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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #486A124C it is the complementary color #B795ED4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #486A124C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #486A124C shade: #4D6A0D4C, #5E7C204C, #6F8E334C, #80A0464C and #91B2594C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #486A124C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #486A124C shade: #486A124C, #3758004C, #2646004C, #1534004C and #0422004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #486A124C shade: #476912, #5F6912, #695B12, #694412 and #692C12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #486A124C shade: #476912, #306912, #186912, #126923 and #12693A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #486A124C shade matches the following richer shades: #476912 and #497308

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #486A124C shade: #476912, #455F1C, #435526, #404B2F and #3E4139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #486A124C shade: #695C12, #5F6912, #476912, #306912 and #196912

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #486A124C shade: #172206, #2F450C, #476912, #5F8C18 and #77AF1E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #486A124C shade: #486A12, #126944 and #671269

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #486A124C shade: #486A12, #124769 and #691247

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #486A124C shade: #486A12, #126944, #331269 and #691236

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #486A124C shade: #486A12, #12695F, #331269 and #69121C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 25 / 18

HEX #486A124C

RGBA 72 106 18 0.3

HSLA 83.18, 0.71%, 0.24%, 0.3

LABA 40.78, -26.22, 41.69, 0.3

 

Complementary color

CMYK 7 / 11 / 0 / 2

HEX #B795ED4C

RGBA 183 149 237 0.3

HSLA 263.18, 0.71%, 0.76%, 0.3

LABA 67.78, 30.19, -39.7, 0.3

 

CMYK 8 / 0 / 26 / 18

HEX #4D6A0D4C

RGBA 77 106 13 0.3

HSLA 78.71, 0.78%, 0.23%, 0.3

LABA 41.08, -24.32, 43.58, 0.3

 

CMYK 7 / 0 / 22 / 15

HEX #5E7C204C

RGBA 94 124 32 0.3

HSLA 79.57, 0.59%, 0.31%, 0.3

LABA 48.13, -25.01, 44.14, 0.3

 

CMYK 7 / 0 / 19 / 13

HEX #6F8E334C

RGBA 111 142 51 0.3

HSLA 80.44, 0.47%, 0.38%, 0.3

LABA 55.04, -25.44, 43.6, 0.3

 

CMYK 6 / 0 / 17 / 11

HEX #80A0464C

RGBA 128 160 70 0.3

HSLA 81.33, 0.39%, 0.45%, 0.3

LABA 61.8, -25.7, 42.64, 0.3

 

CMYK 6 / 0 / 15 / 9

HEX #91B2594C

RGBA 145 178 89 0.3

HSLA 82.25, 0.37%, 0.52%, 0.3

LABA 68.45, -25.85, 41.51, 0.3

 

CMYK 10 / 0 / 25 / 18

HEX #486A124C

RGBA 72 106 18 0.3

HSLA 83.18, 0.71%, 0.24%, 0.3

LABA 40.78, -26.22, 41.69, 0.3

 

CMYK 11 / 0 / 30 / 20

HEX #3758004C

RGBA 55 88 0 0.3

HSLA 82.5, 1%, 0.17%, 0.3

LABA 33.55, -25.4, 40.46, 0.3

 

CMYK 14 / 0 / 30 / 22

HEX #2646004C

RGBA 38 70 0 0.3

HSLA 87.43, 1%, 0.14%, 0.3

LABA 26.13, -23.79, 34.08, 0.3

 

CMYK 18 / 0 / 30 / 24

HEX #1534004C

RGBA 21 52 0 0.3

HSLA 95.77, 1%, 0.1%, 0.3

LABA 18.43, -21.97, 25.72, 0.3

 

CMYK 26 / 0 / 30 / 26

HEX #0422004C

RGBA 4 34 0 0.3

HSLA 112.94, 1%, 0.07%, 0.3

LABA 10.33, -19.06, 15.06, 0.3

 

CMYK 32 / 0 / 83 / 59

HEX #476912

RGB 71 105 18

HSL 83.45, 0.71%, 0.24%

LAB 40.39, -26.15, 41.3

 

CMYK 10 / 0 / 83 / 59

HEX #5F6912

RGB 95 105 18

HSL 66.9, 0.71%, 0.24%

LAB 42.12, -15.44, 43.52

 

CMYK 0 / 13 / 83 / 59

HEX #695B12

RGB 105 91 18

HSL 50.34, 0.71%, 0.24%

LAB 38.78, -2.64, 40.85

 

CMYK 0 / 35 / 83 / 59

HEX #694412

RGB 105 68 18

HSL 34.48, 0.71%, 0.24%

LAB 32.22, 11.31, 34.8

 

CMYK 0 / 58 / 83 / 59

HEX #692C12

RGB 105 44 18

HSL 17.93, 0.71%, 0.24%

LAB 26.3, 25.61, 29.07

 

CMYK 32 / 0 / 83 / 59

HEX #476912

RGB 71 105 18

HSL 83.45, 0.71%, 0.24%

LAB 40.39, -26.15, 41.3

 

CMYK 54 / 0 / 83 / 59

HEX #306912

RGB 48 105 18

HSL 99.31, 0.71%, 0.24%

LAB 39.2, -34.73, 39.76

 

CMYK 77 / 0 / 83 / 59

HEX #186912

RGB 24 105 18

HSL 115.86, 0.71%, 0.24%

LAB 38.45, -40.86, 38.78

 

CMYK 83 / 0 / 67 / 59

HEX #126923

RGB 18 105 35

HSL 131.72, 0.71%, 0.24%

LAB 38.47, -40.17, 31.6

 

CMYK 83 / 0 / 45 / 59

HEX #12693A

RGB 18 105 58

HSL 147.59, 0.71%, 0.24%

LAB 38.79, -36.36, 19.57

 

CMYK 32 / 0 / 83 / 59

HEX #476912

RGB 71 105 18

HSL 83.45, 0.71%, 0.24%

LAB 40.39, -26.15, 41.3

 

CMYK 37 / 0 / 93 / 55

HEX #497308

RGB 73 115 8

HSL 83.55, 0.87%, 0.24%

LAB 43.79, -30.49, 46.99

 

CMYK 32 / 0 / 83 / 59

HEX #476912

RGB 71 105 18

HSL 83.45, 0.71%, 0.24%

LAB 40.39, -26.15, 41.3

 

CMYK 27 / 0 / 71 / 63

HEX #455F1C

RGB 69 95 28

HSL 83.28, 0.54%, 0.24%

LAB 36.99, -21.29, 33.9

 

CMYK 21 / 0 / 55 / 67

HEX #435526

RGB 67 85 38

HSL 82.98, 0.38%, 0.24%

LAB 33.63, -15.79, 24.93

 

CMYK 15 / 0 / 37 / 71

HEX #404B2F

RGB 64 75 47

HSL 83.57, 0.23%, 0.24%

LAB 30.22, -10.12, 15.27

 

CMYK 5 / 0 / 12 / 75

HEX #3E4139

RGB 62 65 57

HSL 82.5, 0.07%, 0.24%

LAB 27.02, -3.01, 4.45

 

CMYK 0 / 12 / 83 / 59

HEX #695C12

RGB 105 92 18

HSL 51.03, 0.71%, 0.24%

LAB 39.07, -3.23, 41.12

 

CMYK 10 / 0 / 83 / 59

HEX #5F6912

RGB 95 105 18

HSL 66.9, 0.71%, 0.24%

LAB 42.12, -15.44, 43.52

 

CMYK 32 / 0 / 83 / 59

HEX #476912

RGB 71 105 18

HSL 83.45, 0.71%, 0.24%

LAB 40.39, -26.15, 41.3

 

CMYK 54 / 0 / 83 / 59

HEX #306912

RGB 48 105 18

HSL 99.31, 0.71%, 0.24%

LAB 39.2, -34.73, 39.76

 

CMYK 76 / 0 / 83 / 59

HEX #196912

RGB 25 105 18

HSL 115.17, 0.71%, 0.24%

LAB 38.47, -40.67, 38.81

 

CMYK 32 / 0 / 82 / 87

HEX #172206

RGB 23 34 6

HSL 83.57, 0.7%, 0.08%

LAB 11.55, -10.73, 14.47

 

CMYK 32 / 0 / 83 / 73

HEX #2F450C

RGB 47 69 12

HSL 83.16, 0.7%, 0.16%

LAB 26.41, -18.6, 29.71

 

CMYK 32 / 0 / 83 / 59

HEX #476912

RGB 71 105 18

HSL 83.45, 0.71%, 0.24%

LAB 40.39, -26.15, 41.3

 

CMYK 32 / 0 / 83 / 45

HEX #5F8C18

RGB 95 140 24

HSL 83.28, 0.71%, 0.32%

LAB 53.23, -32.7, 51.7

 

CMYK 32 / 0 / 83 / 31

HEX #77AF1E

RGB 119 175 30

HSL 83.17, 0.71%, 0.4%

LAB 65.5, -38.92, 61.55

 

CMYK 32 / 0 / 83 / 58

HEX #486A12

RGB 72 106 18

HSL 83.18, 0.71%, 0.24%

LAB 40.78, -26.22, 41.69

 

CMYK 83 / 0 / 35 / 59

HEX #126944

RGB 18 105 68

HSL 154.48, 0.71%, 0.24%

LAB 38.98, -34.17, 13.96

 

CMYK 2 / 83 / 0 / 59

HEX #671269

RGB 103 18 105

HSL 298.62, 0.71%, 0.24%

LAB 24.75, 46.7, -30.1

 

CMYK 32 / 0 / 83 / 58

HEX #486A12

RGB 72 106 18

HSL 83.18, 0.71%, 0.24%

LAB 40.78, -26.22, 41.69

 

CMYK 83 / 32 / 0 / 59

HEX #124769

RGB 18 71 105

HSL 203.45, 0.71%, 0.24%

LAB 28.52, -3.92, -24.63

 

CMYK 0 / 83 / 32 / 59

HEX #691247

RGB 105 18 71

HSL 323.45, 0.71%, 0.24%

LAB 23.31, 41.93, -9.72

 

CMYK 32 / 0 / 83 / 58

HEX #486A12

RGB 72 106 18

HSL 83.18, 0.71%, 0.24%

LAB 40.78, -26.22, 41.69

 

CMYK 83 / 0 / 35 / 59

HEX #126944

RGB 18 105 68

HSL 154.48, 0.71%, 0.24%

LAB 38.98, -34.17, 13.96

 

CMYK 51 / 83 / 0 / 59

HEX #331269

RGB 51 18 105

HSL 262.76, 0.71%, 0.24%

LAB 16.29, 36.63, -44.22

 

CMYK 0 / 83 / 49 / 59

HEX #691236

RGB 105 18 54

HSL 335.17, 0.71%, 0.24%

LAB 22.66, 39.98, 1.01

 

CMYK 32 / 0 / 83 / 58

HEX #486A12

RGB 72 106 18

HSL 83.18, 0.71%, 0.24%

LAB 40.78, -26.22, 41.69

 

CMYK 83 / 0 / 10 / 59

HEX #12695F

RGB 18 105 95

HSL 173.1, 0.71%, 0.24%

LAB 39.68, -26.81, -1.39

 

CMYK 51 / 83 / 0 / 59

HEX #331269

RGB 51 18 105

HSL 262.76, 0.71%, 0.24%

LAB 16.29, 36.63, -44.22

 

CMYK 0 / 83 / 73 / 59

HEX #69121C

RGB 105 18 28

HSL 353.1, 0.71%, 0.24%

LAB 22.02, 37.97, 18.15

 

Description

Color code: HEX #486A124C | qconv.com Color code: HEX #486A124C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 106 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 106 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 25 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 25% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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