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Color name
HEX #48B934

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48B934 it is the complementary color #B746CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48B934. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48B934 shade: #4DB92F, #5ECB42, #6FDD55, #80EF68 and #91FF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48B934. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48B934 shade: #48B934, #37A721, #26950E, #158300 and #047100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48B934 shade: #47B734, #6BB734, #8EB734, #B2B734 and #B79934

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48B934 shade: #47B734, #34B743, #34B767, #34B78A and #34B7AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48B934 shade matches the following richer shades: #47B734, #3ACA21 and #2DDD0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48B934 shade: #47B734, #55A447, #62915A, #6F7E6D and #7C6B80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48B934 shade: #90B734, #6DB734, #4AB734, #34B741 and #34B764

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48B934 shade: #2E7721, #3B972B, #47B734, #5CCB48 and #79D569

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48B934 shade: #48B934, #34B3B7 and #B7347E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48B934 shade: #48B934, #344AB7 and #B7344A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48B934 shade: #48B934, #34B3B7, #A134B7 and #B73834

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48B934 shade: #48B934, #348BB7, #A134B7 and #B75F34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 72 / 27

HEX #48B934

RGB 72 185 52

HSL 110.98, 0.56%, 0.46%

LAB 66.77, -56.21, 55.03

 

Complementary color

CMYK 10 / 66 / 0 / 20

HEX #B746CB

RGB 183 70 203

HSL 290.98, 0.56%, 0.54%

LAB 50.4, 63.4, -48.01

 

CMYK 58 / 0 / 75 / 27

HEX #4DB92F

RGB 77 185 47

HSL 106.96, 0.59%, 0.45%

LAB 66.89, -55.37, 57

 

CMYK 54 / 0 / 67 / 20

HEX #5ECB42

RGB 94 203 66

HSL 107.74, 0.57%, 0.53%

LAB 73.21, -56.02, 56.57

 

CMYK 50 / 0 / 62 / 13

HEX #6FDD55

RGB 111 221 85

HSL 108.53, 0.67%, 0.6%

LAB 79.47, -56.39, 55.74

 

CMYK 46 / 0 / 56 / 6

HEX #80EF68

RGB 128 239 104

HSL 109.33, 0.81%, 0.67%

LAB 85.67, -56.57, 54.7

 

CMYK 43 / 0 / 52 / 0

HEX #91FF7B

RGB 145 255 123

HSL 110, 1%, 0.74%

LAB 91.22, -55.83, 52.88

 

CMYK 61 / 0 / 72 / 27

HEX #48B934

RGB 72 185 52

HSL 110.98, 0.56%, 0.46%

LAB 66.77, -56.21, 55.03

 

CMYK 67 / 0 / 80 / 35

HEX #37A721

RGB 55 167 33

HSL 110.15, 0.67%, 0.39%

LAB 60.39, -55.11, 55.07

 

CMYK 74 / 0 / 91 / 42

HEX #26950E

RGB 38 149 14

HSL 109.33, 0.83%, 0.32%

LAB 53.96, -53.36, 53.93

 

CMYK 84 / 0 / 100 / 49

HEX #158300

RGB 21 131 0

HSL 110.38, 1%, 0.26%

LAB 47.48, -50.7, 50.99

 

CMYK 96 / 0 / 100 / 56

HEX #047100

RGB 4 113 0

HSL 117.88, 1%, 0.22%

LAB 40.95, -46.9, 45.69

 

CMYK 61 / 0 / 72 / 28

HEX #47B734

RGB 71 183 52

HSL 111.3, 0.56%, 0.46%

LAB 66.1, -55.74, 54.34

 

CMYK 42 / 0 / 72 / 28

HEX #6BB734

RGB 107 183 52

HSL 94.81, 0.56%, 0.46%

LAB 67.46, -45.39, 56.15

 

CMYK 22 / 0 / 72 / 28

HEX #8EB734

RGB 142 183 52

HSL 78.78, 0.56%, 0.46%

LAB 69.37, -32.51, 58.71

 

CMYK 3 / 0 / 72 / 28

HEX #B2B734

RGB 178 183 52

HSL 62.29, 0.56%, 0.46%

LAB 71.95, -17.61, 62.1

 

CMYK 0 / 16 / 72 / 28

HEX #B79934

RGB 183 153 52

HSL 46.26, 0.56%, 0.46%

LAB 64.24, 0.3, 54.67

 

CMYK 61 / 0 / 72 / 28

HEX #47B734

RGB 71 183 52

HSL 111.3, 0.56%, 0.46%

LAB 66.1, -55.74, 54.34

 

CMYK 72 / 0 / 63 / 28

HEX #34B743

RGB 52 183 67

HSL 126.87, 0.56%, 0.46%

LAB 65.75, -58.17, 47.67

 

CMYK 72 / 0 / 44 / 28

HEX #34B767

RGB 52 183 103

HSL 143.36, 0.56%, 0.46%

LAB 66.19, -52.99, 30.74

 

CMYK 72 / 0 / 25 / 28

HEX #34B78A

RGB 52 183 138

HSL 159.39, 0.56%, 0.46%

LAB 66.85, -45.81, 12.89

 

CMYK 72 / 0 / 5 / 28

HEX #34B7AE

RGB 52 183 174

HSL 175.88, 0.56%, 0.46%

LAB 67.76, -36.52, -5.59

 

CMYK 61 / 0 / 72 / 28

HEX #47B734

RGB 71 183 52

HSL 111.3, 0.56%, 0.46%

LAB 66.1, -55.74, 54.34

 

CMYK 71 / 0 / 84 / 21

HEX #3ACA21

RGB 58 202 33

HSL 111.12, 0.72%, 0.46%

LAB 71.72, -65.91, 65.55

 

CMYK 80 / 0 / 94 / 13

HEX #2DDD0E

RGB 45 221 14

HSL 111.01, 0.88%, 0.46%

LAB 77.46, -74.09, 73.74

 

CMYK 61 / 0 / 72 / 28

HEX #47B734

RGB 71 183 52

HSL 111.3, 0.56%, 0.46%

LAB 66.1, -55.74, 54.34

 

CMYK 48 / 0 / 57 / 36

HEX #55A447

RGB 85 164 71

HSL 110.97, 0.4%, 0.46%

LAB 60.73, -42.74, 40.31

 

CMYK 32 / 0 / 38 / 43

HEX #62915A

RGB 98 145 90

HSL 111.27, 0.23%, 0.46%

LAB 55.67, -27.17, 24.26

 

CMYK 12 / 0 / 13 / 51

HEX #6F7E6D

RGB 111 126 109

HSL 112.94, 0.07%, 0.46%

LAB 51.16, -9, 7.4

 

CMYK 3 / 16 / 0 / 50

HEX #7C6B80

RGB 124 107 128

HSL 288.57, 0.09%, 0.46%

LAB 47.44, 10.81, -9.14

 

CMYK 21 / 0 / 72 / 28

HEX #90B734

RGB 144 183 52

HSL 77.86, 0.56%, 0.46%

LAB 69.5, -31.72, 58.88

 

CMYK 40 / 0 / 72 / 28

HEX #6DB734

RGB 109 183 52

HSL 93.89, 0.56%, 0.46%

LAB 67.55, -44.72, 56.28

 

CMYK 60 / 0 / 72 / 28

HEX #4AB734

RGB 74 183 52

HSL 109.92, 0.56%, 0.46%

LAB 66.19, -55.02, 54.46

 

CMYK 72 / 0 / 64 / 28

HEX #34B741

RGB 52 183 65

HSL 125.95, 0.56%, 0.46%

LAB 65.73, -58.39, 48.52

 

CMYK 72 / 0 / 45 / 28

HEX #34B764

RGB 52 183 100

HSL 141.98, 0.56%, 0.46%

LAB 66.15, -53.51, 32.23

 

CMYK 61 / 0 / 72 / 53

HEX #2E7721

RGB 46 119 33

HSL 110.93, 0.57%, 0.3%

LAB 44.07, -39.8, 38.8

 

CMYK 61 / 0 / 72 / 41

HEX #3B972B

RGB 59 151 43

HSL 111.11, 0.56%, 0.38%

LAB 55.32, -47.77, 46.56

 

CMYK 61 / 0 / 72 / 28

HEX #47B734

RGB 71 183 52

HSL 111.3, 0.56%, 0.46%

LAB 66.1, -55.74, 54.34

 

CMYK 55 / 0 / 65 / 20

HEX #5CCB48

RGB 92 203 72

HSL 110.84, 0.56%, 0.54%

LAB 73.19, -56, 54.09

 

CMYK 43 / 0 / 51 / 16

HEX #79D569

RGB 121 213 105

HSL 111.11, 0.56%, 0.62%

LAB 77.68, -48.07, 44.65

 

CMYK 61 / 0 / 72 / 27

HEX #48B934

RGB 72 185 52

HSL 110.98, 0.56%, 0.46%

LAB 66.77, -56.21, 55.03

 

CMYK 72 / 2 / 0 / 28

HEX #34B3B7

RGB 52 179 183

HSL 181.83, 0.56%, 0.46%

LAB 66.82, -32.04, -11.97

 

CMYK 0 / 72 / 31 / 28

HEX #B7347E

RGB 183 52 126

HSL 326.11, 0.56%, 0.46%

LAB 44.28, 58.5, -11.91

 

CMYK 61 / 0 / 72 / 27

HEX #48B934

RGB 72 185 52

HSL 110.98, 0.56%, 0.46%

LAB 66.77, -56.21, 55.03

 

CMYK 72 / 60 / 0 / 28

HEX #344AB7

RGB 52 74 183

HSL 229.92, 0.56%, 0.46%

LAB 36.07, 29.22, -60.17

 

CMYK 0 / 72 / 60 / 28

HEX #B7344A

RGB 183 52 74

HSL 349.92, 0.56%, 0.46%

LAB 42.79, 53.56, 18.18

 

CMYK 61 / 0 / 72 / 27

HEX #48B934

RGB 72 185 52

HSL 110.98, 0.56%, 0.46%

LAB 66.77, -56.21, 55.03

 

CMYK 72 / 2 / 0 / 28

HEX #34B3B7

RGB 52 179 183

HSL 181.83, 0.56%, 0.46%

LAB 66.82, -32.04, -11.97

 

CMYK 12 / 72 / 0 / 28

HEX #A134B7

RGB 161 52 183

HSL 289.92, 0.56%, 0.46%

LAB 43.44, 61.9, -47.71

 

CMYK 0 / 69 / 72 / 28

HEX #B73834

RGB 183 56 52

HSL 1.83, 0.56%, 0.46%

LAB 42.98, 50.73, 31.78

 

CMYK 61 / 0 / 72 / 27

HEX #48B934

RGB 72 185 52

HSL 110.98, 0.56%, 0.46%

LAB 66.77, -56.21, 55.03

 

CMYK 72 / 24 / 0 / 28

HEX #348BB7

RGB 52 139 183

HSL 200.15, 0.56%, 0.46%

LAB 54.67, -11.27, -30.53

 

CMYK 12 / 72 / 0 / 28

HEX #A134B7

RGB 161 52 183

HSL 289.92, 0.56%, 0.46%

LAB 43.44, 61.9, -47.71

 

CMYK 0 / 48 / 72 / 28

HEX #B75F34

RGB 183 95 52

HSL 19.69, 0.56%, 0.46%

LAB 50.1, 32.18, 39.84

 

Description

Color code: HEX #48B934 | qconv.com Color code: HEX #48B934 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 185 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 185 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 72 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 72% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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