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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #484B2000 it is the complementary color #B7B4DF00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #484B2000. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #484B2000 shade: #4D4B1B00, #5E5D2E00, #6F6F4100, #80815400 and #91936700

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #484B2000. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #484B2000 shade: #484B2000, #37390D00, #26270000, #15150000 and #04030000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #484B2000 shade: #484B20, #4B4220, #4B3720, #4B2B20 and #4B2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #484B2000 shade: #484B20, #3C4B20, #314B20, #254B20 and #204B26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #484B2000 shade matches the following richer shades: #484B20, #4F5417, #575C0F and #5E6506

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #484B2000 shade: #484B20, #414229, #393A31, #32313A and #2A2843

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #484B2000 shade: #4B3720, #4B4220, #484B20, #3D4B20 and #314B20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #484B2000 shade: #111107, #2C2E14, #484B20, #64682D and #7F8539

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #484B2000 shade: #484B20, #204B2C and #3D204B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #484B2000 shade: #484B20, #20484B and #4B2048

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #484B2000 shade: #484B20, #204B2C, #23204B and #4B2040

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #484B2000 shade: #484B20, #204B38, #23204B and #4B2033

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #484B2000

RGBA 72 75 32 0

HSLA 64.19, 0.4%, 0.21%, 0

LABA 30.67, -8.38, 24.89, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #B7B4DF00

RGBA 183 180 223 0

HSLA 244.19, 0.4%, 0.79%, 0

LABA 74.85, 9.79, -21.16, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4D4B1B00

RGBA 77 75 27 0

HSLA 57.6, 0.48%, 0.2%, 0

LABA 31.09, -6.41, 28.21, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5E5D2E00

RGBA 94 93 46 0

HSLA 58.75, 0.34%, 0.27%, 0

LABA 38.56, -7.08, 26.94, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6F6F4100

RGBA 111 111 65 0

HSLA 60, 0.26%, 0.35%, 0

LABA 45.81, -7.54, 25.6, 0

 

CMYK 0 / 0 / 0 / 0

HEX #80815400

RGBA 128 129 84 0

HSLA 61.33, 0.21%, 0.42%, 0

LABA 52.87, -7.87, 24.32, 0

 

CMYK 0 / 0 / 0 / 0

HEX #91936700

RGBA 145 147 103 0

HSLA 62.73, 0.18%, 0.49%, 0

LABA 59.77, -8.12, 23.12, 0

 

CMYK 0 / 0 / 0 / 0

HEX #484B2000

RGBA 72 75 32 0

HSLA 64.19, 0.4%, 0.21%, 0

LABA 30.67, -8.38, 24.89, 0

 

CMYK 0 / 0 / 0 / 0

HEX #37390D00

RGBA 55 57 13 0

HSLA 62.73, 0.63%, 0.14%, 0

LABA 22.89, -7.67, 25.96, 0

 

CMYK 0 / 0 / 0 / 0

HEX #26270000

RGBA 38 39 0 0

HSLA 61.54, 1%, 0.08%, 0

LABA 14.75, -6.45, 21.44, 0

 

CMYK 0 / 0 / 0 / 0

HEX #15150000

RGBA 21 21 0 0

HSLA 60, 1%, 0.04%, 0

LABA 6.28, -3.44, 9.35, 0

 

CMYK 0 / 0 / 0 / 0

HEX #04030000

RGBA 4 3 0 0

HSLA 45, 1%, 0.01%, 0

LABA 0.82, -0.16, 1.23, 0

 

CMYK 4 / 0 / 57 / 71

HEX #484B20

RGB 72 75 32

HSL 64.19, 0.4%, 0.21%

LAB 30.67, -8.38, 24.89

 

CMYK 0 / 12 / 57 / 71

HEX #4B4220

RGB 75 66 32

HSL 47.44, 0.4%, 0.21%

LAB 28.11, -1.39, 21.92

 

CMYK 0 / 27 / 57 / 71

HEX #4B3720

RGB 75 55 32

HSL 32.09, 0.4%, 0.21%

LAB 24.74, 5.65, 17.79

 

CMYK 0 / 43 / 57 / 71

HEX #4B2B20

RGB 75 43 32

HSL 15.35, 0.4%, 0.21%

LAB 21.31, 13.47, 13.41

 

CMYK 0 / 57 / 57 / 71

HEX #4B2020

RGB 75 32 32

HSL 0, 0.4%, 0.21%

LAB 18.51, 20.38, 9.7

 

CMYK 4 / 0 / 57 / 71

HEX #484B20

RGB 72 75 32

HSL 64.19, 0.4%, 0.21%

LAB 30.67, -8.38, 24.89

 

CMYK 20 / 0 / 57 / 71

HEX #3C4B20

RGB 60 75 32

HSL 80.93, 0.4%, 0.21%

LAB 29.66, -14.05, 23.44

 

CMYK 35 / 0 / 57 / 71

HEX #314B20

RGB 49 75 32

HSL 96.28, 0.4%, 0.21%

LAB 28.87, -18.88, 22.32

 

CMYK 51 / 0 / 57 / 71

HEX #254B20

RGB 37 75 32

HSL 113.02, 0.4%, 0.21%

LAB 28.19, -23.52, 21.34

 

CMYK 57 / 0 / 49 / 71

HEX #204B26

RGB 32 75 38

HSL 128.37, 0.4%, 0.21%

LAB 28.06, -24.17, 17.58

 

CMYK 4 / 0 / 57 / 71

HEX #484B20

RGB 72 75 32

HSL 64.19, 0.4%, 0.21%

LAB 30.67, -8.38, 24.89

 

CMYK 6 / 0 / 73 / 67

HEX #4F5417

RGB 79 84 23

HSL 64.92, 0.57%, 0.21%

LAB 34.12, -11.04, 33.45

 

CMYK 5 / 0 / 84 / 64

HEX #575C0F

RGB 87 92 15

HSL 63.9, 0.72%, 0.21%

LAB 37.33, -12.17, 39.94

 

CMYK 7 / 0 / 94 / 60

HEX #5E6506

RGB 94 101 6

HSL 64.42, 0.89%, 0.21%

LAB 40.74, -14.13, 45.58

 

CMYK 4 / 0 / 57 / 71

HEX #484B20

RGB 72 75 32

HSL 64.19, 0.4%, 0.21%

LAB 30.67, -8.38, 24.89

 

CMYK 2 / 0 / 38 / 74

HEX #414229

RGB 65 66 41

HSL 62.4, 0.23%, 0.21%

LAB 27.24, -5.13, 15.11

 

CMYK 2 / 0 / 16 / 77

HEX #393A31

RGB 57 58 49

HSL 66.67, 0.08%, 0.21%

LAB 24.06, -2.37, 5.46

 

CMYK 14 / 16 / 0 / 77

HEX #32313A

RGB 50 49 58

HSL 246.67, 0.08%, 0.21%

LAB 20.75, 2.66, -5.52

 

CMYK 37 / 40 / 0 / 74

HEX #2A2843

RGB 42 40 67

HSL 244.44, 0.25%, 0.21%

LAB 17.53, 8.54, -16.71

 

CMYK 0 / 27 / 57 / 71

HEX #4B3720

RGB 75 55 32

HSL 32.09, 0.4%, 0.21%

LAB 24.74, 5.65, 17.79

 

CMYK 0 / 12 / 57 / 71

HEX #4B4220

RGB 75 66 32

HSL 47.44, 0.4%, 0.21%

LAB 28.11, -1.39, 21.92

 

CMYK 4 / 0 / 57 / 71

HEX #484B20

RGB 72 75 32

HSL 64.19, 0.4%, 0.21%

LAB 30.67, -8.38, 24.89

 

CMYK 19 / 0 / 57 / 71

HEX #3D4B20

RGB 61 75 32

HSL 79.53, 0.4%, 0.21%

LAB 29.73, -13.59, 23.55

 

CMYK 35 / 0 / 57 / 71

HEX #314B20

RGB 49 75 32

HSL 96.28, 0.4%, 0.21%

LAB 28.87, -18.88, 22.32

 

CMYK 0 / 0 / 59 / 93

HEX #111107

RGB 17 17 7

HSL 60, 0.42%, 0.05%

LAB 4.84, -1.59, 4.34

 

CMYK 4 / 0 / 57 / 82

HEX #2C2E14

RGB 44 46 20

HSL 64.62, 0.39%, 0.13%

LAB 18.1, -5.75, 16.37

 

CMYK 4 / 0 / 57 / 71

HEX #484B20

RGB 72 75 32

HSL 64.19, 0.4%, 0.21%

LAB 30.67, -8.38, 24.89

 

CMYK 4 / 0 / 57 / 59

HEX #64682D

RGB 100 104 45

HSL 64.07, 0.4%, 0.29%

LAB 42.46, -10.71, 32.21

 

CMYK 5 / 0 / 57 / 48

HEX #7F8539

RGB 127 133 57

HSL 64.74, 0.4%, 0.37%

LAB 53.58, -13.43, 39.49

 

CMYK 4 / 0 / 57 / 71

HEX #484B20

RGB 72 75 32

HSL 64.19, 0.4%, 0.21%

LAB 30.67, -8.38, 24.89

 

CMYK 57 / 0 / 41 / 71

HEX #204B2C

RGB 32 75 44

HSL 136.74, 0.4%, 0.21%

LAB 28.17, -23, 14.05

 

CMYK 19 / 57 / 0 / 71

HEX #3D204B

RGB 61 32 75

HSL 280.47, 0.4%, 0.21%

LAB 18.07, 22.78, -21.19

 

CMYK 4 / 0 / 57 / 71

HEX #484B20

RGB 72 75 32

HSL 64.19, 0.4%, 0.21%

LAB 30.67, -8.38, 24.89

 

CMYK 57 / 4 / 0 / 71

HEX #20484B

RGB 32 72 75

HSL 184.19, 0.4%, 0.21%

LAB 27.98, -13.04, -6.11

 

CMYK 0 / 57 / 4 / 71

HEX #4B2048

RGB 75 32 72

HSL 304.19, 0.4%, 0.21%

LAB 20.03, 26.75, -15.91

 

CMYK 4 / 0 / 57 / 71

HEX #484B20

RGB 72 75 32

HSL 64.19, 0.4%, 0.21%

LAB 30.67, -8.38, 24.89

 

CMYK 57 / 0 / 41 / 71

HEX #204B2C

RGB 32 75 44

HSL 136.74, 0.4%, 0.21%

LAB 28.17, -23, 14.05

 

CMYK 53 / 57 / 0 / 71

HEX #23204B

RGB 35 32 75

HSL 244.19, 0.4%, 0.21%

LAB 14.94, 14.91, -26.35

 

CMYK 0 / 57 / 15 / 71

HEX #4B2040

RGB 75 32 64

HSL 315.35, 0.4%, 0.21%

LAB 19.63, 25.16, -11.03

 

CMYK 4 / 0 / 57 / 71

HEX #484B20

RGB 72 75 32

HSL 64.19, 0.4%, 0.21%

LAB 30.67, -8.38, 24.89

 

CMYK 57 / 0 / 25 / 71

HEX #204B38

RGB 32 75 56

HSL 153.49, 0.4%, 0.21%

LAB 28.45, -20.22, 6.85

 

CMYK 53 / 57 / 0 / 71

HEX #23204B

RGB 35 32 75

HSL 244.19, 0.4%, 0.21%

LAB 14.94, 14.91, -26.35

 

CMYK 0 / 57 / 32 / 71

HEX #4B2033

RGB 75 32 51

HSL 333.49, 0.4%, 0.21%

LAB 19.09, 22.9, -2.82

 

Description

Color code: HEX #484B2000 | qconv.com Color code: HEX #484B2000 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 75 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 75 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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