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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #488F48CE it is the complementary color #B770B7CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #488F48CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #488F48CE shade: #4D8F43CE, #5EA156CE, #6FB369CE, #80C57CCE and #91D78FCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #488F48CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #488F48CE shade: #488F48CE, #377D35CE, #266B22CE, #15590FCE and #044700CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #488F48CE shade: #488E48, #5B8E48, #6E8E48, #818E48 and #8E8948

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #488F48CE shade: #488E48, #488E5B, #488E6E, #488E81 and #48898E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #488F48CE shade matches the following richer shades: #488E48, #36A036, #25B125, #14C214 and #02D402

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #488F48CE shade: #488E48, #597D59, #6A6C6A, #7C5A7C and #8D498D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #488F48CE shade: #6D8E48, #5B8E48, #488E48, #488E5B and #488E6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #488F48CE shade: #2C582C, #3A733A, #488E48, #56AA56 and #71B871

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #488F48CE shade: #488F48, #48808E and #8E4864

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #488F48CE shade: #488F48, #48488E and #8E4848

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #488F48CE shade: #488F48, #48808E, #8E488E and #8E5648

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #488F48CE shade: #488F48, #486B8E, #8E488E and #8E6B48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 40 / 36

HEX #488F48CE

RGBA 72 143 72 0.81

HSLA 120, 0.33%, 0.42%, 0.81

LABA 53.48, -37.56, 30.91, 0.81

 

Complementary color

CMYK 0 / 31 / 0 / 23

HEX #B770B7CE

RGBA 183 112 183 0.81

HSLA 300, 0.33%, 0.58%, 0.81

LABA 57.15, 39.19, -25.94, 0.81

 

CMYK 37 / 0 / 43 / 36

HEX #4D8F43CE

RGBA 77 143 67 0.81

HSLA 112.11, 0.36%, 0.41%, 0.81

LABA 53.63, -36.73, 33.74, 0.81

 

CMYK 34 / 0 / 38 / 30

HEX #5EA156CE

RGBA 94 161 86 0.81

HSLA 113.6, 0.3%, 0.48%, 0.81

LABA 60.37, -36.64, 32.42, 0.81

 

CMYK 31 / 0 / 33 / 24

HEX #6FB369CE

RGBA 111 179 105 0.81

HSLA 115.14, 0.33%, 0.56%, 0.81

LABA 67.01, -36.46, 31.14, 0.81

 

CMYK 28 / 0 / 30 / 18

HEX #80C57CCE

RGBA 128 197 124 0.81

HSLA 116.71, 0.39%, 0.63%, 0.81

LABA 73.53, -36.25, 29.92, 0.81

 

CMYK 26 / 0 / 27 / 13

HEX #91D78FCE

RGBA 145 215 143 0.81

HSLA 118.33, 0.47%, 0.7%, 0.81

LABA 79.96, -36.01, 28.76, 0.81

 

CMYK 40 / 0 / 40 / 36

HEX #488F48CE

RGBA 72 143 72 0.81

HSLA 120, 0.33%, 0.42%, 0.81

LABA 53.48, -37.56, 30.91, 0.81

 

CMYK 45 / 0 / 47 / 41

HEX #377D35CE

RGBA 55 125 53 0.81

HSLA 118.33, 0.4%, 0.35%, 0.81

LABA 46.63, -37.48, 32.29, 0.81

 

CMYK 52 / 0 / 55 / 47

HEX #266B22CE

RGBA 38 107 34 0.81

HSLA 116.71, 0.52%, 0.28%, 0.81

LABA 39.65, -37.04, 33.53, 0.81

 

CMYK 62 / 0 / 67 / 53

HEX #15590FCE

RGBA 21 89 15 0.81

HSLA 115.14, 0.71%, 0.2%, 0.81

LABA 32.57, -35.88, 34.15, 0.81

 

CMYK 76 / 0 / 81 / 58

HEX #044700CE

RGBA 4 71 0 0.81

HSLA 116.62, 1%, 0.14%, 0.81

LABA 25.36, -33.58, 32.94, 0.81

 

CMYK 49 / 0 / 49 / 44

HEX #488E48

RGB 72 142 72

HSL 120, 0.33%, 0.42%

LAB 53.16, -37.12, 30.51

 

CMYK 36 / 0 / 49 / 44

HEX #5B8E48

RGB 91 142 72

HSL 103.71, 0.33%, 0.42%

LAB 54.07, -30.87, 31.83

 

CMYK 23 / 0 / 49 / 44

HEX #6E8E48

RGB 110 142 72

HSL 87.43, 0.33%, 0.42%

LAB 55.2, -23.7, 33.49

 

CMYK 9 / 0 / 49 / 44

HEX #818E48

RGB 129 142 72

HSL 71.14, 0.33%, 0.42%

LAB 56.57, -15.91, 35.46

 

CMYK 0 / 4 / 49 / 44

HEX #8E8948

RGB 142 137 72

HSL 55.71, 0.33%, 0.42%

LAB 56.2, -7.63, 35.27

 

CMYK 49 / 0 / 49 / 44

HEX #488E48

RGB 72 142 72

HSL 120, 0.33%, 0.42%

LAB 53.16, -37.12, 30.51

 

CMYK 49 / 0 / 36 / 44

HEX #488E5B

RGB 72 142 91

HSL 136.29, 0.33%, 0.42%

LAB 53.47, -33.92, 20.56

 

CMYK 49 / 0 / 23 / 44

HEX #488E6E

RGB 72 142 110

HSL 152.57, 0.33%, 0.42%

LAB 53.87, -29.99, 10.35

 

CMYK 49 / 0 / 9 / 44

HEX #488E81

RGB 72 142 129

HSL 168.86, 0.33%, 0.42%

LAB 54.35, -25.41, 0.12

 

CMYK 49 / 4 / 0 / 44

HEX #48898E

RGB 72 137 142

HSL 184.29, 0.33%, 0.42%

LAB 53.19, -19.31, -9.11

 

CMYK 49 / 0 / 49 / 44

HEX #488E48

RGB 72 142 72

HSL 120, 0.33%, 0.42%

LAB 53.16, -37.12, 30.51

 

CMYK 66 / 0 / 66 / 37

HEX #36A036

RGB 54 160 54

HSL 120, 0.5%, 0.42%

LAB 58.22, -51.17, 45.02

 

CMYK 79 / 0 / 79 / 31

HEX #25B125

RGB 37 177 37

HSL 120, 0.65%, 0.42%

LAB 63.32, -61.18, 56.5

 

CMYK 90 / 0 / 90 / 24

HEX #14C214

RGB 20 194 20

HSL 120, 0.81%, 0.42%

LAB 68.59, -68.69, 65.32

 

CMYK 99 / 0 / 99 / 17

HEX #02D402

RGB 2 212 2

HSL 120, 0.98%, 0.42%

LAB 74.26, -74.86, 72.17

 

CMYK 49 / 0 / 49 / 44

HEX #488E48

RGB 72 142 72

HSL 120, 0.33%, 0.42%

LAB 53.16, -37.12, 30.51

 

CMYK 29 / 0 / 29 / 51

HEX #597D59

RGB 89 125 89

HSL 120, 0.17%, 0.42%

LAB 48.9, -20.44, 15.65

 

CMYK 2 / 0 / 2 / 58

HEX #6A6C6A

RGB 106 108 106

HSL 120, 0.01%, 0.42%

LAB 45.4, -1.18, 0.84

 

CMYK 0 / 27 / 0 / 51

HEX #7C5A7C

RGB 124 90 124

HSL 300, 0.16%, 0.42%

LAB 42.84, 20.16, -13.67

 

CMYK 0 / 48 / 0 / 45

HEX #8D498D

RGB 141 73 141

HSL 300, 0.32%, 0.42%

LAB 41.77, 39.06, -25.47

 

CMYK 23 / 0 / 49 / 44

HEX #6D8E48

RGB 109 142 72

HSL 88.29, 0.33%, 0.42%

LAB 55.14, -24.1, 33.39

 

CMYK 36 / 0 / 49 / 44

HEX #5B8E48

RGB 91 142 72

HSL 103.71, 0.33%, 0.42%

LAB 54.07, -30.87, 31.83

 

CMYK 49 / 0 / 49 / 44

HEX #488E48

RGB 72 142 72

HSL 120, 0.33%, 0.42%

LAB 53.16, -37.12, 30.51

 

CMYK 49 / 0 / 36 / 44

HEX #488E5B

RGB 72 142 91

HSL 136.29, 0.33%, 0.42%

LAB 53.47, -33.92, 20.56

 

CMYK 49 / 0 / 23 / 44

HEX #488E6D

RGB 72 142 109

HSL 151.71, 0.33%, 0.42%

LAB 53.84, -30.22, 10.89

 

CMYK 50 / 0 / 50 / 65

HEX #2C582C

RGB 44 88 44

HSL 120, 0.33%, 0.26%

LAB 33.34, -25.55, 20.85

 

CMYK 50 / 0 / 50 / 55

HEX #3A733A

RGB 58 115 58

HSL 120, 0.33%, 0.34%

LAB 43.46, -31.47, 25.79

 

CMYK 49 / 0 / 49 / 44

HEX #488E48

RGB 72 142 72

HSL 120, 0.33%, 0.42%

LAB 53.16, -37.12, 30.51

 

CMYK 49 / 0 / 49 / 33

HEX #56AA56

RGB 86 170 86

HSL 120, 0.33%, 0.5%

LAB 62.84, -42.98, 35.44

 

CMYK 39 / 0 / 39 / 28

HEX #71B871

RGB 113 184 113

HSL 120, 0.33%, 0.58%

LAB 68.74, -36.85, 29.23

 

CMYK 50 / 0 / 50 / 44

HEX #488F48

RGB 72 143 72

HSL 120, 0.33%, 0.42%

LAB 53.48, -37.56, 30.91

 

CMYK 49 / 10 / 0 / 44

HEX #48808E

RGB 72 128 142

HSL 192, 0.33%, 0.42%

LAB 50.42, -14.44, -13.29

 

CMYK 0 / 49 / 30 / 44

HEX #8E4864

RGB 142 72 100

HSL 336, 0.33%, 0.42%

LAB 40.09, 33, -2.79

 

CMYK 50 / 0 / 50 / 44

HEX #488F48

RGB 72 143 72

HSL 120, 0.33%, 0.42%

LAB 53.48, -37.56, 30.91

 

CMYK 49 / 49 / 0 / 44

HEX #48488E

RGB 72 72 142

HSL 240, 0.33%, 0.42%

LAB 33.91, 19.9, -38.99

 

CMYK 0 / 49 / 49 / 44

HEX #8E4848

RGB 142 72 72

HSL 0, 0.33%, 0.42%

LAB 39.33, 29.53, 13.58

 

CMYK 50 / 0 / 50 / 44

HEX #488F48

RGB 72 143 72

HSL 120, 0.33%, 0.42%

LAB 53.48, -37.56, 30.91

 

CMYK 49 / 10 / 0 / 44

HEX #48808E

RGB 72 128 142

HSL 192, 0.33%, 0.42%

LAB 50.42, -14.44, -13.29

 

CMYK 0 / 49 / 0 / 44

HEX #8E488E

RGB 142 72 142

HSL 300, 0.33%, 0.42%

LAB 41.75, 40.09, -26.09

 

CMYK 0 / 39 / 49 / 44

HEX #8E5648

RGB 142 86 72

HSL 12, 0.33%, 0.42%

LAB 42.57, 21.6, 17.96

 

CMYK 50 / 0 / 50 / 44

HEX #488F48

RGB 72 143 72

HSL 120, 0.33%, 0.42%

LAB 53.48, -37.56, 30.91

 

CMYK 49 / 25 / 0 / 44

HEX #486B8E

RGB 72 107 142

HSL 210, 0.33%, 0.42%

LAB 44.01, -2.3, -23.09

 

CMYK 0 / 49 / 0 / 44

HEX #8E488E

RGB 142 72 142

HSL 300, 0.33%, 0.42%

LAB 41.75, 40.09, -26.09

 

CMYK 0 / 25 / 49 / 44

HEX #8E6B48

RGB 142 107 72

HSL 30, 0.33%, 0.42%

LAB 47.92, 9.36, 24.96

 

Description

Color code: HEX #488F48CE | qconv.com Color code: HEX #488F48CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 143 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 143 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 40 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 40% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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