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Color name
HEX #48B324

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48B324 it is the complementary color #B74CDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48B324. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48B324 shade: #4DB31F, #5EC532, #6FD745, #80E958 and #91FB6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48B324. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48B324 shade: #48B324, #37A111, #268F00, #157D00 and #046B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48B324 shade: #47B323, #6EB323, #95B323, #B3AA23 and #B38323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48B324 shade: #47B323, #23B326, #23B34D, #23B373 and #23B39A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48B324 shade matches the following richer shades: #47B323, #3FC412 and #36D601

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48B324 shade: #47B323, #50A235, #599046, #617F57 and #6A6E69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48B324 shade: #96B323, #70B323, #4AB323, #23B323 and #23B34A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48B324 shade: #2C6E16, #3A901D, #47B323, #55D52A and #71DC4D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48B324 shade: #48B324, #23B3A9 and #B32383

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48B324 shade: #48B324, #234AB3 and #B3234A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48B324 shade: #48B324, #23B3A9, #8D23B3 and #B3232D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48B324 shade: #48B324, #2391B3, #8D23B3 and #B34523

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 80 / 30

HEX #48B324

RGB 72 179 36

HSL 104.9, 0.67%, 0.42%

LAB 64.76, -55.18, 58.46

 

Complementary color

CMYK 16 / 65 / 0 / 14

HEX #B74CDB

RGB 183 76 219

HSL 284.9, 0.67%, 0.58%

LAB 52.23, 63.94, -54.24

 

CMYK 57 / 0 / 83 / 30

HEX #4DB31F

RGB 77 179 31

HSL 101.35, 0.7%, 0.41%

LAB 64.9, -54.16, 60.05

 

CMYK 52 / 0 / 75 / 23

HEX #5EC532

RGB 94 197 50

HSL 102.04, 0.6%, 0.48%

LAB 71.24, -55.02, 60.48

 

CMYK 48 / 0 / 68 / 16

HEX #6FD745

RGB 111 215 69

HSL 102.74, 0.65%, 0.56%

LAB 77.53, -55.54, 60.15

 

CMYK 45 / 0 / 62 / 9

HEX #80E958

RGB 128 233 88

HSL 103.45, 0.77%, 0.63%

LAB 83.74, -55.85, 59.42

 

CMYK 42 / 0 / 57 / 2

HEX #91FB6B

RGB 145 251 107

HSL 104.17, 0.95%, 0.7%

LAB 89.89, -55.99, 58.46

 

CMYK 60 / 0 / 80 / 30

HEX #48B324

RGB 72 179 36

HSL 104.9, 0.67%, 0.42%

LAB 64.76, -55.18, 58.46

 

CMYK 66 / 0 / 89 / 37

HEX #37A111

RGB 55 161 17

HSL 104.17, 0.81%, 0.35%

LAB 58.36, -53.84, 57.29

 

CMYK 73 / 0 / 100 / 44

HEX #268F00

RGB 38 143 0

HSL 104.06, 1%, 0.28%

LAB 51.9, -51.84, 54.64

 

CMYK 83 / 0 / 100 / 51

HEX #157D00

RGB 21 125 0

HSL 109.92, 1%, 0.25%

LAB 45.4, -48.83, 49.32

 

CMYK 96 / 0 / 100 / 58

HEX #046B00

RGB 4 107 0

HSL 117.76, 1%, 0.21%

LAB 38.8, -45.08, 43.96

 

CMYK 60 / 0 / 80 / 30

HEX #47B323

RGB 71 179 35

HSL 105, 0.67%, 0.42%

LAB 64.72, -55.48, 58.71

 

CMYK 39 / 0 / 80 / 30

HEX #6EB323

RGB 110 179 35

HSL 88.75, 0.67%, 0.42%

LAB 66.27, -43.7, 60.7

 

CMYK 17 / 0 / 80 / 30

HEX #95B323

RGB 149 179 35

HSL 72.5, 0.67%, 0.42%

LAB 68.57, -28.63, 63.64

 

CMYK 0 / 5 / 80 / 30

HEX #B3AA23

RGB 179 170 35

HSL 56.25, 0.67%, 0.42%

LAB 68.35, -11.22, 64.34

 

CMYK 0 / 27 / 80 / 30

HEX #B38323

RGB 179 131 35

HSL 40, 0.67%, 0.42%

LAB 57.98, 9.85, 55.11

 

CMYK 60 / 0 / 80 / 30

HEX #47B323

RGB 71 179 35

HSL 105, 0.67%, 0.42%

LAB 64.72, -55.48, 58.71

 

CMYK 80 / 0 / 79 / 30

HEX #23B326

RGB 35 179 38

HSL 121.25, 0.67%, 0.42%

LAB 63.95, -61.99, 56.79

 

CMYK 80 / 0 / 57 / 30

HEX #23B34D

RGB 35 179 77

HSL 137.5, 0.67%, 0.42%

LAB 64.27, -58.04, 41.3

 

CMYK 80 / 0 / 36 / 30

HEX #23B373

RGB 35 179 115

HSL 153.33, 0.67%, 0.42%

LAB 64.83, -51.48, 22.54

 

CMYK 80 / 0 / 14 / 30

HEX #23B39A

RGB 35 179 154

HSL 169.58, 0.67%, 0.42%

LAB 65.69, -42.16, 2.4

 

CMYK 60 / 0 / 80 / 30

HEX #47B323

RGB 71 179 35

HSL 105, 0.67%, 0.42%

LAB 64.72, -55.48, 58.71

 

CMYK 68 / 0 / 91 / 23

HEX #3FC412

RGB 63 196 18

HSL 104.83, 0.83%, 0.42%

LAB 69.88, -63.65, 67

 

CMYK 75 / 0 / 100 / 16

HEX #36D601

RGB 54 214 1

HSL 105.07, 0.99%, 0.42%

LAB 75.38, -71.07, 73.38

 

CMYK 60 / 0 / 80 / 30

HEX #47B323

RGB 71 179 35

HSL 105, 0.67%, 0.42%

LAB 64.72, -55.48, 58.71

 

CMYK 51 / 0 / 67 / 36

HEX #50A235

RGB 80 162 53

HSL 105.14, 0.51%, 0.42%

LAB 59.71, -45.34, 47.31

 

CMYK 38 / 0 / 51 / 44

HEX #599046

RGB 89 144 70

HSL 104.59, 0.35%, 0.42%

LAB 54.57, -32.78, 33.47

 

CMYK 24 / 0 / 31 / 50

HEX #617F57

RGB 97 127 87

HSL 105, 0.19%, 0.42%

LAB 49.99, -18.87, 18.37

 

CMYK 4 / 0 / 5 / 57

HEX #6A6E69

RGB 106 110 105

HSL 108, 0.02%, 0.42%

LAB 45.96, -2.56, 2.25

 

CMYK 16 / 0 / 80 / 30

HEX #96B323

RGB 150 179 35

HSL 72.08, 0.67%, 0.42%

LAB 68.64, -28.21, 63.73

 

CMYK 37 / 0 / 80 / 30

HEX #70B323

RGB 112 179 35

HSL 87.92, 0.67%, 0.42%

LAB 66.37, -43, 60.83

 

CMYK 59 / 0 / 80 / 30

HEX #4AB323

RGB 74 179 35

HSL 103.75, 0.67%, 0.42%

LAB 64.82, -54.73, 58.83

 

CMYK 80 / 0 / 80 / 30

HEX #23B323

RGB 35 179 35

HSL 120, 0.67%, 0.42%

LAB 63.93, -62.18, 57.68

 

CMYK 80 / 0 / 59 / 30

HEX #23B34A

RGB 35 179 74

HSL 136.25, 0.67%, 0.42%

LAB 64.24, -58.45, 42.68

 

CMYK 60 / 0 / 80 / 57

HEX #2C6E16

RGB 44 110 22

HSL 105, 0.67%, 0.26%

LAB 40.81, -37.71, 39.84

 

CMYK 60 / 0 / 80 / 44

HEX #3A901D

RGB 58 144 29

HSL 104.87, 0.66%, 0.34%

LAB 52.88, -46.47, 49.23

 

CMYK 60 / 0 / 80 / 30

HEX #47B323

RGB 71 179 35

HSL 105, 0.67%, 0.42%

LAB 64.72, -55.48, 58.71

 

CMYK 60 / 0 / 80 / 16

HEX #55D52A

RGB 85 213 42

HSL 104.91, 0.67%, 0.5%

LAB 75.88, -63.49, 67.26

 

CMYK 49 / 0 / 65 / 14

HEX #71DC4D

RGB 113 220 77

HSL 104.9, 0.67%, 0.58%

LAB 79.18, -56.2, 58.77

 

CMYK 60 / 0 / 80 / 30

HEX #48B324

RGB 72 179 36

HSL 104.9, 0.67%, 0.42%

LAB 64.76, -55.18, 58.46

 

CMYK 80 / 0 / 6 / 30

HEX #23B3A9

RGB 35 179 169

HSL 175.83, 0.67%, 0.42%

LAB 66.11, -37.99, -5.3

 

CMYK 0 / 80 / 27 / 30

HEX #B32383

RGB 179 35 131

HSL 320, 0.67%, 0.42%

LAB 41.88, 63.38, -18.69

 

CMYK 60 / 0 / 80 / 30

HEX #48B324

RGB 72 179 36

HSL 104.9, 0.67%, 0.42%

LAB 64.76, -55.18, 58.46

 

CMYK 80 / 59 / 0 / 30

HEX #234AB3

RGB 35 74 179

HSL 223.75, 0.67%, 0.42%

LAB 35.02, 25.78, -59.55

 

CMYK 0 / 80 / 59 / 30

HEX #B3234A

RGB 179 35 74

HSL 343.75, 0.67%, 0.42%

LAB 40.05, 57.91, 14.36

 

CMYK 60 / 0 / 80 / 30

HEX #48B324

RGB 72 179 36

HSL 104.9, 0.67%, 0.42%

LAB 64.76, -55.18, 58.46

 

CMYK 80 / 0 / 6 / 30

HEX #23B3A9

RGB 35 179 169

HSL 175.83, 0.67%, 0.42%

LAB 66.11, -37.99, -5.3

 

CMYK 21 / 80 / 0 / 30

HEX #8D23B3

RGB 141 35 179

HSL 284.17, 0.67%, 0.42%

LAB 38.06, 63.01, -54.17

 

CMYK 0 / 80 / 75 / 30

HEX #B3232D

RGB 179 35 45

HSL 355.83, 0.67%, 0.42%

LAB 39.54, 56.33, 31.78

 

CMYK 60 / 0 / 80 / 30

HEX #48B324

RGB 72 179 36

HSL 104.9, 0.67%, 0.42%

LAB 64.76, -55.18, 58.46

 

CMYK 80 / 19 / 0 / 30

HEX #2391B3

RGB 35 145 179

HSL 194.17, 0.67%, 0.42%

LAB 55.95, -18.01, -26.3

 

CMYK 21 / 80 / 0 / 30

HEX #8D23B3

RGB 141 35 179

HSL 284.17, 0.67%, 0.42%

LAB 38.06, 63.01, -54.17

 

CMYK 0 / 61 / 80 / 30

HEX #B34523

RGB 179 69 35

HSL 14.17, 0.67%, 0.42%

LAB 44.18, 42.99, 42.18

 

Description

Color code: HEX #48B324 | qconv.com Color code: HEX #48B324 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 179 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 179 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 80 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 80% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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