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Color name
HEX #48B121

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48B121 it is the complementary color #B74EDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48B121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48B121 shade: #4DB11C, #5EC32F, #6FD542, #80E755 and #91F968

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48B121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48B121 shade: #48B121, #379F0E, #268D00, #157B00 and #046900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48B121 shade: #47B120, #6EB120, #95B120, #B1A520 and #B17E20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48B121 shade: #47B120, #21B120, #20B147, #20B16E and #20B195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48B121 shade matches the following richer shades: #47B120 and #40C20F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48B121 shade: #47B120, #4FA031, #578F42, #5F7E53 and #666D64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48B121 shade: #96B120, #70B120, #49B120, #23B120 and #20B144

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48B121 shade: #2B6B14, #398E1A, #47B120, #56D427 and #6FDD46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48B121 shade: #48B121, #20B1A5 and #B12083

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48B121 shade: #48B121, #2049B1 and #B12049

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48B121 shade: #48B121, #20B1A5, #8820B1 and #B1202C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48B121 shade: #48B121, #2091B1, #8820B1 and #B14020

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 81 / 31

HEX #48B121

RGB 72 177 33

HSL 103.75, 0.69%, 0.41%

LAB 64.11, -54.64, 58.72

 

Complementary color

CMYK 18 / 65 / 0 / 13

HEX #B74EDE

RGB 183 78 222

HSL 283.75, 0.69%, 0.59%

LAB 52.72, 63.67, -55.16

 

CMYK 56 / 0 / 84 / 31

HEX #4DB11C

RGB 77 177 28

HSL 100.27, 0.73%, 0.4%

LAB 64.25, -53.58, 60.24

 

CMYK 52 / 0 / 76 / 24

HEX #5EC32F

RGB 94 195 47

HSL 100.95, 0.61%, 0.47%

LAB 70.6, -54.46, 60.85

 

CMYK 48 / 0 / 69 / 16

HEX #6FD542

RGB 111 213 66

HSL 101.63, 0.64%, 0.55%

LAB 76.9, -55.02, 60.64

 

CMYK 45 / 0 / 63 / 9

HEX #80E755

RGB 128 231 85

HSL 102.33, 0.75%, 0.62%

LAB 83.12, -55.34, 59.98

 

CMYK 42 / 0 / 58 / 2

HEX #91F968

RGB 145 249 104

HSL 103.03, 0.92%, 0.69%

LAB 89.29, -55.5, 59.06

 

CMYK 59 / 0 / 81 / 31

HEX #48B121

RGB 72 177 33

HSL 103.75, 0.69%, 0.41%

LAB 64.11, -54.64, 58.72

 

CMYK 65 / 0 / 91 / 38

HEX #379F0E

RGB 55 159 14

HSL 103.03, 0.84%, 0.34%

LAB 57.69, -53.26, 57.28

 

CMYK 73 / 0 / 100 / 45

HEX #268D00

RGB 38 141 0

HSL 103.83, 1%, 0.28%

LAB 51.22, -51.19, 54.1

 

CMYK 83 / 0 / 100 / 52

HEX #157B00

RGB 21 123 0

HSL 109.76, 1%, 0.24%

LAB 44.7, -48.19, 48.76

 

CMYK 96 / 0 / 100 / 59

HEX #046900

RGB 4 105 0

HSL 117.71, 1%, 0.21%

LAB 38.07, -44.46, 43.38

 

CMYK 60 / 0 / 82 / 31

HEX #47B120

RGB 71 177 32

HSL 103.86, 0.69%, 0.41%

LAB 64.07, -54.94, 58.96

 

CMYK 38 / 0 / 82 / 31

HEX #6EB120

RGB 110 177 32

HSL 87.72, 0.69%, 0.41%

LAB 65.64, -43, 60.97

 

CMYK 16 / 0 / 82 / 31

HEX #95B120

RGB 149 177 32

HSL 71.59, 0.69%, 0.41%

LAB 67.97, -27.78, 63.93

 

CMYK 0 / 7 / 82 / 31

HEX #B1A520

RGB 177 165 32

HSL 55.03, 0.69%, 0.41%

LAB 66.8, -9.6, 63.77

 

CMYK 0 / 29 / 82 / 31

HEX #B17E20

RGB 177 126 32

HSL 38.9, 0.69%, 0.41%

LAB 56.46, 11.64, 54.73

 

CMYK 60 / 0 / 82 / 31

HEX #47B120

RGB 71 177 32

HSL 103.86, 0.69%, 0.41%

LAB 64.07, -54.94, 58.96

 

CMYK 81 / 0 / 82 / 31

HEX #21B120

RGB 33 177 32

HSL 119.59, 0.69%, 0.41%

LAB 63.24, -62, 57.88

 

CMYK 82 / 0 / 60 / 31

HEX #20B147

RGB 32 177 71

HSL 136.14, 0.69%, 0.41%

LAB 63.51, -58.52, 43.22

 

CMYK 82 / 0 / 38 / 31

HEX #20B16E

RGB 32 177 110

HSL 152.28, 0.69%, 0.41%

LAB 64.06, -52.06, 24.18

 

CMYK 82 / 0 / 16 / 31

HEX #20B195

RGB 32 177 149

HSL 168.41, 0.69%, 0.41%

LAB 64.9, -42.91, 4.02

 

CMYK 60 / 0 / 82 / 31

HEX #47B120

RGB 71 177 32

HSL 103.86, 0.69%, 0.41%

LAB 64.07, -54.94, 58.96

 

CMYK 67 / 0 / 92 / 24

HEX #40C20F

RGB 64 194 15

HSL 103.58, 0.86%, 0.41%

LAB 69.26, -62.89, 66.94

 

CMYK 60 / 0 / 82 / 31

HEX #47B120

RGB 71 177 32

HSL 103.86, 0.69%, 0.41%

LAB 64.07, -54.94, 58.96

 

CMYK 51 / 0 / 69 / 37

HEX #4FA031

RGB 79 160 49

HSL 103.78, 0.53%, 0.41%

LAB 59, -45.19, 48.2

 

CMYK 39 / 0 / 54 / 44

HEX #578F42

RGB 87 143 66

HSL 103.64, 0.37%, 0.41%

LAB 54.1, -33.53, 34.92

 

CMYK 25 / 0 / 34 / 51

HEX #5F7E53

RGB 95 126 83

HSL 103.26, 0.21%, 0.41%

LAB 49.47, -19.78, 19.93

 

CMYK 6 / 0 / 8 / 57

HEX #666D64

RGB 102 109 100

HSL 106.67, 0.04%, 0.41%

LAB 45.2, -4.53, 4.1

 

CMYK 15 / 0 / 82 / 31

HEX #96B120

RGB 150 177 32

HSL 71.17, 0.69%, 0.41%

LAB 68.04, -27.36, 64.02

 

CMYK 37 / 0 / 82 / 31

HEX #70B120

RGB 112 177 32

HSL 86.9, 0.69%, 0.41%

LAB 65.74, -42.29, 61.1

 

CMYK 59 / 0 / 82 / 31

HEX #49B120

RGB 73 177 32

HSL 103.03, 0.69%, 0.41%

LAB 64.13, -54.43, 59.04

 

CMYK 80 / 0 / 82 / 31

HEX #23B120

RGB 35 177 32

HSL 118.76, 0.69%, 0.41%

LAB 63.27, -61.75, 57.92

 

CMYK 82 / 0 / 62 / 31

HEX #20B144

RGB 32 177 68

HSL 134.9, 0.69%, 0.41%

LAB 63.48, -58.9, 44.56

 

CMYK 60 / 0 / 81 / 58

HEX #2B6B14

RGB 43 107 20

HSL 104.14, 0.69%, 0.25%

LAB 39.71, -36.94, 39.49

 

CMYK 60 / 0 / 82 / 44

HEX #398E1A

RGB 57 142 26

HSL 103.97, 0.69%, 0.33%

LAB 52.16, -46.18, 49.49

 

CMYK 60 / 0 / 82 / 31

HEX #47B120

RGB 71 177 32

HSL 103.86, 0.69%, 0.41%

LAB 64.07, -54.94, 58.96

 

CMYK 59 / 0 / 82 / 17

HEX #56D427

RGB 86 212 39

HSL 103.7, 0.69%, 0.49%

LAB 75.58, -63.06, 67.8

 

CMYK 50 / 0 / 68 / 13

HEX #6FDD46

RGB 111 221 70

HSL 103.71, 0.69%, 0.57%

LAB 79.35, -57.73, 61.68

 

CMYK 59 / 0 / 81 / 31

HEX #48B121

RGB 72 177 33

HSL 103.75, 0.69%, 0.41%

LAB 64.11, -54.64, 58.72

 

CMYK 82 / 0 / 7 / 31

HEX #20B1A5

RGB 32 177 165

HSL 175.03, 0.69%, 0.41%

LAB 65.33, -38.5, -4.23

 

CMYK 0 / 82 / 26 / 31

HEX #B12083

RGB 177 32 131

HSL 319.03, 0.69%, 0.41%

LAB 41.25, 63.67, -19.71

 

CMYK 59 / 0 / 81 / 31

HEX #48B121

RGB 72 177 33

HSL 103.75, 0.69%, 0.41%

LAB 64.11, -54.64, 58.72

 

CMYK 82 / 59 / 0 / 31

HEX #2049B1

RGB 32 73 177

HSL 223.03, 0.69%, 0.41%

LAB 34.49, 25.39, -59.24

 

CMYK 0 / 82 / 59 / 31

HEX #B12049

RGB 177 32 73

HSL 343.03, 0.69%, 0.41%

LAB 39.35, 58.09, 13.98

 

CMYK 59 / 0 / 81 / 31

HEX #48B121

RGB 72 177 33

HSL 103.75, 0.69%, 0.41%

LAB 64.11, -54.64, 58.72

 

CMYK 82 / 0 / 7 / 31

HEX #20B1A5

RGB 32 177 165

HSL 175.03, 0.69%, 0.41%

LAB 65.33, -38.5, -4.23

 

CMYK 23 / 82 / 0 / 31

HEX #8820B1

RGB 136 32 177

HSL 283.03, 0.69%, 0.41%

LAB 36.82, 62.64, -55.02

 

CMYK 0 / 82 / 75 / 31

HEX #B1202C

RGB 177 32 44

HSL 355.03, 0.69%, 0.41%

LAB 38.83, 56.53, 31.47

 

CMYK 59 / 0 / 81 / 31

HEX #48B121

RGB 72 177 33

HSL 103.75, 0.69%, 0.41%

LAB 64.11, -54.64, 58.72

 

CMYK 82 / 18 / 0 / 31

HEX #2091B1

RGB 32 145 177

HSL 193.24, 0.69%, 0.41%

LAB 55.82, -18.98, -25.36

 

CMYK 23 / 82 / 0 / 31

HEX #8820B1

RGB 136 32 177

HSL 283.03, 0.69%, 0.41%

LAB 36.82, 62.64, -55.02

 

CMYK 0 / 64 / 82 / 31

HEX #B14020

RGB 177 64 32

HSL 13.24, 0.69%, 0.41%

LAB 42.94, 44.45, 42.36

 

Description

Color code: HEX #48B121 | qconv.com Color code: HEX #48B121 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 177 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 177 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 81 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 81% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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