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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #489326 it is the complementary color #B76CD9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #489326. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #489326 shade: #4D9321, #5EA534, #6FB747, #80C95A and #91DB6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #489326. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #489326 shade: #489326, #378113, #266F00, #155D00 and #044B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #489326 shade: #479226, #659226, #829226, #928526 and #926826

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #489326 shade: #479226, #2A9226, #26923E, #26925B and #269279

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #489326 shade matches the following richer shades: #479226, #42A117 and #3CB008

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #489326 shade: #479226, #4D8334, #537443, #586552 and #5E5761

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #489326 shade: #829226, #659226, #489226, #2B9226 and #26923D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #489326 shade: #275015, #37711D, #479226, #57B32E and #6ACD3D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #489326 shade: #489326, #269285 and #922673

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #489326 shade: #489326, #264892 and #922648

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #489326 shade: #489326, #269285, #702692 and #922632

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #489326 shade: #489326, #267E92, #702692 and #923926

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 74 / 42

HEX #489326

RGB 72 147 38

HSL 101.28, 0.59%, 0.36%

LAB 54.43, -43, 47.75

 

Complementary color

CMYK 16 / 50 / 0 / 15

HEX #B76CD9

RGB 183 108 217

HSL 281.28, 0.59%, 0.64%

LAB 57.85, 48.13, -44.17

 

CMYK 48 / 0 / 78 / 42

HEX #4D9321

RGB 77 147 33

HSL 96.84, 0.63%, 0.35%

LAB 54.61, -41.76, 49.81

 

CMYK 43 / 0 / 68 / 35

HEX #5EA534

RGB 94 165 52

HSL 97.7, 0.52%, 0.43%

LAB 61.25, -42.23, 49.55

 

CMYK 39 / 0 / 61 / 28

HEX #6FB747

RGB 111 183 71

HSL 98.57, 0.44%, 0.5%

LAB 67.8, -42.45, 48.75

 

CMYK 36 / 0 / 55 / 21

HEX #80C95A

RGB 128 201 90

HSL 99.46, 0.51%, 0.57%

LAB 74.25, -42.52, 47.71

 

CMYK 34 / 0 / 50 / 14

HEX #91DB6D

RGB 145 219 109

HSL 100.36, 0.6%, 0.64%

LAB 80.62, -42.49, 46.57

 

CMYK 51 / 0 / 74 / 42

HEX #489326

RGB 72 147 38

HSL 101.28, 0.59%, 0.36%

LAB 54.43, -43, 47.75

 

CMYK 57 / 0 / 85 / 49

HEX #378113

RGB 55 129 19

HSL 100.36, 0.74%, 0.29%

LAB 47.7, -42.18, 47.41

 

CMYK 66 / 0 / 100 / 56

HEX #266F00

RGB 38 111 0

HSL 99.46, 1%, 0.22%

LAB 40.87, -40.81, 45.88

 

CMYK 77 / 0 / 100 / 64

HEX #155D00

RGB 21 93 0

HSL 106.45, 1%, 0.18%

LAB 33.96, -38.24, 40.2

 

CMYK 95 / 0 / 100 / 71

HEX #044B00

RGB 4 75 0

HSL 116.8, 1%, 0.15%

LAB 26.9, -34.91, 34.35

 

CMYK 51 / 0 / 74 / 43

HEX #479226

RGB 71 146 38

HSL 101.67, 0.59%, 0.36%

LAB 54.07, -42.9, 47.37

 

CMYK 31 / 0 / 74 / 43

HEX #659226

RGB 101 146 38

HSL 85, 0.59%, 0.36%

LAB 55.55, -32.34, 49.34

 

CMYK 11 / 0 / 74 / 43

HEX #829226

RGB 130 146 38

HSL 68.89, 0.59%, 0.36%

LAB 57.51, -20.26, 51.92

 

CMYK 0 / 9 / 74 / 43

HEX #928526

RGB 146 133 38

HSL 52.78, 0.59%, 0.36%

LAB 55.1, -6.16, 50.06

 

CMYK 0 / 29 / 74 / 43

HEX #926826

RGB 146 104 38

HSL 36.67, 0.59%, 0.36%

LAB 47.17, 10.27, 42.17

 

CMYK 51 / 0 / 74 / 43

HEX #479226

RGB 71 146 38

HSL 101.67, 0.59%, 0.36%

LAB 54.07, -42.9, 47.37

 

CMYK 71 / 0 / 74 / 43

HEX #2A9226

RGB 42 146 38

HSL 117.78, 0.59%, 0.36%

LAB 53.16, -50.19, 46.15

 

CMYK 74 / 0 / 58 / 43

HEX #26923E

RGB 38 146 62

HSL 133.33, 0.59%, 0.36%

LAB 53.3, -48.22, 35.56

 

CMYK 74 / 0 / 38 / 43

HEX #26925B

RGB 38 146 91

HSL 149.44, 0.59%, 0.36%

LAB 53.73, -43.18, 20.73

 

CMYK 74 / 0 / 17 / 43

HEX #269279

RGB 38 146 121

HSL 166.11, 0.59%, 0.36%

LAB 54.4, -36.09, 4.66

 

CMYK 51 / 0 / 74 / 43

HEX #479226

RGB 71 146 38

HSL 101.67, 0.59%, 0.36%

LAB 54.07, -42.9, 47.37

 

CMYK 59 / 0 / 86 / 37

HEX #42A117

RGB 66 161 23

HSL 101.3, 0.75%, 0.36%

LAB 58.7, -50.93, 56.39

 

CMYK 66 / 0 / 95 / 31

HEX #3CB008

RGB 60 176 8

HSL 101.43, 0.91%, 0.36%

LAB 63.37, -58.02, 62.94

 

CMYK 51 / 0 / 74 / 43

HEX #479226

RGB 71 146 38

HSL 101.67, 0.59%, 0.36%

LAB 54.07, -42.9, 47.37

 

CMYK 41 / 0 / 60 / 49

HEX #4D8334

RGB 77 131 52

HSL 101.01, 0.43%, 0.36%

LAB 49.57, -33.21, 36.47

 

CMYK 28 / 0 / 42 / 55

HEX #537443

RGB 83 116 67

HSL 100.41, 0.27%, 0.36%

LAB 45.27, -21.72, 23.35

 

CMYK 13 / 0 / 19 / 60

HEX #586552

RGB 88 101 82

HSL 101.05, 0.1%, 0.36%

LAB 41.2, -8.95, 9.12

 

CMYK 3 / 10 / 0 / 62

HEX #5E5761

RGB 94 87 97

HSL 282, 0.05%, 0.36%

LAB 37.95, 4.93, -4.74

 

CMYK 11 / 0 / 74 / 43

HEX #829226

RGB 130 146 38

HSL 68.89, 0.59%, 0.36%

LAB 57.51, -20.26, 51.92

 

CMYK 31 / 0 / 74 / 43

HEX #659226

RGB 101 146 38

HSL 85, 0.59%, 0.36%

LAB 55.55, -32.34, 49.34

 

CMYK 51 / 0 / 74 / 43

HEX #489226

RGB 72 146 38

HSL 101.11, 0.59%, 0.36%

LAB 54.11, -42.6, 47.42

 

CMYK 71 / 0 / 74 / 43

HEX #2B9226

RGB 43 146 38

HSL 117.22, 0.59%, 0.36%

LAB 53.18, -50, 46.18

 

CMYK 74 / 0 / 58 / 43

HEX #26923D

RGB 38 146 61

HSL 132.78, 0.59%, 0.36%

LAB 53.28, -48.36, 36.04

 

CMYK 51 / 0 / 74 / 69

HEX #275015

RGB 39 80 21

HSL 101.69, 0.58%, 0.2%

LAB 29.97, -26.56, 29.19

 

CMYK 51 / 0 / 74 / 56

HEX #37711D

RGB 55 113 29

HSL 101.43, 0.59%, 0.28%

LAB 42.32, -35.03, 38.78

 

CMYK 51 / 0 / 74 / 43

HEX #479226

RGB 71 146 38

HSL 101.67, 0.59%, 0.36%

LAB 54.07, -42.9, 47.37

 

CMYK 51 / 0 / 74 / 30

HEX #57B32E

RGB 87 179 46

HSL 101.5, 0.59%, 0.44%

LAB 65.33, -50.49, 55.92

 

CMYK 48 / 0 / 70 / 20

HEX #6ACD3D

RGB 106 205 61

HSL 101.25, 0.59%, 0.52%

LAB 74.23, -53.8, 59.71

 

CMYK 51 / 0 / 74 / 42

HEX #489326

RGB 72 147 38

HSL 101.28, 0.59%, 0.36%

LAB 54.43, -43, 47.75

 

CMYK 74 / 0 / 9 / 43

HEX #269285

RGB 38 146 133

HSL 172.78, 0.59%, 0.36%

LAB 54.72, -32.78, -1.76

 

CMYK 0 / 74 / 21 / 43

HEX #922673

RGB 146 38 115

HSL 317.22, 0.59%, 0.36%

LAB 35.47, 52.15, -19.13

 

CMYK 51 / 0 / 74 / 42

HEX #489326

RGB 72 147 38

HSL 101.28, 0.59%, 0.36%

LAB 54.43, -43, 47.75

 

CMYK 74 / 51 / 0 / 43

HEX #264892

RGB 38 72 146

HSL 221.11, 0.59%, 0.36%

LAB 32.08, 14.62, -44.48

 

CMYK 0 / 74 / 51 / 43

HEX #922648

RGB 146 38 72

HSL 341.11, 0.59%, 0.36%

LAB 33.91, 47.14, 6.14

 

CMYK 51 / 0 / 74 / 42

HEX #489326

RGB 72 147 38

HSL 101.28, 0.59%, 0.36%

LAB 54.43, -43, 47.75

 

CMYK 74 / 0 / 9 / 43

HEX #269285

RGB 38 146 133

HSL 172.78, 0.59%, 0.36%

LAB 54.72, -32.78, -1.76

 

CMYK 23 / 74 / 0 / 43

HEX #702692

RGB 112 38 146

HSL 281.11, 0.59%, 0.36%

LAB 31.59, 49.56, -44.92

 

CMYK 0 / 74 / 66 / 43

HEX #922632

RGB 146 38 50

HSL 353.33, 0.59%, 0.36%

LAB 33.41, 45.46, 19.73

 

CMYK 51 / 0 / 74 / 42

HEX #489326

RGB 72 147 38

HSL 101.28, 0.59%, 0.36%

LAB 54.43, -43, 47.75

 

CMYK 74 / 14 / 0 / 43

HEX #267E92

RGB 38 126 146

HSL 191.11, 0.59%, 0.36%

LAB 48.77, -18.64, -18.24

 

CMYK 23 / 74 / 0 / 43

HEX #702692

RGB 112 38 146

HSL 281.11, 0.59%, 0.36%

LAB 31.59, 49.56, -44.92

 

CMYK 0 / 61 / 74 / 43

HEX #923926

RGB 146 57 38

HSL 10.56, 0.59%, 0.36%

LAB 36.32, 36.42, 30.59

 

Description

Color code: HEX #489326 | qconv.com Color code: HEX #489326 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 147 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 147 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 74 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 74% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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