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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48973A it is the complementary color #B768C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48973A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48973A shade: #4D9735, #5EA948, #6FBB5B, #80CD6E and #91DF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48973A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48973A shade: #48973A, #378527, #267314, #156101 and #044F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48973A shade: #48973B, #61973B, #7A973B, #93973B and #97813B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48973A shade: #48973B, #3B9746, #3B975E, #3B9777 and #3B9790

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48973A shade matches the following richer shades: #48973B, #3DA72A, #31B819 and #25C908

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48973A shade: #48973B, #54864B, #60755C, #6C646D and #78537E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48973A shade: #7B973B, #62973B, #4A973B, #3B9744 and #3B975C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48973A shade: #2C5B23, #3A792F, #48973B, #57B446 and #70C262

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48973A shade: #48973A, #3B9397 and #973B6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48973A shade: #48973A, #3B4A97 and #973B4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48973A shade: #48973A, #3B9397, #873B97 and #973E3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48973A shade: #48973A, #3B7897, #873B97 and #97593B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 62 / 41

HEX #48973A

RGB 72 151 58

HSL 110.97, 0.44%, 0.41%

LAB 55.9, -42.75, 40.78

 

Complementary color

CMYK 7 / 47 / 0 / 23

HEX #B768C5

RGB 183 104 197

HSL 290.97, 0.44%, 0.59%

LAB 56.09, 46.14, -35.6

 

CMYK 49 / 0 / 65 / 41

HEX #4D9735

RGB 77 151 53

HSL 105.31, 0.48%, 0.4%

LAB 56.06, -41.77, 43.3

 

CMYK 44 / 0 / 57 / 34

HEX #5EA948

RGB 94 169 72

HSL 106.39, 0.4%, 0.47%

LAB 62.7, -41.94, 42.24

 

CMYK 41 / 0 / 51 / 27

HEX #6FBB5B

RGB 111 187 91

HSL 107.5, 0.41%, 0.55%

LAB 69.24, -41.94, 41.04

 

CMYK 38 / 0 / 46 / 20

HEX #80CD6E

RGB 128 205 110

HSL 108.63, 0.49%, 0.62%

LAB 75.69, -41.84, 39.81

 

CMYK 35 / 0 / 42 / 13

HEX #91DF81

RGB 145 223 129

HSL 109.79, 0.59%, 0.69%

LAB 82.04, -41.68, 38.6

 

CMYK 52 / 0 / 62 / 41

HEX #48973A

RGB 72 151 58

HSL 110.97, 0.44%, 0.41%

LAB 55.9, -42.75, 40.78

 

CMYK 59 / 0 / 71 / 48

HEX #378527

RGB 55 133 39

HSL 109.79, 0.55%, 0.34%

LAB 49.17, -42.31, 41.72

 

CMYK 67 / 0 / 83 / 55

HEX #267314

RGB 38 115 20

HSL 108.63, 0.7%, 0.26%

LAB 42.34, -41.34, 41.94

 

CMYK 78 / 0 / 99 / 62

HEX #156101

RGB 21 97 1

HSL 107.5, 0.98%, 0.19%

LAB 35.42, -39.57, 41.05

 

CMYK 95 / 0 / 100 / 69

HEX #044F00

RGB 4 79 0

HSL 116.96, 1%, 0.15%

LAB 28.43, -36.23, 35.65

 

CMYK 52 / 0 / 61 / 41

HEX #48973B

RGB 72 151 59

HSL 111.52, 0.44%, 0.41%

LAB 55.91, -42.63, 40.32

 

CMYK 36 / 0 / 61 / 41

HEX #61973B

RGB 97 151 59

HSL 95.22, 0.44%, 0.41%

LAB 57.07, -34.42, 41.94

 

CMYK 19 / 0 / 61 / 41

HEX #7A973B

RGB 122 151 59

HSL 78.91, 0.44%, 0.41%

LAB 58.59, -24.7, 44.07

 

CMYK 3 / 0 / 61 / 41

HEX #93973B

RGB 147 151 59

HSL 62.61, 0.44%, 0.41%

LAB 60.47, -14.09, 46.68

 

CMYK 0 / 15 / 61 / 41

HEX #97813B

RGB 151 129 59

HSL 45.65, 0.44%, 0.41%

LAB 54.65, -0.35, 40.3

 

CMYK 52 / 0 / 61 / 41

HEX #48973B

RGB 72 151 59

HSL 111.52, 0.44%, 0.41%

LAB 55.91, -42.63, 40.32

 

CMYK 61 / 0 / 54 / 41

HEX #3B9746

RGB 59 151 70

HSL 127.17, 0.44%, 0.41%

LAB 55.59, -44.67, 34.43

 

CMYK 61 / 0 / 38 / 41

HEX #3B975E

RGB 59 151 94

HSL 142.83, 0.44%, 0.41%

LAB 55.96, -40.62, 22.14

 

CMYK 61 / 0 / 21 / 41

HEX #3B9777

RGB 59 151 119

HSL 159.13, 0.44%, 0.41%

LAB 56.48, -35.2, 8.85

 

CMYK 61 / 0 / 5 / 41

HEX #3B9790

RGB 59 151 144

HSL 175.43, 0.44%, 0.41%

LAB 57.15, -28.68, -4.43

 

CMYK 52 / 0 / 61 / 41

HEX #48973B

RGB 72 151 59

HSL 111.52, 0.44%, 0.41%

LAB 55.91, -42.63, 40.32

 

CMYK 63 / 0 / 75 / 35

HEX #3DA72A

RGB 61 167 42

HSL 110.88, 0.6%, 0.41%

LAB 60.6, -53.18, 52.35

 

CMYK 73 / 0 / 86 / 28

HEX #31B819

RGB 49 184 25

HSL 110.94, 0.76%, 0.41%

LAB 65.75, -62.18, 62.01

 

CMYK 82 / 0 / 96 / 21

HEX #25C908

RGB 37 201 8

HSL 110.98, 0.92%, 0.41%

LAB 71, -69.43, 69.01

 

CMYK 52 / 0 / 61 / 41

HEX #48973B

RGB 72 151 59

HSL 111.52, 0.44%, 0.41%

LAB 55.91, -42.63, 40.32

 

CMYK 37 / 0 / 44 / 47

HEX #54864B

RGB 84 134 75

HSL 110.85, 0.28%, 0.41%

LAB 51.2, -29.1, 26.54

 

CMYK 18 / 0 / 21 / 54

HEX #60755C

RGB 96 117 92

HSL 110.4, 0.12%, 0.41%

LAB 46.95, -12.96, 11.28

 

CMYK 1 / 8 / 0 / 57

HEX #6C646D

RGB 108 100 109

HSL 293.33, 0.04%, 0.41%

LAB 43.37, 4.98, -3.93

 

CMYK 5 / 34 / 0 / 51

HEX #78537E

RGB 120 83 126

HSL 291.63, 0.21%, 0.41%

LAB 40.71, 23.36, -18.18

 

CMYK 19 / 0 / 61 / 41

HEX #7B973B

RGB 123 151 59

HSL 78.26, 0.44%, 0.41%

LAB 58.66, -24.29, 44.17

 

CMYK 35 / 0 / 61 / 41

HEX #62973B

RGB 98 151 59

HSL 94.57, 0.44%, 0.41%

LAB 57.12, -34.05, 42.02

 

CMYK 51 / 0 / 61 / 41

HEX #4A973B

RGB 74 151 59

HSL 110.22, 0.44%, 0.41%

LAB 55.99, -42.05, 40.43

 

CMYK 61 / 0 / 55 / 41

HEX #3B9744

RGB 59 151 68

HSL 125.87, 0.44%, 0.41%

LAB 55.56, -44.95, 35.41

 

CMYK 61 / 0 / 39 / 41

HEX #3B975C

RGB 59 151 92

HSL 141.52, 0.44%, 0.41%

LAB 55.92, -41.01, 23.19

 

CMYK 52 / 0 / 62 / 64

HEX #2C5B23

RGB 44 91 35

HSL 110.36, 0.44%, 0.25%

LAB 34.27, -28.3, 26.99

 

CMYK 52 / 0 / 61 / 53

HEX #3A792F

RGB 58 121 47

HSL 111.08, 0.44%, 0.33%

LAB 45.33, -35.66, 33.82

 

CMYK 52 / 0 / 61 / 41

HEX #48973B

RGB 72 151 59

HSL 111.52, 0.44%, 0.41%

LAB 55.91, -42.63, 40.32

 

CMYK 52 / 0 / 61 / 29

HEX #57B446

RGB 87 180 70

HSL 110.73, 0.44%, 0.49%

LAB 65.83, -48.76, 46.7

 

CMYK 42 / 0 / 49 / 24

HEX #70C262

RGB 112 194 98

HSL 111.25, 0.44%, 0.57%

LAB 71.49, -43.73, 40.37

 

CMYK 52 / 0 / 62 / 41

HEX #48973A

RGB 72 151 58

HSL 110.97, 0.44%, 0.41%

LAB 55.9, -42.75, 40.78

 

CMYK 61 / 3 / 0 / 41

HEX #3B9397

RGB 59 147 151

HSL 182.61, 0.44%, 0.41%

LAB 56.12, -24.67, -9.97

 

CMYK 0 / 61 / 26 / 41

HEX #973B6F

RGB 151 59 111

HSL 326.09, 0.44%, 0.41%

LAB 39.34, 44.28, -10.63

 

CMYK 52 / 0 / 62 / 41

HEX #48973A

RGB 72 151 58

HSL 110.97, 0.44%, 0.41%

LAB 55.9, -42.75, 40.78

 

CMYK 61 / 51 / 0 / 41

HEX #3B4A97

RGB 59 74 151

HSL 230.22, 0.44%, 0.41%

LAB 34.11, 18.77, -44.2

 

CMYK 0 / 61 / 51 / 41

HEX #973B4A

RGB 151 59 74

HSL 350.22, 0.44%, 0.41%

LAB 38.2, 39.91, 11.01

 

CMYK 52 / 0 / 62 / 41

HEX #48973A

RGB 72 151 58

HSL 110.97, 0.44%, 0.41%

LAB 55.9, -42.75, 40.78

 

CMYK 61 / 3 / 0 / 41

HEX #3B9397

RGB 59 147 151

HSL 182.61, 0.44%, 0.41%

LAB 56.12, -24.67, -9.97

 

CMYK 11 / 61 / 0 / 41

HEX #873B97

RGB 135 59 151

HSL 289.57, 0.44%, 0.41%

LAB 38.75, 46.51, -36.33

 

CMYK 0 / 59 / 61 / 41

HEX #973E3B

RGB 151 62 59

HSL 1.96, 0.44%, 0.41%

LAB 38.45, 37.16, 20.72

 

CMYK 52 / 0 / 62 / 41

HEX #48973A

RGB 72 151 58

HSL 110.97, 0.44%, 0.41%

LAB 55.9, -42.75, 40.78

 

CMYK 61 / 21 / 0 / 41

HEX #3B7897

RGB 59 120 151

HSL 200.22, 0.44%, 0.41%

LAB 47.75, -10.05, -22.7

 

CMYK 11 / 61 / 0 / 41

HEX #873B97

RGB 135 59 151

HSL 289.57, 0.44%, 0.41%

LAB 38.75, 46.51, -36.33

 

CMYK 0 / 41 / 61 / 41

HEX #97593B

RGB 151 89 59

HSL 19.57, 0.44%, 0.41%

LAB 44.29, 22.53, 28.07

 

Description

Color code: HEX #48973A | qconv.com Color code: HEX #48973A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 151 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 151 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 62 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 62% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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