43 / 0 / 87 / 16

HEX #7AD71D

RGB 122 215 29

HSL 90, 0.76%, 0.48%

LAB 77.77, -54.38, 72.53

 

CMYK 66 / 0 / 87 / 16

HEX #49D71D

RGB 73 215 29

HSL 105.81, 0.76%, 0.48%

LAB 76.13, -67.36, 70.47

 

CMYK 87 / 0 / 83 / 16

HEX #1DD724

RGB 29 215 36

HSL 122.26, 0.76%, 0.48%

LAB 75.44, -73.26, 68.03

 

CMYK 87 / 0 / 60 / 16

HEX #1DD755

RGB 29 215 85

HSL 138.06, 0.76%, 0.48%

LAB 75.77, -69.15, 51.05

 

CMYK 66 / 0 / 87 / 44

HEX #308F13

RGB 48 143 19

HSL 105.97, 0.77%, 0.32%

LAB 52.2, -49.12, 51.37

 

CMYK 66 / 0 / 87 / 30

HEX #3CB318

RGB 60 179 24

HSL 106.06, 0.76%, 0.4%

LAB 64.38, -58.53, 61.11

 

CMYK 67 / 0 / 87 / 16

HEX #48D71D

RGB 72 215 29

HSL 106.13, 0.76%, 0.48%

LAB 76.11, -67.56, 70.44

 

CMYK 57 / 0 / 75 / 11

HEX #61E43A

RGB 97 228 58

HSL 106.24, 0.76%, 0.56%

LAB 80.92, -64.81, 67.38

 

CMYK 46 / 0 / 60 / 9

HEX #7EE95E

RGB 126 233 94

HSL 106.19, 0.76%, 0.64%

LAB 83.72, -55.86, 56.82

 

CMYK 67 / 0 / 87 / 15

HEX #48D91D

RGB 72 217 29

HSL 106.28, 0.76%, 0.48%

LAB 76.73, -68.19, 70.98

 

CMYK 87 / 0 / 3 / 16

HEX #1DD7D1

RGB 29 215 209

HSL 178.06, 0.76%, 0.48%

LAB 78.15, -43, -9.24

 

CMYK 0 / 87 / 32 / 16

HEX #D71D93

RGB 215 29 147

HSL 321.94, 0.76%, 0.48%

LAB 48.8, 74.68, -17.24

 

CMYK 67 / 0 / 87 / 15

HEX #48D91D

RGB 72 217 29

HSL 106.28, 0.76%, 0.48%

LAB 76.73, -68.19, 70.98

 

CMYK 87 / 66 / 0 / 16

HEX #1D49D7

RGB 29 73 215

HSL 225.81, 0.76%, 0.48%

LAB 37.72, 39.57, -76.13

 

CMYK 0 / 87 / 66 / 16

HEX #D71D49

RGB 215 29 73

HSL 345.81, 0.76%, 0.48%

LAB 46.72, 68.82, 25.11

 

CMYK 67 / 0 / 87 / 15

HEX #48D91D

RGB 72 217 29

HSL 106.28, 0.76%, 0.48%

LAB 76.73, -68.19, 70.98

 

CMYK 87 / 0 / 3 / 16

HEX #1DD7D1

RGB 29 215 209

HSL 178.06, 0.76%, 0.48%

LAB 78.15, -43, -9.24

 

CMYK 20 / 87 / 0 / 16

HEX #AC1DD7

RGB 172 29 215

HSL 286.13, 0.76%, 0.48%

LAB 45.02, 76.35, -63.66

 

CMYK 0 / 87 / 83 / 16

HEX #D71D24

RGB 215 29 36

HSL 357.74, 0.76%, 0.48%

LAB 46.25, 67.45, 46.03

 

CMYK 67 / 0 / 87 / 15

HEX #48D91D

RGB 72 217 29

HSL 106.28, 0.76%, 0.48%

LAB 76.73, -68.19, 70.98

 

CMYK 87 / 23 / 0 / 16

HEX #1DA6D7

RGB 29 166 215

HSL 195.81, 0.76%, 0.48%

LAB 63.7, -17.29, -34.5

 

CMYK 20 / 87 / 0 / 16

HEX #AC1DD7

RGB 172 29 215

HSL 286.13, 0.76%, 0.48%

LAB 45.02, 76.35, -63.66

 

CMYK 0 / 63 / 87 / 16

HEX #D74F1D

RGB 215 79 29

HSL 16.13, 0.76%, 0.48%

LAB 51.98, 51.31, 54.16

 

Description

Color code: HEX #48D91D | qconv.com Color code: HEX #48D91D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 217 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 217 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 87 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 87% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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