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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48B88F it is the complementary color #B74770. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48B88F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48B88F shade: #4DB88A, #5ECA9D, #6FDCB0, #80EEC3 and #91FFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48B88F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48B88F shade: #48B88F, #37A67C, #269469, #158256 and #047043

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48B88F shade: #47B88F, #47B870, #47B852, #5BB847 and #79B847

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48B88F shade: #47B88F, #47B8AD, #47A4B8, #4786B8 and #4768B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48B88F shade matches the following richer shades: #47B88F, #33CC94, #1EE19A and #0AF59F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48B88F shade: #47B88F, #5CA389, #718E83, #857A7E and #9A6578

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48B88F shade: #47B853, #47B871, #47B88E, #47B8AC and #47A5B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48B88F shade: #307C60, #3C9A77, #47B88F, #65C3A1 and #83CFB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48B88F shade: #48B88F, #475AB8 and #B86247

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48B88F shade: #48B88F, #8E47B8 and #B88E47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48B88F shade: #48B88F, #475AB8, #B84771 and #B8A547

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48B88F shade: #48B88F, #5647B8, #B84771 and #A9B847

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 22 / 28

HEX #48B88F

RGB 72 184 143

HSL 158.04, 0.44%, 0.5%

LAB 67.76, -41.64, 11.51

 

Complementary color

CMYK 0 / 61 / 39 / 28

HEX #B74770

RGB 183 71 112

HSL 338.04, 0.44%, 0.5%

LAB 46.64, 49.12, 0.16

 

CMYK 58 / 0 / 25 / 28

HEX #4DB88A

RGB 77 184 138

HSL 154.21, 0.43%, 0.51%

LAB 67.79, -41.73, 14.31

 

CMYK 53 / 0 / 22 / 21

HEX #5ECA9D

RGB 94 202 157

HSL 155, 0.5%, 0.58%

LAB 74.22, -41.71, 13.16

 

CMYK 50 / 0 / 20 / 14

HEX #6FDCB0

RGB 111 220 176

HSL 155.78, 0.61%, 0.65%

LAB 80.57, -41.61, 12.1

 

CMYK 46 / 0 / 18 / 7

HEX #80EEC3

RGB 128 238 195

HSL 156.55, 0.76%, 0.72%

LAB 86.84, -41.46, 11.11

 

CMYK 43 / 0 / 16 / 0

HEX #91FFD6

RGB 145 255 214

HSL 157.64, 1%, 0.78%

LAB 92.75, -40.84, 9.79

 

CMYK 61 / 0 / 22 / 28

HEX #48B88F

RGB 72 184 143

HSL 158.04, 0.44%, 0.5%

LAB 67.76, -41.64, 11.51

 

CMYK 67 / 0 / 25 / 35

HEX #37A67C

RGB 55 166 124

HSL 157.3, 0.5%, 0.43%

LAB 61.26, -41.42, 12.76

 

CMYK 74 / 0 / 29 / 42

HEX #269469

RGB 38 148 105

HSL 156.55, 0.59%, 0.36%

LAB 54.67, -40.94, 14.16

 

CMYK 84 / 0 / 34 / 49

HEX #158256

RGB 21 130 86

HSL 155.78, 0.72%, 0.3%

LAB 48, -40.05, 15.75

 

CMYK 96 / 0 / 40 / 56

HEX #047043

RGB 4 112 67

HSL 155, 0.93%, 0.23%

LAB 41.25, -38.6, 17.57

 

CMYK 61 / 0 / 22 / 28

HEX #47B88F

RGB 71 184 143

HSL 158.23, 0.44%, 0.5%

LAB 67.73, -41.84, 11.46

 

CMYK 61 / 0 / 39 / 28

HEX #47B870

RGB 71 184 112

HSL 141.77, 0.44%, 0.5%

LAB 67.12, -48.22, 27.32

 

CMYK 61 / 0 / 55 / 28

HEX #47B852

RGB 71 184 82

HSL 125.84, 0.44%, 0.5%

LAB 66.7, -52.92, 41.98

 

CMYK 51 / 0 / 61 / 28

HEX #5BB847

RGB 91 184 71

HSL 109.38, 0.44%, 0.5%

LAB 67.25, -49.1, 47.9

 

CMYK 34 / 0 / 61 / 28

HEX #79B847

RGB 121 184 71

HSL 93.45, 0.44%, 0.5%

LAB 68.61, -39.43, 49.79

 

CMYK 61 / 0 / 22 / 28

HEX #47B88F

RGB 71 184 143

HSL 158.23, 0.44%, 0.5%

LAB 67.73, -41.84, 11.46

 

CMYK 61 / 0 / 6 / 28

HEX #47B8AD

RGB 71 184 173

HSL 174.16, 0.44%, 0.5%

LAB 68.49, -34.35, -3.92

 

CMYK 61 / 11 / 0 / 28

HEX #47A4B8

RGB 71 164 184

HSL 190.62, 0.44%, 0.5%

LAB 62.8, -21.35, -18.54

 

CMYK 61 / 27 / 0 / 28

HEX #4786B8

RGB 71 134 184

HSL 206.55, 0.44%, 0.5%

LAB 53.87, -4.88, -32.3

 

CMYK 61 / 43 / 0 / 28

HEX #4768B8

RGB 71 104 184

HSL 222.48, 0.44%, 0.5%

LAB 45.22, 13.34, -45.95

 

CMYK 61 / 0 / 22 / 28

HEX #47B88F

RGB 71 184 143

HSL 158.23, 0.44%, 0.5%

LAB 67.73, -41.84, 11.46

 

CMYK 75 / 0 / 27 / 20

HEX #33CC94

RGB 51 204 148

HSL 158.04, 0.6%, 0.5%

LAB 73.56, -52.16, 16.88

 

CMYK 87 / 0 / 32 / 12

HEX #1EE19A

RGB 30 225 154

HSL 158.15, 0.76%, 0.5%

LAB 79.87, -60.79, 22.4

 

CMYK 96 / 0 / 35 / 4

HEX #0AF59F

RGB 10 245 159

HSL 158.04, 0.92%, 0.5%

LAB 85.94, -67.75, 28.07

 

CMYK 61 / 0 / 22 / 28

HEX #47B88F

RGB 71 184 143

HSL 158.23, 0.44%, 0.5%

LAB 67.73, -41.84, 11.46

 

CMYK 44 / 0 / 16 / 36

HEX #5CA389

RGB 92 163 137

HSL 158.03, 0.28%, 0.5%

LAB 61.89, -28.62, 6.59

 

CMYK 20 / 0 / 8 / 44

HEX #718E83

RGB 113 142 131

HSL 157.24, 0.11%, 0.5%

LAB 56.58, -12.61, 2.48

 

CMYK 0 / 8 / 5 / 48

HEX #857A7E

RGB 133 122 126

HSL 338.18, 0.04%, 0.5%

LAB 52.3, 4.96, -0.66

 

CMYK 0 / 34 / 22 / 40

HEX #9A6578

RGB 154 101 120

HSL 338.49, 0.21%, 0.5%

LAB 48.93, 24.19, -1.8

 

CMYK 61 / 0 / 55 / 28

HEX #47B853

RGB 71 184 83

HSL 126.37, 0.44%, 0.5%

LAB 66.71, -52.79, 41.52

 

CMYK 61 / 0 / 39 / 28

HEX #47B871

RGB 71 184 113

HSL 142.3, 0.44%, 0.5%

LAB 67.14, -48.04, 26.82

 

CMYK 61 / 0 / 23 / 28

HEX #47B88E

RGB 71 184 142

HSL 157.7, 0.44%, 0.5%

LAB 67.71, -42.06, 11.98

 

CMYK 61 / 0 / 7 / 28

HEX #47B8AC

RGB 71 184 172

HSL 173.63, 0.44%, 0.5%

LAB 68.46, -34.62, -3.41

 

CMYK 61 / 10 / 0 / 28

HEX #47A5B8

RGB 71 165 184

HSL 190.09, 0.44%, 0.5%

LAB 63.1, -21.87, -18.09

 

CMYK 61 / 0 / 23 / 51

HEX #307C60

RGB 48 124 96

HSL 157.89, 0.44%, 0.34%

LAB 46.83, -30.61, 8.4

 

CMYK 61 / 0 / 23 / 40

HEX #3C9A77

RGB 60 154 119

HSL 157.66, 0.44%, 0.42%

LAB 57.47, -36.35, 10.25

 

CMYK 61 / 0 / 22 / 28

HEX #47B88F

RGB 71 184 143

HSL 158.23, 0.44%, 0.5%

LAB 67.73, -41.84, 11.46

 

CMYK 48 / 0 / 17 / 24

HEX #65C3A1

RGB 101 195 161

HSL 158.3, 0.44%, 0.58%

LAB 72.48, -36.02, 8.55

 

CMYK 37 / 0 / 14 / 19

HEX #83CFB3

RGB 131 207 179

HSL 157.89, 0.44%, 0.66%

LAB 77.7, -29.78, 6.51

 

CMYK 61 / 0 / 22 / 28

HEX #48B88F

RGB 72 184 143

HSL 158.04, 0.44%, 0.5%

LAB 67.76, -41.64, 11.51

 

CMYK 61 / 51 / 0 / 28

HEX #475AB8

RGB 71 90 184

HSL 229.91, 0.44%, 0.5%

LAB 41.39, 22.25, -52.09

 

CMYK 0 / 47 / 61 / 28

HEX #B86247

RGB 184 98 71

HSL 14.34, 0.44%, 0.5%

LAB 51.13, 32.17, 30.7

 

CMYK 61 / 0 / 22 / 28

HEX #48B88F

RGB 72 184 143

HSL 158.04, 0.44%, 0.5%

LAB 67.76, -41.64, 11.51

 

CMYK 23 / 61 / 0 / 28

HEX #8E47B8

RGB 142 71 184

HSL 277.7, 0.44%, 0.5%

LAB 43.83, 49.41, -47.82

 

CMYK 0 / 23 / 61 / 28

HEX #B88E47

RGB 184 142 71

HSL 37.7, 0.44%, 0.5%

LAB 61.65, 7.92, 43.22

 

CMYK 61 / 0 / 22 / 28

HEX #48B88F

RGB 72 184 143

HSL 158.04, 0.44%, 0.5%

LAB 67.76, -41.64, 11.51

 

CMYK 61 / 51 / 0 / 28

HEX #475AB8

RGB 71 90 184

HSL 229.91, 0.44%, 0.5%

LAB 41.39, 22.25, -52.09

 

CMYK 0 / 61 / 39 / 28

HEX #B84771

RGB 184 71 113

HSL 337.7, 0.44%, 0.5%

LAB 46.83, 49.55, -0.15

 

CMYK 0 / 10 / 61 / 28

HEX #B8A547

RGB 184 165 71

HSL 49.91, 0.44%, 0.5%

LAB 67.69, -4.56, 50.03

 

CMYK 61 / 0 / 22 / 28

HEX #48B88F

RGB 72 184 143

HSL 158.04, 0.44%, 0.5%

LAB 67.76, -41.64, 11.51

 

CMYK 53 / 61 / 0 / 28

HEX #5647B8

RGB 86 71 184

HSL 247.96, 0.44%, 0.5%

LAB 37.74, 36.99, -57.94

 

CMYK 0 / 61 / 39 / 28

HEX #B84771

RGB 184 71 113

HSL 337.7, 0.44%, 0.5%

LAB 46.83, 49.55, -0.15

 

CMYK 8 / 0 / 61 / 28

HEX #A9B847

RGB 169 184 71

HSL 67.96, 0.44%, 0.5%

LAB 71.67, -20.74, 54.04

 

Description

Color code: HEX #48B88F | qconv.com Color code: HEX #48B88F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 184 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 184 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 22 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 22% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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