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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4881DACE it is the complementary color #B77E25CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4881DACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4881DACE shade: #4D81D5CE, #5E93E8CE, #6FA5FBCE, #80B7FFCE and #91C9FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4881DACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4881DACE shade: #4881DACE, #376FC7CE, #265DB4CE, #154BA1CE and #04398ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4881DACE shade: #4981DA, #495ADA, #5F49DA, #8649DA and #AD49DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4881DACE shade: #4981DA, #495ADA and #4949DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4881DACE shade matches the following richer shades: #4981DA, #377EEB and #257AFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4881DACE shade: #4981DA, #5B85C8, #6C89B6, #7E8DA4 and #909193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4881DACE shade: #49D0DA, #49A9DA, #4983DA, #495CDA and #5C49DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4881DACE shade: #2359AD, #2A6BCF, #4981DA, #6B99E1 and #8DB1E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4881DACE shade: #4881DA, #BD49DA and #BDDA49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4881DACE shade: #4881DA, #DA4983 and #83DA49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4881DACE shade: #4881DA, #BD49DA, #DAA049 and #66DA49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4881DACE shade: #4881DA, #DA49CB, #DAA049 and #49DA57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 33 / 0 / 12

HEX #4881DACE

RGBA 72 129 218 0.81

HSLA 216.58, 0.66%, 0.57%, 0.81

LABA 54.18, 9.9, -51.11, 0.81

 

Complementary color

CMYK 0 / 25 / 65 / 23

HEX #B77E25CE

RGBA 183 126 37 0.81

HSLA 36.58, 0.66%, 0.43%, 0.81

LABA 57.19, 14.5, 53.83, 0.81

 

CMYK 52 / 32 / 0 / 13

HEX #4D81D5CE

RGBA 77 129 213 0.81

HSLA 217.06, 0.62%, 0.57%, 0.81

LABA 54.11, 9, -48.38, 0.81

 

CMYK 48 / 30 / 0 / 7

HEX #5E93E8CE

RGBA 94 147 232 0.81

HSLA 216.96, 0.75%, 0.64%, 0.81

LABA 60.85, 7.74, -48.27, 0.81

 

CMYK 45 / 28 / 0 / 1

HEX #6FA5FBCE

RGBA 111 165 251 0.81

HSLA 216.86, 0.95%, 0.71%, 0.81

LABA 67.47, 6.69, -48.19, 0.81

 

CMYK 40 / 23 / 0 / 0

HEX #80B7FFCE

RGBA 128 183 255 0.81

HSLA 214.02, 1%, 0.75%, 0.81

LABA 73.33, 1.39, -41.1, 0.81

 

CMYK 35 / 17 / 0 / 0

HEX #91C9FFCE

RGBA 145 201 255 0.81

HSLA 209.45, 1%, 0.78%, 0.81

LABA 79.05, -4.42, -32.17, 0.81

 

CMYK 54 / 33 / 0 / 12

HEX #4881DACE

RGBA 72 129 218 0.81

HSLA 216.58, 0.66%, 0.57%, 0.81

LABA 54.18, 9.9, -51.11, 0.81

 

CMYK 59 / 36 / 0 / 18

HEX #376FC7CE

RGBA 55 111 199 0.81

HSLA 216.67, 0.57%, 0.5%, 0.81

LABA 47.37, 11.67, -51.22, 0.81

 

CMYK 64 / 39 / 0 / 24

HEX #265DB4CE

RGBA 38 93 180 0.81

HSLA 216.76, 0.65%, 0.43%, 0.81

LABA 40.47, 13.9, -51.31, 0.81

 

CMYK 70 / 43 / 0 / 30

HEX #154BA1CE

RGBA 21 75 161 0.81

HSLA 216.86, 0.77%, 0.36%, 0.81

LABA 33.49, 16.75, -51.32, 0.81

 

CMYK 79 / 48 / 0 / 36

HEX #04398ECE

RGBA 4 57 142 0.81

HSLA 216.96, 0.95%, 0.29%, 0.81

LABA 26.46, 20.34, -51.19, 0.81

 

CMYK 67 / 41 / 0 / 15

HEX #4981DA

RGB 73 129 218

HSL 216.83, 0.66%, 0.57%

LAB 54.22, 10.06, -51.04

 

CMYK 67 / 59 / 0 / 15

HEX #495ADA

RGB 73 90 218

HSL 232.97, 0.66%, 0.57%

LAB 43.93, 34.33, -67.61

 

CMYK 56 / 67 / 0 / 15

HEX #5F49DA

RGB 95 73 218

HSL 249.1, 0.66%, 0.57%

LAB 41.63, 47.8, -71.31

 

CMYK 39 / 67 / 0 / 15

HEX #8649DA

RGB 134 73 218

HSL 265.24, 0.66%, 0.57%

LAB 45.49, 54.75, -64.85

 

CMYK 21 / 67 / 0 / 15

HEX #AD49DA

RGB 173 73 218

HSL 281.38, 0.66%, 0.57%

LAB 50.35, 62.83, -56.76

 

CMYK 67 / 41 / 0 / 15

HEX #4981DA

RGB 73 129 218

HSL 216.83, 0.66%, 0.57%

LAB 54.22, 10.06, -51.04

 

CMYK 67 / 59 / 0 / 15

HEX #495ADA

RGB 73 90 218

HSL 232.97, 0.66%, 0.57%

LAB 43.93, 34.33, -67.61

 

CMYK 67 / 67 / 0 / 15

HEX #4949DA

RGB 73 73 218

HSL 240, 0.66%, 0.57%

LAB 39.99, 44.66, -74.06

 

CMYK 67 / 41 / 0 / 15

HEX #4981DA

RGB 73 129 218

HSL 216.83, 0.66%, 0.57%

LAB 54.22, 10.06, -51.04

 

CMYK 77 / 46 / 0 / 8

HEX #377EEB

RGB 55 126 235

HSL 216.33, 0.82%, 0.57%

LAB 53.74, 15.56, -61.37

 

CMYK 85 / 52 / 0 / 1

HEX #257AFD

RGB 37 122 253

HSL 216.39, 0.98%, 0.57%

LAB 53.39, 23.19, -71.95

 

CMYK 67 / 41 / 0 / 15

HEX #4981DA

RGB 73 129 218

HSL 216.83, 0.66%, 0.57%

LAB 54.22, 10.06, -51.04

 

CMYK 55 / 34 / 0 / 22

HEX #5B85C8

RGB 91 133 200

HSL 216.88, 0.5%, 0.57%

LAB 55.25, 5.06, -39.19

 

CMYK 41 / 25 / 0 / 29

HEX #6C89B6

RGB 108 137 182

HSL 216.49, 0.34%, 0.57%

LAB 56.54, 1.46, -26.86

 

CMYK 23 / 14 / 0 / 36

HEX #7E8DA4

RGB 126 141 164

HSL 216.32, 0.17%, 0.57%

LAB 58.19, -0.17, -13.95

 

CMYK 2 / 1 / 0 / 42

HEX #909193

RGB 144 145 147

HSL 220, 0.01%, 0.57%

LAB 60.15, 0.03, -1.19

 

CMYK 67 / 5 / 0 / 15

HEX #49D0DA

RGB 73 208 218

HSL 184.14, 0.66%, 0.57%

LAB 77.04, -32.81, -15.66

 

CMYK 67 / 22 / 0 / 15

HEX #49A9DA

RGB 73 169 218

HSL 200.28, 0.66%, 0.57%

LAB 65.64, -13, -33.09

 

CMYK 67 / 40 / 0 / 15

HEX #4983DA

RGB 73 131 218

HSL 216, 0.66%, 0.57%

LAB 54.77, 8.85, -50.16

 

CMYK 67 / 58 / 0 / 15

HEX #495CDA

RGB 73 92 218

HSL 232.14, 0.66%, 0.57%

LAB 44.42, 33.08, -66.81

 

CMYK 58 / 67 / 0 / 15

HEX #5C49DA

RGB 92 73 218

HSL 247.86, 0.66%, 0.57%

LAB 41.38, 47.33, -71.72

 

CMYK 80 / 49 / 0 / 32

HEX #2359AD

RGB 35 89 173

HSL 216.52, 0.66%, 0.41%

LAB 38.76, 13.46, -49.95

 

CMYK 80 / 48 / 0 / 19

HEX #2A6BCF

RGB 42 107 207

HSL 216.36, 0.66%, 0.49%

LAB 46.33, 15.66, -57.51

 

CMYK 67 / 41 / 0 / 15

HEX #4981DA

RGB 73 129 218

HSL 216.83, 0.66%, 0.57%

LAB 54.22, 10.06, -51.04

 

CMYK 52 / 32 / 0 / 12

HEX #6B99E1

RGB 107 153 225

HSL 216.61, 0.66%, 0.65%

LAB 62.8, 4.7, -41.28

 

CMYK 39 / 24 / 0 / 9

HEX #8DB1E8

RGB 141 177 232

HSL 216.26, 0.66%, 0.73%

LAB 71.51, 1.43, -31.42

 

CMYK 67 / 41 / 0 / 15

HEX #4881DA

RGB 72 129 218

HSL 216.58, 0.66%, 0.57%

LAB 54.18, 9.9, -51.11

 

CMYK 13 / 67 / 0 / 15

HEX #BD49DA

RGB 189 73 218

HSL 288, 0.66%, 0.57%

LAB 52.56, 66.33, -53.1

 

CMYK 13 / 0 / 67 / 15

HEX #BDDA49

RGB 189 218 73

HSL 72, 0.66%, 0.57%

LAB 82.62, -28.95, 65.21

 

CMYK 67 / 41 / 0 / 15

HEX #4881DA

RGB 72 129 218

HSL 216.58, 0.66%, 0.57%

LAB 54.18, 9.9, -51.11

 

CMYK 0 / 67 / 40 / 15

HEX #DA4983

RGB 218 73 131

HSL 336, 0.66%, 0.57%

LAB 53.29, 61.07, -0.88

 

CMYK 40 / 0 / 67 / 15

HEX #83DA49

RGB 131 218 73

HSL 96, 0.66%, 0.57%

LAB 79.3, -50.24, 60.72

 

CMYK 67 / 41 / 0 / 15

HEX #4881DA

RGB 72 129 218

HSL 216.58, 0.66%, 0.57%

LAB 54.18, 9.9, -51.11

 

CMYK 13 / 67 / 0 / 15

HEX #BD49DA

RGB 189 73 218

HSL 288, 0.66%, 0.57%

LAB 52.56, 66.33, -53.1

 

CMYK 0 / 27 / 67 / 15

HEX #DAA049

RGB 218 160 73

HSL 36, 0.66%, 0.57%

LAB 69.84, 12.89, 52.45

 

CMYK 53 / 0 / 67 / 15

HEX #66DA49

RGB 102 218 73

HSL 108, 0.66%, 0.57%

LAB 78.14, -58.83, 59.14

 

CMYK 67 / 41 / 0 / 15

HEX #4881DA

RGB 72 129 218

HSL 216.58, 0.66%, 0.57%

LAB 54.18, 9.9, -51.11

 

CMYK 0 / 67 / 7 / 15

HEX #DA49CB

RGB 218 73 203

HSL 306.21, 0.66%, 0.57%

LAB 56.07, 70.42, -38.71

 

CMYK 0 / 27 / 67 / 15

HEX #DAA049

RGB 218 160 73

HSL 36, 0.66%, 0.57%

LAB 69.84, 12.89, 52.45

 

CMYK 67 / 0 / 60 / 15

HEX #49DA57

RGB 73 218 87

HSL 125.79, 0.66%, 0.57%

LAB 77.43, -64.03, 52.25

 

Description

Color code: HEX #4881DACE | qconv.com Color code: HEX #4881DACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 129 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 129 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 33 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 33% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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