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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48819E it is the complementary color #B77E61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48819E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48819E shade: #4D8199, #5E93AC, #6FA5BF, #80B7D2 and #91C9E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48819E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48819E shade: #48819E, #376F8B, #265D78, #154B65 and #043952

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48819E shade: #48819D, #486A9D, #48539D, #55489D and #6C489D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48819E shade: #48819D, #486A9D, #48539D and #48489D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48819E shade matches the following richer shades: #48819D, #3687B0, #238DC2 and #1193D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48819E shade: #48819D, #5B7B8B, #6D7478, #806E66 and #936853

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48819E shade: #489D8C, #48989D, #48819D, #486A9D and #48549D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48819E shade: #2E5265, #3B6981, #48819D, #5B96B4 and #77A8C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48819E shade: #48819E, #76489D and #9D9848

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48819E shade: #48819E, #9D4881 and #819D48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48819E shade: #48819E, #76489D, #9D6548 and #709D48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48819E shade: #48819E, #8F489D, #9D6548 and #569D48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 18 / 0 / 38

HEX #48819E

RGB 72 129 158

HSL 200.23, 0.37%, 0.45%

LAB 51.32, -10.16, -21.25

 

Complementary color

CMYK 0 / 31 / 47 / 28

HEX #B77E61

RGB 183 126 97

HSL 20.23, 0.37%, 0.55%

LAB 57.9, 18.66, 24.66

 

CMYK 50 / 16 / 0 / 40

HEX #4D8199

RGB 77 129 153

HSL 198.95, 0.33%, 0.45%

LAB 51.36, -10.51, -18.26

 

CMYK 45 / 15 / 0 / 33

HEX #5E93AC

RGB 94 147 172

HSL 199.23, 0.32%, 0.52%

LAB 58.25, -10.76, -18.61

 

CMYK 42 / 14 / 0 / 25

HEX #6FA5BF

RGB 111 165 191

HSL 199.5, 0.38%, 0.59%

LAB 65, -10.95, -18.95

 

CMYK 39 / 13 / 0 / 18

HEX #80B7D2

RGB 128 183 210

HSL 199.76, 0.48%, 0.66%

LAB 71.63, -11.09, -19.3

 

CMYK 37 / 12 / 0 / 10

HEX #91C9E5

RGB 145 201 229

HSL 200, 0.62%, 0.73%

LAB 78.14, -11.21, -19.64

 

CMYK 54 / 18 / 0 / 38

HEX #48819E

RGB 72 129 158

HSL 200.23, 0.37%, 0.45%

LAB 51.32, -10.16, -21.25

 

CMYK 60 / 20 / 0 / 45

HEX #376F8B

RGB 55 111 139

HSL 200, 0.43%, 0.38%

LAB 44.3, -9.63, -20.92

 

CMYK 68 / 23 / 0 / 53

HEX #265D78

RGB 38 93 120

HSL 199.76, 0.52%, 0.31%

LAB 37.11, -8.85, -20.58

 

CMYK 79 / 26 / 0 / 60

HEX #154B65

RGB 21 75 101

HSL 199.5, 0.66%, 0.24%

LAB 29.74, -7.66, -20.18

 

CMYK 95 / 30 / 0 / 68

HEX #043952

RGB 4 57 82

HSL 199.23, 0.91%, 0.17%

LAB 22.16, -5.85, -19.71

 

CMYK 54 / 18 / 0 / 38

HEX #48819D

RGB 72 129 157

HSL 199.76, 0.37%, 0.45%

LAB 51.28, -10.47, -20.73

 

CMYK 54 / 32 / 0 / 38

HEX #486A9D

RGB 72 106 157

HSL 216, 0.37%, 0.45%

LAB 44.4, 3.14, -31.39

 

CMYK 54 / 47 / 0 / 38

HEX #48539D

RGB 72 83 157

HSL 232.24, 0.37%, 0.45%

LAB 37.84, 17.73, -41.79

 

CMYK 46 / 54 / 0 / 38

HEX #55489D

RGB 85 72 157

HSL 249.18, 0.37%, 0.45%

LAB 35.98, 27.8, -44.71

 

CMYK 31 / 54 / 0 / 38

HEX #6C489D

RGB 108 72 157

HSL 265.41, 0.37%, 0.45%

LAB 38.3, 33.65, -40.87

 

CMYK 54 / 18 / 0 / 38

HEX #48819D

RGB 72 129 157

HSL 199.76, 0.37%, 0.45%

LAB 51.28, -10.47, -20.73

 

CMYK 54 / 32 / 0 / 38

HEX #486A9D

RGB 72 106 157

HSL 216, 0.37%, 0.45%

LAB 44.4, 3.14, -31.39

 

CMYK 54 / 47 / 0 / 38

HEX #48539D

RGB 72 83 157

HSL 232.24, 0.37%, 0.45%

LAB 37.84, 17.73, -41.79

 

CMYK 54 / 54 / 0 / 38

HEX #48489D

RGB 72 72 157

HSL 240, 0.37%, 0.45%

LAB 34.9, 24.84, -46.52

 

CMYK 54 / 18 / 0 / 38

HEX #48819D

RGB 72 129 157

HSL 199.76, 0.37%, 0.45%

LAB 51.28, -10.47, -20.73

 

CMYK 69 / 23 / 0 / 31

HEX #3687B0

RGB 54 135 176

HSL 200.16, 0.53%, 0.45%

LAB 53.22, -11.11, -28.77

 

CMYK 82 / 27 / 0 / 24

HEX #238DC2

RGB 35 141 194

HSL 200, 0.69%, 0.45%

LAB 55.38, -10.51, -35.71

 

CMYK 92 / 31 / 0 / 16

HEX #1193D5

RGB 17 147 213

HSL 200.2, 0.85%, 0.45%

LAB 57.84, -8.16, -42.58

 

CMYK 54 / 18 / 0 / 38

HEX #48819D

RGB 72 129 157

HSL 199.76, 0.37%, 0.45%

LAB 51.28, -10.47, -20.73

 

CMYK 35 / 12 / 0 / 45

HEX #5B7B8B

RGB 91 123 139

HSL 200, 0.21%, 0.45%

LAB 49.8, -7.23, -12.36

 

CMYK 9 / 3 / 0 / 53

HEX #6D7478

RGB 109 116 120

HSL 201.82, 0.05%, 0.45%

LAB 48.38, -1.77, -3.12

 

CMYK 0 / 14 / 20 / 50

HEX #806E66

RGB 128 110 102

HSL 18.46, 0.11%, 0.45%

LAB 47.88, 5.68, 7.06

 

CMYK 0 / 29 / 44 / 42

HEX #936853

RGB 147 104 83

HSL 19.69, 0.28%, 0.45%

LAB 47.92, 14.5, 18.67

 

CMYK 54 / 0 / 11 / 38

HEX #489D8C

RGB 72 157 140

HSL 168, 0.37%, 0.45%

LAB 59.33, -29.98, 1.09

 

CMYK 54 / 3 / 0 / 38

HEX #48989D

RGB 72 152 157

HSL 183.53, 0.37%, 0.45%

LAB 58.29, -22.89, -10.1

 

CMYK 54 / 18 / 0 / 38

HEX #48819D

RGB 72 129 157

HSL 199.76, 0.37%, 0.45%

LAB 51.28, -10.47, -20.73

 

CMYK 54 / 32 / 0 / 38

HEX #486A9D

RGB 72 106 157

HSL 216, 0.37%, 0.45%

LAB 44.4, 3.14, -31.39

 

CMYK 54 / 46 / 0 / 38

HEX #48549D

RGB 72 84 157

HSL 231.53, 0.37%, 0.45%

LAB 38.12, 17.08, -41.35

 

CMYK 54 / 19 / 0 / 60

HEX #2E5265

RGB 46 82 101

HSL 200.73, 0.37%, 0.29%

LAB 33.04, -6.98, -15

 

CMYK 54 / 19 / 0 / 49

HEX #3B6981

RGB 59 105 129

HSL 200.57, 0.37%, 0.37%

LAB 42.18, -8.48, -18.16

 

CMYK 54 / 18 / 0 / 38

HEX #48819D

RGB 72 129 157

HSL 199.76, 0.37%, 0.45%

LAB 51.28, -10.47, -20.73

 

CMYK 49 / 17 / 0 / 29

HEX #5B96B4

RGB 91 150 180

HSL 200.22, 0.37%, 0.53%

LAB 59.28, -10.85, -21.59

 

CMYK 38 / 13 / 0 / 24

HEX #77A8C1

RGB 119 168 193

HSL 200.27, 0.37%, 0.61%

LAB 66.35, -9.91, -17.98

 

CMYK 54 / 18 / 0 / 38

HEX #48819E

RGB 72 129 158

HSL 200.23, 0.37%, 0.45%

LAB 51.32, -10.16, -21.25

 

CMYK 25 / 54 / 0 / 38

HEX #76489D

RGB 118 72 157

HSL 272.47, 0.37%, 0.45%

LAB 39.45, 36.36, -38.98

 

CMYK 0 / 3 / 54 / 38

HEX #9D9848

RGB 157 152 72

HSL 56.47, 0.37%, 0.45%

LAB 61.73, -9.23, 42.15

 

CMYK 54 / 18 / 0 / 38

HEX #48819E

RGB 72 129 158

HSL 200.23, 0.37%, 0.45%

LAB 51.32, -10.16, -21.25

 

CMYK 0 / 54 / 18 / 38

HEX #9D4881

RGB 157 72 129

HSL 319.76, 0.37%, 0.45%

LAB 43.34, 42.52, -15.56

 

CMYK 18 / 0 / 54 / 38

HEX #819D48

RGB 129 157 72

HSL 79.76, 0.37%, 0.45%

LAB 61, -23.61, 40.75

 

CMYK 54 / 18 / 0 / 38

HEX #48819E

RGB 72 129 158

HSL 200.23, 0.37%, 0.45%

LAB 51.32, -10.16, -21.25

 

CMYK 25 / 54 / 0 / 38

HEX #76489D

RGB 118 72 157

HSL 272.47, 0.37%, 0.45%

LAB 39.45, 36.36, -38.98

 

CMYK 0 / 36 / 54 / 38

HEX #9D6548

RGB 157 101 72

HSL 20.47, 0.37%, 0.45%

LAB 48.19, 19.37, 25.66

 

CMYK 29 / 0 / 54 / 38

HEX #709D48

RGB 112 157 72

HSL 91.76, 0.37%, 0.45%

LAB 59.91, -30.27, 39.19

 

CMYK 54 / 18 / 0 / 38

HEX #48819E

RGB 72 129 158

HSL 200.23, 0.37%, 0.45%

LAB 51.32, -10.16, -21.25

 

CMYK 9 / 54 / 0 / 38

HEX #8F489D

RGB 143 72 157

HSL 290.12, 0.37%, 0.45%

LAB 42.63, 43.36, -33.74

 

CMYK 0 / 36 / 54 / 38

HEX #9D6548

RGB 157 101 72

HSL 20.47, 0.37%, 0.45%

LAB 48.19, 19.37, 25.66

 

CMYK 45 / 0 / 54 / 38

HEX #569D48

RGB 86 157 72

HSL 110.12, 0.37%, 0.45%

LAB 58.57, -39.33, 37.26

 

Description

Color code: HEX #48819E | qconv.com Color code: HEX #48819E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 129 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 129 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 18 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 18% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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