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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #486BAC it is the complementary color #B79453. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #486BAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #486BAC shade: #4D6BA7, #5E7DBA, #6F8FCD, #80A1E0 and #91B3F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #486BAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #486BAC shade: #486BAC, #375999, #264786, #153573 and #042360

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #486BAC shade: #486BAC, #4850AC, #5B48AC, #7648AC and #9148AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #486BAC shade: #486BAC, #4850AC and #4848AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #486BAC shade matches the following richer shades: #486BAC, #3465C0, #205FD4 and #0C59E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #486BAC shade: #486BAC, #5C7198, #6F7784, #837D71 and #97835D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #486BAC shade: #48A0AC, #4886AC, #486BAC, #4850AC and #5A48AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #486BAC shade: #2F4772, #3C598F, #486BAC, #6181BC and #7E98C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #486BAC shade: #486BAC, #9D48AC and #93AC48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #486BAC shade: #486BAC, #AC486B and #6BAC48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #486BAC shade: #486BAC, #9D48AC, #AC8948 and #57AC48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #486BAC shade: #486BAC, #AC489D, #AC8948 and #48AC57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 38 / 0 / 33

HEX #486BAC

RGB 72 107 172

HSL 219, 0.41%, 0.48%

LAB 45.46, 7.54, -38.57

 

Complementary color

CMYK 0 / 19 / 55 / 28

HEX #B79453

RGB 183 148 83

HSL 39, 0.41%, 0.52%

LAB 63.24, 5.13, 38.98

 

CMYK 54 / 36 / 0 / 35

HEX #4D6BA7

RGB 77 107 167

HSL 220, 0.37%, 0.48%

LAB 45.47, 6.98, -35.59

 

CMYK 49 / 33 / 0 / 27

HEX #5E7DBA

RGB 94 125 186

HSL 219.78, 0.4%, 0.55%

LAB 52.5, 6.11, -35.51

 

CMYK 46 / 30 / 0 / 20

HEX #6F8FCD

RGB 111 143 205

HSL 219.57, 0.48%, 0.62%

LAB 59.37, 5.41, -35.47

 

CMYK 43 / 28 / 0 / 12

HEX #80A1E0

RGB 128 161 224

HSL 219.38, 0.61%, 0.69%

LAB 66.11, 4.82, -35.47

 

CMYK 40 / 26 / 0 / 5

HEX #91B3F3

RGB 145 179 243

HSL 219.18, 0.8%, 0.76%

LAB 72.71, 4.33, -35.51

 

CMYK 58 / 38 / 0 / 33

HEX #486BAC

RGB 72 107 172

HSL 219, 0.41%, 0.48%

LAB 45.46, 7.54, -38.57

 

CMYK 64 / 42 / 0 / 40

HEX #375999

RGB 55 89 153

HSL 219.18, 0.47%, 0.41%

LAB 38.3, 8.85, -38.72

 

CMYK 72 / 47 / 0 / 47

HEX #264786

RGB 38 71 134

HSL 219.38, 0.56%, 0.34%

LAB 30.97, 10.61, -38.89

 

CMYK 82 / 54 / 0 / 55

HEX #153573

RGB 21 53 115

HSL 219.57, 0.69%, 0.27%

LAB 23.48, 13.03, -39.06

 

CMYK 96 / 64 / 0 / 62

HEX #042360

RGB 4 35 96

HSL 219.78, 0.92%, 0.2%

LAB 15.86, 16.39, -39.11

 

CMYK 58 / 38 / 0 / 33

HEX #486BAC

RGB 72 107 172

HSL 219, 0.41%, 0.48%

LAB 45.46, 7.54, -38.57

 

CMYK 58 / 53 / 0 / 33

HEX #4850AC

RGB 72 80 172

HSL 235.2, 0.41%, 0.48%

LAB 38.01, 24.73, -50.47

 

CMYK 47 / 58 / 0 / 33

HEX #5B48AC

RGB 91 72 172

HSL 251.4, 0.41%, 0.48%

LAB 37.55, 33.73, -51.14

 

CMYK 31 / 58 / 0 / 33

HEX #7648AC

RGB 118 72 172

HSL 267.6, 0.41%, 0.48%

LAB 40.35, 40.11, -46.48

 

CMYK 16 / 58 / 0 / 33

HEX #9148AC

RGB 145 72 172

HSL 283.8, 0.41%, 0.48%

LAB 43.7, 47.04, -40.94

 

CMYK 58 / 38 / 0 / 33

HEX #486BAC

RGB 72 107 172

HSL 219, 0.41%, 0.48%

LAB 45.46, 7.54, -38.57

 

CMYK 58 / 53 / 0 / 33

HEX #4850AC

RGB 72 80 172

HSL 235.2, 0.41%, 0.48%

LAB 38.01, 24.73, -50.47

 

CMYK 58 / 58 / 0 / 33

HEX #4848AC

RGB 72 72 172

HSL 240, 0.41%, 0.48%

LAB 35.97, 29.84, -53.77

 

CMYK 58 / 38 / 0 / 33

HEX #486BAC

RGB 72 107 172

HSL 219, 0.41%, 0.48%

LAB 45.46, 7.54, -38.57

 

CMYK 73 / 47 / 0 / 25

HEX #3465C0

RGB 52 101 192

HSL 219, 0.57%, 0.48%

LAB 44.01, 15.01, -52.59

 

CMYK 85 / 55 / 0 / 17

HEX #205FD4

RGB 32 95 212

HSL 219, 0.74%, 0.48%

LAB 43.13, 24.46, -65.56

 

CMYK 95 / 61 / 0 / 9

HEX #0C59E7

RGB 12 89 231

HSL 218.9, 0.9%, 0.48%

LAB 42.75, 34.67, -77.01

 

CMYK 58 / 38 / 0 / 33

HEX #486BAC

RGB 72 107 172

HSL 219, 0.41%, 0.48%

LAB 45.46, 7.54, -38.57

 

CMYK 39 / 26 / 0 / 40

HEX #5C7198

RGB 92 113 152

HSL 219, 0.25%, 0.48%

LAB 47.43, 2.58, -23.63

 

CMYK 16 / 10 / 0 / 48

HEX #6F7784

RGB 111 119 132

HSL 217.14, 0.09%, 0.48%

LAB 49.78, -0.1, -8.12

 

CMYK 0 / 5 / 14 / 49

HEX #837D71

RGB 131 125 113

HSL 40, 0.07%, 0.48%

LAB 52.6, 0.07, 7.35

 

CMYK 0 / 13 / 38 / 41

HEX #97835D

RGB 151 131 93

HSL 39.31, 0.24%, 0.48%

LAB 55.69, 1.92, 23.36

 

CMYK 58 / 7 / 0 / 33

HEX #48A0AC

RGB 72 160 172

HSL 187.2, 0.41%, 0.48%

LAB 61.22, -22.67, -14.2

 

CMYK 58 / 22 / 0 / 33

HEX #4886AC

RGB 72 134 172

HSL 202.8, 0.41%, 0.48%

LAB 53.39, -8.59, -26.15

 

CMYK 58 / 38 / 0 / 33

HEX #486BAC

RGB 72 107 172

HSL 219, 0.41%, 0.48%

LAB 45.46, 7.54, -38.57

 

CMYK 58 / 53 / 0 / 33

HEX #4850AC

RGB 72 80 172

HSL 235.2, 0.41%, 0.48%

LAB 38.01, 24.73, -50.47

 

CMYK 48 / 58 / 0 / 33

HEX #5A48AC

RGB 90 72 172

HSL 250.8, 0.41%, 0.48%

LAB 37.46, 33.51, -51.29

 

CMYK 59 / 38 / 0 / 55

HEX #2F4772

RGB 47 71 114

HSL 218.51, 0.42%, 0.32%

LAB 30.22, 4.86, -27.58

 

CMYK 58 / 38 / 0 / 44

HEX #3C598F

RGB 60 89 143

HSL 219.04, 0.41%, 0.4%

LAB 38, 6.34, -33.14

 

CMYK 58 / 38 / 0 / 33

HEX #486BAC

RGB 72 107 172

HSL 219, 0.41%, 0.48%

LAB 45.46, 7.54, -38.57

 

CMYK 48 / 31 / 0 / 26

HEX #6181BC

RGB 97 129 188

HSL 218.9, 0.4%, 0.56%

LAB 53.89, 5.07, -34.46

 

CMYK 37 / 24 / 0 / 21

HEX #7E98C9

RGB 126 152 201

HSL 219.2, 0.41%, 0.64%

LAB 62.6, 3.05, -28.14

 

CMYK 58 / 38 / 0 / 33

HEX #486BAC

RGB 72 107 172

HSL 219, 0.41%, 0.48%

LAB 45.46, 7.54, -38.57

 

CMYK 9 / 58 / 0 / 33

HEX #9D48AC

RGB 157 72 172

HSL 291, 0.41%, 0.48%

LAB 45.33, 50.2, -38.25

 

CMYK 15 / 0 / 58 / 33

HEX #93AC48

RGB 147 172 72

HSL 75, 0.41%, 0.48%

LAB 66.65, -23.75, 47.59

 

CMYK 58 / 38 / 0 / 33

HEX #486BAC

RGB 72 107 172

HSL 219, 0.41%, 0.48%

LAB 45.46, 7.54, -38.57

 

CMYK 0 / 58 / 38 / 33

HEX #AC486B

RGB 172 72 107

HSL 339, 0.41%, 0.48%

LAB 44.9, 44.44, 0.47

 

CMYK 38 / 0 / 58 / 33

HEX #6BAC48

RGB 107 172 72

HSL 99, 0.41%, 0.48%

LAB 64.24, -38.94, 44.19

 

CMYK 58 / 38 / 0 / 33

HEX #486BAC

RGB 72 107 172

HSL 219, 0.41%, 0.48%

LAB 45.46, 7.54, -38.57

 

CMYK 9 / 58 / 0 / 33

HEX #9D48AC

RGB 157 72 172

HSL 291, 0.41%, 0.48%

LAB 45.33, 50.2, -38.25

 

CMYK 0 / 20 / 58 / 33

HEX #AC8948

RGB 172 137 72

HSL 39, 0.41%, 0.48%

LAB 59.09, 5.52, 39.43

 

CMYK 49 / 0 / 58 / 33

HEX #57AC48

RGB 87 172 72

HSL 111, 0.41%, 0.48%

LAB 63.34, -45.33, 42.92

 

CMYK 58 / 38 / 0 / 33

HEX #486BAC

RGB 72 107 172

HSL 219, 0.41%, 0.48%

LAB 45.46, 7.54, -38.57

 

CMYK 0 / 58 / 9 / 33

HEX #AC489D

RGB 172 72 157

HSL 309, 0.41%, 0.48%

LAB 46.76, 51.6, -26.96

 

CMYK 0 / 20 / 58 / 33

HEX #AC8948

RGB 172 137 72

HSL 39, 0.41%, 0.48%

LAB 59.09, 5.52, 39.43

 

CMYK 58 / 0 / 49 / 33

HEX #48AC57

RGB 72 172 87

HSL 129, 0.41%, 0.48%

LAB 62.99, -47.36, 35

 

Description

Color code: HEX #486BAC | qconv.com Color code: HEX #486BAC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 107 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 107 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 38 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 38% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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