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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #488266 it is the complementary color #B77D99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #488266. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #488266 shade: #4D8261, #5E9474, #6FA687, #80B89A and #91CAAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #488266. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #488266 shade: #488266, #377053, #265E40, #154C2D and #043A1A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #488266 shade: #488467, #488457, #4A8448, #5A8448 and #6A8448

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #488266 shade: #488467, #488477, #488084, #487084 and #486084

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #488266 shade matches the following richer shades: #488467, #389468, #27A568, #17B569 and #06C669

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #488266 shade: #488467, #597366, #696366, #7A5265 and #8A4265

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #488266 shade: #498448, #488457, #488467, #488477 and #488184

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #488266 shade: #2B4E3D, #3A6952, #488467, #579E7C and #6FB090

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #488266 shade: #488266, #485984 and #844F48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #488266 shade: #488266, #674884 and #846748

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #488266 shade: #488266, #485984, #844865 and #847348

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #488266 shade: #488266, #494884, #844865 and #838448

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 22 / 49

HEX #488266

RGB 72 130 102

HSL 151.03, 0.29%, 0.4%

LAB 49.86, -25.91, 9.32

 

Complementary color

CMYK 0 / 32 / 16 / 28

HEX #B77D99

RGB 183 125 153

HSL 331.03, 0.29%, 0.6%

LAB 59.01, 26.74, -5.88

 

CMYK 41 / 0 / 25 / 49

HEX #4D8261

RGB 77 130 97

HSL 142.64, 0.26%, 0.41%

LAB 49.99, -25.48, 12.42

 

CMYK 36 / 0 / 22 / 42

HEX #5E9474

RGB 94 148 116

HSL 144.44, 0.22%, 0.47%

LAB 56.9, -25.2, 11.35

 

CMYK 33 / 0 / 19 / 35

HEX #6FA687

RGB 111 166 135

HSL 146.18, 0.24%, 0.54%

LAB 63.67, -24.93, 10.36

 

CMYK 30 / 0 / 16 / 28

HEX #80B89A

RGB 128 184 154

HSL 147.86, 0.28%, 0.61%

LAB 70.32, -24.68, 9.45

 

CMYK 28 / 0 / 14 / 21

HEX #91CAAD

RGB 145 202 173

HSL 149.47, 0.35%, 0.68%

LAB 76.85, -24.45, 8.6

 

CMYK 45 / 0 / 22 / 49

HEX #488266

RGB 72 130 102

HSL 151.03, 0.29%, 0.4%

LAB 49.86, -25.91, 9.32

 

CMYK 51 / 0 / 26 / 56

HEX #377053

RGB 55 112 83

HSL 149.47, 0.34%, 0.33%

LAB 42.8, -26.14, 10.47

 

CMYK 60 / 0 / 32 / 63

HEX #265E40

RGB 38 94 64

HSL 147.86, 0.42%, 0.26%

LAB 35.57, -26.27, 11.79

 

CMYK 72 / 0 / 41 / 70

HEX #154C2D

RGB 21 76 45

HSL 146.18, 0.57%, 0.19%

LAB 28.16, -26.13, 13.35

 

CMYK 93 / 0 / 55 / 77

HEX #043A1A

RGB 4 58 26

HSL 144.44, 0.87%, 0.12%

LAB 20.54, -25.5, 15.18

 

CMYK 45 / 0 / 22 / 48

HEX #488467

RGB 72 132 103

HSL 151, 0.29%, 0.4%

LAB 50.52, -26.69, 9.67

 

CMYK 45 / 0 / 34 / 48

HEX #488457

RGB 72 132 87

HSL 135, 0.29%, 0.4%

LAB 50.18, -30.01, 18.39

 

CMYK 44 / 0 / 45 / 48

HEX #4A8448

RGB 74 132 72

HSL 118, 0.29%, 0.4%

LAB 50.01, -31.99, 26.55

 

CMYK 32 / 0 / 45 / 48

HEX #5A8448

RGB 90 132 72

HSL 102, 0.29%, 0.4%

LAB 50.86, -26.41, 27.8

 

CMYK 20 / 0 / 45 / 48

HEX #6A8448

RGB 106 132 72

HSL 86, 0.29%, 0.4%

LAB 51.88, -20.2, 29.3

 

CMYK 45 / 0 / 22 / 48

HEX #488467

RGB 72 132 103

HSL 151, 0.29%, 0.4%

LAB 50.52, -26.69, 9.67

 

CMYK 45 / 0 / 10 / 48

HEX #488477

RGB 72 132 119

HSL 167, 0.29%, 0.4%

LAB 50.93, -22.87, 0.94

 

CMYK 45 / 3 / 0 / 48

HEX #488084

RGB 72 128 132

HSL 184, 0.29%, 0.4%

LAB 50.08, -17.3, -7.94

 

CMYK 45 / 15 / 0 / 48

HEX #487084

RGB 72 112 132

HSL 200, 0.29%, 0.4%

LAB 45.13, -8.32, -15.4

 

CMYK 45 / 27 / 0 / 48

HEX #486084

RGB 72 96 132

HSL 216, 0.29%, 0.4%

LAB 40.26, 1.3, -22.88

 

CMYK 45 / 0 / 22 / 48

HEX #488467

RGB 72 132 103

HSL 151, 0.29%, 0.4%

LAB 50.52, -26.69, 9.67

 

CMYK 62 / 0 / 30 / 42

HEX #389468

RGB 56 148 104

HSL 151.3, 0.45%, 0.4%

LAB 55.09, -37.93, 15.38

 

CMYK 76 / 0 / 37 / 35

HEX #27A568

RGB 39 165 104

HSL 150.95, 0.62%, 0.4%

LAB 60.2, -47.88, 22.26

 

CMYK 87 / 0 / 42 / 29

HEX #17B569

RGB 23 181 105

HSL 151.14, 0.77%, 0.4%

LAB 65.16, -55.3, 28.26

 

CMYK 97 / 0 / 47 / 22

HEX #06C669

RGB 6 198 105

HSL 150.94, 0.94%, 0.4%

LAB 70.49, -62.03, 35.12

 

CMYK 45 / 0 / 22 / 48

HEX #488467

RGB 72 132 103

HSL 151, 0.29%, 0.4%

LAB 50.52, -26.69, 9.67

 

CMYK 23 / 0 / 11 / 55

HEX #597366

RGB 89 115 102

HSL 150, 0.13%, 0.4%

LAB 46.1, -12.41, 4.09

 

CMYK 0 / 6 / 3 / 59

HEX #696366

RGB 105 99 102

HSL 330, 0.03%, 0.4%

LAB 42.59, 2.97, -0.85

 

CMYK 0 / 33 / 17 / 52

HEX #7A5265

RGB 122 82 101

HSL 331.5, 0.2%, 0.4%

LAB 39.77, 19.8, -4.19

 

CMYK 0 / 52 / 27 / 46

HEX #8A4265

RGB 138 66 101

HSL 330.83, 0.35%, 0.4%

LAB 38.27, 34.95, -6.19

 

CMYK 45 / 0 / 45 / 48

HEX #498448

RGB 73 132 72

HSL 119, 0.29%, 0.4%

LAB 49.96, -32.32, 26.48

 

CMYK 45 / 0 / 34 / 48

HEX #488457

RGB 72 132 87

HSL 135, 0.29%, 0.4%

LAB 50.18, -30.01, 18.39

 

CMYK 45 / 0 / 22 / 48

HEX #488467

RGB 72 132 103

HSL 151, 0.29%, 0.4%

LAB 50.52, -26.69, 9.67

 

CMYK 45 / 0 / 10 / 48

HEX #488477

RGB 72 132 119

HSL 167, 0.29%, 0.4%

LAB 50.93, -22.87, 0.94

 

CMYK 45 / 2 / 0 / 48

HEX #488184

RGB 72 129 132

HSL 183, 0.29%, 0.4%

LAB 50.39, -17.84, -7.47

 

CMYK 45 / 0 / 22 / 69

HEX #2B4E3D

RGB 43 78 61

HSL 150.86, 0.29%, 0.24%

LAB 30.16, -17.22, 6.14

 

CMYK 45 / 0 / 22 / 59

HEX #3A6952

RGB 58 105 82

HSL 150.64, 0.29%, 0.32%

LAB 40.59, -21.93, 7.99

 

CMYK 45 / 0 / 22 / 48

HEX #488467

RGB 72 132 103

HSL 151, 0.29%, 0.4%

LAB 50.52, -26.69, 9.67

 

CMYK 45 / 0 / 22 / 38

HEX #579E7C

RGB 87 158 124

HSL 151.27, 0.29%, 0.48%

LAB 59.83, -30.48, 10.91

 

CMYK 37 / 0 / 18 / 31

HEX #6FB090

RGB 111 176 144

HSL 150.46, 0.29%, 0.56%

LAB 66.86, -28, 9.9

 

CMYK 45 / 0 / 22 / 49

HEX #488266

RGB 72 130 102

HSL 151.03, 0.29%, 0.4%

LAB 49.86, -25.91, 9.32

 

CMYK 45 / 33 / 0 / 48

HEX #485984

RGB 72 89 132

HSL 223, 0.29%, 0.4%

LAB 38.18, 5.7, -26.13

 

CMYK 0 / 40 / 45 / 48

HEX #844F48

RGB 132 79 72

HSL 7, 0.29%, 0.4%

LAB 39.52, 21.44, 13.61

 

CMYK 45 / 0 / 22 / 49

HEX #488266

RGB 72 130 102

HSL 151.03, 0.29%, 0.4%

LAB 49.86, -25.91, 9.32

 

CMYK 22 / 45 / 0 / 48

HEX #674884

RGB 103 72 132

HSL 271, 0.29%, 0.4%

LAB 36.34, 25.77, -28.82

 

CMYK 0 / 22 / 45 / 48

HEX #846748

RGB 132 103 72

HSL 31, 0.29%, 0.4%

LAB 45.74, 7.28, 21.91

 

CMYK 45 / 0 / 22 / 49

HEX #488266

RGB 72 130 102

HSL 151.03, 0.29%, 0.4%

LAB 49.86, -25.91, 9.32

 

CMYK 45 / 33 / 0 / 48

HEX #485984

RGB 72 89 132

HSL 223, 0.29%, 0.4%

LAB 38.18, 5.7, -26.13

 

CMYK 0 / 45 / 23 / 48

HEX #844865

RGB 132 72 101

HSL 331, 0.29%, 0.4%

LAB 38.69, 29.46, -5.65

 

CMYK 0 / 13 / 45 / 48

HEX #847348

RGB 132 115 72

HSL 43, 0.29%, 0.4%

LAB 49.05, 0.3, 26.18

 

CMYK 45 / 0 / 22 / 49

HEX #488266

RGB 72 130 102

HSL 151.03, 0.29%, 0.4%

LAB 49.86, -25.91, 9.32

 

CMYK 45 / 45 / 0 / 48

HEX #494884

RGB 73 72 132

HSL 241, 0.29%, 0.4%

LAB 33.39, 16.95, -33.67

 

CMYK 0 / 45 / 23 / 48

HEX #844865

RGB 132 72 101

HSL 331, 0.29%, 0.4%

LAB 38.69, 29.46, -5.65

 

CMYK 1 / 0 / 45 / 48

HEX #838448

RGB 131 132 72

HSL 61, 0.29%, 0.4%

LAB 53.81, -9.68, 32.13

 

Description

Color code: HEX #488266 | qconv.com Color code: HEX #488266 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 130 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 130 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 22 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 22% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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