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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48CC3E it is the complementary color #B733C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48CC3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48CC3E shade: #4DCC39, #5EDE4C, #6FF05F, #80FF72 and #91FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48CC3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48CC3E shade: #48CC3E, #37BA2B, #26A818, #159605 and #048400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48CC3E shade: #48CC3E, #6ECC3E, #94CC3E, #BACC3E and #CCB63E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48CC3E shade: #48CC3E, #3ECC5A, #3ECC80, #3ECCA6 and #3ECACC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48CC3E shade matches the following richer shades: #48CC3E, #37DF2A and #26F316

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48CC3E shade: #48CC3E, #59B851, #6AA465, #7B9079 and #8C7C8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48CC3E shade: #95CC3E, #6FCC3E, #49CC3E, #3ECC58 and #3ECC7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48CC3E shade: #2E9026, #38B12F, #48CC3E, #67D45E and #85DD7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48CC3E shade: #48CC3E, #3EBBCC and #CC3E82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48CC3E shade: #48CC3E, #3E49CC and #CC3E49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48CC3E shade: #48CC3E, #3EBBCC, #C03ECC and #CC4E3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48CC3E shade: #48CC3E, #3E90CC, #C03ECC and #CC793E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 70 / 20

HEX #48CC3E

RGB 72 204 62

HSL 115.77, 0.58%, 0.52%

LAB 72.83, -61.97, 57.54

 

Complementary color

CMYK 5 / 74 / 0 / 24

HEX #B733C1

RGB 183 51 193

HSL 295.77, 0.58%, 0.48%

LAB 47.35, 68.66, -47.11

 

CMYK 62 / 0 / 72 / 20

HEX #4DCC39

RGB 77 204 57

HSL 111.84, 0.59%, 0.51%

LAB 72.93, -61.3, 59.54

 

CMYK 58 / 0 / 66 / 13

HEX #5EDE4C

RGB 94 222 76

HSL 112.6, 0.69%, 0.58%

LAB 79.12, -62.03, 58.93

 

CMYK 54 / 0 / 60 / 6

HEX #6FF05F

RGB 111 240 95

HSL 113.38, 0.83%, 0.66%

LAB 85.26, -62.47, 58

 

CMYK 50 / 0 / 55 / 0

HEX #80FF72

RGB 128 255 114

HSL 114.04, 1%, 0.72%

LAB 90.47, -61.59, 55.89

 

CMYK 43 / 0 / 48 / 0

HEX #91FF85

RGB 145 255 133

HSL 114.1, 1%, 0.76%

LAB 91.34, -54.6, 48.38

 

CMYK 65 / 0 / 70 / 20

HEX #48CC3E

RGB 72 204 62

HSL 115.77, 0.58%, 0.52%

LAB 72.83, -61.97, 57.54

 

CMYK 70 / 0 / 77 / 27

HEX #37BA2B

RGB 55 186 43

HSL 114.97, 0.62%, 0.45%

LAB 66.6, -60.78, 57.88

 

CMYK 77 / 0 / 86 / 34

HEX #26A818

RGB 38 168 24

HSL 114.17, 0.75%, 0.38%

LAB 60.32, -58.98, 57.33

 

CMYK 86 / 0 / 97 / 41

HEX #159605

RGB 21 150 5

HSL 113.38, 0.94%, 0.3%

LAB 54.01, -56.32, 55.38

 

CMYK 97 / 0 / 100 / 48

HEX #048400

RGB 4 132 0

HSL 118.18, 1%, 0.26%

LAB 47.66, -52.56, 51.06

 

CMYK 65 / 0 / 70 / 20

HEX #48CC3E

RGB 72 204 62

HSL 115.77, 0.58%, 0.52%

LAB 72.83, -61.97, 57.54

 

CMYK 46 / 0 / 70 / 20

HEX #6ECC3E

RGB 110 204 62

HSL 99.72, 0.58%, 0.52%

LAB 74.09, -52.14, 59.24

 

CMYK 27 / 0 / 70 / 20

HEX #94CC3E

RGB 148 204 62

HSL 83.66, 0.58%, 0.52%

LAB 75.96, -39.13, 61.75

 

CMYK 9 / 0 / 70 / 20

HEX #BACC3E

RGB 186 204 62

HSL 67.61, 0.58%, 0.52%

LAB 78.45, -24.12, 65.06

 

CMYK 0 / 11 / 70 / 20

HEX #CCB63E

RGB 204 182 62

HSL 50.7, 0.58%, 0.52%

LAB 73.96, -5.42, 61.06

 

CMYK 65 / 0 / 70 / 20

HEX #48CC3E

RGB 72 204 62

HSL 115.77, 0.58%, 0.52%

LAB 72.83, -61.97, 57.54

 

CMYK 70 / 0 / 56 / 20

HEX #3ECC5A

RGB 62 204 90

HSL 131.83, 0.58%, 0.52%

LAB 72.86, -60.84, 45.49

 

CMYK 70 / 0 / 37 / 20

HEX #3ECC80

RGB 62 204 128

HSL 147.89, 0.58%, 0.52%

LAB 73.39, -54.72, 27.24

 

CMYK 70 / 0 / 19 / 20

HEX #3ECCA6

RGB 62 204 166

HSL 163.94, 0.58%, 0.52%

LAB 74.17, -46.47, 8.12

 

CMYK 70 / 1 / 0 / 20

HEX #3ECACC

RGB 62 202 204

HSL 180.85, 0.58%, 0.52%

LAB 74.59, -35.51, -11.81

 

CMYK 65 / 0 / 70 / 20

HEX #48CC3E

RGB 72 204 62

HSL 115.77, 0.58%, 0.52%

LAB 72.83, -61.97, 57.54

 

CMYK 75 / 0 / 81 / 13

HEX #37DF2A

RGB 55 223 42

HSL 115.69, 0.74%, 0.52%

LAB 78.32, -72.35, 69.27

 

CMYK 84 / 0 / 91 / 5

HEX #26F316

RGB 38 243 22

HSL 115.66, 0.9%, 0.52%

LAB 84.26, -80.76, 78.37

 

CMYK 65 / 0 / 70 / 20

HEX #48CC3E

RGB 72 204 62

HSL 115.77, 0.58%, 0.52%

LAB 72.83, -61.97, 57.54

 

CMYK 52 / 0 / 56 / 28

HEX #59B851

RGB 89 184 81

HSL 115.34, 0.42%, 0.52%

LAB 67.28, -48.52, 43.29

 

CMYK 35 / 0 / 38 / 36

HEX #6AA465

RGB 106 164 101

HSL 115.24, 0.26%, 0.52%

LAB 62.13, -31.79, 26.86

 

CMYK 15 / 0 / 16 / 44

HEX #7B9079

RGB 123 144 121

HSL 114.78, 0.09%, 0.52%

LAB 57.6, -12.13, 9.74

 

CMYK 1 / 12 / 0 / 45

HEX #8C7C8D

RGB 140 124 141

HSL 296.47, 0.07%, 0.52%

LAB 53.94, 9.36, -6.95

 

CMYK 27 / 0 / 70 / 20

HEX #95CC3E

RGB 149 204 62

HSL 83.24, 0.58%, 0.52%

LAB 76.02, -38.75, 61.83

 

CMYK 46 / 0 / 70 / 20

HEX #6FCC3E

RGB 111 204 62

HSL 99.3, 0.58%, 0.52%

LAB 74.13, -51.83, 59.29

 

CMYK 64 / 0 / 70 / 20

HEX #49CC3E

RGB 73 204 62

HSL 115.35, 0.58%, 0.52%

LAB 72.86, -61.76, 57.57

 

CMYK 70 / 0 / 57 / 20

HEX #3ECC58

RGB 62 204 88

HSL 130.99, 0.58%, 0.52%

LAB 72.84, -61.1, 46.39

 

CMYK 70 / 0 / 38 / 20

HEX #3ECC7E

RGB 62 204 126

HSL 147.04, 0.58%, 0.52%

LAB 73.36, -55.1, 28.23

 

CMYK 68 / 0 / 74 / 44

HEX #2E9026

RGB 46 144 38

HSL 115.47, 0.58%, 0.36%

LAB 52.58, -48.68, 45.59

 

CMYK 68 / 0 / 73 / 31

HEX #38B12F

RGB 56 177 47

HSL 115.85, 0.58%, 0.44%

LAB 63.75, -57.31, 53.66

 

CMYK 65 / 0 / 70 / 20

HEX #48CC3E

RGB 72 204 62

HSL 115.77, 0.58%, 0.52%

LAB 72.83, -61.97, 57.54

 

CMYK 51 / 0 / 56 / 17

HEX #67D45E

RGB 103 212 94

HSL 115.42, 0.58%, 0.6%

LAB 76.54, -54.14, 48.29

 

CMYK 40 / 0 / 43 / 13

HEX #85DD7F

RGB 133 221 127

HSL 116.17, 0.58%, 0.68%

LAB 80.87, -44.85, 37.97

 

CMYK 65 / 0 / 70 / 20

HEX #48CC3E

RGB 72 204 62

HSL 115.77, 0.58%, 0.52%

LAB 72.83, -61.97, 57.54

 

CMYK 70 / 8 / 0 / 20

HEX #3EBBCC

RGB 62 187 204

HSL 187.18, 0.58%, 0.52%

LAB 70.12, -28.32, -18.53

 

CMYK 0 / 70 / 36 / 20

HEX #CC3E82

RGB 204 62 130

HSL 331.27, 0.58%, 0.52%

LAB 49.37, 61.13, -6.33

 

CMYK 65 / 0 / 70 / 20

HEX #48CC3E

RGB 72 204 62

HSL 115.77, 0.58%, 0.52%

LAB 72.83, -61.97, 57.54

 

CMYK 70 / 64 / 0 / 20

HEX #3E49CC

RGB 62 73 204

HSL 235.35, 0.58%, 0.52%

LAB 38.11, 38.58, -69.1

 

CMYK 0 / 70 / 64 / 20

HEX #CC3E49

RGB 204 62 73

HSL 355.35, 0.58%, 0.52%

LAB 47.96, 56.31, 26.26

 

CMYK 65 / 0 / 70 / 20

HEX #48CC3E

RGB 72 204 62

HSL 115.77, 0.58%, 0.52%

LAB 72.83, -61.97, 57.54

 

CMYK 70 / 8 / 0 / 20

HEX #3EBBCC

RGB 62 187 204

HSL 187.18, 0.58%, 0.52%

LAB 70.12, -28.32, -18.53

 

CMYK 6 / 70 / 0 / 20

HEX #C03ECC

RGB 192 62 204

HSL 294.93, 0.58%, 0.52%

LAB 50.7, 68.68, -48.04

 

CMYK 0 / 62 / 70 / 20

HEX #CC4E3E

RGB 204 78 62

HSL 6.76, 0.58%, 0.52%

LAB 50.26, 49.06, 35.46

 

CMYK 65 / 0 / 70 / 20

HEX #48CC3E

RGB 72 204 62

HSL 115.77, 0.58%, 0.52%

LAB 72.83, -61.97, 57.54

 

CMYK 70 / 29 / 0 / 20

HEX #3E90CC

RGB 62 144 204

HSL 205.35, 0.58%, 0.52%

LAB 57.4, -5.42, -38.16

 

CMYK 6 / 70 / 0 / 20

HEX #C03ECC

RGB 192 62 204

HSL 294.93, 0.58%, 0.52%

LAB 50.7, 68.68, -48.04

 

CMYK 0 / 41 / 70 / 20

HEX #CC793E

RGB 204 121 62

HSL 24.93, 0.58%, 0.52%

LAB 58.84, 27.42, 45.19

 

Description

Color code: HEX #48CC3E | qconv.com Color code: HEX #48CC3E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 204 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 204 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 70 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 70% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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