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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #488AE2 it is the complementary color #B7751D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #488AE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #488AE2 shade: #4D8ADD, #5E9CF0, #6FAEFF, #80C0FF and #91D2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #488AE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #488AE2 shade: #488AE2, #3778CF, #2666BC, #1554A9 and #044296

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #488AE2 shade: #4689E2, #465FE2, #5746E2, #8146E2 and #AB46E2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #488AE2 shade: #4689E2, #465FE2 and #4646E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #488AE2 shade matches the following richer shades: #4689E2 and #3486F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #488AE2 shade: #4689E2, #578BD1, #688EBF, #7A90AE and #8B939D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #488AE2 shade: #46DDE2, #46B3E2, #4689E2, #4660E2 and #5546E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #488AE2 shade: #1D60B8, #2272DC, #4689E2, #69A0E8 and #8DB6ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #488AE2 shade: #488AE2, #BE46E2 and #C8E246

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #488AE2 shade: #488AE2, #E24689 and #89E246

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #488AE2 shade: #488AE2, #BE46E2, #E29E46 and #6AE246

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #488AE2 shade: #488AE2, #E246D8, #E29E46 and #46E250

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 39 / 0 / 11

HEX #488AE2

RGB 72 138 226

HSL 214.29, 0.73%, 0.58%

LAB 57.12, 7.26, -50.91

 

Complementary color

CMYK 0 / 36 / 84 / 28

HEX #B7751D

RGB 183 117 29

HSL 34.29, 0.73%, 0.42%

LAB 54.95, 19.23, 54.73

 

CMYK 65 / 38 / 0 / 13

HEX #4D8ADD

RGB 77 138 221

HSL 214.58, 0.68%, 0.58%

LAB 57.05, 6.34, -48.21

 

CMYK 61 / 35 / 0 / 6

HEX #5E9CF0

RGB 94 156 240

HSL 214.52, 0.83%, 0.65%

LAB 63.71, 5.09, -48.16

 

CMYK 56 / 32 / 0 / 0

HEX #6FAEFF

RGB 111 174 255

HSL 213.75, 1%, 0.72%

LAB 70.09, 2.83, -46.24

 

CMYK 50 / 25 / 0 / 0

HEX #80C0FF

RGB 128 192 255

HSL 209.76, 1%, 0.75%

LAB 75.77, -3.55, -37.32

 

CMYK 43 / 18 / 0 / 0

HEX #91D2FF

RGB 145 210 255

HSL 204.55, 1%, 0.78%

LAB 81.47, -9.19, -28.45

 

CMYK 68 / 39 / 0 / 11

HEX #488AE2

RGB 72 138 226

HSL 214.29, 0.73%, 0.58%

LAB 57.12, 7.26, -50.91

 

CMYK 73 / 42 / 0 / 19

HEX #3778CF

RGB 55 120 207

HSL 214.34, 0.61%, 0.51%

LAB 50.39, 8.99, -50.96

 

CMYK 80 / 46 / 0 / 26

HEX #2666BC

RGB 38 102 188

HSL 214.4, 0.66%, 0.44%

LAB 43.57, 11.16, -50.99

 

CMYK 88 / 50 / 0 / 34

HEX #1554A9

RGB 21 84 169

HSL 214.46, 0.78%, 0.37%

LAB 36.68, 13.93, -50.95

 

CMYK 97 / 56 / 0 / 41

HEX #044296

RGB 4 66 150

HSL 214.52, 0.95%, 0.3%

LAB 29.72, 17.41, -50.79

 

CMYK 69 / 39 / 0 / 11

HEX #4689E2

RGB 70 137 226

HSL 214.23, 0.73%, 0.58%

LAB 56.77, 7.56, -51.47

 

CMYK 69 / 58 / 0 / 11

HEX #465FE2

RGB 70 95 226

HSL 230.38, 0.73%, 0.58%

LAB 45.6, 33.57, -69.45

 

CMYK 62 / 69 / 0 / 11

HEX #5746E2

RGB 87 70 226

HSL 246.54, 0.73%, 0.58%

LAB 41.05, 50.72, -76.84

 

CMYK 43 / 69 / 0 / 11

HEX #8146E2

RGB 129 70 226

HSL 262.69, 0.73%, 0.58%

LAB 45, 57.32, -70.23

 

CMYK 24 / 69 / 0 / 11

HEX #AB46E2

RGB 171 70 226

HSL 278.85, 0.73%, 0.58%

LAB 50.13, 65.35, -61.67

 

CMYK 69 / 39 / 0 / 11

HEX #4689E2

RGB 70 137 226

HSL 214.23, 0.73%, 0.58%

LAB 56.77, 7.56, -51.47

 

CMYK 69 / 58 / 0 / 11

HEX #465FE2

RGB 70 95 226

HSL 230.38, 0.73%, 0.58%

LAB 45.6, 33.57, -69.45

 

CMYK 69 / 69 / 0 / 11

HEX #4646E2

RGB 70 70 226

HSL 240, 0.73%, 0.58%

LAB 39.87, 48.65, -78.82

 

CMYK 69 / 39 / 0 / 11

HEX #4689E2

RGB 70 137 226

HSL 214.23, 0.73%, 0.58%

LAB 56.77, 7.56, -51.47

 

CMYK 79 / 45 / 0 / 5

HEX #3486F3

RGB 52 134 243

HSL 214.24, 0.89%, 0.58%

LAB 56.34, 13.26, -61.64

 

CMYK 69 / 39 / 0 / 11

HEX #4689E2

RGB 70 137 226

HSL 214.23, 0.73%, 0.58%

LAB 56.77, 7.56, -51.47

 

CMYK 58 / 33 / 0 / 18

HEX #578BD1

RGB 87 139 209

HSL 214.43, 0.57%, 0.58%

LAB 57.17, 3.57, -41.26

 

CMYK 46 / 26 / 0 / 25

HEX #688EBF

RGB 104 142 191

HSL 213.79, 0.4%, 0.58%

LAB 58.09, 0.11, -29.61

 

CMYK 30 / 17 / 0 / 32

HEX #7A90AE

RGB 122 144 174

HSL 214.62, 0.24%, 0.58%

LAB 59.1, -0.66, -18.3

 

CMYK 11 / 6 / 0 / 38

HEX #8B939D

RGB 139 147 157

HSL 213.33, 0.08%, 0.58%

LAB 60.6, -0.8, -6.26

 

CMYK 69 / 2 / 0 / 11

HEX #46DDE2

RGB 70 221 226

HSL 181.92, 0.73%, 0.58%

LAB 81.02, -37.02, -13.96

 

CMYK 69 / 21 / 0 / 11

HEX #46B3E2

RGB 70 179 226

HSL 198.08, 0.73%, 0.58%

LAB 68.78, -16.23, -32.62

 

CMYK 69 / 39 / 0 / 11

HEX #4689E2

RGB 70 137 226

HSL 214.23, 0.73%, 0.58%

LAB 56.77, 7.56, -51.47

 

CMYK 69 / 58 / 0 / 11

HEX #4660E2

RGB 70 96 226

HSL 230, 0.73%, 0.58%

LAB 45.85, 32.94, -69.04

 

CMYK 62 / 69 / 0 / 11

HEX #5546E2

RGB 85 70 226

HSL 245.77, 0.73%, 0.58%

LAB 40.9, 50.46, -77.1

 

CMYK 84 / 48 / 0 / 28

HEX #1D60B8

RGB 29 96 184

HSL 214.06, 0.73%, 0.42%

LAB 41.36, 12.63, -52.24

 

CMYK 85 / 48 / 0 / 14

HEX #2272DC

RGB 34 114 220

HSL 214.19, 0.73%, 0.5%

LAB 48.94, 15.48, -60.71

 

CMYK 69 / 39 / 0 / 11

HEX #4689E2

RGB 70 137 226

HSL 214.23, 0.73%, 0.58%

LAB 56.77, 7.56, -51.47

 

CMYK 55 / 31 / 0 / 9

HEX #69A0E8

RGB 105 160 232

HSL 214.02, 0.73%, 0.66%

LAB 64.94, 2.41, -41.79

 

CMYK 41 / 23 / 0 / 7

HEX #8DB6ED

RGB 141 182 237

HSL 214.38, 0.73%, 0.74%

LAB 73.05, 0.02, -31.77

 

CMYK 68 / 39 / 0 / 11

HEX #488AE2

RGB 72 138 226

HSL 214.29, 0.73%, 0.58%

LAB 57.12, 7.26, -50.91

 

CMYK 16 / 69 / 0 / 11

HEX #BE46E2

RGB 190 70 226

HSL 286.15, 0.73%, 0.58%

LAB 52.75, 69.25, -57.32

 

CMYK 12 / 0 / 69 / 11

HEX #C8E246

RGB 200 226 70

HSL 70, 0.73%, 0.58%

LAB 85.56, -28.51, 69.56

 

CMYK 68 / 39 / 0 / 11

HEX #488AE2

RGB 72 138 226

HSL 214.29, 0.73%, 0.58%

LAB 57.12, 7.26, -50.91

 

CMYK 0 / 69 / 39 / 11

HEX #E24689

RGB 226 70 137

HSL 334.23, 0.73%, 0.58%

LAB 54.4, 65.11, -2.66

 

CMYK 39 / 0 / 69 / 11

HEX #89E246

RGB 137 226 70

HSL 94.23, 0.73%, 0.58%

LAB 81.92, -51.75, 64.69

 

CMYK 68 / 39 / 0 / 11

HEX #488AE2

RGB 72 138 226

HSL 214.29, 0.73%, 0.58%

LAB 57.12, 7.26, -50.91

 

CMYK 16 / 69 / 0 / 11

HEX #BE46E2

RGB 190 70 226

HSL 286.15, 0.73%, 0.58%

LAB 52.75, 69.25, -57.32

 

CMYK 0 / 30 / 69 / 11

HEX #E29E46

RGB 226 158 70

HSL 33.85, 0.73%, 0.58%

LAB 70.22, 17.18, 54.49

 

CMYK 53 / 0 / 69 / 11

HEX #6AE246

RGB 106 226 70

HSL 106.15, 0.73%, 0.58%

LAB 80.68, -60.95, 63.02

 

CMYK 68 / 39 / 0 / 11

HEX #488AE2

RGB 72 138 226

HSL 214.29, 0.73%, 0.58%

LAB 57.12, 7.26, -50.91

 

CMYK 0 / 69 / 4 / 11

HEX #E246D8

RGB 226 70 216

HSL 303.85, 0.73%, 0.58%

LAB 57.57, 75.32, -43.67

 

CMYK 0 / 30 / 69 / 11

HEX #E29E46

RGB 226 158 70

HSL 33.85, 0.73%, 0.58%

LAB 70.22, 17.18, 54.49

 

CMYK 69 / 0 / 65 / 11

HEX #46E250

RGB 70 226 80

HSL 123.85, 0.73%, 0.58%

LAB 79.77, -68, 57.83

 

Description

Color code: HEX #488AE2 | qconv.com Color code: HEX #488AE2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 138 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 138 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 39 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 39% 0% 11% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

29% - MA flat fee MLS. The...
Link: http://mlsentryonly.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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