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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48CF1D it is the complementary color #B730E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48CF1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48CF1D shade: #4DCF18, #5EE12B, #6FF33E, #80FF51 and #91FF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48CF1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48CF1D shade: #48CF1D, #37BD0A, #26AB00, #159900 and #048700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48CF1D shade: #48CD1D, #77CD1D, #A7CD1D, #CDC41D and #CD951D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48CF1D shade: #48CD1D, #1DCD22, #1DCD52, #1DCD81 and #1DCDB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48CF1D shade matches the following richer shades: #48CD1D and #3EE00A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48CF1D shade: #48CD1D, #52BA30, #5BA743, #659456 and #6F8169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48CF1D shade: #A7CD1D, #78CD1D, #49CD1D, #1DCD20 and #1DCD4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48CF1D shade: #2F8513, #3BA918, #48CD1D, #5DE232 and #79E756

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48CF1D shade: #48CF1D, #1DCDC4 and #CD1D90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48CF1D shade: #48CF1D, #1D49CD and #CD1D49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48CF1D shade: #48CF1D, #1DCDC4, #A11DCD and #CD1D26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48CF1D shade: #48CF1D, #1DA1CD, #A11DCD and #CD491D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 86 / 19

HEX #48CF1D

RGB 72 207 29

HSL 105.51, 0.75%, 0.46%

LAB 73.61, -64.99, 68.25

 

Complementary color

CMYK 19 / 79 / 0 / 11

HEX #B730E2

RGB 183 48 226

HSL 285.51, 0.75%, 0.54%

LAB 49.1, 75.44, -63.25

 

CMYK 63 / 0 / 88 / 19

HEX #4DCF18

RGB 77 207 24

HSL 102.62, 0.79%, 0.45%

LAB 73.72, -64.08, 69.38

 

CMYK 58 / 0 / 81 / 12

HEX #5EE12B

RGB 94 225 43

HSL 103.19, 0.75%, 0.53%

LAB 79.84, -65.37, 70.74

 

CMYK 54 / 0 / 74 / 5

HEX #6FF33E

RGB 111 243 62

HSL 103.76, 0.88%, 0.6%

LAB 85.92, -66.26, 71.14

 

CMYK 50 / 0 / 68 / 0

HEX #80FF51

RGB 128 255 81

HSL 103.79, 1%, 0.66%

LAB 90.18, -64.71, 69.09

 

CMYK 43 / 0 / 61 / 0

HEX #91FF64

RGB 145 255 100

HSL 102.58, 1%, 0.7%

LAB 90.99, -58.24, 62.69

 

CMYK 65 / 0 / 86 / 19

HEX #48CF1D

RGB 72 207 29

HSL 105.51, 0.75%, 0.46%

LAB 73.61, -64.99, 68.25

 

CMYK 71 / 0 / 95 / 26

HEX #37BD0A

RGB 55 189 10

HSL 104.92, 0.9%, 0.39%

LAB 67.45, -63.15, 66

 

CMYK 78 / 0 / 100 / 33

HEX #26AB00

RGB 38 171 0

HSL 106.67, 1%, 0.34%

LAB 61.25, -60.63, 62.1

 

CMYK 86 / 0 / 100 / 40

HEX #159900

RGB 21 153 0

HSL 111.76, 1%, 0.3%

LAB 55.01, -57.36, 57.01

 

CMYK 97 / 0 / 100 / 47

HEX #048700

RGB 4 135 0

HSL 118.22, 1%, 0.26%

LAB 48.7, -53.43, 51.9

 

CMYK 65 / 0 / 86 / 20

HEX #48CD1D

RGB 72 205 29

HSL 105.34, 0.75%, 0.46%

LAB 72.98, -64.34, 67.7

 

CMYK 42 / 0 / 86 / 20

HEX #77CD1D

RGB 119 205 29

HSL 89.32, 0.75%, 0.46%

LAB 74.62, -51.45, 69.76

 

CMYK 19 / 0 / 86 / 20

HEX #A7CD1D

RGB 167 205 29

HSL 72.95, 0.75%, 0.46%

LAB 77.26, -33.68, 73.06

 

CMYK 0 / 4 / 86 / 20

HEX #CDC41D

RGB 205 196 29

HSL 56.93, 0.75%, 0.46%

LAB 77.61, -13.38, 74.51

 

CMYK 0 / 27 / 86 / 20

HEX #CD951D

RGB 205 149 29

HSL 40.91, 0.75%, 0.46%

LAB 65.41, 11.36, 64.55

 

CMYK 65 / 0 / 86 / 20

HEX #48CD1D

RGB 72 205 29

HSL 105.34, 0.75%, 0.46%

LAB 72.98, -64.34, 67.7

 

CMYK 86 / 0 / 83 / 20

HEX #1DCD22

RGB 29 205 34

HSL 121.7, 0.75%, 0.46%

LAB 72.25, -70.53, 65.62

 

CMYK 86 / 0 / 60 / 20

HEX #1DCD52

RGB 29 205 82

HSL 138.07, 0.75%, 0.46%

LAB 72.58, -66.41, 48.71

 

CMYK 86 / 0 / 37 / 20

HEX #1DCD81

RGB 29 205 129

HSL 154.09, 0.75%, 0.46%

LAB 73.23, -58.77, 26.4

 

CMYK 86 / 0 / 14 / 20

HEX #1DCDB1

RGB 29 205 177

HSL 170.45, 0.75%, 0.46%

LAB 74.25, -47.55, 2.25

 

CMYK 65 / 0 / 86 / 20

HEX #48CD1D

RGB 72 205 29

HSL 105.34, 0.75%, 0.46%

LAB 72.98, -64.34, 67.7

 

CMYK 72 / 0 / 96 / 12

HEX #3EE00A

RGB 62 224 10

HSL 105.42, 0.91%, 0.46%

LAB 78.67, -72.63, 75.25

 

CMYK 65 / 0 / 86 / 20

HEX #48CD1D

RGB 72 205 29

HSL 105.34, 0.75%, 0.46%

LAB 72.98, -64.34, 67.7

 

CMYK 56 / 0 / 74 / 27

HEX #52BA30

RGB 82 186 48

HSL 105.22, 0.59%, 0.46%

LAB 67.37, -54.37, 57.19

 

CMYK 46 / 0 / 60 / 35

HEX #5BA743

RGB 91 167 67

HSL 105.6, 0.43%, 0.46%

LAB 61.88, -42.6, 43.62

 

CMYK 32 / 0 / 42 / 42

HEX #659456

RGB 101 148 86

HSL 105.48, 0.26%, 0.46%

LAB 56.7, -28.18, 27.82

 

CMYK 14 / 0 / 19 / 49

HEX #6F8169

RGB 111 129 105

HSL 105, 0.1%, 0.46%

LAB 51.95, -11.42, 10.85

 

CMYK 19 / 0 / 86 / 20

HEX #A7CD1D

RGB 167 205 29

HSL 72.95, 0.75%, 0.46%

LAB 77.26, -33.68, 73.06

 

CMYK 41 / 0 / 86 / 20

HEX #78CD1D

RGB 120 205 29

HSL 88.98, 0.75%, 0.46%

LAB 74.66, -51.12, 69.82

 

CMYK 64 / 0 / 86 / 20

HEX #49CD1D

RGB 73 205 29

HSL 105, 0.75%, 0.46%

LAB 73, -64.12, 67.73

 

CMYK 86 / 0 / 84 / 20

HEX #1DCD20

RGB 29 205 32

HSL 121.02, 0.75%, 0.46%

LAB 72.25, -70.62, 66.1

 

CMYK 86 / 0 / 61 / 20

HEX #1DCD4F

RGB 29 205 79

HSL 137.05, 0.75%, 0.46%

LAB 72.55, -66.77, 50

 

CMYK 65 / 0 / 86 / 48

HEX #2F8513

RGB 47 133 19

HSL 105.26, 0.75%, 0.3%

LAB 48.79, -45.8, 48.3

 

CMYK 65 / 0 / 86 / 34

HEX #3BA918

RGB 59 169 24

HSL 105.52, 0.75%, 0.38%

LAB 61.11, -55.39, 58.21

 

CMYK 65 / 0 / 86 / 20

HEX #48CD1D

RGB 72 205 29

HSL 105.34, 0.75%, 0.46%

LAB 72.98, -64.34, 67.7

 

CMYK 59 / 0 / 78 / 11

HEX #5DE232

RGB 93 226 50

HSL 105.34, 0.75%, 0.54%

LAB 80.15, -65.58, 69.07

 

CMYK 48 / 0 / 63 / 9

HEX #79E756

RGB 121 231 86

HSL 105.52, 0.75%, 0.62%

LAB 82.85, -57.3, 59.19

 

CMYK 65 / 0 / 86 / 19

HEX #48CF1D

RGB 72 207 29

HSL 105.51, 0.75%, 0.46%

LAB 73.61, -64.99, 68.25

 

CMYK 86 / 0 / 4 / 20

HEX #1DCDC4

RGB 29 205 196

HSL 176.93, 0.75%, 0.46%

LAB 74.77, -42.31, -7.26

 

CMYK 0 / 86 / 30 / 20

HEX #CD1D90

RGB 205 29 144

HSL 320.8, 0.75%, 0.46%

LAB 46.81, 72.16, -18.65

 

CMYK 65 / 0 / 86 / 19

HEX #48CF1D

RGB 72 207 29

HSL 105.51, 0.75%, 0.46%

LAB 73.61, -64.99, 68.25

 

CMYK 86 / 64 / 0 / 20

HEX #1D49CD

RGB 29 73 205

HSL 225, 0.75%, 0.46%

LAB 36.81, 35.87, -71.86

 

CMYK 0 / 86 / 64 / 20

HEX #CD1D49

RGB 205 29 73

HSL 345, 0.75%, 0.46%

LAB 44.72, 66.24, 22.13

 

CMYK 65 / 0 / 86 / 19

HEX #48CF1D

RGB 72 207 29

HSL 105.51, 0.75%, 0.46%

LAB 73.61, -64.99, 68.25

 

CMYK 86 / 0 / 4 / 20

HEX #1DCDC4

RGB 29 205 196

HSL 176.93, 0.75%, 0.46%

LAB 74.77, -42.31, -7.26

 

CMYK 21 / 86 / 0 / 20

HEX #A11DCD

RGB 161 29 205

HSL 285, 0.75%, 0.46%

LAB 42.56, 72.83, -61.96

 

CMYK 0 / 86 / 81 / 20

HEX #CD1D26

RGB 205 29 38

HSL 356.93, 0.75%, 0.46%

LAB 44.23, 64.82, 42.34

 

CMYK 65 / 0 / 86 / 19

HEX #48CF1D

RGB 72 207 29

HSL 105.51, 0.75%, 0.46%

LAB 73.61, -64.99, 68.25

 

CMYK 86 / 21 / 0 / 20

HEX #1DA1CD

RGB 29 161 205

HSL 195, 0.75%, 0.46%

LAB 61.79, -18.09, -31.91

 

CMYK 21 / 86 / 0 / 20

HEX #A11DCD

RGB 161 29 205

HSL 285, 0.75%, 0.46%

LAB 42.56, 72.83, -61.96

 

CMYK 0 / 64 / 86 / 20

HEX #CD491D

RGB 205 73 29

HSL 15, 0.75%, 0.46%

LAB 49.29, 50.39, 51.24

 

Description

Color code: HEX #48CF1D | qconv.com Color code: HEX #48CF1D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 207 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 207 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 86 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 86% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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