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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48D788 it is the complementary color #B72877. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48D788. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48D788 shade: #4DD783, #5EE996, #6FFBA9, #80FFBC and #91FFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48D788. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48D788 shade: #48D788, #37C575, #26B362, #15A14F and #048F3C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48D788 shade: #47D787, #47D761, #54D747, #7BD747 and #A2D747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48D788 shade: #47D787, #47D7AE, #47D7D5, #47B2D7 and #478BD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48D788 shade matches the following richer shades: #47D787, #35E985 and #23FB83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48D788 shade: #47D787, #59C489, #6BB28B, #7DA08D and #908E8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48D788 shade: #55D747, #47D75F, #47D785, #47D7AC and #47D7D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48D788 shade: #25A75F, #2CC872, #47D787, #69DE9D and #8BE5B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48D788 shade: #48D788, #477CD7 and #D74C47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48D788 shade: #48D788, #8547D7 and #D78547

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48D788 shade: #48D788, #477CD7, #D74798 and #D7A247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48D788 shade: #48D788, #4751D7, #D74798 and #D7CD47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 37 / 16

HEX #48D788

RGB 72 215 136

HSL 146.85, 0.64%, 0.56%

LAB 77.13, -55.73, 28.12

 

Complementary color

CMYK 0 / 78 / 35 / 28

HEX #B72877

RGB 183 40 119

HSL 326.85, 0.64%, 0.44%

LAB 42.64, 61.59, -10.07

 

CMYK 64 / 0 / 39 / 16

HEX #4DD783

RGB 77 215 131

HSL 143.48, 0.63%, 0.57%

LAB 77.17, -55.74, 30.76

 

CMYK 60 / 0 / 36 / 9

HEX #5EE996

RGB 94 233 150

HSL 144.17, 0.76%, 0.64%

LAB 83.37, -55.94, 29.39

 

CMYK 56 / 0 / 33 / 2

HEX #6FFBA9

RGB 111 251 169

HSL 144.86, 0.95%, 0.71%

LAB 89.5, -56, 28.1

 

CMYK 50 / 0 / 26 / 0

HEX #80FFBC

RGB 128 255 188

HSL 148.35, 1%, 0.75%

LAB 91.57, -50.21, 21.37

 

CMYK 43 / 0 / 19 / 0

HEX #91FFCF

RGB 145 255 207

HSL 153.82, 1%, 0.78%

LAB 92.59, -42.28, 13.17

 

CMYK 67 / 0 / 37 / 16

HEX #48D788

RGB 72 215 136

HSL 146.85, 0.64%, 0.56%

LAB 77.13, -55.73, 28.12

 

CMYK 72 / 0 / 41 / 23

HEX #37C575

RGB 55 197 117

HSL 146.2, 0.56%, 0.49%

LAB 70.89, -55.23, 29.61

 

CMYK 79 / 0 / 45 / 30

HEX #26B362

RGB 38 179 98

HSL 145.53, 0.65%, 0.43%

LAB 64.59, -54.39, 31.21

 

CMYK 87 / 0 / 51 / 37

HEX #15A14F

RGB 21 161 79

HSL 144.86, 0.77%, 0.36%

LAB 58.24, -53.04, 32.93

 

CMYK 97 / 0 / 58 / 44

HEX #048F3C

RGB 4 143 60

HSL 144.17, 0.95%, 0.29%

LAB 51.83, -51.05, 34.71

 

CMYK 67 / 0 / 37 / 16

HEX #47D787

RGB 71 215 135

HSL 146.67, 0.64%, 0.56%

LAB 77.09, -56.09, 28.58

 

CMYK 67 / 0 / 55 / 16

HEX #47D761

RGB 71 215 97

HSL 130.83, 0.64%, 0.56%

LAB 76.56, -62.14, 46.69

 

CMYK 61 / 0 / 67 / 16

HEX #54D747

RGB 84 215 71

HSL 114.58, 0.64%, 0.56%

LAB 76.64, -62.35, 58.16

 

CMYK 43 / 0 / 67 / 16

HEX #7BD747

RGB 123 215 71

HSL 98.33, 0.64%, 0.56%

LAB 78.03, -51.75, 60.06

 

CMYK 25 / 0 / 67 / 16

HEX #A2D747

RGB 162 215 71

HSL 82.08, 0.64%, 0.56%

LAB 80.03, -38.18, 62.77

 

CMYK 67 / 0 / 37 / 16

HEX #47D787

RGB 71 215 135

HSL 146.67, 0.64%, 0.56%

LAB 77.09, -56.09, 28.58

 

CMYK 67 / 0 / 19 / 16

HEX #47D7AE

RGB 71 215 174

HSL 162.92, 0.64%, 0.56%

LAB 77.87, -47.82, 9.16

 

CMYK 67 / 0 / 1 / 16

HEX #47D7D5

RGB 71 215 213

HSL 179.17, 0.64%, 0.56%

LAB 78.89, -37.77, -10.2

 

CMYK 67 / 17 / 0 / 16

HEX #47B2D7

RGB 71 178 215

HSL 195.42, 0.64%, 0.56%

LAB 68.08, -19.06, -27.66

 

CMYK 67 / 35 / 0 / 16

HEX #478BD7

RGB 71 139 215

HSL 211.67, 0.64%, 0.56%

LAB 56.79, 2.69, -45.27

 

CMYK 67 / 0 / 37 / 16

HEX #47D787

RGB 71 215 135

HSL 146.67, 0.64%, 0.56%

LAB 77.09, -56.09, 28.58

 

CMYK 77 / 0 / 43 / 9

HEX #35E985

RGB 53 233 133

HSL 146.67, 0.8%, 0.56%

LAB 82.23, -65.58, 36.29

 

CMYK 86 / 0 / 48 / 2

HEX #23FB83

RGB 35 251 131

HSL 146.67, 0.96%, 0.56%

LAB 87.48, -73.58, 43.93

 

CMYK 67 / 0 / 37 / 16

HEX #47D787

RGB 71 215 135

HSL 146.67, 0.64%, 0.56%

LAB 77.09, -56.09, 28.58

 

CMYK 55 / 0 / 30 / 23

HEX #59C489

RGB 89 196 137

HSL 146.92, 0.48%, 0.56%

LAB 71.83, -44.42, 20.5

 

CMYK 40 / 0 / 22 / 30

HEX #6BB28B

RGB 107 178 139

HSL 147.04, 0.32%, 0.56%

LAB 67.15, -31.17, 13.03

 

CMYK 22 / 0 / 12 / 37

HEX #7DA08D

RGB 125 160 141

HSL 147.43, 0.16%, 0.56%

LAB 62.86, -16.04, 5.97

 

CMYK 0 / 1 / 1 / 44

HEX #908E8F

RGB 144 142 143

HSL 330, 0.01%, 0.56%

LAB 59.21, 0.93, -0.28

 

CMYK 60 / 0 / 67 / 16

HEX #55D747

RGB 85 215 71

HSL 114.17, 0.64%, 0.56%

LAB 76.67, -62.13, 58.2

 

CMYK 67 / 0 / 56 / 16

HEX #47D75F

RGB 71 215 95

HSL 130, 0.64%, 0.56%

LAB 76.54, -62.4, 47.59

 

CMYK 67 / 0 / 38 / 16

HEX #47D785

RGB 71 215 133

HSL 145.83, 0.64%, 0.56%

LAB 77.06, -56.46, 29.57

 

CMYK 67 / 0 / 20 / 16

HEX #47D7AC

RGB 71 215 172

HSL 162.08, 0.64%, 0.56%

LAB 77.83, -48.29, 10.16

HEX #47D7AC

CMYK 67 / 0 / 2 / 16

HEX #47D7D2

RGB 71 215 210

HSL 177.92, 0.64%, 0.56%

LAB 78.81, -38.6, -8.73

HEX #47D7D2

CMYK 78 / 0 / 43 / 35

HEX #25A75F

RGB 37 167 95

HSL 146.77, 0.64%, 0.4%

LAB 60.66, -50.66, 27.69

 

CMYK 78 / 0 / 43 / 22

HEX #2CC872

RGB 44 200 114

HSL 146.92, 0.64%, 0.48%

LAB 71.59, -58.36, 32.04

 

CMYK 67 / 0 / 37 / 16

HEX #47D787

RGB 71 215 135

HSL 146.67, 0.64%, 0.56%

LAB 77.09, -56.09, 28.58

 

CMYK 53 / 0 / 29 / 13

HEX #69DE9D

RGB 105 222 157

HSL 146.67, 0.64%, 0.64%

LAB 80.56, -47.76, 22.03

 

CMYK 39 / 0 / 22 / 10

HEX #8BE5B3

RGB 139 229 179

HSL 146.67, 0.63%, 0.72%

LAB 84.37, -37.8, 16.04

 

CMYK 67 / 0 / 37 / 16

HEX #48D788

RGB 72 215 136

HSL 146.85, 0.64%, 0.56%

LAB 77.13, -55.73, 28.12

 

CMYK 67 / 42 / 0 / 16

HEX #477CD7

RGB 71 124 215

HSL 217.92, 0.64%, 0.56%

LAB 52.58, 11.74, -51.97

 

CMYK 0 / 65 / 67 / 16

HEX #D74C47

RGB 215 76 71

HSL 2.08, 0.64%, 0.56%

LAB 51.92, 54.17, 32.77

 

CMYK 67 / 0 / 37 / 16

HEX #48D788

RGB 72 215 136

HSL 146.85, 0.64%, 0.56%

LAB 77.13, -55.73, 28.12

 

CMYK 38 / 67 / 0 / 16

HEX #8547D7

RGB 133 71 215

HSL 265.83, 0.64%, 0.56%

LAB 44.8, 54.8, -64.26

 

CMYK 0 / 38 / 67 / 16

HEX #D78547

RGB 215 133 71

HSL 25.83, 0.64%, 0.56%

LAB 63.08, 26.04, 45.81

 

CMYK 67 / 0 / 37 / 16

HEX #48D788

RGB 72 215 136

HSL 146.85, 0.64%, 0.56%

LAB 77.13, -55.73, 28.12

 

CMYK 67 / 42 / 0 / 16

HEX #477CD7

RGB 71 124 215

HSL 217.92, 0.64%, 0.56%

LAB 52.58, 11.74, -51.97

 

CMYK 0 / 67 / 29 / 16

HEX #D74798

RGB 215 71 152

HSL 326.25, 0.64%, 0.56%

LAB 53.19, 63.35, -13.55

 

CMYK 0 / 25 / 67 / 16

HEX #D7A247

RGB 215 162 71

HSL 37.92, 0.64%, 0.56%

LAB 70, 10.42, 53.44

 

CMYK 67 / 0 / 37 / 16

HEX #48D788

RGB 72 215 136

HSL 146.85, 0.64%, 0.56%

LAB 77.13, -55.73, 28.12

 

CMYK 67 / 62 / 0 / 16

HEX #4751D7

RGB 71 81 215

HSL 235.83, 0.64%, 0.56%

LAB 41.42, 38.59, -69.99

 

CMYK 0 / 67 / 29 / 16

HEX #D74798

RGB 215 71 152

HSL 326.25, 0.64%, 0.56%

LAB 53.19, 63.35, -13.55

 

CMYK 0 / 5 / 67 / 16

HEX #D7CD47

RGB 215 205 71

HSL 55.83, 0.64%, 0.56%

LAB 81.05, -12.04, 65.02

 

Description

Color code: HEX #48D788 | qconv.com Color code: HEX #48D788 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 215 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 215 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 37 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 37% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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