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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #489CF93F it is the complementary color #B763063F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #489CF93F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #489CF93F shade: #4D9CF43F, #5EAEFF3F, #6FC0FF3F, #80D2FF3F and #91E4FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #489CF93F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #489CF93F shade: #489CF93F, #378AE63F, #2678D33F, #1566C03F and #0454AD3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #489CF93F shade: #489CF9, #486CF9, #5348F9, #8348F9 and #B348F9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #489CF93F shade: #489CF9, #486CF9 and #4848F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #489CF93F shade matches the following richer shades: #489CF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #489CF93F shade: #489CF9, #579DEA, #669EDB, #769ECC and #859FBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #489CF93F shade: #48F9F6, #48CDF9, #489EF9, #486EF9 and #5148F9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #489CF93F shade: #0772E8, #2087F8, #489CF9, #70B2FB and #98C7FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #489CF93F shade: #489CF9, #C748F9 and #E5F948

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #489CF93F shade: #489CF9, #F9489E and #9EF948

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #489CF93F shade: #489CF9, #C748F9, #F9A448 and #7AF948

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #489CF93F shade: #489CF9, #F948F6, #F9A448 and #48F94B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 9 / 0 / 1

HEX #489CF93F

RGBA 72 156 249 0.25

HSLA 211.53, 0.94%, 0.63%, 0.25

LABA 63.34, 4.62, -53.74, 0.25

 

Complementary color

CMYK 0 / 11 / 24 / 7

HEX #B763063F

RGBA 183 99 6 0.25

HSLA 31.53, 0.94%, 0.37%, 0.25

LABA 50.69, 28.67, 57.58, 0.25

 

CMYK 17 / 9 / 0 / 1

HEX #4D9CF43F

RGBA 77 156 244 0.25

HSLA 211.62, 0.88%, 0.63%, 0.25

LABA 63.25, 3.61, -51.13, 0.25

 

CMYK 16 / 8 / 0 / 0

HEX #5EAEFF3F

RGBA 94 174 255 0.25

HSLA 210.19, 1%, 0.68%, 0.25

LABA 69.38, -0.31, -47.4, 0.25

 

CMYK 14 / 6 / 0 / 0

HEX #6FC0FF3F

RGBA 111 192 255 0.25

HSLA 206.25, 1%, 0.72%, 0.25

LABA 75.01, -7.11, -38.54, 0.25

 

CMYK 12 / 4 / 0 / 0

HEX #80D2FF3F

RGBA 128 210 255 0.25

HSLA 201.26, 1%, 0.75%, 0.25

LABA 80.68, -13.12, -29.73, 0.25

 

CMYK 11 / 3 / 0 / 0

HEX #91E4FF3F

RGBA 145 228 255 0.25

HSLA 194.73, 1%, 0.78%, 0.25

LABA 86.37, -18.44, -21, 0.25

 

CMYK 18 / 9 / 0 / 1

HEX #489CF93F

RGBA 72 156 249 0.25

HSLA 211.53, 0.94%, 0.63%, 0.25

LABA 63.34, 4.62, -53.74, 0.25

 

CMYK 19 / 10 / 0 / 2

HEX #378AE63F

RGBA 55 138 230 0.25

HSLA 211.54, 0.78%, 0.56%, 0.25

LABA 56.78, 6.41, -53.71, 0.25

 

CMYK 20 / 11 / 0 / 4

HEX #2678D33F

RGBA 38 120 211 0.25

HSLA 211.56, 0.69%, 0.49%, 0.25

LABA 50.15, 8.6, -53.64, 0.25

 

CMYK 22 / 12 / 0 / 6

HEX #1566C03F

RGBA 21 102 192 0.25

HSLA 211.58, 0.8%, 0.42%, 0.25

LABA 43.46, 11.33, -53.51, 0.25

 

CMYK 24 / 13 / 0 / 8

HEX #0454AD3F

RGBA 4 84 173 0.25

HSLA 211.6, 0.95%, 0.35%, 0.25

LABA 36.71, 14.69, -53.28, 0.25

 

CMYK 71 / 37 / 0 / 2

HEX #489CF9

RGB 72 156 249

HSL 211.53, 0.94%, 0.63%

LAB 63.34, 4.62, -53.74

 

CMYK 71 / 57 / 0 / 2

HEX #486CF9

RGB 72 108 249

HSL 227.8, 0.94%, 0.63%

LAB 50.62, 33.78, -74.18

 

CMYK 67 / 71 / 0 / 2

HEX #5348F9

RGB 83 72 249

HSL 243.73, 0.94%, 0.63%

LAB 43.23, 56.2, -86.25

 

CMYK 47 / 71 / 0 / 2

HEX #8348F9

RGB 131 72 249

HSL 260, 0.94%, 0.63%

LAB 47.37, 62.61, -79.31

 

CMYK 28 / 71 / 0 / 2

HEX #B348F9

RGB 179 72 249

HSL 276.27, 0.94%, 0.63%

LAB 53.01, 70.89, -69.87

 

CMYK 71 / 37 / 0 / 2

HEX #489CF9

RGB 72 156 249

HSL 211.53, 0.94%, 0.63%

LAB 63.34, 4.62, -53.74

 

CMYK 71 / 57 / 0 / 2

HEX #486CF9

RGB 72 108 249

HSL 227.8, 0.94%, 0.63%

LAB 50.62, 33.78, -74.18

 

CMYK 71 / 71 / 0 / 2

HEX #4848F9

RGB 72 72 249

HSL 240, 0.94%, 0.63%

LAB 42.54, 55.08, -87.42

 

CMYK 71 / 37 / 0 / 2

HEX #489CF9

RGB 72 156 249

HSL 211.53, 0.94%, 0.63%

LAB 63.34, 4.62, -53.74

 

CMYK 71 / 37 / 0 / 2

HEX #489CF9

RGB 72 156 249

HSL 211.53, 0.94%, 0.63%

LAB 63.34, 4.62, -53.74

 

CMYK 63 / 33 / 0 / 8

HEX #579DEA

RGB 87 157 234

HSL 211.43, 0.78%, 0.63%

LAB 63.41, 1.29, -45.35

 

CMYK 53 / 28 / 0 / 14

HEX #669EDB

RGB 102 158 219

HSL 211.28, 0.62%, 0.63%

LAB 63.67, -1.1, -36.61

 

CMYK 42 / 23 / 0 / 20

HEX #769ECC

RGB 118 158 204

HSL 212.09, 0.46%, 0.63%

LAB 63.89, -1.67, -27.87

 

CMYK 29 / 15 / 0 / 26

HEX #859FBC

RGB 133 159 188

HSL 211.64, 0.29%, 0.63%

LAB 64.49, -2.24, -17.93

 

CMYK 71 / 0 / 1 / 2

HEX #48F9F6

RGB 72 249 246

HSL 178.98, 0.94%, 0.63%

LAB 89.76, -43.84, -11.42

 

CMYK 71 / 18 / 0 / 2

HEX #48CDF9

RGB 72 205 249

HSL 194.92, 0.94%, 0.63%

LAB 77.21, -22.13, -32.03

 

CMYK 71 / 37 / 0 / 2

HEX #489EF9

RGB 72 158 249

HSL 210.85, 0.94%, 0.63%

LAB 63.89, 3.46, -52.85

 

CMYK 71 / 56 / 0 / 2

HEX #486EF9

RGB 72 110 249

HSL 227.12, 0.94%, 0.63%

LAB 51.12, 32.54, -73.38

 

CMYK 67 / 71 / 0 / 2

HEX #5148F9

RGB 81 72 249

HSL 243.05, 0.94%, 0.63%

LAB 43.1, 55.98, -86.48

 

CMYK 97 / 51 / 0 / 9

HEX #0772E8

RGB 7 114 232

HSL 211.47, 0.94%, 0.47%

LAB 49.38, 18.86, -66.77

 

CMYK 87 / 46 / 0 / 3

HEX #2087F8

RGB 32 135 248

HSL 211.39, 0.94%, 0.55%

LAB 56.5, 12.92, -64.17

 

CMYK 71 / 37 / 0 / 2

HEX #489CF9

RGB 72 156 249

HSL 211.53, 0.94%, 0.63%

LAB 63.34, 4.62, -53.74

 

CMYK 55 / 29 / 0 / 2

HEX #70B2FB

RGB 112 178 251

HSL 211.51, 0.95%, 0.71%

LAB 71.04, -0.45, -42.57

 

CMYK 40 / 21 / 0 / 1

HEX #98C7FC

RGB 152 199 252

HSL 211.8, 0.94%, 0.79%

LAB 78.78, -2.39, -30.95

 

CMYK 71 / 37 / 0 / 2

HEX #489CF9

RGB 72 156 249

HSL 211.53, 0.94%, 0.63%

LAB 63.34, 4.62, -53.74

 

CMYK 20 / 71 / 0 / 2

HEX #C748F9

RGB 199 72 249

HSL 283.05, 0.94%, 0.63%

LAB 55.7, 74.69, -65.4

 

CMYK 8 / 0 / 71 / 2

HEX #E5F948

RGB 229 249 72

HSL 66.78, 0.94%, 0.63%

LAB 93.83, -27.63, 77.67

 

CMYK 71 / 37 / 0 / 2

HEX #489CF9

RGB 72 156 249

HSL 211.53, 0.94%, 0.63%

LAB 63.34, 4.62, -53.74

 

CMYK 0 / 71 / 37 / 2

HEX #F9489E

RGB 249 72 158

HSL 330.85, 0.94%, 0.63%

LAB 59.2, 72.81, -7.48

 

CMYK 37 / 0 / 71 / 2

HEX #9EF948

RGB 158 249 72

HSL 90.85, 0.94%, 0.63%

LAB 89.62, -53.95, 72.11

 

CMYK 71 / 37 / 0 / 2

HEX #489CF9

RGB 72 156 249

HSL 211.53, 0.94%, 0.63%

LAB 63.34, 4.62, -53.74

 

CMYK 20 / 71 / 0 / 2

HEX #C748F9

RGB 199 72 249

HSL 283.05, 0.94%, 0.63%

LAB 55.7, 74.69, -65.4

 

CMYK 0 / 34 / 71 / 2

HEX #F9A448

RGB 249 164 72

HSL 31.19, 0.94%, 0.63%

LAB 74.29, 23.68, 58.7

 

CMYK 51 / 0 / 71 / 2

HEX #7AF948

RGB 122 249 72

HSL 103.05, 0.94%, 0.63%

LAB 88.14, -64.83, 70.14

 

CMYK 71 / 37 / 0 / 2

HEX #489CF9

RGB 72 156 249

HSL 211.53, 0.94%, 0.63%

LAB 63.34, 4.62, -53.74

 

CMYK 0 / 71 / 1 / 2

HEX #F948F6

RGB 249 72 246

HSL 301.02, 0.94%, 0.63%

LAB 62.87, 84.2, -51.86

 

CMYK 0 / 34 / 71 / 2

HEX #F9A448

RGB 249 164 72

HSL 31.19, 0.94%, 0.63%

LAB 74.29, 23.68, 58.7

 

CMYK 71 / 0 / 70 / 2

HEX #48F94B

RGB 72 249 75

HSL 121.02, 0.94%, 0.63%

LAB 86.82, -75.43, 67.3

 

Description

Color code: HEX #489CF93F | qconv.com Color code: HEX #489CF93F | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 156 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 156 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 9 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 9% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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