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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4847FC it is the complementary color #B7B803. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4847FC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4847FC shade: #4D47F7, #5E59FF, #6F6BFF, #807DFF and #918FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4847FC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4847FC shade: #4847FC, #3735E9, #2623D6, #1511C3 and #0400B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4847FC shade: #4645FC, #7745FC, #A945FC, #DA45FC and #FC45ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4847FC shade: #4645FC and #4545FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4847FC shade matches the following richer shades: #4645FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4847FC shade: #4645FC, #5554ED, #6464DE, #7373CE and #8382BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4847FC shade: #45A7FC, #4576FC, #4545FC, #7645FC and #A745FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4847FC shade: #0504EB, #1E1CFC, #4645FC, #6F6EFD and #9796FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4847FC shade: #4847FC, #FC45D8 and #8EFC45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4847FC shade: #4847FC, #FC4545 and #45FC45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4847FC shade: #4847FC, #FC45D8, #FCFC45 and #45FC6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4847FC shade: #4847FC, #FC45A1, #FCFC45 and #45FCA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 72 / 0 / 1

HEX #4847FC

RGB 72 71 252

HSL 240.33, 0.97%, 0.63%

LAB 42.63, 56.57, -88.94

 

Complementary color

CMYK 1 / 0 / 98 / 28

HEX #B7B803

RGB 183 184 3

HSL 60.33, 0.97%, 0.37%

LAB 72.47, -17.27, 73.51

 

CMYK 69 / 71 / 0 / 3

HEX #4D47F7

RGB 77 71 247

HSL 242.05, 0.92%, 0.62%

LAB 42.46, 55.49, -86.42

 

CMYK 63 / 65 / 0 / 0

HEX #5E59FF

RGB 94 89 255

HSL 241.81, 1%, 0.67%

LAB 47.94, 49.98, -81.85

 

CMYK 56 / 58 / 0 / 0

HEX #6F6BFF

RGB 111 107 255

HSL 241.62, 1%, 0.71%

LAB 53.08, 42.18, -73.42

 

CMYK 50 / 51 / 0 / 0

HEX #807DFF

RGB 128 125 255

HSL 241.38, 1%, 0.75%

LAB 58.49, 34.86, -64.62

 

CMYK 43 / 44 / 0 / 0

HEX #918FFF

RGB 145 143 255

HSL 241.07, 1%, 0.78%

LAB 64.07, 28.16, -55.62

 

CMYK 71 / 72 / 0 / 1

HEX #4847FC

RGB 72 71 252

HSL 240.33, 0.97%, 0.63%

LAB 42.63, 56.57, -88.94

 

CMYK 76 / 77 / 0 / 9

HEX #3735E9

RGB 55 53 233

HSL 240.67, 0.8%, 0.56%

LAB 36.45, 58.7, -88.49

 

CMYK 82 / 84 / 0 / 16

HEX #2623D6

RGB 38 35 214

HSL 241.01, 0.72%, 0.49%

LAB 30.57, 60.4, -87.38

 

CMYK 89 / 91 / 0 / 24

HEX #1511C3

RGB 21 17 195

HSL 241.35, 0.84%, 0.42%

LAB 25.26, 60.99, -85.14

 

CMYK 98 / 100 / 0 / 31

HEX #0400B0

RGB 4 0 176

HSL 241.36, 1%, 0.35%

LAB 20.68, 60, -81.51

 

CMYK 72 / 73 / 0 / 1

HEX #4645FC

RGB 70 69 252

HSL 240.33, 0.97%, 0.63%

LAB 42.13, 57.46, -89.77

 

CMYK 53 / 73 / 0 / 1

HEX #7745FC

RGB 119 69 252

HSL 256.39, 0.97%, 0.63%

LAB 45.92, 63.05, -83.41

 

CMYK 33 / 73 / 0 / 1

HEX #A945FC

RGB 169 69 252

HSL 272.79, 0.97%, 0.63%

LAB 51.52, 70.94, -74.03

 

CMYK 13 / 73 / 0 / 1

HEX #DA45FC

RGB 218 69 252

HSL 288.85, 0.97%, 0.63%

LAB 58.22, 79.96, -62.87

 

CMYK 0 / 73 / 6 / 1

HEX #FC45ED

RGB 252 69 237

HSL 304.92, 0.97%, 0.63%

LAB 62.56, 84.39, -47.31

 

CMYK 72 / 73 / 0 / 1

HEX #4645FC

RGB 70 69 252

HSL 240.33, 0.97%, 0.63%

LAB 42.13, 57.46, -89.77

 

CMYK 73 / 73 / 0 / 1

HEX #4545FC

RGB 69 69 252

HSL 240, 0.97%, 0.63%

LAB 42.08, 57.37, -89.87

 

CMYK 72 / 73 / 0 / 1

HEX #4645FC

RGB 70 69 252

HSL 240.33, 0.97%, 0.63%

LAB 42.13, 57.46, -89.77

 

CMYK 72 / 73 / 0 / 1

HEX #4645FC

RGB 70 69 252

HSL 240.33, 0.97%, 0.63%

LAB 42.13, 57.46, -89.77

 

CMYK 64 / 65 / 0 / 7

HEX #5554ED

RGB 85 84 237

HSL 240.39, 0.81%, 0.63%

LAB 44.78, 45.94, -76.96

 

CMYK 55 / 55 / 0 / 13

HEX #6464DE

RGB 100 100 222

HSL 240, 0.65%, 0.63%

LAB 48.38, 34.05, -62.59

 

CMYK 44 / 44 / 0 / 19

HEX #7373CE

RGB 115 115 206

HSL 240, 0.48%, 0.63%

LAB 52.24, 23.36, -47.25

 

CMYK 31 / 32 / 0 / 25

HEX #8382BF

RGB 131 130 191

HSL 240.98, 0.32%, 0.63%

LAB 56.64, 14.56, -31.71

 

CMYK 73 / 34 / 0 / 1

HEX #45A7FC

RGB 69 167 252

HSL 207.87, 0.97%, 0.63%

LAB 66.47, -1.07, -50.42

 

CMYK 73 / 53 / 0 / 1

HEX #4576FC

RGB 69 118 252

HSL 223.93, 0.97%, 0.63%

LAB 53.22, 28.28, -71.63

 

CMYK 73 / 73 / 0 / 1

HEX #4545FC

RGB 69 69 252

HSL 240, 0.97%, 0.63%

LAB 42.08, 57.37, -89.87

 

CMYK 53 / 73 / 0 / 1

HEX #7645FC

RGB 118 69 252

HSL 256.07, 0.97%, 0.63%

LAB 45.82, 62.91, -83.57

 

CMYK 34 / 73 / 0 / 1

HEX #A745FC

RGB 167 69 252

HSL 272.13, 0.97%, 0.63%

LAB 51.27, 70.59, -74.45

 

CMYK 98 / 98 / 0 / 8

HEX #0504EB

RGB 5 4 235

HSL 240.26, 0.97%, 0.47%

LAB 29.71, 73.8, -100.9

 

CMYK 88 / 89 / 0 / 1

HEX #1E1CFC

RGB 30 28 252

HSL 240.54, 0.97%, 0.55%

LAB 34.26, 73.23, -102.89

 

CMYK 72 / 73 / 0 / 1

HEX #4645FC

RGB 70 69 252

HSL 240.33, 0.97%, 0.63%

LAB 42.13, 57.46, -89.77

 

CMYK 56 / 57 / 0 / 1

HEX #6F6EFD

RGB 111 110 253

HSL 240.42, 0.97%, 0.71%

LAB 53.62, 39.8, -71.42

 

CMYK 40 / 41 / 0 / 1

HEX #9796FD

RGB 151 150 253

HSL 240.58, 0.96%, 0.79%

LAB 66.12, 25.03, -51.24

 

CMYK 71 / 72 / 0 / 1

HEX #4847FC

RGB 72 71 252

HSL 240.33, 0.97%, 0.63%

LAB 42.63, 56.57, -88.94

 

CMYK 0 / 73 / 14 / 1

HEX #FC45D8

RGB 252 69 216

HSL 311.8, 0.97%, 0.63%

LAB 61.58, 81.44, -37.08

 

CMYK 44 / 0 / 73 / 1

HEX #8EFC45

RGB 142 252 69

HSL 96.07, 0.97%, 0.63%

LAB 89.77, -60.39, 73.04

 

CMYK 71 / 72 / 0 / 1

HEX #4847FC

RGB 72 71 252

HSL 240.33, 0.97%, 0.63%

LAB 42.63, 56.57, -88.94

 

CMYK 0 / 73 / 73 / 1

HEX #FC4545

RGB 252 69 69

HSL 0, 0.97%, 0.63%

LAB 57.45, 68.29, 42.02

 

CMYK 73 / 0 / 73 / 1

HEX #45FC45

RGB 69 252 69

HSL 120, 0.97%, 0.63%

LAB 87.64, -77.28, 70.21

 

CMYK 71 / 72 / 0 / 1

HEX #4847FC

RGB 72 71 252

HSL 240.33, 0.97%, 0.63%

LAB 42.63, 56.57, -88.94

 

CMYK 0 / 73 / 14 / 1

HEX #FC45D8

RGB 252 69 216

HSL 311.8, 0.97%, 0.63%

LAB 61.58, 81.44, -37.08

 

CMYK 0 / 0 / 73 / 1

HEX #FCFC45

RGB 252 252 69

HSL 60, 0.97%, 0.63%

LAB 96.31, -19.93, 81.6

 

CMYK 73 / 0 / 58 / 1

HEX #45FC6A

RGB 69 252 106

HSL 132.13, 0.97%, 0.63%

LAB 87.93, -73.71, 56.05

 

CMYK 71 / 72 / 0 / 1

HEX #4847FC

RGB 72 71 252

HSL 240.33, 0.97%, 0.63%

LAB 42.63, 56.57, -88.94

 

CMYK 0 / 73 / 36 / 1

HEX #FC45A1

RGB 252 69 161

HSL 329.84, 0.97%, 0.63%

LAB 59.46, 74.87, -8.79

 

CMYK 0 / 0 / 73 / 1

HEX #FCFC45

RGB 252 252 69

HSL 60, 0.97%, 0.63%

LAB 96.31, -19.93, 81.6

 

CMYK 73 / 0 / 36 / 1

HEX #45FCA1

RGB 69 252 161

HSL 150.16, 0.97%, 0.63%

LAB 88.67, -65.25, 30.83

 

Description

Color code: HEX #4847FC | qconv.com Color code: HEX #4847FC | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 71 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 71 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 72 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 72% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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