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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48451E it is the complementary color #B7BAE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48451E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48451E shade: #4D4519, #5E572C, #6F693F, #807B52 and #918D65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48451E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48451E shade: #48451E, #37330B, #262100, #150F00 and #040000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48451E shade: #48451E, #483A1E, #482E1E, #48231E and #481E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48451E shade: #48451E, #40481E, #34481E, #29481E and #1E481E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48451E shade matches the following richer shades: #48451E, #504C16, #58530E and #615A05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48451E shade: #48451E, #403E26, #37372F, #2F3037 and #27293F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48451E shade: #482E1E, #48391E, #48441E, #40481E and #35481E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48451E shade: #0E0D06, #2B2912, #48451E, #65612A and #827D36

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48451E shade: #48451E, #1E4823 and #341E48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48451E shade: #48451E, #1E4844 and #441E48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48451E shade: #48451E, #1E4823, #1E2248 and #481E43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48451E shade: #48451E, #1E4830, #1E2248 and #481E36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 58 / 72

HEX #48451E

RGB 72 69 30

HSL 55.71, 0.41%, 0.2%

LAB 28.71, -4.95, 23.73

 

Complementary color

CMYK 19 / 17 / 0 / 12

HEX #B7BAE1

RGB 183 186 225

HSL 235.71, 0.41%, 0.8%

LAB 76.45, 6.96, -19.81

 

CMYK 0 / 10 / 68 / 70

HEX #4D4519

RGB 77 69 25

HSL 50.77, 0.51%, 0.2%

LAB 29.17, -2.91, 27.15

 

CMYK 0 / 7 / 53 / 63

HEX #5E572C

RGB 94 87 44

HSL 51.6, 0.36%, 0.27%

LAB 36.7, -3.75, 25.82

 

CMYK 0 / 5 / 43 / 56

HEX #6F693F

RGB 111 105 63

HSL 52.5, 0.28%, 0.34%

LAB 44, -4.34, 24.44

 

CMYK 0 / 4 / 36 / 50

HEX #807B52

RGB 128 123 82

HSL 53.48, 0.22%, 0.41%

LAB 51.11, -4.78, 23.13

 

CMYK 0 / 3 / 30 / 43

HEX #918D65

RGB 145 141 101

HSL 54.55, 0.18%, 0.48%

LAB 58.05, -5.12, 21.93

 

CMYK 0 / 4 / 58 / 72

HEX #48451E

RGB 72 69 30

HSL 55.71, 0.41%, 0.2%

LAB 28.71, -4.95, 23.73

 

CMYK 0 / 7 / 80 / 78

HEX #37330B

RGB 55 51 11

HSL 54.55, 0.67%, 0.13%

LAB 20.84, -4.02, 24.69

 

CMYK 0 / 13 / 100 / 85

HEX #262100

RGB 38 33 0

HSL 52.11, 1%, 0.07%

LAB 12.61, -2.42, 18.61

 

CMYK 0 / 29 / 100 / 92

HEX #150F00

RGB 21 15 0

HSL 42.86, 1%, 0.04%

LAB 4.53, 0.16, 6.78

 

CMYK 0 / 100 / 100 / 98

HEX #040000

RGB 4 0 0

HSL 0, 1%, 0.01%

LAB 0.23, 1.05, 0.37

 

CMYK 0 / 4 / 58 / 72

HEX #48451E

RGB 72 69 30

HSL 55.71, 0.41%, 0.2%

LAB 28.71, -4.95, 23.73

 

CMYK 0 / 19 / 58 / 72

HEX #483A1E

RGB 72 58 30

HSL 40, 0.41%, 0.2%

LAB 25.25, 1.99, 19.58

 

CMYK 0 / 36 / 58 / 72

HEX #482E1E

RGB 72 46 30

HSL 22.86, 0.41%, 0.2%

LAB 21.67, 9.83, 15.12

 

CMYK 0 / 51 / 58 / 72

HEX #48231E

RGB 72 35 30

HSL 7.14, 0.41%, 0.2%

LAB 18.69, 16.96, 11.23

 

CMYK 0 / 58 / 58 / 72

HEX #481E1E

RGB 72 30 30

HSL 0, 0.41%, 0.2%

LAB 17.46, 20.05, 9.6

 

CMYK 0 / 4 / 58 / 72

HEX #48451E

RGB 72 69 30

HSL 55.71, 0.41%, 0.2%

LAB 28.71, -4.95, 23.73

 

CMYK 11 / 0 / 58 / 72

HEX #40481E

RGB 64 72 30

HSL 71.43, 0.41%, 0.2%

LAB 28.95, -10.67, 23.82

 

CMYK 28 / 0 / 58 / 72

HEX #34481E

RGB 52 72 30

HSL 88.57, 0.41%, 0.2%

LAB 28, -16.22, 22.47

 

CMYK 43 / 0 / 58 / 72

HEX #29481E

RGB 41 72 30

HSL 104.29, 0.41%, 0.2%

LAB 27.3, -20.82, 21.45

 

CMYK 58 / 0 / 58 / 72

HEX #1E481E

RGB 30 72 30

HSL 120, 0.41%, 0.2%

LAB 26.75, -24.73, 20.66

 

CMYK 0 / 4 / 58 / 72

HEX #48451E

RGB 72 69 30

HSL 55.71, 0.41%, 0.2%

LAB 28.71, -4.95, 23.73

 

CMYK 0 / 5 / 73 / 69

HEX #504C16

RGB 80 76 22

HSL 55.86, 0.57%, 0.2%

LAB 31.65, -5.9, 31.41

 

CMYK 0 / 6 / 84 / 65

HEX #58530E

RGB 88 83 14

HSL 55.95, 0.73%, 0.2%

LAB 34.59, -6.51, 37.86

 

CMYK 0 / 7 / 95 / 62

HEX #615A05

RGB 97 90 5

HSL 55.43, 0.9%, 0.2%

LAB 37.6, -6.44, 43.49

 

CMYK 0 / 4 / 58 / 72

HEX #48451E

RGB 72 69 30

HSL 55.71, 0.41%, 0.2%

LAB 28.71, -4.95, 23.73

 

CMYK 0 / 3 / 41 / 75

HEX #403E26

RGB 64 62 38

HSL 55.38, 0.25%, 0.2%

LAB 25.79, -3.54, 15.09

 

CMYK 0 / 0 / 15 / 78

HEX #37372F

RGB 55 55 47

HSL 60, 0.08%, 0.2%

LAB 22.83, -1.73, 5.02

 

CMYK 15 / 13 / 0 / 78

HEX #2F3037

RGB 47 48 55

HSL 232.5, 0.08%, 0.2%

LAB 20.02, 1.32, -4.59

 

CMYK 38 / 35 / 0 / 75

HEX #27293F

RGB 39 41 63

HSL 235, 0.24%, 0.2%

LAB 17.35, 5.48, -14.26

 

CMYK 0 / 36 / 58 / 72

HEX #482E1E

RGB 72 46 30

HSL 22.86, 0.41%, 0.2%

LAB 21.67, 9.83, 15.12

 

CMYK 0 / 21 / 58 / 72

HEX #48391E

RGB 72 57 30

HSL 38.57, 0.41%, 0.2%

LAB 24.94, 2.64, 19.21

 

CMYK 0 / 6 / 58 / 72

HEX #48441E

RGB 72 68 30

HSL 54.29, 0.41%, 0.2%

LAB 28.4, -4.34, 23.35

 

CMYK 11 / 0 / 58 / 72

HEX #40481E

RGB 64 72 30

HSL 71.43, 0.41%, 0.2%

LAB 28.95, -10.67, 23.82

 

CMYK 26 / 0 / 58 / 72

HEX #35481E

RGB 53 72 30

HSL 87.14, 0.41%, 0.2%

LAB 28.08, -15.77, 22.57

 

CMYK 0 / 7 / 57 / 95

HEX #0E0D06

RGB 14 13 6

HSL 52.5, 0.4%, 0.04%

LAB 3.56, -0.69, 2.86

 

CMYK 0 / 5 / 58 / 83

HEX #2B2912

RGB 43 41 18

HSL 55.2, 0.41%, 0.12%

LAB 16.22, -3.22, 15.3

 

CMYK 0 / 4 / 58 / 72

HEX #48451E

RGB 72 69 30

HSL 55.71, 0.41%, 0.2%

LAB 28.71, -4.95, 23.73

 

CMYK 0 / 4 / 58 / 60

HEX #65612A

RGB 101 97 42

HSL 55.93, 0.41%, 0.28%

LAB 40.38, -6.52, 31.42

 

CMYK 0 / 4 / 58 / 49

HEX #827D36

RGB 130 125 54

HSL 56.05, 0.41%, 0.36%

LAB 51.47, -7.99, 38.64

 

CMYK 0 / 4 / 58 / 72

HEX #48451E

RGB 72 69 30

HSL 55.71, 0.41%, 0.2%

LAB 28.71, -4.95, 23.73

 

CMYK 58 / 0 / 51 / 72

HEX #1E4823

RGB 30 72 35

HSL 127.14, 0.41%, 0.2%

LAB 26.83, -23.88, 17.8

 

CMYK 28 / 58 / 0 / 72

HEX #341E48

RGB 52 30 72

HSL 271.43, 0.41%, 0.2%

LAB 16.14, 20.37, -22.27

 

CMYK 0 / 4 / 58 / 72

HEX #48451E

RGB 72 69 30

HSL 55.71, 0.41%, 0.2%

LAB 28.71, -4.95, 23.73

 

CMYK 58 / 0 / 6 / 72

HEX #1E4844

RGB 30 72 68

HSL 174.29, 0.41%, 0.2%

LAB 27.65, -15.75, -2.06

 

CMYK 6 / 58 / 0 / 72

HEX #441E48

RGB 68 30 72

HSL 294.29, 0.41%, 0.2%

LAB 18.48, 25.57, -18.43

 

CMYK 0 / 4 / 58 / 72

HEX #48451E

RGB 72 69 30

HSL 55.71, 0.41%, 0.2%

LAB 28.71, -4.95, 23.73

 

CMYK 58 / 0 / 51 / 72

HEX #1E4823

RGB 30 72 35

HSL 127.14, 0.41%, 0.2%

LAB 26.83, -23.88, 17.8

 

CMYK 58 / 53 / 0 / 72

HEX #1E2248

RGB 30 34 72

HSL 234.29, 0.41%, 0.2%

LAB 14.89, 11, -24.41

 

CMYK 0 / 58 / 7 / 72

HEX #481E43

RGB 72 30 67

HSL 307.14, 0.41%, 0.2%

LAB 18.85, 25.85, -14.36

 

CMYK 0 / 4 / 58 / 72

HEX #48451E

RGB 72 69 30

HSL 55.71, 0.41%, 0.2%

LAB 28.71, -4.95, 23.73

 

CMYK 58 / 0 / 33 / 72

HEX #1E4830

RGB 30 72 48

HSL 145.71, 0.41%, 0.2%

LAB 27.09, -21.19, 10.05

 

CMYK 58 / 53 / 0 / 72

HEX #1E2248

RGB 30 34 72

HSL 234.29, 0.41%, 0.2%

LAB 14.89, 11, -24.41

 

CMYK 0 / 58 / 25 / 72

HEX #481E36

RGB 72 30 54

HSL 325.71, 0.41%, 0.2%

LAB 18.24, 23.41, -6.24

 

Description

Color code: HEX #48451E | qconv.com Color code: HEX #48451E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 69 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 69 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 58 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 58% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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