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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48D040 it is the complementary color #B72FBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48D040. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48D040 shade: #4DD03B, #5EE24E, #6FF461, #80FF74 and #91FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48D040. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48D040 shade: #48D040, #37BE2D, #26AC1A, #159A07 and #048800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48D040 shade: #46D03E, #6ED03E, #95D03E, #BCD03E and #D0BD3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48D040 shade: #46D03E, #3ED05D, #3ED085, #3ED0AC and #3ECDD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48D040 shade matches the following richer shades: #46D03E, #35E42B and #24F717

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48D040 shade: #46D03E, #57BD51, #69A965, #7A9678 and #8B838C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48D040 shade: #96D03E, #6FD03E, #48D03E, #3ED05B and #3ED082

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48D040 shade: #2B9725, #34B82D, #46D03E, #66D85F and #86E080

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48D040 shade: #48D040, #3EBDD0 and #D03E82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48D040 shade: #48D040, #3E48D0 and #D03E48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48D040 shade: #48D040, #3EBDD0, #C73ED0 and #D0523E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48D040 shade: #48D040, #3E91D0, #C73ED0 and #D07D3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 69 / 18

HEX #48D040

RGB 72 208 64

HSL 116.67, 0.61%, 0.53%

LAB 74.1, -63.15, 58.1

 

Complementary color

CMYK 4 / 75 / 0 / 25

HEX #B72FBF

RGB 183 47 191

HSL 296.67, 0.61%, 0.47%

LAB 46.79, 69.58, -46.83

 

CMYK 63 / 0 / 72 / 18

HEX #4DD03B

RGB 77 208 59

HSL 112.75, 0.61%, 0.52%

LAB 74.19, -62.51, 60.1

 

CMYK 58 / 0 / 65 / 11

HEX #5EE24E

RGB 94 226 78

HSL 113.51, 0.72%, 0.6%

LAB 80.36, -63.26, 59.46

 

CMYK 55 / 0 / 60 / 4

HEX #6FF461

RGB 111 244 97

HSL 114.29, 0.87%, 0.67%

LAB 86.48, -63.72, 58.52

 

CMYK 50 / 0 / 55 / 0

HEX #80FF74

RGB 128 255 116

HSL 114.82, 1%, 0.73%

LAB 90.49, -61.36, 55.02

 

CMYK 43 / 0 / 47 / 0

HEX #91FF87

RGB 145 255 135

HSL 115, 1%, 0.76%

LAB 91.36, -54.34, 47.46

 

CMYK 65 / 0 / 69 / 18

HEX #48D040

RGB 72 208 64

HSL 116.67, 0.61%, 0.53%

LAB 74.1, -63.15, 58.1

 

CMYK 71 / 0 / 76 / 25

HEX #37BE2D

RGB 55 190 45

HSL 115.86, 0.62%, 0.46%

LAB 67.89, -61.94, 58.48

 

CMYK 78 / 0 / 85 / 33

HEX #26AC1A

RGB 38 172 26

HSL 115.07, 0.74%, 0.39%

LAB 61.65, -60.12, 58.04

 

CMYK 86 / 0 / 95 / 40

HEX #159A07

RGB 21 154 7

HSL 114.29, 0.91%, 0.32%

LAB 55.37, -57.45, 56.18

 

CMYK 97 / 0 / 100 / 47

HEX #048800

RGB 4 136 0

HSL 118.24, 1%, 0.27%

LAB 49.05, -53.73, 52.17

 

CMYK 66 / 0 / 70 / 18

HEX #46D03E

RGB 70 208 62

HSL 116.71, 0.61%, 0.53%

LAB 74.04, -63.72, 58.78

 

CMYK 47 / 0 / 70 / 18

HEX #6ED03E

RGB 110 208 62

HSL 100.27, 0.61%, 0.53%

LAB 75.31, -53.7, 60.49

 

CMYK 28 / 0 / 70 / 18

HEX #95D03E

RGB 149 208 62

HSL 84.25, 0.61%, 0.53%

LAB 77.19, -40.52, 63.01

 

CMYK 10 / 0 / 70 / 18

HEX #BCD03E

RGB 188 208 62

HSL 68.22, 0.61%, 0.53%

LAB 79.7, -25.23, 66.35

 

CMYK 0 / 9 / 70 / 18

HEX #D0BD3E

RGB 208 189 62

HSL 52.19, 0.61%, 0.53%

LAB 76.16, -7.33, 63.38

 

CMYK 66 / 0 / 70 / 18

HEX #46D03E

RGB 70 208 62

HSL 116.71, 0.61%, 0.53%

LAB 74.04, -63.72, 58.78

 

CMYK 70 / 0 / 55 / 18

HEX #3ED05D

RGB 62 208 93

HSL 132.74, 0.61%, 0.53%

LAB 74.14, -61.83, 45.62

 

CMYK 70 / 0 / 36 / 18

HEX #3ED085

RGB 62 208 133

HSL 149.18, 0.61%, 0.53%

LAB 74.72, -55.28, 26.4

 

CMYK 70 / 0 / 17 / 18

HEX #3ED0AC

RGB 62 208 172

HSL 165.21, 0.61%, 0.53%

LAB 75.52, -46.7, 6.84

 

CMYK 70 / 1 / 0 / 18

HEX #3ECDD0

RGB 62 205 208

HSL 181.23, 0.61%, 0.53%

LAB 75.6, -35.76, -12.45

 

CMYK 66 / 0 / 70 / 18

HEX #46D03E

RGB 70 208 62

HSL 116.71, 0.61%, 0.53%

LAB 74.04, -63.72, 58.78

 

CMYK 77 / 0 / 81 / 11

HEX #35E42B

RGB 53 228 43

HSL 116.76, 0.77%, 0.53%

LAB 79.85, -74.06, 70.41

 

CMYK 85 / 0 / 91 / 3

HEX #24F717

RGB 36 247 23

HSL 116.52, 0.93%, 0.53%

LAB 85.48, -81.99, 79.25

 

CMYK 66 / 0 / 70 / 18

HEX #46D03E

RGB 70 208 62

HSL 116.71, 0.61%, 0.53%

LAB 74.04, -63.72, 58.78

 

CMYK 54 / 0 / 57 / 26

HEX #57BD51

RGB 87 189 81

HSL 116.67, 0.45%, 0.53%

LAB 68.76, -51.03, 45.03

 

CMYK 38 / 0 / 40 / 34

HEX #69A965

RGB 105 169 101

HSL 116.47, 0.28%, 0.53%

LAB 63.61, -34.45, 28.78

 

CMYK 19 / 0 / 20 / 41

HEX #7A9678

RGB 122 150 120

HSL 116, 0.13%, 0.53%

LAB 59.26, -15.89, 12.64

 

CMYK 1 / 6 / 0 / 45

HEX #8B838C

RGB 139 131 140

HSL 293.33, 0.04%, 0.53%

LAB 55.7, 4.75, -3.76

 

CMYK 28 / 0 / 70 / 18

HEX #96D03E

RGB 150 208 62

HSL 83.84, 0.61%, 0.53%

LAB 77.25, -40.15, 63.09

 

CMYK 47 / 0 / 70 / 18

HEX #6FD03E

RGB 111 208 62

HSL 99.86, 0.61%, 0.53%

LAB 75.35, -53.39, 60.55

 

CMYK 65 / 0 / 70 / 18

HEX #48D03E

RGB 72 208 62

HSL 115.89, 0.61%, 0.53%

LAB 74.09, -63.32, 58.84

 

CMYK 70 / 0 / 56 / 18

HEX #3ED05B

RGB 62 208 91

HSL 131.92, 0.61%, 0.53%

LAB 74.12, -62.09, 46.52

 

CMYK 70 / 0 / 38 / 18

HEX #3ED082

RGB 62 208 130

HSL 147.95, 0.61%, 0.53%

LAB 74.67, -55.86, 27.89

 

CMYK 72 / 0 / 75 / 41

HEX #2B9725

RGB 43 151 37

HSL 116.84, 0.61%, 0.37%

LAB 54.85, -51.8, 48.24

 

CMYK 72 / 0 / 76 / 28

HEX #34B82D

RGB 52 184 45

HSL 116.98, 0.61%, 0.45%

LAB 65.9, -60.53, 56.5

 

CMYK 66 / 0 / 70 / 18

HEX #46D03E

RGB 70 208 62

HSL 116.71, 0.61%, 0.53%

LAB 74.04, -63.72, 58.78

 

CMYK 53 / 0 / 56 / 15

HEX #66D85F

RGB 102 216 95

HSL 116.53, 0.61%, 0.61%

LAB 77.73, -55.83, 49.23

 

CMYK 40 / 0 / 43 / 12

HEX #86E080

RGB 134 224 128

HSL 116.25, 0.61%, 0.69%

LAB 81.8, -45.68, 38.69

 

CMYK 65 / 0 / 69 / 18

HEX #48D040

RGB 72 208 64

HSL 116.67, 0.61%, 0.53%

LAB 74.1, -63.15, 58.1

 

CMYK 70 / 9 / 0 / 18

HEX #3EBDD0

RGB 62 189 208

HSL 187.81, 0.61%, 0.53%

LAB 70.85, -28.1, -19.61

 

CMYK 0 / 70 / 38 / 18

HEX #D03E82

RGB 208 62 130

HSL 332.05, 0.61%, 0.53%

LAB 50.06, 62.25, -5.24

 

CMYK 65 / 0 / 69 / 18

HEX #48D040

RGB 72 208 64

HSL 116.67, 0.61%, 0.53%

LAB 74.1, -63.15, 58.1

 

CMYK 70 / 65 / 0 / 18

HEX #3E48D0

RGB 62 72 208

HSL 235.89, 0.61%, 0.53%

LAB 38.22, 40.56, -71.23

 

CMYK 0 / 70 / 65 / 18

HEX #D03E48

RGB 208 62 72

HSL 355.89, 0.61%, 0.53%

LAB 48.66, 57.51, 27.89

 

CMYK 65 / 0 / 69 / 18

HEX #48D040

RGB 72 208 64

HSL 116.67, 0.61%, 0.53%

LAB 74.1, -63.15, 58.1

 

CMYK 70 / 9 / 0 / 18

HEX #3EBDD0

RGB 62 189 208

HSL 187.81, 0.61%, 0.53%

LAB 70.85, -28.1, -19.61

 

CMYK 4 / 70 / 0 / 18

HEX #C73ED0

RGB 199 62 208

HSL 296.3, 0.61%, 0.53%

LAB 52, 70.87, -48.2

 

CMYK 0 / 61 / 70 / 18

HEX #D0523E

RGB 208 82 62

HSL 8.22, 0.61%, 0.53%

LAB 51.6, 48.66, 37.2

 

CMYK 65 / 0 / 69 / 18

HEX #48D040

RGB 72 208 64

HSL 116.67, 0.61%, 0.53%

LAB 74.1, -63.15, 58.1

 

CMYK 70 / 30 / 0 / 18

HEX #3E91D0

RGB 62 145 208

HSL 205.89, 0.61%, 0.53%

LAB 57.87, -4.62, -39.66

 

CMYK 4 / 70 / 0 / 18

HEX #C73ED0

RGB 199 62 208

HSL 296.3, 0.61%, 0.53%

LAB 52, 70.87, -48.2

 

CMYK 0 / 40 / 70 / 18

HEX #D07D3E

RGB 208 125 62

HSL 25.89, 0.61%, 0.53%

LAB 60.27, 26.93, 46.9

 

Description

Color code: HEX #48D040 | qconv.com Color code: HEX #48D040 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 208 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 208 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 69 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 69% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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