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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4838BC it is the complementary color #B7C743. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4838BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4838BC shade: #4D38B7, #5E4ACA, #6F5CDD, #806EF0 and #9180FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4838BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4838BC shade: #4838BC, #3726A9, #261496, #150283 and #040070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4838BC shade: #4838BC, #6C38BC, #9038BC, #B338BC and #BC38A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4838BC shade: #4838BC and #3838BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4838BC shade matches the following richer shades: #4838BC, #3924D0 and #2A11E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4838BC shade: #4838BC, #574CA9, #666095, #757481 and #84886D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4838BC shade: #386FBC, #384CBC, #4838BC, #6B38BC and #8E38BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4838BC shade: #30257D, #3C2F9D, #4838BC, #6153CB and #7E72D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4838BC shade: #4838BC, #BC3893 and #5EBC38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4838BC shade: #4838BC, #BC4838 and #38BC48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4838BC shade: #4838BC, #BC3893, #ADBC38 and #38BC62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4838BC shade: #4838BC, #BC386B, #ADBC38 and #38BC8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 70 / 0 / 26

HEX #4838BC

RGB 72 56 188

HSL 247.27, 0.54%, 0.48%

LAB 33.64, 44.72, -67.04

 

Complementary color

CMYK 8 / 0 / 66 / 22

HEX #B7C743

RGB 183 199 67

HSL 67.27, 0.54%, 0.52%

LAB 76.87, -22.63, 61.5

 

CMYK 58 / 69 / 0 / 28

HEX #4D38B7

RGB 77 56 183

HSL 249.92, 0.53%, 0.47%

LAB 33.62, 43.9, -64.12

 

CMYK 53 / 63 / 0 / 21

HEX #5E4ACA

RGB 94 74 202

HSL 249.38, 0.55%, 0.54%

LAB 40.48, 42.23, -63.97

 

CMYK 50 / 58 / 0 / 13

HEX #6F5CDD

RGB 111 92 221

HSL 248.84, 0.65%, 0.61%

LAB 47.31, 40.65, -63.72

 

CMYK 47 / 54 / 0 / 6

HEX #806EF0

RGB 128 110 240

HSL 248.31, 0.81%, 0.69%

LAB 54.06, 39.22, -63.43

 

CMYK 43 / 50 / 0 / 0

HEX #9180FF

RGB 145 128 255

HSL 248.03, 1%, 0.75%

LAB 60.5, 36.82, -61.32

 

CMYK 62 / 70 / 0 / 26

HEX #4838BC

RGB 72 56 188

HSL 247.27, 0.54%, 0.48%

LAB 33.64, 44.72, -67.04

 

CMYK 67 / 78 / 0 / 34

HEX #3726A9

RGB 55 38 169

HSL 247.79, 0.63%, 0.41%

LAB 26.91, 46.5, -66.84

 

CMYK 75 / 87 / 0 / 41

HEX #261496

RGB 38 20 150

HSL 248.31, 0.76%, 0.33%

LAB 20.5, 47.73, -65.92

 

CMYK 84 / 98 / 0 / 49

HEX #150283

RGB 21 2 131

HSL 248.84, 0.97%, 0.26%

LAB 14.63, 47.87, -63.82

 

CMYK 96 / 100 / 0 / 56

HEX #040070

RGB 4 0 112

HSL 242.14, 1%, 0.22%

LAB 10.53, 43.24, -58.48

 

CMYK 62 / 70 / 0 / 26

HEX #4838BC

RGB 72 56 188

HSL 247.27, 0.54%, 0.48%

LAB 33.64, 44.72, -67.04

 

CMYK 43 / 70 / 0 / 26

HEX #6C38BC

RGB 108 56 188

HSL 263.64, 0.54%, 0.48%

LAB 37.2, 50.59, -61.08

 

CMYK 23 / 70 / 0 / 26

HEX #9038BC

RGB 144 56 188

HSL 280, 0.54%, 0.48%

LAB 41.83, 57.71, -53.36

 

CMYK 5 / 70 / 0 / 26

HEX #B338BC

RGB 179 56 188

HSL 295.91, 0.54%, 0.48%

LAB 47.03, 65.24, -44.74

 

CMYK 0 / 70 / 14 / 26

HEX #BC38A2

RGB 188 56 162

HSL 311.82, 0.54%, 0.48%

LAB 47.14, 63.18, -29.15

 

CMYK 62 / 70 / 0 / 26

HEX #4838BC

RGB 72 56 188

HSL 247.27, 0.54%, 0.48%

LAB 33.64, 44.72, -67.04

 

CMYK 70 / 70 / 0 / 26

HEX #3838BC

RGB 56 56 188

HSL 240, 0.54%, 0.48%

LAB 32.48, 42.71, -68.99

 

CMYK 62 / 70 / 0 / 26

HEX #4838BC

RGB 72 56 188

HSL 247.27, 0.54%, 0.48%

LAB 33.64, 44.72, -67.04

 

CMYK 73 / 83 / 0 / 18

HEX #3924D0

RGB 57 36 208

HSL 247.33, 0.7%, 0.48%

LAB 31.08, 59.25, -83.02

 

CMYK 82 / 93 / 0 / 11

HEX #2A11E4

RGB 42 17 228

HSL 247.11, 0.86%, 0.48%

LAB 30.63, 70.17, -95.33

 

CMYK 62 / 70 / 0 / 26

HEX #4838BC

RGB 72 56 188

HSL 247.27, 0.54%, 0.48%

LAB 33.64, 44.72, -67.04

 

CMYK 49 / 55 / 0 / 34

HEX #574CA9

RGB 87 76 169

HSL 247.1, 0.38%, 0.48%

LAB 37.95, 29.47, -48.72

 

CMYK 32 / 36 / 0 / 42

HEX #666095

RGB 102 96 149

HSL 246.79, 0.22%, 0.48%

LAB 43.3, 15.11, -28.21

 

CMYK 9 / 10 / 0 / 49

HEX #757481

RGB 117 116 129

HSL 244.62, 0.05%, 0.48%

LAB 49.32, 3.12, -6.99

 

CMYK 3 / 0 / 20 / 47

HEX #84886D

RGB 132 136 109

HSL 68.89, 0.11%, 0.48%

LAB 55.7, -6.41, 14.03

 

CMYK 70 / 41 / 0 / 26

HEX #386FBC

RGB 56 111 188

HSL 215, 0.54%, 0.48%

LAB 46.76, 7.78, -45.85

 

CMYK 70 / 60 / 0 / 26

HEX #384CBC

RGB 56 76 188

HSL 230.91, 0.54%, 0.48%

LAB 37.19, 30.27, -61.28

 

CMYK 62 / 70 / 0 / 26

HEX #4838BC

RGB 72 56 188

HSL 247.27, 0.54%, 0.48%

LAB 33.64, 44.72, -67.04

 

CMYK 43 / 70 / 0 / 26

HEX #6B38BC

RGB 107 56 188

HSL 263.18, 0.54%, 0.48%

LAB 37.09, 50.41, -61.27

 

CMYK 24 / 70 / 0 / 26

HEX #8E38BC

RGB 142 56 188

HSL 279.09, 0.54%, 0.48%

LAB 41.55, 57.29, -53.83

 

CMYK 62 / 70 / 0 / 51

HEX #30257D

RGB 48 37 125

HSL 247.5, 0.54%, 0.32%

LAB 21.7, 31.86, -48.26

 

CMYK 62 / 70 / 0 / 38

HEX #3C2F9D

RGB 60 47 157

HSL 247.09, 0.54%, 0.4%

LAB 27.92, 38.29, -57.9

 

CMYK 62 / 70 / 0 / 26

HEX #4838BC

RGB 72 56 188

HSL 247.27, 0.54%, 0.48%

LAB 33.64, 44.72, -67.04

 

CMYK 52 / 59 / 0 / 20

HEX #6153CB

RGB 97 83 203

HSL 247, 0.54%, 0.56%

LAB 42.82, 37.79, -60.73

 

CMYK 41 / 46 / 0 / 16

HEX #7E72D5

RGB 126 114 213

HSL 247.27, 0.54%, 0.64%

LAB 53.25, 28.7, -49.57

 

CMYK 62 / 70 / 0 / 26

HEX #4838BC

RGB 72 56 188

HSL 247.27, 0.54%, 0.48%

LAB 33.64, 44.72, -67.04

 

CMYK 0 / 70 / 22 / 26

HEX #BC3893

RGB 188 56 147

HSL 318.64, 0.54%, 0.48%

LAB 46.48, 61.07, -21.21

 

CMYK 50 / 0 / 70 / 26

HEX #5EBC38

RGB 94 188 56

HSL 102.73, 0.54%, 0.48%

LAB 68.48, -51.17, 55.52

 

CMYK 62 / 70 / 0 / 26

HEX #4838BC

RGB 72 56 188

HSL 247.27, 0.54%, 0.48%

LAB 33.64, 44.72, -67.04

 

CMYK 0 / 62 / 70 / 26

HEX #BC4838

RGB 188 72 56

HSL 7.27, 0.54%, 0.48%

LAB 46.46, 45.79, 33.75

 

CMYK 70 / 0 / 62 / 26

HEX #38BC48

RGB 56 188 72

HSL 127.27, 0.54%, 0.48%

LAB 67.48, -58.61, 47.44

 

CMYK 62 / 70 / 0 / 26

HEX #4838BC

RGB 72 56 188

HSL 247.27, 0.54%, 0.48%

LAB 33.64, 44.72, -67.04

 

CMYK 0 / 70 / 22 / 26

HEX #BC3893

RGB 188 56 147

HSL 318.64, 0.54%, 0.48%

LAB 46.48, 61.07, -21.21

 

CMYK 8 / 0 / 70 / 26

HEX #ADBC38

RGB 173 188 56

HSL 66.82, 0.54%, 0.48%

LAB 72.98, -22.01, 61.53

 

CMYK 70 / 0 / 48 / 26

HEX #38BC62

RGB 56 188 98

HSL 139.09, 0.54%, 0.48%

LAB 67.79, -55.02, 35.36

 

CMYK 62 / 70 / 0 / 26

HEX #4838BC

RGB 72 56 188

HSL 247.27, 0.54%, 0.48%

LAB 33.64, 44.72, -67.04

 

CMYK 0 / 70 / 43 / 26

HEX #BC386B

RGB 188 56 107

HSL 336.82, 0.54%, 0.48%

LAB 45.06, 56.36, 1.03

 

CMYK 8 / 0 / 70 / 26

HEX #ADBC38

RGB 173 188 56

HSL 66.82, 0.54%, 0.48%

LAB 72.98, -22.01, 61.53

 

CMYK 70 / 0 / 27 / 26

HEX #38BC8A

RGB 56 188 138

HSL 157.27, 0.54%, 0.48%

LAB 68.49, -47.27, 15.2

 

Description

Color code: HEX #4838BC | qconv.com Color code: HEX #4838BC | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 56 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 56 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 70 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 70% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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