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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4836CACE it is the complementary color #B7C935CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4836CACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4836CACE shade: #4D36C5CE, #5E48D8CE, #6F5AEBCE, #806CFECE and #917EFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4836CACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4836CACE shade: #4836CACE, #3724B7CE, #2612A4CE, #150091CE and #04007ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4836CACE shade: #4836C9, #6F36C9, #9736C9, #BF36C9 and #C936AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4836CACE shade: #4836C9 and #3636C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4836CACE shade matches the following richer shades: #4836C9, #3821DE and #280CF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4836CACE shade: #4836C9, #574AB5, #675FA0, #76738C and #868877

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4836CACE shade: #3673C9, #364CC9, #4736C9, #6E36C9 and #9636C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4836CACE shade: #302488, #3C2DA9, #4836C9, #6556D2 and #8377DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4836CACE shade: #4836CA, #C9369B and #5FC936

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4836CACE shade: #4836CA, #C94736 and #36C947

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4836CACE shade: #4836CA, #C9369B, #B8C936 and #36C964

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4836CACE shade: #4836CA, #C9366E, #B8C936 and #36C991

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 59 / 0 / 17

HEX #4836CACE

RGBA 72 54 202 0.81

HSLA 247.3, 0.58%, 0.5%, 0.81

LABA 34.56, 50.17, -73.74, 0.81

 

Complementary color

CMYK 7 / 0 / 60 / 17

HEX #B7C935CE

RGBA 183 201 53 0.81

HSLA 67.3, 0.58%, 0.5%, 0.81

LABA 77.34, -24.36, 67.05, 0.81

 

CMYK 49 / 59 / 0 / 18

HEX #4D36C5CE

RGBA 77 54 197 0.81

HSLA 249.65, 0.57%, 0.49%, 0.81

LABA 34.49, 49.26, -70.91, 0.81

 

CMYK 46 / 54 / 0 / 12

HEX #5E48D8CE

RGBA 94 72 216 0.81

HSLA 249.17, 0.65%, 0.56%, 0.81

LABA 41.17, 47.6, -70.91, 0.81

 

CMYK 43 / 50 / 0 / 6

HEX #6F5AEBCE

RGBA 111 90 235 0.81

HSLA 248.69, 0.78%, 0.64%, 0.81

LABA 47.87, 45.95, -70.72, 0.81

 

CMYK 40 / 47 / 0 / 0

HEX #806CFECE

RGBA 128 108 254 0.81

HSLA 248.22, 0.99%, 0.71%, 0.81

LABA 54.52, 44.42, -70.46, 0.81

 

CMYK 35 / 41 / 0 / 0

HEX #917EFFCE

RGBA 145 126 255 0.81

HSLA 248.84, 1%, 0.75%, 0.81

LABA 60.03, 37.97, -62.06, 0.81

 

CMYK 52 / 59 / 0 / 17

HEX #4836CACE

RGBA 72 54 202 0.81

HSLA 247.3, 0.58%, 0.5%, 0.81

LABA 34.56, 50.17, -73.74, 0.81

 

CMYK 57 / 65 / 0 / 23

HEX #3724B7CE

RGBA 55 36 183 0.81

HSLA 247.76, 0.67%, 0.43%, 0.81

LABA 28.1, 51.76, -73.27, 0.81

 

CMYK 62 / 72 / 0 / 29

HEX #2612A4CE

RGBA 38 18 164 0.81

HSLA 248.22, 0.8%, 0.36%, 0.81

LABA 22.03, 52.56, -71.94, 0.81

 

CMYK 69 / 81 / 0 / 35

HEX #150091CE

RGBA 21 0 145 0.81

HSLA 248.69, 1%, 0.28%, 0.81

LABA 16.52, 52.27, -69.47, 0.81

 

CMYK 78 / 81 / 0 / 41

HEX #04007ECE

RGBA 4 0 126 0.81

HSLA 241.9, 1%, 0.25%, 0.81

LABA 12.81, 47.02, -63.7, 0.81

 

CMYK 64 / 73 / 0 / 21

HEX #4836C9

RGB 72 54 201

HSL 247.35, 0.58%, 0.5%

LAB 34.46, 49.86, -73.31

 

CMYK 45 / 73 / 0 / 21

HEX #6F36C9

RGB 111 54 201

HSL 263.27, 0.58%, 0.5%

LAB 38.26, 55.45, -66.94

 

CMYK 25 / 73 / 0 / 21

HEX #9736C9

RGB 151 54 201

HSL 279.59, 0.58%, 0.5%

LAB 43.41, 62.66, -58.33

 

CMYK 5 / 73 / 0 / 21

HEX #BF36C9

RGB 191 54 201

HSL 295.92, 0.58%, 0.5%

LAB 49.41, 70.7, -48.37

 

CMYK 0 / 73 / 14 / 21

HEX #C936AC

RGB 201 54 172

HSL 311.84, 0.58%, 0.5%

LAB 49.54, 68.41, -31.17

 

CMYK 64 / 73 / 0 / 21

HEX #4836C9

RGB 72 54 201

HSL 247.35, 0.58%, 0.5%

LAB 34.46, 49.86, -73.31

 

CMYK 73 / 73 / 0 / 21

HEX #3636C9

RGB 54 54 201

HSL 240, 0.58%, 0.5%

LAB 33.22, 47.96, -75.4

 

CMYK 64 / 73 / 0 / 21

HEX #4836C9

RGB 72 54 201

HSL 247.35, 0.58%, 0.5%

LAB 34.46, 49.86, -73.31

 

CMYK 75 / 85 / 0 / 13

HEX #3821DE

RGB 56 33 222

HSL 247.3, 0.74%, 0.5%

LAB 32.26, 64.31, -89.14

 

CMYK 84 / 95 / 0 / 5

HEX #280CF3

RGB 40 12 243

HSL 247.27, 0.91%, 0.5%

LAB 32.22, 74.86, -101.21

 

CMYK 64 / 73 / 0 / 21

HEX #4836C9

RGB 72 54 201

HSL 247.35, 0.58%, 0.5%

LAB 34.46, 49.86, -73.31

 

CMYK 52 / 59 / 0 / 29

HEX #574AB5

RGB 87 74 181

HSL 247.29, 0.42%, 0.5%

LAB 38.31, 34.43, -55.26

 

CMYK 36 / 41 / 0 / 37

HEX #675FA0

RGB 103 95 160

HSL 247.38, 0.25%, 0.5%

LAB 43.66, 19.09, -34.19

 

CMYK 16 / 18 / 0 / 45

HEX #76738C

RGB 118 115 140

HSL 247.2, 0.1%, 0.5%

LAB 49.5, 6.56, -13.21

 

CMYK 1 / 0 / 13 / 47

HEX #868877

RGB 134 136 119

HSL 67.06, 0.07%, 0.5%

LAB 56.1, -3.93, 8.88

 

CMYK 73 / 43 / 0 / 21

HEX #3673C9

RGB 54 115 201

HSL 215.1, 0.58%, 0.5%

LAB 48.59, 9.76, -50.42

 

CMYK 73 / 62 / 0 / 21

HEX #364CC9

RGB 54 76 201

HSL 231.02, 0.58%, 0.5%

LAB 38.15, 34.68, -67.31

 

CMYK 65 / 73 / 0 / 21

HEX #4736C9

RGB 71 54 201

HSL 246.94, 0.58%, 0.5%

LAB 34.39, 49.74, -73.44

 

CMYK 45 / 73 / 0 / 21

HEX #6E36C9

RGB 110 54 201

HSL 262.86, 0.58%, 0.5%

LAB 38.15, 55.29, -67.13

 

CMYK 25 / 73 / 0 / 21

HEX #9636C9

RGB 150 54 201

HSL 279.18, 0.58%, 0.5%

LAB 43.27, 62.47, -58.57

 

CMYK 65 / 74 / 0 / 47

HEX #302488

RGB 48 36 136

HSL 247.2, 0.58%, 0.34%

LAB 22.54, 36.16, -53.8

 

CMYK 64 / 73 / 0 / 34

HEX #3C2DA9

RGB 60 45 169

HSL 247.26, 0.58%, 0.42%

LAB 28.65, 43.31, -63.97

 

CMYK 64 / 73 / 0 / 21

HEX #4836C9

RGB 72 54 201

HSL 247.35, 0.58%, 0.5%

LAB 34.46, 49.86, -73.31

 

CMYK 52 / 59 / 0 / 18

HEX #6556D2

RGB 101 86 210

HSL 247.26, 0.58%, 0.58%

LAB 44.34, 38.92, -62.28

 

CMYK 40 / 46 / 0 / 14

HEX #8377DB

RGB 131 119 219

HSL 247.2, 0.58%, 0.66%

LAB 55.21, 28.67, -49.81

 

CMYK 64 / 73 / 0 / 21

HEX #4836CA

RGB 72 54 202

HSL 247.3, 0.58%, 0.5%

LAB 34.56, 50.17, -73.74

 

CMYK 0 / 73 / 23 / 21

HEX #C9369B

RGB 201 54 155

HSL 318.78, 0.58%, 0.5%

LAB 48.79, 66.11, -22.26

 

CMYK 53 / 0 / 73 / 21

HEX #5FC936

RGB 95 201 54

HSL 103.27, 0.58%, 0.5%

LAB 72.54, -55.95, 60.4

 

CMYK 64 / 73 / 0 / 21

HEX #4836CA

RGB 72 54 202

HSL 247.3, 0.58%, 0.5%

LAB 34.56, 50.17, -73.74

 

CMYK 0 / 65 / 73 / 21

HEX #C94736

RGB 201 71 54

HSL 6.94, 0.58%, 0.5%

LAB 48.5, 50.7, 37.79

 

CMYK 73 / 0 / 65 / 21

HEX #36C947

RGB 54 201 71

HSL 126.94, 0.58%, 0.5%

LAB 71.56, -63.41, 52.43

 

CMYK 64 / 73 / 0 / 21

HEX #4836CA

RGB 72 54 202

HSL 247.3, 0.58%, 0.5%

LAB 34.56, 50.17, -73.74

 

CMYK 0 / 73 / 23 / 21

HEX #C9369B

RGB 201 54 155

HSL 318.78, 0.58%, 0.5%

LAB 48.79, 66.11, -22.26

 

CMYK 8 / 0 / 73 / 21

HEX #B8C936

RGB 184 201 54

HSL 66.94, 0.58%, 0.5%

LAB 77.42, -23.89, 66.82

 

CMYK 73 / 0 / 50 / 21

HEX #36C964

RGB 54 201 100

HSL 138.78, 0.58%, 0.5%

LAB 71.88, -59.68, 39.47

 

CMYK 64 / 73 / 0 / 21

HEX #4836CA

RGB 72 54 202

HSL 247.3, 0.58%, 0.5%

LAB 34.56, 50.17, -73.74

 

CMYK 0 / 73 / 45 / 21

HEX #C9366E

RGB 201 54 110

HSL 337.14, 0.58%, 0.5%

LAB 47.21, 61.1, 2.6

 

CMYK 8 / 0 / 73 / 21

HEX #B8C936

RGB 184 201 54

HSL 66.94, 0.58%, 0.5%

LAB 77.42, -23.89, 66.82

 

CMYK 73 / 0 / 28 / 21

HEX #36C991

RGB 54 201 145

HSL 157.14, 0.58%, 0.5%

LAB 72.63, -51.25, 17.19

 

Description

Color code: HEX #4836CACE | qconv.com Color code: HEX #4836CACE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 54 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 54 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 59 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 59% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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