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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #486811 it is the complementary color #B797EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #486811. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #486811 shade: #4D680C, #5E7A1F, #6F8C32, #809E45 and #91B058

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #486811. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #486811 shade: #486811, #375600, #264400, #153200 and #042000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #486811 shade: #496911, #616911, #695A11, #694211 and #692B11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #486811 shade: #496911, #316911, #196911, #116921 and #116938

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #486811 shade matches the following richer shades: #496911 and #4B7307

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #486811 shade: #496911, #465F1B, #445525, #414C2F and #3E4239

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #486811 shade: #695B11, #606911, #496911, #316911 and #1A6911

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #486811 shade: #182206, #30460B, #496911, #618D17 and #7AB01D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #486811 shade: #486811, #116943 and #661169

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #486811 shade: #486811, #114969 and #691149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #486811 shade: #486811, #116943, #311169 and #691137

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #486811 shade: #486811, #11695E, #311169 and #69111D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 84 / 59

HEX #486811

RGB 72 104 17

HSL 82.07, 0.72%, 0.24%

LAB 40.11, -25.29, 41.4

 

Complementary color

CMYK 23 / 37 / 0 / 7

HEX #B797EE

RGB 183 151 238

HSL 262.07, 0.72%, 0.76%

LAB 68.3, 29.3, -39.44

 

CMYK 26 / 0 / 88 / 59

HEX #4D680C

RGB 77 104 12

HSL 77.61, 0.79%, 0.23%

LAB 40.42, -23.36, 43.28

 

CMYK 23 / 0 / 75 / 52

HEX #5E7A1F

RGB 94 122 31

HSL 78.46, 0.59%, 0.3%

LAB 47.49, -24.08, 43.89

 

CMYK 21 / 0 / 64 / 45

HEX #6F8C32

RGB 111 140 50

HSL 79.33, 0.47%, 0.37%

LAB 54.41, -24.53, 43.38

 

CMYK 19 / 0 / 56 / 38

HEX #809E45

RGB 128 158 69

HSL 80.22, 0.39%, 0.45%

LAB 61.2, -24.81, 42.42

 

CMYK 18 / 0 / 50 / 31

HEX #91B058

RGB 145 176 88

HSL 81.14, 0.36%, 0.52%

LAB 67.85, -24.97, 41.29

 

CMYK 31 / 0 / 84 / 59

HEX #486811

RGB 72 104 17

HSL 82.07, 0.72%, 0.24%

LAB 40.11, -25.29, 41.4

 

CMYK 36 / 0 / 100 / 66

HEX #375600

RGB 55 86 0

HSL 81.63, 1%, 0.17%

LAB 32.85, -24.42, 39.93

 

CMYK 44 / 0 / 100 / 73

HEX #264400

RGB 38 68 0

HSL 86.47, 1%, 0.13%

LAB 25.4, -22.82, 33.4

 

CMYK 58 / 0 / 100 / 80

HEX #153200

RGB 21 50 0

HSL 94.8, 1%, 0.1%

LAB 17.65, -21.03, 24.78

 

CMYK 88 / 0 / 100 / 87

HEX #042000

RGB 4 32 0

HSL 112.5, 1%, 0.06%

LAB 9.47, -17.62, 13.84

 

CMYK 30 / 0 / 84 / 59

HEX #496911

RGB 73 105 17

HSL 81.82, 0.72%, 0.24%

LAB 40.51, -25.36, 41.78

 

CMYK 8 / 0 / 84 / 59

HEX #616911

RGB 97 105 17

HSL 65.45, 0.72%, 0.24%

LAB 42.28, -14.54, 44.05

 

CMYK 0 / 14 / 84 / 59

HEX #695A11

RGB 105 90 17

HSL 49.77, 0.72%, 0.24%

LAB 38.47, -2.09, 40.94

 

CMYK 0 / 37 / 84 / 59

HEX #694211

RGB 105 66 17

HSL 33.41, 0.72%, 0.24%

LAB 31.67, 12.5, 34.73

 

CMYK 0 / 59 / 84 / 59

HEX #692B11

RGB 105 43 17

HSL 17.73, 0.72%, 0.24%

LAB 26.07, 26.12, 29.39

 

CMYK 30 / 0 / 84 / 59

HEX #496911

RGB 73 105 17

HSL 81.82, 0.72%, 0.24%

LAB 40.51, -25.36, 41.78

 

CMYK 53 / 0 / 84 / 59

HEX #316911

RGB 49 105 17

HSL 98.18, 0.72%, 0.24%

LAB 39.24, -34.46, 40.14

 

CMYK 76 / 0 / 84 / 59

HEX #196911

RGB 25 105 17

HSL 114.55, 0.72%, 0.24%

LAB 38.46, -40.74, 39.14

 

CMYK 84 / 0 / 69 / 59

HEX #116921

RGB 17 105 33

HSL 130.91, 0.72%, 0.24%

LAB 38.43, -40.56, 32.51

 

CMYK 84 / 0 / 47 / 59

HEX #116938

RGB 17 105 56

HSL 146.59, 0.72%, 0.24%

LAB 38.74, -36.9, 20.65

 

CMYK 30 / 0 / 84 / 59

HEX #496911

RGB 73 105 17

HSL 81.82, 0.72%, 0.24%

LAB 40.51, -25.36, 41.78

 

CMYK 35 / 0 / 94 / 55

HEX #4B7307

RGB 75 115 7

HSL 82.22, 0.89%, 0.24%

LAB 43.91, -29.72, 47.35

 

CMYK 30 / 0 / 84 / 59

HEX #496911

RGB 73 105 17

HSL 81.82, 0.72%, 0.24%

LAB 40.51, -25.36, 41.78

 

CMYK 26 / 0 / 72 / 63

HEX #465F1B

RGB 70 95 27

HSL 82.06, 0.56%, 0.24%

LAB 37.05, -20.94, 34.44

 

CMYK 20 / 0 / 56 / 67

HEX #445525

RGB 68 85 37

HSL 81.25, 0.39%, 0.24%

LAB 33.69, -15.46, 25.58

 

CMYK 14 / 0 / 38 / 70

HEX #414C2F

RGB 65 76 47

HSL 82.76, 0.24%, 0.24%

LAB 30.64, -10.26, 15.83

 

CMYK 6 / 0 / 14 / 74

HEX #3E4239

RGB 62 66 57

HSL 86.67, 0.07%, 0.24%

LAB 27.34, -3.64, 4.91

 

CMYK 0 / 13 / 84 / 59

HEX #695B11

RGB 105 91 17

HSL 50.45, 0.72%, 0.24%

LAB 38.77, -2.68, 41.2

 

CMYK 9 / 0 / 84 / 59

HEX #606911

RGB 96 105 17

HSL 66.14, 0.72%, 0.24%

LAB 42.2, -15.01, 43.94

 

CMYK 30 / 0 / 84 / 59

HEX #496911

RGB 73 105 17

HSL 81.82, 0.72%, 0.24%

LAB 40.51, -25.36, 41.78

 

CMYK 53 / 0 / 84 / 59

HEX #316911

RGB 49 105 17

HSL 98.18, 0.72%, 0.24%

LAB 39.24, -34.46, 40.14

 

CMYK 75 / 0 / 84 / 59

HEX #1A6911

RGB 26 105 17

HSL 113.86, 0.72%, 0.24%

LAB 38.49, -40.54, 39.17

 

CMYK 29 / 0 / 82 / 87

HEX #182206

RGB 24 34 6

HSL 81.43, 0.7%, 0.08%

LAB 11.63, -10.21, 14.6

 

CMYK 31 / 0 / 84 / 73

HEX #30460B

RGB 48 70 11

HSL 82.37, 0.73%, 0.16%

LAB 26.83, -18.74, 30.54

 

CMYK 30 / 0 / 84 / 59

HEX #496911

RGB 73 105 17

HSL 81.82, 0.72%, 0.24%

LAB 40.51, -25.36, 41.78

 

CMYK 31 / 0 / 84 / 45

HEX #618D17

RGB 97 141 23

HSL 82.37, 0.72%, 0.32%

LAB 53.66, -32.41, 52.41

 

CMYK 31 / 0 / 84 / 31

HEX #7AB01D

RGB 122 176 29

HSL 82.04, 0.72%, 0.4%

LAB 65.96, -38.26, 62.28

 

CMYK 31 / 0 / 84 / 59

HEX #486811

RGB 72 104 17

HSL 82.07, 0.72%, 0.24%

LAB 40.11, -25.29, 41.4

 

CMYK 84 / 0 / 36 / 59

HEX #116943

RGB 17 105 67

HSL 154.09, 0.72%, 0.24%

LAB 38.95, -34.53, 14.5

 

CMYK 3 / 84 / 0 / 59

HEX #661169

RGB 102 17 105

HSL 297.95, 0.72%, 0.24%

LAB 24.47, 46.77, -30.57

 

CMYK 31 / 0 / 84 / 59

HEX #486811

RGB 72 104 17

HSL 82.07, 0.72%, 0.24%

LAB 40.11, -25.29, 41.4

 

CMYK 84 / 30 / 0 / 59

HEX #114969

RGB 17 73 105

HSL 201.82, 0.72%, 0.24%

LAB 29.17, -5.33, -23.62

 

CMYK 0 / 84 / 30 / 59

HEX #691149

RGB 105 17 73

HSL 321.82, 0.72%, 0.24%

LAB 23.29, 42.5, -11.11

 

CMYK 31 / 0 / 84 / 59

HEX #486811

RGB 72 104 17

HSL 82.07, 0.72%, 0.24%

LAB 40.11, -25.29, 41.4

 

CMYK 84 / 0 / 36 / 59

HEX #116943

RGB 17 105 67

HSL 154.09, 0.72%, 0.24%

LAB 38.95, -34.53, 14.5

 

CMYK 53 / 84 / 0 / 59

HEX #311169

RGB 49 17 105

HSL 261.82, 0.72%, 0.24%

LAB 15.87, 36.79, -44.91

 

CMYK 0 / 84 / 48 / 59

HEX #691137

RGB 105 17 55

HSL 334.09, 0.72%, 0.24%

LAB 22.58, 40.4, 0.2

 

CMYK 31 / 0 / 84 / 59

HEX #486811

RGB 72 104 17

HSL 82.07, 0.72%, 0.24%

LAB 40.11, -25.29, 41.4

 

CMYK 84 / 0 / 10 / 59

HEX #11695E

RGB 17 105 94

HSL 172.5, 0.72%, 0.24%

LAB 39.63, -27.23, -0.85

 

CMYK 53 / 84 / 0 / 59

HEX #311169

RGB 49 17 105

HSL 261.82, 0.72%, 0.24%

LAB 15.87, 36.79, -44.91

 

CMYK 0 / 84 / 72 / 59

HEX #69111D

RGB 105 17 29

HSL 351.82, 0.72%, 0.24%

LAB 21.92, 38.35, 17.35

 

Description

Color code: HEX #486811 | qconv.com Color code: HEX #486811 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 104 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 104 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 84 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 84% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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