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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48433D it is the complementary color #B7BCC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48433D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48433D shade: #4D4338, #5E554B, #6F675E, #807971 and #918B84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48433D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48433D shade: #48433D, #37312A, #261F17, #150D04 and #040000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48433D shade: #48433D, #48403D and #483D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48433D shade: #48433D, #48463D, #47483D, #44483D and #41483D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48433D shade matches the following richer shades: #48433D, #524432, #5D4528, #68461D and #734712

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48433D shade: #48433D, #3D4248, #324152, #27405D and #1D3F68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48433D shade: #483D3D, #48403D, #48433D, #48453D and #47483D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48433D shade: #1B1917, #312E2A, #48433D, #5E5850 and #746C63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48433D shade: #48433D, #40483D and #3E3D48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48433D shade: #48433D, #3D4843 and #433D48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48433D shade: #48433D, #40483D, #3D4248 and #453D48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48433D shade: #48433D, #3D483D, #3D4248 and #483D47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 15 / 72

HEX #48433D

RGB 72 67 61

HSL 32.73, 0.08%, 0.26%

LAB 28.72, 0.9, 4.4

 

Complementary color

CMYK 6 / 3 / 0 / 24

HEX #B7BCC2

RGB 183 188 194

HSL 212.73, 0.08%, 0.74%

LAB 76.03, -0.58, -3.63

 

CMYK 0 / 13 / 27 / 70

HEX #4D4338

RGB 77 67 56

HSL 31.43, 0.16%, 0.26%

LAB 29.1, 2.24, 8.25

 

CMYK 0 / 10 / 20 / 63

HEX #5E554B

RGB 94 85 75

HSL 31.58, 0.11%, 0.33%

LAB 36.71, 1.81, 7.17

 

CMYK 0 / 7 / 15 / 56

HEX #6F675E

RGB 111 103 94

HSL 31.76, 0.08%, 0.4%

LAB 44.07, 1.47, 6.21

 

CMYK 0 / 5 / 12 / 50

HEX #807971

RGB 128 121 113

HSL 32, 0.06%, 0.47%

LAB 51.22, 1.18, 5.33

 

CMYK 0 / 4 / 9 / 43

HEX #918B84

RGB 145 139 132

HSL 32.31, 0.06%, 0.54%

LAB 58.18, 0.94, 4.53

 

CMYK 0 / 7 / 15 / 72

HEX #48433D

RGB 72 67 61

HSL 32.73, 0.08%, 0.26%

LAB 28.72, 0.9, 4.4

 

CMYK 0 / 11 / 24 / 78

HEX #37312A

RGB 55 49 42

HSL 32.31, 0.13%, 0.19%

LAB 20.74, 1.27, 5.45

 

CMYK 0 / 18 / 39 / 85

HEX #261F17

RGB 38 31 23

HSL 32, 0.25%, 0.12%

LAB 12.31, 1.8, 6.72

 

CMYK 0 / 38 / 81 / 92

HEX #150D04

RGB 21 13 4

HSL 31.76, 0.68%, 0.05%

LAB 4.12, 1.71, 4.56

 

CMYK 0 / 100 / 100 / 98

HEX #040000

RGB 4 0 0

HSL 0, 1%, 0.01%

LAB 0.23, 1.05, 0.37

 

CMYK 0 / 7 / 15 / 72

HEX #48433D

RGB 72 67 61

HSL 32.73, 0.08%, 0.26%

LAB 28.72, 0.9, 4.4

 

CMYK 0 / 11 / 15 / 72

HEX #48403D

RGB 72 64 61

HSL 16.36, 0.08%, 0.26%

LAB 27.79, 2.83, 3.08

 

CMYK 0 / 15 / 15 / 72

HEX #483D3D

RGB 72 61 61

HSL 0, 0.08%, 0.26%

LAB 26.88, 4.77, 1.76

 

CMYK 0 / 7 / 15 / 72

HEX #48433D

RGB 72 67 61

HSL 32.73, 0.08%, 0.26%

LAB 28.72, 0.9, 4.4

 

CMYK 0 / 3 / 15 / 72

HEX #48463D

RGB 72 70 61

HSL 49.09, 0.08%, 0.26%

LAB 29.65, -1, 5.73

 

CMYK 1 / 0 / 15 / 72

HEX #47483D

RGB 71 72 61

HSL 65.45, 0.08%, 0.26%

LAB 30.18, -2.7, 6.47

 

CMYK 6 / 0 / 15 / 72

HEX #44483D

RGB 68 72 61

HSL 81.82, 0.08%, 0.26%

LAB 29.91, -4, 6.05

HEX #44483D

CMYK 10 / 0 / 15 / 72

HEX #41483D

RGB 65 72 61

HSL 98.18, 0.08%, 0.26%

LAB 29.65, -5.28, 5.64

HEX #41483D

CMYK 0 / 7 / 15 / 72

HEX #48433D

RGB 72 67 61

HSL 32.73, 0.08%, 0.26%

LAB 28.72, 0.9, 4.4

 

CMYK 0 / 17 / 39 / 68

HEX #524432

RGB 82 68 50

HSL 33.75, 0.24%, 0.26%

LAB 29.81, 2.98, 13.15

 

CMYK 0 / 26 / 57 / 64

HEX #5D4528

RGB 93 69 40

HSL 32.83, 0.4%, 0.26%

LAB 31.2, 6.39, 21.39

 

CMYK 0 / 33 / 72 / 59

HEX #68461D

RGB 104 70 29

HSL 32.8, 0.56%, 0.26%

LAB 32.73, 10.19, 29.83

 

CMYK 0 / 38 / 84 / 55

HEX #734712

RGB 115 71 18

HSL 32.78, 0.73%, 0.26%

LAB 34.39, 14.31, 37.31

 

CMYK 0 / 7 / 15 / 72

HEX #48433D

RGB 72 67 61

HSL 32.73, 0.08%, 0.26%

LAB 28.72, 0.9, 4.4

 

CMYK 15 / 8 / 0 / 72

HEX #3D4248

RGB 61 66 72

HSL 212.73, 0.08%, 0.26%

LAB 27.73, -0.6, -4.34

 

CMYK 39 / 21 / 0 / 68

HEX #324152

RGB 50 65 82

HSL 211.88, 0.24%, 0.26%

LAB 26.93, -1.14, -12.17

 

CMYK 58 / 31 / 0 / 64

HEX #27405D

RGB 39 64 93

HSL 212.22, 0.41%, 0.26%

LAB 26.41, -0.01, -20.17

 

CMYK 72 / 39 / 0 / 59

HEX #1D3F68

RGB 29 63 104

HSL 212.8, 0.56%, 0.26%

LAB 26.2, 2.69, -27.64

 

CMYK 0 / 15 / 15 / 72

HEX #483D3D

RGB 72 61 61

HSL 0, 0.08%, 0.26%

LAB 26.88, 4.77, 1.76

 

CMYK 0 / 11 / 15 / 72

HEX #48403D

RGB 72 64 61

HSL 16.36, 0.08%, 0.26%

LAB 27.79, 2.83, 3.08

 

CMYK 0 / 7 / 15 / 72

HEX #48433D

RGB 72 67 61

HSL 32.73, 0.08%, 0.26%

LAB 28.72, 0.9, 4.4

 

CMYK 0 / 4 / 15 / 72

HEX #48453D

RGB 72 69 61

HSL 43.64, 0.08%, 0.26%

LAB 29.34, -0.37, 5.28

 

CMYK 1 / 0 / 15 / 72

HEX #47483D

RGB 71 72 61

HSL 65.45, 0.08%, 0.26%

LAB 30.18, -2.7, 6.47

 

CMYK 0 / 7 / 15 / 89

HEX #1B1917

RGB 27 25 23

HSL 30, 0.08%, 0.1%

LAB 8.91, 0.5, 1.75

 

CMYK 0 / 6 / 14 / 81

HEX #312E2A

RGB 49 46 42

HSL 34.29, 0.08%, 0.18%

LAB 19.12, 0.47, 3.06

 

CMYK 0 / 7 / 15 / 72

HEX #48433D

RGB 72 67 61

HSL 32.73, 0.08%, 0.26%

LAB 28.72, 0.9, 4.4

 

CMYK 0 / 6 / 15 / 63

HEX #5E5850

RGB 94 88 80

HSL 34.29, 0.08%, 0.34%

LAB 37.73, 0.88, 5.51

 

CMYK 0 / 7 / 15 / 55

HEX #746C63

RGB 116 108 99

HSL 31.76, 0.08%, 0.42%

LAB 46.1, 1.45, 6.15

 

CMYK 0 / 7 / 15 / 72

HEX #48433D

RGB 72 67 61

HSL 32.73, 0.08%, 0.26%

LAB 28.72, 0.9, 4.4

 

CMYK 11 / 0 / 15 / 72

HEX #40483D

RGB 64 72 61

HSL 103.64, 0.08%, 0.26%

LAB 29.57, -5.7, 5.51

 

CMYK 14 / 15 / 0 / 72

HEX #3E3D48

RGB 62 61 72

HSL 245.45, 0.08%, 0.26%

LAB 26.24, 3.05, -6.55

 

CMYK 0 / 7 / 15 / 72

HEX #48433D

RGB 72 67 61

HSL 32.73, 0.08%, 0.26%

LAB 28.72, 0.9, 4.4

 

CMYK 15 / 0 / 7 / 72

HEX #3D4843

RGB 61 72 67

HSL 152.73, 0.08%, 0.26%

LAB 29.49, -5.61, 1.5

 

CMYK 7 / 15 / 0 / 72

HEX #433D48

RGB 67 61 72

HSL 272.73, 0.08%, 0.26%

LAB 26.73, 5.06, -5.77

 

CMYK 0 / 7 / 15 / 72

HEX #48433D

RGB 72 67 61

HSL 32.73, 0.08%, 0.26%

LAB 28.72, 0.9, 4.4

 

CMYK 11 / 0 / 15 / 72

HEX #40483D

RGB 64 72 61

HSL 103.64, 0.08%, 0.26%

LAB 29.57, -5.7, 5.51

 

CMYK 15 / 8 / 0 / 72

HEX #3D4248

RGB 61 66 72

HSL 212.73, 0.08%, 0.26%

LAB 27.73, -0.6, -4.34

 

CMYK 4 / 15 / 0 / 72

HEX #453D48

RGB 69 61 72

HSL 283.64, 0.08%, 0.26%

LAB 26.93, 5.87, -5.44

 

CMYK 0 / 7 / 15 / 72

HEX #48433D

RGB 72 67 61

HSL 32.73, 0.08%, 0.26%

LAB 28.72, 0.9, 4.4

 

CMYK 15 / 0 / 15 / 72

HEX #3D483D

RGB 61 72 61

HSL 120, 0.08%, 0.26%

LAB 29.32, -6.96, 5.12

 

CMYK 15 / 8 / 0 / 72

HEX #3D4248

RGB 61 66 72

HSL 212.73, 0.08%, 0.26%

LAB 27.73, -0.6, -4.34

 

CMYK 0 / 15 / 1 / 72

HEX #483D47

RGB 72 61 71

HSL 305.45, 0.08%, 0.26%

LAB 27.21, 6.88, -4.34

 

Description

Color code: HEX #48433D | qconv.com Color code: HEX #48433D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 67 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 67 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 15 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 15% 72% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

70% - Luca Zanella - Fotog...
Link: http://www.lucazanella.it

18% - yonghomoon.com
Link: http://futureinform.com

25% - La Cook Mobile | Foo...
Link: http://www.lacookmobile.fr

49% - My OC Tech - Onsite ...
Link: http://myoctech.com

28% - Entel y Bitel desata...
Link: http://article.wn.com

45% - Serial
Link: http://serialpodcast.org

60% - Pinturas Isidro | IS...
Link: http://pinturasisidro.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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